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Better than Suicide Squad
Did you catch the 2016 DCEU disappointment SUICIDE SQUAD with Will Smith as Deadshot and Jared Leto as the Joker? Many people (myself included) thought that that film was "just fine, nothing special" but were impressed with the way Margot Robbie handled the Harley Quinn character and wished for a standalone film that featured the Harley Quinn character.
Be careful what you wish for.
BIRDS OF PREY (AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN) is the answer to that wish and while it is slightly better than SUICIDE SQUAD, it still isn't all that....well...Fantabulous... of a film.
BIRDS OF PREY (which I hear is now being relabeled HARLEY QUINN: BIRDS OF PREY) is produced by Margot Robbie's production company and features an all female lead cast (the villain is a male) and a female Writer and a female Director. Consequently, this is a "female empowerment" film where the self-described "tough chicks" band together to defeat the male villain.
I applaud the effort and the idea behind the movie, but as a film, this one didn't quite work for me.
I start with the main focus of this film - Harley Quinn. This is just not a character, I discovered, that I want to spend an entire film with. She is, at it turns out, a very good SUPPORTING character, but not one that is interesting enough (at least for me) to carry a whole movie. I will give Margot Robbie credit...her interpretation of the character is interesting and that performance kept me focused throughout.
The other Birds of Prey are just as interesting. For the first time in I can't tell you, Rosie Perez did not annoy me in her role. She played earnest, frustrated Police Officer Renee Montoya and I found myself rooting for her when she was on the screen. Same goes for Jurnee Smollett-Bell's interpretation of Black Canary a character I knew very little about and was intrigued (though her "Super Power" was suddenly sprung on the audience with very little foreshadowing - foreshadowing that could have helped). And, finally, Mary Elizabeth Winstead almost steals the film as the revenge-seeking Huntress, a character I really enjoyed and hope I see again (though, I'm learning my lesson - let it be as a supporting character in another film and not her own, standalone film).
So, this film has 4 interesting characters at the top, but the issue is that they don't come together as a team until VERY late in the film (in a finale showdown that was the highlight of the film for me), so I really couldn't tell if there was any chemistry between these characters/actresses. I think there MIGHT have been, but no real sample size to tell.
Fairing less well as a character was Ewan McGregor's one-note take on super-narcissistic Roman Sionis/Black Mask. The character was pretty much in front of you at the start of the film and was still the same one-note character at the end. Also not "doing it for me" was Ella Jay Basco as Cassandra Cain, the street kid that becomes the focal point of the bad guys in the film (and the character the Birds of Prey must band together to save). I didn't much care for this character - or the performance - so I had no real emotional investment in whether or not the Birds of Prey could save her.
The Direction by Cathy Yan is professional and competent and the final showdown does show signs of originality and brilliance. I'll give her credit, she caught my attention with the last 1/2 hour of this film - much more so than she did with the first 79 minutes.
A better effort at this type of anti-hero comic book adventure (certainly better than SUICIDE SQUAD) but the DCEU still has not stuck the landing on this.
I encourage them to keep trying.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Be careful what you wish for.
BIRDS OF PREY (AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN) is the answer to that wish and while it is slightly better than SUICIDE SQUAD, it still isn't all that....well...Fantabulous... of a film.
BIRDS OF PREY (which I hear is now being relabeled HARLEY QUINN: BIRDS OF PREY) is produced by Margot Robbie's production company and features an all female lead cast (the villain is a male) and a female Writer and a female Director. Consequently, this is a "female empowerment" film where the self-described "tough chicks" band together to defeat the male villain.
I applaud the effort and the idea behind the movie, but as a film, this one didn't quite work for me.
I start with the main focus of this film - Harley Quinn. This is just not a character, I discovered, that I want to spend an entire film with. She is, at it turns out, a very good SUPPORTING character, but not one that is interesting enough (at least for me) to carry a whole movie. I will give Margot Robbie credit...her interpretation of the character is interesting and that performance kept me focused throughout.
The other Birds of Prey are just as interesting. For the first time in I can't tell you, Rosie Perez did not annoy me in her role. She played earnest, frustrated Police Officer Renee Montoya and I found myself rooting for her when she was on the screen. Same goes for Jurnee Smollett-Bell's interpretation of Black Canary a character I knew very little about and was intrigued (though her "Super Power" was suddenly sprung on the audience with very little foreshadowing - foreshadowing that could have helped). And, finally, Mary Elizabeth Winstead almost steals the film as the revenge-seeking Huntress, a character I really enjoyed and hope I see again (though, I'm learning my lesson - let it be as a supporting character in another film and not her own, standalone film).
So, this film has 4 interesting characters at the top, but the issue is that they don't come together as a team until VERY late in the film (in a finale showdown that was the highlight of the film for me), so I really couldn't tell if there was any chemistry between these characters/actresses. I think there MIGHT have been, but no real sample size to tell.
Fairing less well as a character was Ewan McGregor's one-note take on super-narcissistic Roman Sionis/Black Mask. The character was pretty much in front of you at the start of the film and was still the same one-note character at the end. Also not "doing it for me" was Ella Jay Basco as Cassandra Cain, the street kid that becomes the focal point of the bad guys in the film (and the character the Birds of Prey must band together to save). I didn't much care for this character - or the performance - so I had no real emotional investment in whether or not the Birds of Prey could save her.
The Direction by Cathy Yan is professional and competent and the final showdown does show signs of originality and brilliance. I'll give her credit, she caught my attention with the last 1/2 hour of this film - much more so than she did with the first 79 minutes.
A better effort at this type of anti-hero comic book adventure (certainly better than SUICIDE SQUAD) but the DCEU still has not stuck the landing on this.
I encourage them to keep trying.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Kirk Bage (1775 KP) rated James Acaster: Repertoire in TV
Aug 6, 2020 (Updated Aug 6, 2020)
I have been a fan of stand up comedy, erm, all my lifeโฆ well, at least since Billy Connely kinda invented it, in a way that wasnโt all about hating the mother in law and homophobia. When I moved to Edinburgh in 1999, I found myself at the epicentre of new comedy, every August at the unparalleled event that is the Fringe Festival.
Over the years I have seen most of the living greats at the art live, be it a full show or a smaller set at the legendary bullpit of Late and Live. Sad exceptions being Eddie Izzard and Dylan Moran, still on the bucket list. It has given me a pretty good eye for who is gonna make it big when they start out. I saw Jack Whitehall aged 16; Jimmy Carr before anyone knew who he was; and many others that have gone on to have decent TV and touring careers.
Having moved to Glasgow in recent years I started to see less comedy. Not that The Stand and other venues donโt have it going on, but because it just feels less of a thing outside of Edinburgh. So, when James Acaster came to my old place of work, the legendary Oran Mor, I booked tickets for myself, my daughter and her boyfriend in a heartbeat.
I had seen him do a lot of Mock The Week and a few other guest spots on TV, and thought from the start that this guy had something kinda special. The main good sign being that he made me laugh! A kind of blonder Jarvis Cocker, with the dress sense to match, he has a quirky, sleepy but cross delivery that is a total winner. He is very fast with an improvised moment, is very clever in his off kilter observations, and charmingly wanders into surreal tangents whenever possible. In other words, totally up my comedy avenue.
I was delighted to see that he had a new four part special on Netflix when I was recently surfing around old comedy shows Iโve seen half a dozen times. Repertoire is consecutive shows that work either alone, or payoff better as a whole, when early jokes get a back reference in a genius fashion. To explain why they are funny is not a thing Iโm about to attempt. Comedy is so subjective; if it makes you laugh then it is good, if notโฆ it might still be good, but not for you. You have to watch it to know.
So many highlights. At least three moments that made me have to pause it because I was laughing almost too much and in danger of passing out. Generally, you get a content knowing smile out of it, patting yourself on the back for getting his multi-layered intentions. Some things are just weird or hilarious, but often there is an intelligent point being made on the sly. When the two combine, I find him one of the best around for quality of writing and delivery.
As a side note, in part 3 of Repertoire he makes reference to a recent nightmare gig, when the entire front row of a Glasgow show kicked off and threw verbal abuse at him. That was the show we were at! He handled it remarkably well, turning the final portion of the show into an improv about that, chucked the planned material away. It isnโt every stand-up that can handle hecklers that well. Total kudos, Mr Acaster.
Recommended big time.
Over the years I have seen most of the living greats at the art live, be it a full show or a smaller set at the legendary bullpit of Late and Live. Sad exceptions being Eddie Izzard and Dylan Moran, still on the bucket list. It has given me a pretty good eye for who is gonna make it big when they start out. I saw Jack Whitehall aged 16; Jimmy Carr before anyone knew who he was; and many others that have gone on to have decent TV and touring careers.
Having moved to Glasgow in recent years I started to see less comedy. Not that The Stand and other venues donโt have it going on, but because it just feels less of a thing outside of Edinburgh. So, when James Acaster came to my old place of work, the legendary Oran Mor, I booked tickets for myself, my daughter and her boyfriend in a heartbeat.
I had seen him do a lot of Mock The Week and a few other guest spots on TV, and thought from the start that this guy had something kinda special. The main good sign being that he made me laugh! A kind of blonder Jarvis Cocker, with the dress sense to match, he has a quirky, sleepy but cross delivery that is a total winner. He is very fast with an improvised moment, is very clever in his off kilter observations, and charmingly wanders into surreal tangents whenever possible. In other words, totally up my comedy avenue.
I was delighted to see that he had a new four part special on Netflix when I was recently surfing around old comedy shows Iโve seen half a dozen times. Repertoire is consecutive shows that work either alone, or payoff better as a whole, when early jokes get a back reference in a genius fashion. To explain why they are funny is not a thing Iโm about to attempt. Comedy is so subjective; if it makes you laugh then it is good, if notโฆ it might still be good, but not for you. You have to watch it to know.
So many highlights. At least three moments that made me have to pause it because I was laughing almost too much and in danger of passing out. Generally, you get a content knowing smile out of it, patting yourself on the back for getting his multi-layered intentions. Some things are just weird or hilarious, but often there is an intelligent point being made on the sly. When the two combine, I find him one of the best around for quality of writing and delivery.
As a side note, in part 3 of Repertoire he makes reference to a recent nightmare gig, when the entire front row of a Glasgow show kicked off and threw verbal abuse at him. That was the show we were at! He handled it remarkably well, turning the final portion of the show into an improv about that, chucked the planned material away. It isnโt every stand-up that can handle hecklers that well. Total kudos, Mr Acaster.
Recommended big time.
ClareR (6256 KP) rated Star of the North in Books
May 3, 2018 (Updated May 3, 2018)
One of my favourite books of the year!
I feel like Iโve just stepped off a roller coaster - what a ride that was!!
Twelve years after her sister was kidnapped on a South Korean beach, Jenna, a Korean-American and a well-respected lecturer in North Korean studies, joins the CIA. She thinks that she may be able to track down her sister, who she believes is alive. Mrs Moon is a North Korean peasant, who builds a business after finding contraband food that was sent over by balloon from South Korea. Cho is a high ranking North Korean official who is found to have undesirable ancestors and is punished. These three storylines end up coming together so cleverly, in a story that is exciting and told at a breakneck speed. I loved it. This is one of those โun-put-downableโ books. The ending is so unexpected and explosive - just wow!! Honestly, this has โmovie adaptationโ written all over it. And when you realise that this is all based on fact and true stories...
Many thanks to The Pigeonhole for my copy!!
Twelve years after her sister was kidnapped on a South Korean beach, Jenna, a Korean-American and a well-respected lecturer in North Korean studies, joins the CIA. She thinks that she may be able to track down her sister, who she believes is alive. Mrs Moon is a North Korean peasant, who builds a business after finding contraband food that was sent over by balloon from South Korea. Cho is a high ranking North Korean official who is found to have undesirable ancestors and is punished. These three storylines end up coming together so cleverly, in a story that is exciting and told at a breakneck speed. I loved it. This is one of those โun-put-downableโ books. The ending is so unexpected and explosive - just wow!! Honestly, this has โmovie adaptationโ written all over it. And when you realise that this is all based on fact and true stories...
Many thanks to The Pigeonhole for my copy!!
Rickey A. Mossow Jr. (689 KP) rated Dumplin' (2018) in Movies
May 21, 2019
your basic feel-good movie with good music and a good message. No harm at all, but really leaves no lasting impression on the viewer.
Another case of the trailer of a movie basically giving away the film here. The film plays out from the beginning with the basic love large people premise and basically paints by numbers from there on. On the positive side, you get all the hits of the Dolly catalog and all the actors play their parts well. While it's Willa's story, at certain times I found her hard to believe her motivations behind her actions, and I favored the supporting characters to her. The conflicts in the plot are solved too easily. Jennifer Aniston does what she can with what she is given, but her performance seems pretty safe and standard fare that she can do with her eyes closed. It's just your basic feel-good movie with good music and a good message. No harm at all, but really leaves no lasting impression on the viewer.
Eleanor (1463 KP) rated The Woman in the Window in Books
Jun 13, 2019 (Updated Jun 13, 2019)
Gripping unreliable narrator thriller
Housebound Anna Fox loves watching old movies and drinking a lot of wine, that is when she isnโt spying on her neighbours from out of the window. Not long after a new family move in Anna sees someone murdered but no one is willing to believe the drunk and that includes even Anna doubting what she saw.
There are a lot of unreliable narrator books around at the moment in the thriller genre and I think this is a solid addition, itโs a well written fast paced read. The plot doesn't seem to be anything groundbreaking and lacks in any real surprises in the plot but itโs very engagingly narrated. Maybe my love for staying in at home and drinking wine made this book speak to me but I found it engrossing and enjoyable. If your into old films you'll probably get a kick out of all the references to those as well.
Oh and net curtains when you are in a home that is overlooked why isn't that a thing....
There are a lot of unreliable narrator books around at the moment in the thriller genre and I think this is a solid addition, itโs a well written fast paced read. The plot doesn't seem to be anything groundbreaking and lacks in any real surprises in the plot but itโs very engagingly narrated. Maybe my love for staying in at home and drinking wine made this book speak to me but I found it engrossing and enjoyable. If your into old films you'll probably get a kick out of all the references to those as well.
Oh and net curtains when you are in a home that is overlooked why isn't that a thing....
Suswatibasu (1703 KP) rated Florida in Books
Jan 17, 2018
Wonderful short stories, despite disjointed flow
For those who are unfamiliar of the landscape and society of Florida, Lauren Groff's collection of stories is enticing and varied. Ranging from the usual depictions of alligators, to the atypical descriptions of those who just want to get away, Groff attempts to show the various characters found in the sweltering heat and stormy climes of southern USA.
I particularly enjoyed the story of the mother who takes her two young sons to France to escape the tropical summers and her restless life. It is detailed and you get a sense of her edginess throughout, worried that something may happen to her children or to have an unpleasant encounter with their overbearing landlord.
My only gripe would be that because each story is not clearly signposted, the flow of the stories become confusing and it takes a minute to realise you've begun a whole new chapter. It is a bit jarring, so shorter stories became completely unmemorable as a result. However, it is a pleasant read overall, I enjoyed her writing style.
I particularly enjoyed the story of the mother who takes her two young sons to France to escape the tropical summers and her restless life. It is detailed and you get a sense of her edginess throughout, worried that something may happen to her children or to have an unpleasant encounter with their overbearing landlord.
My only gripe would be that because each story is not clearly signposted, the flow of the stories become confusing and it takes a minute to realise you've begun a whole new chapter. It is a bit jarring, so shorter stories became completely unmemorable as a result. However, it is a pleasant read overall, I enjoyed her writing style.
The House of Hidden Mothers
Book
"Dazzling. Intense and gritty at times, sparkling and hilarious at others. I found it absorbing,...
LoganCrews (2861 KP) rated The Rhythm Section (2019) in Movies
Sep 21, 2020
A weird, gross, seedy, nonsensical piece of tough-as-nails fluff that I found to be immensely enjoyable. In terms of both its looks and its writing, it plays a whole lot less like Reed Morano's heartbreaking portrait of grief in ๐๐ฆ๐ข๐ฅ๐ฐ๐ธ๐ญ๐ข๐ฏ๐ฅ and a *lot* more like Ang Lee taking a stab at ๐๐ฆ๐ฑ๐ฑ๐ฆ๐ณ๐ฎ๐ช๐ฏ๐ต. The main critique (besides the fact that this movie is illiterate pace-wise and makes not a drop of sense - both perfectly valid) seems to be that this didn't take the route of generic actioner, to which I reply with a resounding... lmfao k. Visually fetching, and that score *slaps* - not to mention the action is swift and brutal, that car chase is an all-fucking-timer. Amounts to a globetrotting asskicker where Blake Lively sleeps and stumbles around gorgeous locations while beating the shit out of and verbally chastising every man she comes across, we love to see it. Like a delectably oafish hybrid of ๐๐ข๐บ๐ธ๐ช๐ณ๐ฆ and ๐๐ฎ๐ฆ๐ณ๐ช๐ค๐ข๐ฏ ๐๐ด๐ด๐ข๐ด๐ด๐ช๐ฏ, which you can sign me right the hell up for.
LoganCrews (2861 KP) rated Tetro (2009) in Movies
Sep 21, 2020
Representative of late-period Coppola in just about every way: ostentatious visual display (this >> ๐๐ฐ๐ฎ๐ข >> ๐๐ฆ๐ฃ๐ณ๐ข๐ด๐ฌ๐ข >> ๐๐ฉ๐ฆ ๐๐ณ๐ต๐ช๐ด๐ต), uneven and often nonsensically crammed narrative (even if it does [beneficially, this time] lack the ambitious delirium of ๐ ๐ฐ๐ถ๐ต๐ฉ ๐๐ช๐ต๐ฉ๐ฐ๐ถ๐ต ๐ ๐ฐ๐ถ๐ต๐ฉ), underwhelming coda, and an emphasis on weird + sprawling conversations over all else. The final act crumbles mostly, but otherwise found this to be quite enchanting. There's something about watching Vincent Gallo act that's just so magnetizing, I couldn't look away - the dude is crazy good in this (even if you still can't convince me him and Edward Norton are different people). Took me a bit to really get a feel for the fierce lancing of overly-pretentious, dickheaded artists rather than the worship of them as I initially gauged - as well as this just being a rock-solid story of art and family dynamics (helluva twist too [if underplayed], and the segments where trauma is expressed through stage productions are ๐๐). Wish it rebounded in the end but nonetheless it's compelling in spite of its flaws.
Lyndsey Gollogly (2893 KP) rated Star-Crossed (Cursed Hearts #1) in Books
May 9, 2020
72 of 200
Kindle
Star-Crossed ( Cursed book 1)
By Meg Anne & Jessica Wayne
Skye Giovanni was seven years old the first time death came to her.
She has been haunted by visions of death since she was a child. It is her legacy and her curse. What good is power when you have no control over it?
Detective Lucas MacConnell is being hunted.
Crime scenes with ritualistic murders are starting to pop up everywhere, and the only thing Lucas knows for sure is that the mysterious Skye is at the center of it all.
An ancient power rises determined to end them both.
Thrown together by fate, and a destiny slowly spiraling out of their control, they will have to learn to trust each other or the next deaths might be their own.
Really enjoyed this book! Loved the combination of Druids and Gypsies not something I have come across much! Characters are brilliant all really easy to get along with!
I have already found myself halfway through book 2 without noticing ๐
Kindle
Star-Crossed ( Cursed book 1)
By Meg Anne & Jessica Wayne
Skye Giovanni was seven years old the first time death came to her.
She has been haunted by visions of death since she was a child. It is her legacy and her curse. What good is power when you have no control over it?
Detective Lucas MacConnell is being hunted.
Crime scenes with ritualistic murders are starting to pop up everywhere, and the only thing Lucas knows for sure is that the mysterious Skye is at the center of it all.
An ancient power rises determined to end them both.
Thrown together by fate, and a destiny slowly spiraling out of their control, they will have to learn to trust each other or the next deaths might be their own.
Really enjoyed this book! Loved the combination of Druids and Gypsies not something I have come across much! Characters are brilliant all really easy to get along with!
I have already found myself halfway through book 2 without noticing ๐
LeftSideCut (3776 KP) Feb 13, 2020
Kevin Phillipson (10072 KP) Feb 14, 2020