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Charlie Cobra Reviews (1840 KP) rated the Xbox One version of Xuan Yuan Sword 7 in Video Games
Oct 4, 2021
Beautiful looking world and nice graphics (2 more)
Pretty enjoyable story and gameplay
Interesting mix of fantasy and history
Lacks the polish that could have made it great (2 more)
Too linear and doesn’t open up enough
Combat could have been further refined
Interesting and Ambitious but Ultimately Average
So to start this review I got to say that I'm pretty mixed on how I feel about this game. For one it definitely has a lot of potential and enough going for it that it could have been a really good. But on the other hand it had a lot of things that I feel could have been done better and falls far from being a great game to just around average for me. The story itself isn't terrible but it suffers from bad writing and performance of the voice actors. The world itself seems like it could have been a lot more interesting but it just wasn't engaging enough half the time.
It seemed like it was going to be an open world game but wound up being very linear in nature although it had aspects of an open world game like side quests, fast travel, and even treasure chests scattered throughout the game world as well. There's a climbing mechanic that seemed kind of pointless because it was pretty much just a cut scene of in game graphics of you climbing a little cliff or sometimes it would turn into an interactive part where you had to move the analog stick to move the character. Still it was better than these weird times that the game gave you control of the character for a scene in which your only movement was preset like a ride on a rail that couldn't veer off a road.
I liked that it was an action-RPG meaning instead of turn based combat like most RPG's it had an active combat system where you could move at your own leisure and consisted of hack and slash combat with some martial art skills, blocking, dodging, and some riposte (parrying). There are four basic martial art skills which can be learned as you progress through the game, Bull, Wolf, Bear, and Tiger. They become stronger and increase the length or hits of their combo the more you use them. A big draw back is that you could only equip or use two at one time although they can be changed at anytime through the talent menu. Then there are three special martial art skills which are Taowu, Tundou and ?
The combat was one of the things that had me really conflicted. A cool thing I liked about the combat was that there was a meter that would go up when you would attack an enemy and if it filled all the way you could perform an execution on them. Otherwise it was very unresponsive most of the time making dodging and parrying really hard and kind of useless. I found the blocking especially useless because of how much damage you still incurred. There is a skill tree for new martial arts and you can create and upgrade structures in Elysium that can enhance various things, such as weapon, armor, accessories and more. You can also use the fusion to capture the souls of enemies in combat and fuse them together in Elysium to equip them for bonus stats and effects.
Your able to carry items in your inventory which are mainly objects like items that don't do anything except advance the story or quest and some like healing weapons. There is an equipment screen for weapons and accessories but you only stay with one weapon the whole game. It does change and become stronger and its appearance changes too. You can even change outfits. I'm not sure if you get any in the game as the version I played came with a couple of additional weapons/costumes. You do wind up getting some party members which is customary of some RPG's and they help out by attacking enemies on their own. You can control them by activating some abilities or special attacks that have cooldown times for when you can use them again. There's a minigame called Zhuolu chess and it can be pretty fun and a nice change of pace but not what you were looking for when you bought the game.
You can save your game and recover health at random campfires throughout the game world as well as listen to some party dialogue when you choose to rest. The dialogue tends to repeat often and doesn't really advance the story much or fit where you are at in the story that often. These game mechanics are similar to Dark Souls as resting respawns enemies when you save at a bonfire and get healed too. As I mentioned earlier the game employs a fast travel system consisting of waypoints called guard stones that you can activate when found. There is an element of puzzle solving in the game but they don't seem to be that hard to figure out and some can even be skipped if you don't want to bother with it.
The graphics were pretty solid and the game surely looks good for the most part. The textures are sometimes rough in the environment and sometimes there's very noticeable instances of "pop-ins" but overall aesthetic and style is beautiful. You really never get to play games where you get to see ancient Chinese castles, cities, or kingdoms so that was nice. The leaves in the trees are even ruffled by the wind, which is a nice touch. The main characters like Zhao and his sister Xiang look great and so do most of the secondary characters like Chu-Hong and Mo Huang. It just makes it that more disappointing when you see sub-par detail in the NPC's and stiff cutscenes because you know they could have done better on those too. Maybe they didn't have enough time, man power or budget.
The music was probably one of the best additions to the game as a whole. Containing traditional Chinese sounds and instruments befitting the setting the music was great. There are some instances where there is no music and the void is filled with nothing but awkward silence or the sound of footsteps. Only the subpar voice acting fills the dead air and background music would have added more depth to certain parts and scenes of the game. There's no English dubbing for the voice acting in the game it's only in Mandarin/Chinese which isn't bad in itself except the performances are kind of hit and miss and not very balanced.
Verdict: [5/10]
The game seemed very rough around the edges, it lacked that "polished" feel that it would have gotten if it had been a "AAA" game instead of a "AA" game. It's linear aspects left little to no deviation for exploring the world other than the main quest making it feel like going through a tunnel from location to the next. The distances between the towns and villages also made the world feel really small which it probably was. The story and gameplay were enjoyable enough but writing and especially acting/voice acting in key cutscenes needed work. The combat was was so uninspired I felt like I was doing the same sword attacks the whole game and they never really changed. And last thing, even if it doesn't help or is in any way useful, I like to be able to make my character jump and this game didn't let you do that either. So in conclusion I have to give Xuan Yuan Sword 7 a 5/10. It's an average or ok game, which has it's moments but nothing to write home about. However if they make a Xuan Yuan Sword 8, I'd be looking forward to see what kind of improvements they would make in the next installment.
It seemed like it was going to be an open world game but wound up being very linear in nature although it had aspects of an open world game like side quests, fast travel, and even treasure chests scattered throughout the game world as well. There's a climbing mechanic that seemed kind of pointless because it was pretty much just a cut scene of in game graphics of you climbing a little cliff or sometimes it would turn into an interactive part where you had to move the analog stick to move the character. Still it was better than these weird times that the game gave you control of the character for a scene in which your only movement was preset like a ride on a rail that couldn't veer off a road.
I liked that it was an action-RPG meaning instead of turn based combat like most RPG's it had an active combat system where you could move at your own leisure and consisted of hack and slash combat with some martial art skills, blocking, dodging, and some riposte (parrying). There are four basic martial art skills which can be learned as you progress through the game, Bull, Wolf, Bear, and Tiger. They become stronger and increase the length or hits of their combo the more you use them. A big draw back is that you could only equip or use two at one time although they can be changed at anytime through the talent menu. Then there are three special martial art skills which are Taowu, Tundou and ?
The combat was one of the things that had me really conflicted. A cool thing I liked about the combat was that there was a meter that would go up when you would attack an enemy and if it filled all the way you could perform an execution on them. Otherwise it was very unresponsive most of the time making dodging and parrying really hard and kind of useless. I found the blocking especially useless because of how much damage you still incurred. There is a skill tree for new martial arts and you can create and upgrade structures in Elysium that can enhance various things, such as weapon, armor, accessories and more. You can also use the fusion to capture the souls of enemies in combat and fuse them together in Elysium to equip them for bonus stats and effects.
Your able to carry items in your inventory which are mainly objects like items that don't do anything except advance the story or quest and some like healing weapons. There is an equipment screen for weapons and accessories but you only stay with one weapon the whole game. It does change and become stronger and its appearance changes too. You can even change outfits. I'm not sure if you get any in the game as the version I played came with a couple of additional weapons/costumes. You do wind up getting some party members which is customary of some RPG's and they help out by attacking enemies on their own. You can control them by activating some abilities or special attacks that have cooldown times for when you can use them again. There's a minigame called Zhuolu chess and it can be pretty fun and a nice change of pace but not what you were looking for when you bought the game.
You can save your game and recover health at random campfires throughout the game world as well as listen to some party dialogue when you choose to rest. The dialogue tends to repeat often and doesn't really advance the story much or fit where you are at in the story that often. These game mechanics are similar to Dark Souls as resting respawns enemies when you save at a bonfire and get healed too. As I mentioned earlier the game employs a fast travel system consisting of waypoints called guard stones that you can activate when found. There is an element of puzzle solving in the game but they don't seem to be that hard to figure out and some can even be skipped if you don't want to bother with it.
The graphics were pretty solid and the game surely looks good for the most part. The textures are sometimes rough in the environment and sometimes there's very noticeable instances of "pop-ins" but overall aesthetic and style is beautiful. You really never get to play games where you get to see ancient Chinese castles, cities, or kingdoms so that was nice. The leaves in the trees are even ruffled by the wind, which is a nice touch. The main characters like Zhao and his sister Xiang look great and so do most of the secondary characters like Chu-Hong and Mo Huang. It just makes it that more disappointing when you see sub-par detail in the NPC's and stiff cutscenes because you know they could have done better on those too. Maybe they didn't have enough time, man power or budget.
The music was probably one of the best additions to the game as a whole. Containing traditional Chinese sounds and instruments befitting the setting the music was great. There are some instances where there is no music and the void is filled with nothing but awkward silence or the sound of footsteps. Only the subpar voice acting fills the dead air and background music would have added more depth to certain parts and scenes of the game. There's no English dubbing for the voice acting in the game it's only in Mandarin/Chinese which isn't bad in itself except the performances are kind of hit and miss and not very balanced.
Verdict: [5/10]
The game seemed very rough around the edges, it lacked that "polished" feel that it would have gotten if it had been a "AAA" game instead of a "AA" game. It's linear aspects left little to no deviation for exploring the world other than the main quest making it feel like going through a tunnel from location to the next. The distances between the towns and villages also made the world feel really small which it probably was. The story and gameplay were enjoyable enough but writing and especially acting/voice acting in key cutscenes needed work. The combat was was so uninspired I felt like I was doing the same sword attacks the whole game and they never really changed. And last thing, even if it doesn't help or is in any way useful, I like to be able to make my character jump and this game didn't let you do that either. So in conclusion I have to give Xuan Yuan Sword 7 a 5/10. It's an average or ok game, which has it's moments but nothing to write home about. However if they make a Xuan Yuan Sword 8, I'd be looking forward to see what kind of improvements they would make in the next installment.
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Whatchareadin (174 KP) rated Saving Meghan in Books
Jun 21, 2019
Meghan Gerard is sick. There is no rational explanation for why she keeps getting sick. She has seen countless doctors and she has no diagnosis. Is she making herself sick, is her mother making her sick? What is going on in this girl's life that is making her body shut down. After finding a doctor that may have finally found out what is wrong with Meghan, other doctors are convinced that it's all in her head or her mother is experiencing Munchausen by proxy. What is real and what is psychosomatic?
Thank you to St. Martin's Press for the opportunity to read and review this book.
I was really looking forward to this book. For me it started off a little slow. Building up the the point of interest. Can you imagine what you would do if your child was sick and there was nothing you could do make them better? What if YOU were accused of being the reason why your child was sick? For the Gerard family, Meghan's health is at the focus of everything. Her parents, Becky and Carl, blame each other for Meghan's problems as well.
Even though the first part of this book started off slowly, it did pick up toward the end. Then I devoured the rest of it, staying up late to finish. I had no idea how this story was going to end up and for that it boosted the star rating.
Who is to blame for Meghan's health? Is it Becky, her mother, who was forced as a child to lie and cheat the system saying that her mother was ill in order to continue to receive disability checks. Is it Carl, the father who thinks that Becky is just too smothering and needs to give Meghan a break from all the doctor visits. Or is is Meghan herself, finding ways to keep the attention on herself? The reality is very shocking.
Thank you to St. Martin's Press for the opportunity to read and review this book.
I was really looking forward to this book. For me it started off a little slow. Building up the the point of interest. Can you imagine what you would do if your child was sick and there was nothing you could do make them better? What if YOU were accused of being the reason why your child was sick? For the Gerard family, Meghan's health is at the focus of everything. Her parents, Becky and Carl, blame each other for Meghan's problems as well.
Even though the first part of this book started off slowly, it did pick up toward the end. Then I devoured the rest of it, staying up late to finish. I had no idea how this story was going to end up and for that it boosted the star rating.
Who is to blame for Meghan's health? Is it Becky, her mother, who was forced as a child to lie and cheat the system saying that her mother was ill in order to continue to receive disability checks. Is it Carl, the father who thinks that Becky is just too smothering and needs to give Meghan a break from all the doctor visits. Or is is Meghan herself, finding ways to keep the attention on herself? The reality is very shocking.
Kirk Bage (1775 KP) rated Game Of Thrones in TV
Aug 6, 2020
Look on the bright side, we all said, without really believing it, when lockdown hit in March – time to watch those box sets we’ve been putting off. Well that was, of course, a great idea! For me that box set was possibly the biggest of all: the behemoth that is GOT.
Much like when a new band gets big quickly and you refuse to listen to the hype, I avoided watching the biggest show in the world, even when it was on in the same room as I tried to read a book in the other corner. It wasn’t that I thought I wouldn’t like it, but more that I didn’t believe it could be anywhere near as good as folk were making it out to be, especially as season one looked like only a slight step up on the swords and sandles exploitation-fests that had been going around. I labelled it “Tits and Dragons” and got on with my life for the next 8 years.
March 2020 will go down in history as the biggest spike in streaming TV services the globe will ever see. Literally millions of previously casual watchers, who had been busy having lives and jobs, turned to Netflix, Amazon Prime, Now TV and iPlayer etc, in search of endless hours of easy entertainment they could immerse their bored and twitchy minds inside of. Without internet at home, I had to go a bit more old school and rely on my daughter posting me the DVDs of GOT season by season.
I found season one enjoyable, with caveats, as it seemed to be one massive exposition (and sexposition) workshop. Obviously the main characters were being set up for big storylines down the road. In which sense it reminded me of a soap opera; in how it flitted between characters and relationships, never dwelling on one plot point for more than two minutes. I liked the way the production had set itself up though – the sets and costumes were of a much higher level than was usual for this kind of thing. Then there was those great opening credits, which become impossible not to hum along to as you get more into it.
Sadly, the first big shock moment didn’t shock me, as I’d heard so much about it on social media 9 years ago. But it was still very well done. Bold and brave; to take out a big name that early was a master stroke. By the end of S1E9 I was properly hooked. Although it helped I didn’t have anything else to do!
The next two weeks I had to wait for season two to be posted out, so I embarked on watching all the DVD commentaries too to kill some time in the evenings whilst I waited. This is almost certainly something I wouldn’t have done under normal circumstances and I believe it is what cemented my enjoyment of it as a whole. Listening to the cast and crew reminisce about what a great time they had, and how close they all were, really helped put it into context for me. I was already loving Peter Dinklage and Lena Headey, but their humour and irreverence in the commentaries made it feel like there were pals in the room watching it with me.
By season two and beyond, I was looking at maps, memorizing every minor character’s name, house and motto, and just immersing in it to the point of obsession. As, I guess, millions of people had already done over the years, but now I got what the fuss was all about. It is an addictive show; you have to know what happens next, you simply can’t leave it alone! Whether it is hissing and booing at Joffrey, or loving to hate Cersei, or siding with the bastards and broken things, there is always something engaging going on – and when a character you disliked dies horribly it is so satisfying!
It is a weird mix, however, of moments so horribly signposted, with some dubious acting, and moments of real surprise and emotion delivered with great acting. Many of the characters really grow into their skins as the actors get more familiar and comfortable being them. The writers too get better at putting the right words in their mouths, and learn to minimise the exposition moments. The young ones in particular really grow impressively as it goes on into seasons 3 and 4. Maisie Williams as the slightly sadistic loner Arya Stark especially. I loved how none stereotypical that character was, and have to say her relationship with The Hound was my favourite thing in the whole show.
At the climax of season four, which I believe was the peak of it artistically, the story arc of Dinklage as Tyrion Lannister, aka The Imp, becomes so compellingly good you can’t take your eyes off him. I had already come to the conclusion that his scenes were the best ones, but this went to 11 on the dial. And it gets better thinking back on it too. Which can’t truly be said of where they go with John Snow and Daenarys, who are ostensibly the main draw by this point, as all storylines seem to mirror their journeys on opposite sides of the world; a song of ice and fire, indeed.
Seasons 5 and 6 continued to be great, even though the dramatic peaks were hard to top. What did improve was the big set pieces, as episodes such as Hardhome and Battle of the Bastards upper the bar on huge battles, staged masterfully. There were things happening that I had never seen in a TV show before, both creatively and budget spent. Watching some of the making of documentaries was fascinating in this regard. The props department alone was astonishingly detailed, to Lord of the Rings degrees, properly impressive!
To go into story and scene details here is pointless, and I don’t want to include any more spoilers than I already have, just in case there is anyone else like me, that hasn’t done the whole journey yet. Obviously, there was some controversy in where seasons 7 and especially 8 went with some storylines and characters. I thought it was mostly fine, to be honest, I just went with it. But it did become a little stretched and hurried, as it raced towards its conclusion. It’s hard for me to get a proper impression of how tense and then annoying it would be to wait a long time for a new season and then have it not go where you imagined it would. Not a problem for me, as I blitzed the final 4 seasons in about a week.
As the episode ratings of season 8 on IMDb indicate, folk were not happy. There was an element of anti-climax, to be fair, but what else could it have been, now so many people claim it as their own? The end isn’t perfect, and that may have a lot to do with the fact they stopped following the books, because they hadn’t been written. In all honestly, I didn’t care. It was spectacular and diverting enough to keep my attention, and my investment in the characters not brutally killed off was not teenage enough to take it personally. I do have sympathy for fans that felt their loyalty betrayed, but come on… it’s just a TV show.
Watching the same fictional world for more than 70 actual hours can do things to you brain. In conclusion I would say I loved going there! The good things always outweighed the annoying things, and it is an experience I would recommend to anyone who hasn’t done it. Whatever age you are, it is a must see phenomenon, like The Sopranos – oh wait, I haven’t seen that yet either…
Much like when a new band gets big quickly and you refuse to listen to the hype, I avoided watching the biggest show in the world, even when it was on in the same room as I tried to read a book in the other corner. It wasn’t that I thought I wouldn’t like it, but more that I didn’t believe it could be anywhere near as good as folk were making it out to be, especially as season one looked like only a slight step up on the swords and sandles exploitation-fests that had been going around. I labelled it “Tits and Dragons” and got on with my life for the next 8 years.
March 2020 will go down in history as the biggest spike in streaming TV services the globe will ever see. Literally millions of previously casual watchers, who had been busy having lives and jobs, turned to Netflix, Amazon Prime, Now TV and iPlayer etc, in search of endless hours of easy entertainment they could immerse their bored and twitchy minds inside of. Without internet at home, I had to go a bit more old school and rely on my daughter posting me the DVDs of GOT season by season.
I found season one enjoyable, with caveats, as it seemed to be one massive exposition (and sexposition) workshop. Obviously the main characters were being set up for big storylines down the road. In which sense it reminded me of a soap opera; in how it flitted between characters and relationships, never dwelling on one plot point for more than two minutes. I liked the way the production had set itself up though – the sets and costumes were of a much higher level than was usual for this kind of thing. Then there was those great opening credits, which become impossible not to hum along to as you get more into it.
Sadly, the first big shock moment didn’t shock me, as I’d heard so much about it on social media 9 years ago. But it was still very well done. Bold and brave; to take out a big name that early was a master stroke. By the end of S1E9 I was properly hooked. Although it helped I didn’t have anything else to do!
The next two weeks I had to wait for season two to be posted out, so I embarked on watching all the DVD commentaries too to kill some time in the evenings whilst I waited. This is almost certainly something I wouldn’t have done under normal circumstances and I believe it is what cemented my enjoyment of it as a whole. Listening to the cast and crew reminisce about what a great time they had, and how close they all were, really helped put it into context for me. I was already loving Peter Dinklage and Lena Headey, but their humour and irreverence in the commentaries made it feel like there were pals in the room watching it with me.
By season two and beyond, I was looking at maps, memorizing every minor character’s name, house and motto, and just immersing in it to the point of obsession. As, I guess, millions of people had already done over the years, but now I got what the fuss was all about. It is an addictive show; you have to know what happens next, you simply can’t leave it alone! Whether it is hissing and booing at Joffrey, or loving to hate Cersei, or siding with the bastards and broken things, there is always something engaging going on – and when a character you disliked dies horribly it is so satisfying!
It is a weird mix, however, of moments so horribly signposted, with some dubious acting, and moments of real surprise and emotion delivered with great acting. Many of the characters really grow into their skins as the actors get more familiar and comfortable being them. The writers too get better at putting the right words in their mouths, and learn to minimise the exposition moments. The young ones in particular really grow impressively as it goes on into seasons 3 and 4. Maisie Williams as the slightly sadistic loner Arya Stark especially. I loved how none stereotypical that character was, and have to say her relationship with The Hound was my favourite thing in the whole show.
At the climax of season four, which I believe was the peak of it artistically, the story arc of Dinklage as Tyrion Lannister, aka The Imp, becomes so compellingly good you can’t take your eyes off him. I had already come to the conclusion that his scenes were the best ones, but this went to 11 on the dial. And it gets better thinking back on it too. Which can’t truly be said of where they go with John Snow and Daenarys, who are ostensibly the main draw by this point, as all storylines seem to mirror their journeys on opposite sides of the world; a song of ice and fire, indeed.
Seasons 5 and 6 continued to be great, even though the dramatic peaks were hard to top. What did improve was the big set pieces, as episodes such as Hardhome and Battle of the Bastards upper the bar on huge battles, staged masterfully. There were things happening that I had never seen in a TV show before, both creatively and budget spent. Watching some of the making of documentaries was fascinating in this regard. The props department alone was astonishingly detailed, to Lord of the Rings degrees, properly impressive!
To go into story and scene details here is pointless, and I don’t want to include any more spoilers than I already have, just in case there is anyone else like me, that hasn’t done the whole journey yet. Obviously, there was some controversy in where seasons 7 and especially 8 went with some storylines and characters. I thought it was mostly fine, to be honest, I just went with it. But it did become a little stretched and hurried, as it raced towards its conclusion. It’s hard for me to get a proper impression of how tense and then annoying it would be to wait a long time for a new season and then have it not go where you imagined it would. Not a problem for me, as I blitzed the final 4 seasons in about a week.
As the episode ratings of season 8 on IMDb indicate, folk were not happy. There was an element of anti-climax, to be fair, but what else could it have been, now so many people claim it as their own? The end isn’t perfect, and that may have a lot to do with the fact they stopped following the books, because they hadn’t been written. In all honestly, I didn’t care. It was spectacular and diverting enough to keep my attention, and my investment in the characters not brutally killed off was not teenage enough to take it personally. I do have sympathy for fans that felt their loyalty betrayed, but come on… it’s just a TV show.
Watching the same fictional world for more than 70 actual hours can do things to you brain. In conclusion I would say I loved going there! The good things always outweighed the annoying things, and it is an experience I would recommend to anyone who hasn’t done it. Whatever age you are, it is a must see phenomenon, like The Sopranos – oh wait, I haven’t seen that yet either…
Acanthea Grimscythe (300 KP) rated Knock and You Will See Me in Books
May 15, 2018
Knock and You Will See Me by Andrew Cull is a fun, action-packed read that left me on the edge of my seat. In fact, I read it in one sitting which, even with novellas, is a rare thing for me. I am easily distracted and easily bored, especially so lately. This novella, on the other hand, had my heart pumping.
The story encompasses the life of a single mother that is sensitive to the supernatural. Raising three boys on her own, Ellie Ray finds herself taking care of her elderly father. Soon, he passes away. After his funeral, strange things begin happening. Strange things that quickly begin to escalate into things far more terrifying. As the story continues, it quickly becomes a matter of life or death not just for Ellie, but for her young boys as well. As someone who wants to be a mother, this went straight to my heart.
Despite its short length, Cull manages to perfectly recreate the small town feel. Not only that, he perfectly fleshes out several characters in ways I’ve found authors incapable of doing in full length works. For this, I’ve got to give him props. For the most part, I really enjoyed reading this book.
I do have to dock a skull from the final rating due to various typos I encountered throughout the story. That and the cliched ending were a little bit too much for me. It was, however, a pretty solid story and I highly recommend it for fans of the macabre. With vivid, at times stomach curdling descriptions, Cull has a way of making his reader’s skin crawl.
I would like to thank the author for providing me with a copy for this book for free in exchange for an honest review.
The story encompasses the life of a single mother that is sensitive to the supernatural. Raising three boys on her own, Ellie Ray finds herself taking care of her elderly father. Soon, he passes away. After his funeral, strange things begin happening. Strange things that quickly begin to escalate into things far more terrifying. As the story continues, it quickly becomes a matter of life or death not just for Ellie, but for her young boys as well. As someone who wants to be a mother, this went straight to my heart.
Despite its short length, Cull manages to perfectly recreate the small town feel. Not only that, he perfectly fleshes out several characters in ways I’ve found authors incapable of doing in full length works. For this, I’ve got to give him props. For the most part, I really enjoyed reading this book.
I do have to dock a skull from the final rating due to various typos I encountered throughout the story. That and the cliched ending were a little bit too much for me. It was, however, a pretty solid story and I highly recommend it for fans of the macabre. With vivid, at times stomach curdling descriptions, Cull has a way of making his reader’s skin crawl.
I would like to thank the author for providing me with a copy for this book for free in exchange for an honest review.
Kaz (232 KP) rated The Silence (2019) in Movies
Jul 6, 2019 (Updated Jul 7, 2019)
A mediocre film
Contains spoilers, click to show
Even though 'The Silence' is based on a novel in its own right, it's impossible not to compare this to 'A Quiet Place'. Unfortunately, 'A Quiet Place' is a much better film.
The chemistry between the characters in 'A Quiet Place' was very good, I cared about what happened to them, which made that film successful. With 'The Silence', the characters felt one dimensional and, even thought they were a family, their relationship seemed very forced. I found some of the decisions that they made throughout the film, to be really implausible.
Also, what gave 'A Quiet Place' a sense of authenticity, was the fact that the deaf character in the story, was played be a deaf actress. In 'The Silence', this wasn't the case.
I thought that the plot at the beginning was predictable, but passable. However, towards the end of the film, a threat from a sect was inexplicably thrown in, and for me, the film completely unraveled.
'The Silence' had a few jump scares, but this film didn't keep me on the edge of my seat. The creatures themselves, were a cross between 'Gremlins' and dinosaurs from 'Jurassic Park' and it wasn't particularly scary, because of their bad CGI.
Despite its flaws, I stayed watching until the end of the film and to be honest, I wish I hadn't. The ending was rushed and unsatisfactory. It didn't have much of a resolution at all and left me wondering if I'd missed something, as everything was resolved so quickly.
If you want to watch an 'apocalyptic/monsters taking over the world 'type of a film, I don't recommend watching 'The Silence'. Watch 'A Quiet Place' instead.
The chemistry between the characters in 'A Quiet Place' was very good, I cared about what happened to them, which made that film successful. With 'The Silence', the characters felt one dimensional and, even thought they were a family, their relationship seemed very forced. I found some of the decisions that they made throughout the film, to be really implausible.
Also, what gave 'A Quiet Place' a sense of authenticity, was the fact that the deaf character in the story, was played be a deaf actress. In 'The Silence', this wasn't the case.
I thought that the plot at the beginning was predictable, but passable. However, towards the end of the film, a threat from a sect was inexplicably thrown in, and for me, the film completely unraveled.
'The Silence' had a few jump scares, but this film didn't keep me on the edge of my seat. The creatures themselves, were a cross between 'Gremlins' and dinosaurs from 'Jurassic Park' and it wasn't particularly scary, because of their bad CGI.
Despite its flaws, I stayed watching until the end of the film and to be honest, I wish I hadn't. The ending was rushed and unsatisfactory. It didn't have much of a resolution at all and left me wondering if I'd missed something, as everything was resolved so quickly.
If you want to watch an 'apocalyptic/monsters taking over the world 'type of a film, I don't recommend watching 'The Silence'. Watch 'A Quiet Place' instead.
Alexis Taylor recommended Hard to Earn by Gang Starr in Music (curated)
This is the fourteenth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Driving home to Utah to see her dying mother, college student Darby Thorne gets stuck in a terrible snowstorm. It forces her to stop at a rest area in Colorado. There she finds four other strangers stranded as well. When going back out to her car to try to get a cell signal, Darby makes a horrible discovery: in the van next to her vehicle, there's a little girl locked in a crate. Darby has no cell signal, there's no phone at the rest stop, and no way of knowing which of the four strangers has abducted this child. She's trapped and must find a way to rescue the kid. But how?
When I first picked up this book, I found it a little slow. Honestly, I think it's just because it stressed me out completely. One young college student trapped in the snow, trying to save a kid. It's a lot. I will say that Darby Thorne is a total badass (much like my hero, Darby Shaw, of The Pelican Brief).
This book is basically just a horror show, filled with violence, terror, and suspense. You don't know who Darby can trust, or what on earth will happen next. Adams packs a lot of tension into a book set in a rest area, and into a story that spans over less than half a day. It's pretty impressive.
Overall, while I can't say I completely enjoyed this book, because I was constantly worried, it's very well-done and suspenseful. 3.5 stars, rounded to 4 here.
Driving home to Utah to see her dying mother, college student Darby Thorne gets stuck in a terrible snowstorm. It forces her to stop at a rest area in Colorado. There she finds four other strangers stranded as well. When going back out to her car to try to get a cell signal, Darby makes a horrible discovery: in the van next to her vehicle, there's a little girl locked in a crate. Darby has no cell signal, there's no phone at the rest stop, and no way of knowing which of the four strangers has abducted this child. She's trapped and must find a way to rescue the kid. But how?
When I first picked up this book, I found it a little slow. Honestly, I think it's just because it stressed me out completely. One young college student trapped in the snow, trying to save a kid. It's a lot. I will say that Darby Thorne is a total badass (much like my hero, Darby Shaw, of The Pelican Brief).
This book is basically just a horror show, filled with violence, terror, and suspense. You don't know who Darby can trust, or what on earth will happen next. Adams packs a lot of tension into a book set in a rest area, and into a story that spans over less than half a day. It's pretty impressive.
Overall, while I can't say I completely enjoyed this book, because I was constantly worried, it's very well-done and suspenseful. 3.5 stars, rounded to 4 here.
Bong Mines Entertainment (15 KP) rated We Were Kings - Single by Neon Dreams in Music
Jun 25, 2019
Neon Dreams (Frank Kadillac, Adrian Morrisis) is a pop outfit based in Halifax, Nova Scotia. Not too long ago, they released a music video for their “We Were Kings” single.
“The video for ‘We Were Kings’ was shot by my close friend Alex Gayoso and directed by me. We were driving through Utah and found this piece of land that was incredible. It had all the landscapes in one place. As a Coldplay fan, I had this idea for doing a one-take video like ‘Yellow’ but making it our own.” – Frank Kadillac
‘We Were Kings’ tells an interesting tale of a young man who reminisces on his teenage years when he was thirteen and six-feet-tall.
Back then, he was shy and the new kid in town, until he obtained a friend. Together, they skipped classes; he wrote songs that his friend sang along to.
Later, he admits that the other children used to beat him up because of the color of his skin. Even then, his friend was there to pick him up.
Even though he hasn’t seen his friend since then, he still remembers the days when they had crowns before they were kings.
“I want to be honest about who I am. I was raised by a single mother who had me when she was only 17. We moved around a lot. I was sleeping in closets, couches – wherever we could stay until we got evicted. I was the new kid in 10 different schools. ‘We Were Kings’ is a heartfelt thank you to those that helped me get through my difficult teenage years. I wanted to make a song that shows these people they’re always in my heart. Nothing has ever changed about my feelings towards them.” – Frank Kadillac
“The video for ‘We Were Kings’ was shot by my close friend Alex Gayoso and directed by me. We were driving through Utah and found this piece of land that was incredible. It had all the landscapes in one place. As a Coldplay fan, I had this idea for doing a one-take video like ‘Yellow’ but making it our own.” – Frank Kadillac
‘We Were Kings’ tells an interesting tale of a young man who reminisces on his teenage years when he was thirteen and six-feet-tall.
Back then, he was shy and the new kid in town, until he obtained a friend. Together, they skipped classes; he wrote songs that his friend sang along to.
Later, he admits that the other children used to beat him up because of the color of his skin. Even then, his friend was there to pick him up.
Even though he hasn’t seen his friend since then, he still remembers the days when they had crowns before they were kings.
“I want to be honest about who I am. I was raised by a single mother who had me when she was only 17. We moved around a lot. I was sleeping in closets, couches – wherever we could stay until we got evicted. I was the new kid in 10 different schools. ‘We Were Kings’ is a heartfelt thank you to those that helped me get through my difficult teenage years. I wanted to make a song that shows these people they’re always in my heart. Nothing has ever changed about my feelings towards them.” – Frank Kadillac
Leanne Crabtree (480 KP) rated Passion Unleashed (Demonica #3) in Books
Sep 3, 2019
I read book 1 (Pleasure Unbound) and book 2 (Desire Unchained) not that long ago and got really invested in this group of brothers and their friends.
Like the others before, this one starts with some action. Wraith is hunting gang members that belong to a vampire led gang when he gets poisoned by a mysterious someone. And it seems he can't be healed unless he sleeps with a certain virgin with Aegis connections who holds a charm that can save his life. Of course, there's a downside to that--Serena will die without it.
I liked how Wraith changed in this. He's gone from some rather self destructive guy, who holds himself back from everyone, to one who starts to soften and admit he cares for people. We see his insecurities and his fears and I started to feel for him. To truly like him. He's not had the greatest life, not until he met his brothers anyway.
I loved the globe-trotting aspect to this one with Serena's Tomb Raider type skills. We spend a while in Egypt as she looks for two artefacts that the Aegis are hoping will stop the unrest in the demon population and Sheoul.
Gem and Kynan's romance returns in this one--after his disappearance at the end of the last book--and I have been eating it up! It's been three books brewing now, so it's about time they finally got together. Of course, nothing ever goes smoothly and for several pages I wanted to cry.
And what do you know? Another sibling pops up in this one, and it appears his story is next in the series. I don't know if I'll be going straight into book 4 or take a break now that the original trio have found their special someone.
Like the others before, this one starts with some action. Wraith is hunting gang members that belong to a vampire led gang when he gets poisoned by a mysterious someone. And it seems he can't be healed unless he sleeps with a certain virgin with Aegis connections who holds a charm that can save his life. Of course, there's a downside to that--Serena will die without it.
I liked how Wraith changed in this. He's gone from some rather self destructive guy, who holds himself back from everyone, to one who starts to soften and admit he cares for people. We see his insecurities and his fears and I started to feel for him. To truly like him. He's not had the greatest life, not until he met his brothers anyway.
I loved the globe-trotting aspect to this one with Serena's Tomb Raider type skills. We spend a while in Egypt as she looks for two artefacts that the Aegis are hoping will stop the unrest in the demon population and Sheoul.
Gem and Kynan's romance returns in this one--after his disappearance at the end of the last book--and I have been eating it up! It's been three books brewing now, so it's about time they finally got together. Of course, nothing ever goes smoothly and for several pages I wanted to cry.
And what do you know? Another sibling pops up in this one, and it appears his story is next in the series. I don't know if I'll be going straight into book 4 or take a break now that the original trio have found their special someone.