Search
Search results
Top 100 - Music
Music and Entertainment
App
Top 100-Music is the best music charts app! Download FREE songs and music videos using the...
The Leader's Guide to Presenting
Book
Presentations are an inevitable part of a leader's day to day. They are fundamental to delivering...
Whatchareadin (174 KP) rated Always in Books
Apr 9, 2019
Kailey Cain is a reporter for the Herald in Seattle. She is engaged to Ryan Winston who is just about the perfect guy. One night while as they are leaving a restaurant after having a nice dinner, she gives her leftovers to a homeless man who looks strangely familiar. Soon she discovers the homeless man is Cade McAllister her estranged ex-boyfriend, but he doesn't recognize her as easily. What happened to him over the past ten years? Kailey is determined to find out, but at what cost.
Thank you to NetGalley and Random House Ballantine books for the opportunity to read and review this book Always, was a quick read that I found hard to put down. I had to know what was going to happen next. It captivated me from the beginning and held my attention throughout. This is not your typical love story and some of the story was a bit predictable, but I thought there was going to be a villain in the story. What would you do if your boyfriend seemed to just vanish off the face of the earth and then ten years later, here he is, homeless and very unclear of exactly who he is and how he got to be in this position. Would you risk your current relationship to save this other person who had no one else that could help him?
What a difficult decision forKailey to have to make. Everyone in her life is very supportive of the idea of her helping Cade including her fiancee, Ryan. But how much is going to be able to take and understand before it all becomes too much. You can feel for everyone involved in this situation, that it's messy and nearly impossible to figure out. But love always conquers all right and the love for the right man will shine through and guide Kailey to the right decision.
This is a great romantic book for all.
Thank you to NetGalley and Random House Ballantine books for the opportunity to read and review this book Always, was a quick read that I found hard to put down. I had to know what was going to happen next. It captivated me from the beginning and held my attention throughout. This is not your typical love story and some of the story was a bit predictable, but I thought there was going to be a villain in the story. What would you do if your boyfriend seemed to just vanish off the face of the earth and then ten years later, here he is, homeless and very unclear of exactly who he is and how he got to be in this position. Would you risk your current relationship to save this other person who had no one else that could help him?
What a difficult decision forKailey to have to make. Everyone in her life is very supportive of the idea of her helping Cade including her fiancee, Ryan. But how much is going to be able to take and understand before it all becomes too much. You can feel for everyone involved in this situation, that it's messy and nearly impossible to figure out. But love always conquers all right and the love for the right man will shine through and guide Kailey to the right decision.
This is a great romantic book for all.
jameswelsh (3 KP) rated Spider-Man: Homecoming (2017) in Movies
Jul 16, 2017
great script (3 more)
very good main villain
fits so well into the mcu
back on form for spidey
spidey back on form
spiderman homecoming, a return to form for the webslinger after a series of disapointing movies. Not since spiderman 2 has there been such a good version of the character. Is it as good as those films know but in terms of the 3rd rami film and the mark webb films this movies is head and shoulder above them. Tom holland is perfectly cast as the hero. He balances the awkwardness and geeky charm of peter parker mixed with the wisecracking and heroism of spidey perfectly. Michael Keaton plays a rare beast a good mcu villian. He plays it so well you hate what he is doing but you can feel for the guy because of what he has been through. all other characters fit there purpose even a small role from iron man brings more connection with the wider mcu and helps further the story. I like the fact they went with the more john hughs feel with this movie. Its good there keeping the character in high school because in my opinion they skipped over that two fast in previous films.
my only criticism is that i found the spiderman suit too gimmicky. he is spiderman not iron spiderman.
in all this is a great film. with a fantastic cast and a great entry into the mcu. I look forward to more spidey in the future.
my only criticism is that i found the spiderman suit too gimmicky. he is spiderman not iron spiderman.
in all this is a great film. with a fantastic cast and a great entry into the mcu. I look forward to more spidey in the future.
Merissa (13169 KP) rated Finding You in Books
Sep 20, 2017
Finding You by Lydia Albano
Finding You is set in a world similar, yet different, to our own, with a possible historical/steampunk type setting. Isla and Tam have been best friends for years, yet Isla can't help but hope for more. Those hopes are dashed when Tam announces that he is signing on to the army, as it means his family will have food for the coming winter. She goes to the station to say goodbye to him, and is literally snatched off the streets. Horror and degradation follow, with her constantly hoping that Tam will rescue her. Once she realises that she has to do this own her own, the pace picks up slightly and the story quickly evolves.
This is a very good debut, with action and story aplenty. Isla is forced to do things that she would never have dreamed possible; that she never thought she would be strong enough for; simply because of the circumstances she found herself in.
With plenty of characters to keep your attention, this is very well written, with no editing or grammatical errors to disrupt the reading flow. The pace was smooth, and the scenes flowed from one to the next.
A thoroughly entertaining read (some of it quite dark) that I have no hesitation in recommending.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This is a very good debut, with action and story aplenty. Isla is forced to do things that she would never have dreamed possible; that she never thought she would be strong enough for; simply because of the circumstances she found herself in.
With plenty of characters to keep your attention, this is very well written, with no editing or grammatical errors to disrupt the reading flow. The pace was smooth, and the scenes flowed from one to the next.
A thoroughly entertaining read (some of it quite dark) that I have no hesitation in recommending.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sassy Brit (97 KP) rated Right Behind You in Books
Jun 5, 2019
In Lisa Gardner’s next thriller following her runaway New York Times bestseller Find Her — Right Behind You sees the return of (now retired) FBI Profiler Pierce Quincy and his wife Rainie Conner who have now adopted Sharlah. Several years ago her older brother Telly Ray Nash killed their drunken father to protect them.
But when it appears that Telly has killed again, this time it can’t be for her protection, can it? Especially as it is later discovered he’s also killed his foster parents.
This story is a lot slower than other Lisa Gardner books. I still enjoyed it, but as the story unravelled I found myself more drawn to the relationships of families involved – the abuse that went on – the secrets and lies. It’s like the author has gone from fast-paced FBI police procedural crime novel to a character driven story. Nothing wrong with that, it’s just not what I expected.
Rainie and Quincy still make a great couple, the writing style is enjoyable and easy to read. It may be light on the FBI profile and police procedural aspects, but
Right Behind You still made for a great read because the characters were so endearing, and quite often physically and emotionally vulnerable.
I’m interested to see what Lisa Gardner’s next book (comes out Feb. 19 2019) titled NEVER TELL, is going to be like. It apparently features Detective D.D. Warren joining forces with vigilante Flora Dane to investigate the murder of known associate of Flora’s infamous kidnapper.
But when it appears that Telly has killed again, this time it can’t be for her protection, can it? Especially as it is later discovered he’s also killed his foster parents.
This story is a lot slower than other Lisa Gardner books. I still enjoyed it, but as the story unravelled I found myself more drawn to the relationships of families involved – the abuse that went on – the secrets and lies. It’s like the author has gone from fast-paced FBI police procedural crime novel to a character driven story. Nothing wrong with that, it’s just not what I expected.
Rainie and Quincy still make a great couple, the writing style is enjoyable and easy to read. It may be light on the FBI profile and police procedural aspects, but
Right Behind You still made for a great read because the characters were so endearing, and quite often physically and emotionally vulnerable.
I’m interested to see what Lisa Gardner’s next book (comes out Feb. 19 2019) titled NEVER TELL, is going to be like. It apparently features Detective D.D. Warren joining forces with vigilante Flora Dane to investigate the murder of known associate of Flora’s infamous kidnapper.
What She Knew
8.1
Rate It
Book
***Previously published as BURNT PAPER SKY*** THE NEW YORK TIMES BESTSELLER In her enthralling...
Talking Carl
Entertainment and Games
App
Talk, Sing and Play with Carl. Tickle, punch, feed him and hear his funny laughs, growls and more! ...
FilmIntuition (33 KP) rated The Other Woman in Books
Aug 21, 2018
A thrillingly fast-paced read from Sandie Jones, The Other Woman finds her novel's hardworking, unlucky-in-love British heroine Emily unwittingly (and very quickly) caught up in an escalating game of psychological chicken with her boyfriend's mother Pammie that unfortunately, her boyfriend and the rest of the world is unable to see.
Sure to be a popular late summer beach read, while it suffers from a few gaps in logic and common sense as our lead character never thinks to use technology to snap a photo, record a threat as evidence, or merely research one of two sketchy backstories involving both her boyfriend as well as Pammie, as a journalist, Jones knows how to assemble a compelling story.
Although it raises a valid concern regarding how much we change and/ore are willing to take when we're in a committed relationship, because more than a few people in Pammie's orbit suffer from serious likability issues, I kept wanting to yell at the fictional Emily as though she were on the other end of the phone, “honey, just leave already!”
Nonetheless still able to reel me back in and (mostly) suspend my disbelief, as I grew closer to the final Emily vs. Pammie standoff, I found myself walking around with the book in hand, waiting to see what Jones had in store for the finale.
Needing to reveal, explain, and wrap-up everything in a very rushed showdown that perhaps involves way too much spoken exposition, while that device has been used so often in books and film that it's easy to overlook, one of Woman's biggest hurdles isn't in the book at all but on the cover.
A vital reminder for publishers to be careful as to which blurbs you include on the book itself, because my Advanced Reader Copy arrived complete with a quotation advertising “a twist you will not see coming,” readers (like yours truly) are sure to find their brains working overtime to the point that I was able to correctly deduce where Jones might be going roughly halfway through.
Of course it's still an incredibly fun read and I didn't have all of the nuts and bolts of said twist squared away to the point that it ruined everything. All the same and regardless of the fact that all of these genre titles have twists, I would've loved it even more if I'd never been tipped off that there was something that far out of left field for which to look.
Even so an impressive debut that I thank Minotaur Books for sending me, The Other Woman might make you uneasy to meet your new love's parents but it'll definitely excite you to imagine what new novels and twists Jones might have up her sleeve.
Sure to be a popular late summer beach read, while it suffers from a few gaps in logic and common sense as our lead character never thinks to use technology to snap a photo, record a threat as evidence, or merely research one of two sketchy backstories involving both her boyfriend as well as Pammie, as a journalist, Jones knows how to assemble a compelling story.
Although it raises a valid concern regarding how much we change and/ore are willing to take when we're in a committed relationship, because more than a few people in Pammie's orbit suffer from serious likability issues, I kept wanting to yell at the fictional Emily as though she were on the other end of the phone, “honey, just leave already!”
Nonetheless still able to reel me back in and (mostly) suspend my disbelief, as I grew closer to the final Emily vs. Pammie standoff, I found myself walking around with the book in hand, waiting to see what Jones had in store for the finale.
Needing to reveal, explain, and wrap-up everything in a very rushed showdown that perhaps involves way too much spoken exposition, while that device has been used so often in books and film that it's easy to overlook, one of Woman's biggest hurdles isn't in the book at all but on the cover.
A vital reminder for publishers to be careful as to which blurbs you include on the book itself, because my Advanced Reader Copy arrived complete with a quotation advertising “a twist you will not see coming,” readers (like yours truly) are sure to find their brains working overtime to the point that I was able to correctly deduce where Jones might be going roughly halfway through.
Of course it's still an incredibly fun read and I didn't have all of the nuts and bolts of said twist squared away to the point that it ruined everything. All the same and regardless of the fact that all of these genre titles have twists, I would've loved it even more if I'd never been tipped off that there was something that far out of left field for which to look.
Even so an impressive debut that I thank Minotaur Books for sending me, The Other Woman might make you uneasy to meet your new love's parents but it'll definitely excite you to imagine what new novels and twists Jones might have up her sleeve.
5 Minute Movie Guy (379 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Sep 16, 2019
In the early 1980s, author Alvin Schwartz created a book of short horror stories titled Scary Stories to Tell in the Dark that would go on to terrorize a whole generation of curious young readers. Combined with its morbid and ghastly illustrations by artist Stephen Gammell, the book would serve as an introduction to horror for many. Over the next ten years, Schwartz wrote two more books in the Scary Stories series, and now, nearly forty years later, it has finally been adapted into a major motion picture. Produced by Academy Award-winning director Guillermo Del Toro and directed by André Øvredal, the Scary Stories to Tell in the Dark film constructs a new narrative around several of the iconic short stories from the book series, and brings them to life to haunt the movie’s teenage characters.
In Mill Valley, Pennsylvania in 1968, a group of teenage friends fleeing from a band of bullies hide out in an abandoned haunted house on Halloween night. They know the story of this house well, whose folklore is rooted in the origins of their own small town. It was once owned by the wealthy Bellows Family, who according to urban legend, locked away their own daughter, Sarah Bellows, inside the cellar of their home. Sarah had been accused of killing the town’s children, and so her family kept her hidden away and attempted to erase her from existence, even removing her from their own family portraits. According to legend, Sarah wrote a book of horror stories and would read them aloud through the walls of her room to frighten the local townspeople.
While inside this haunted house, our group of protagonists; Stella (Zoe Colletti), Ramón (Michael Garza), Auggie (Gabriel Rush), and Chuck (Austin Zajur), discover the room Sarah had spent her life trapped in. Stella, an amateur horror writer herself, finds the rumored book that was written by Sarah. Upon opening it she sees that a new page is somehow being written in blood right before her very eyes, and it happens to be about the bully that chased them into the house. The next day, they realize that it seems as though the story actually came true, and that the book itself may be haunted. This establishes the basic premise of the film, in which new stories are being written in the book and they appear to be targeting Stella and everyone else that entered the Bellows’ house that night.
It’s an interesting set-up that cleverly mixes horror with mystery, as the characters are not only trying to survive these stories as they come to life, but are also trying to figure out how to stop them from happening. The film features five different stories from the series, most of which come from the third and final book, and a sixth story centered around Stella and Sarah Bellows that is at least in part inspired by one of the original tales. To give an example without giving too much away, one story for instance, involves a haunted scarecrow, whereas another is about a walking corpse in search of its severed big toe. The stories themselves are much more dark and grotesque than I had anticipated. I was expecting something more along the lines of Goosebumps, which was a series of children’s horror books that I personally loved and grew up with as a child, but these are much more disturbing than that. While I only found the first story of the film, “Harold”, to actually be scary, I do imagine this movie might be a little too frightening for some teenagers.
I should clarify that I’m not familiar with the original written source material of Scary Stories to Tell in the Dark, and I had truthfully never even heard of the books prior to the movie’s announcement. I don’t have any personal stake in these stories, but I do admire the thoughtfulness and creativity that went into building the film around them. I thought the film started out really strong with a likable cast of characters, and with most of its best moments featured early on. I loved the introduction to the haunted house and the legend of the Bellows Family. I enjoyed the playful nature of our group of young protagonists, who in the beginning felt reminiscent of the fun and crazy kids you might find in an 80s movie like The Goonies. Additionally, I liked the mystery of Sarah Bellows that the kids were trying to uncover, all the while struggling to survive the dangers of her haunting stories that had come to life.
Unfortunately, as the movie went on, I found myself less and less invested in it with each passing story, all of which I would argue are weaker than the previous one before it. The Pale Lady storyline was particularly dull and underwhelming. The final act itself, although smartly designed with its use of parallels, wound up feeling poorly executed and unsatisfying overall.
Similarly, in regards to the acting, I liked the performances even less by the end as well. Early on I had been impressed with Zoe Colletti as Stella, but I found her to be annoying in the later parts of the movie. The same goes for Austin Zajur as Chuck. The cast for the most part was decent, but everything about the movie began to drop in quality as it dragged on, which is especially unfortunate given how well it starts out.
The special effects are mostly quite good and adequately disturbing, but on the same token, I wish they were more clearly visible at times. A lot of the horror settings take place in dark rooms, so at times it can be hard to see the monsters with much clarity. Still, I love the design of Harold the Scarecrow, as well as The Jangly Man, who is played by contortionist Troy James whose extreme flexibility allows the character to move in unnatural and disturbing looking ways.
To conclude, I’m left with some mixed feelings on Scary Stories to Tell in the Dark. For me, it almost hits the mark, but unfortunately it isn’t a movie that I think I’d bother to watch again. It made a solid first impression with its rich atmosphere and creepy first act, but it failed to maintain its momentum and level of quality. In the end, my favorite thing about the whole movie is actually the excellent cover song of “Season of the Witch” by Lana Del Rey that plays during the credits. However that’s not in any way to say the movie is so bad that the credits were my favorite part. It’s just a great song by an artist I very much enjoy. If you grew up with the Scary Stories to Tell in the Dark series, then by all means, I recommend that you at least check it out. If you like horror and have any troublesome teenaged kids, this may be a perfect opportunity to have some fun scaring the heck out of them.
In Mill Valley, Pennsylvania in 1968, a group of teenage friends fleeing from a band of bullies hide out in an abandoned haunted house on Halloween night. They know the story of this house well, whose folklore is rooted in the origins of their own small town. It was once owned by the wealthy Bellows Family, who according to urban legend, locked away their own daughter, Sarah Bellows, inside the cellar of their home. Sarah had been accused of killing the town’s children, and so her family kept her hidden away and attempted to erase her from existence, even removing her from their own family portraits. According to legend, Sarah wrote a book of horror stories and would read them aloud through the walls of her room to frighten the local townspeople.
While inside this haunted house, our group of protagonists; Stella (Zoe Colletti), Ramón (Michael Garza), Auggie (Gabriel Rush), and Chuck (Austin Zajur), discover the room Sarah had spent her life trapped in. Stella, an amateur horror writer herself, finds the rumored book that was written by Sarah. Upon opening it she sees that a new page is somehow being written in blood right before her very eyes, and it happens to be about the bully that chased them into the house. The next day, they realize that it seems as though the story actually came true, and that the book itself may be haunted. This establishes the basic premise of the film, in which new stories are being written in the book and they appear to be targeting Stella and everyone else that entered the Bellows’ house that night.
It’s an interesting set-up that cleverly mixes horror with mystery, as the characters are not only trying to survive these stories as they come to life, but are also trying to figure out how to stop them from happening. The film features five different stories from the series, most of which come from the third and final book, and a sixth story centered around Stella and Sarah Bellows that is at least in part inspired by one of the original tales. To give an example without giving too much away, one story for instance, involves a haunted scarecrow, whereas another is about a walking corpse in search of its severed big toe. The stories themselves are much more dark and grotesque than I had anticipated. I was expecting something more along the lines of Goosebumps, which was a series of children’s horror books that I personally loved and grew up with as a child, but these are much more disturbing than that. While I only found the first story of the film, “Harold”, to actually be scary, I do imagine this movie might be a little too frightening for some teenagers.
I should clarify that I’m not familiar with the original written source material of Scary Stories to Tell in the Dark, and I had truthfully never even heard of the books prior to the movie’s announcement. I don’t have any personal stake in these stories, but I do admire the thoughtfulness and creativity that went into building the film around them. I thought the film started out really strong with a likable cast of characters, and with most of its best moments featured early on. I loved the introduction to the haunted house and the legend of the Bellows Family. I enjoyed the playful nature of our group of young protagonists, who in the beginning felt reminiscent of the fun and crazy kids you might find in an 80s movie like The Goonies. Additionally, I liked the mystery of Sarah Bellows that the kids were trying to uncover, all the while struggling to survive the dangers of her haunting stories that had come to life.
Unfortunately, as the movie went on, I found myself less and less invested in it with each passing story, all of which I would argue are weaker than the previous one before it. The Pale Lady storyline was particularly dull and underwhelming. The final act itself, although smartly designed with its use of parallels, wound up feeling poorly executed and unsatisfying overall.
Similarly, in regards to the acting, I liked the performances even less by the end as well. Early on I had been impressed with Zoe Colletti as Stella, but I found her to be annoying in the later parts of the movie. The same goes for Austin Zajur as Chuck. The cast for the most part was decent, but everything about the movie began to drop in quality as it dragged on, which is especially unfortunate given how well it starts out.
The special effects are mostly quite good and adequately disturbing, but on the same token, I wish they were more clearly visible at times. A lot of the horror settings take place in dark rooms, so at times it can be hard to see the monsters with much clarity. Still, I love the design of Harold the Scarecrow, as well as The Jangly Man, who is played by contortionist Troy James whose extreme flexibility allows the character to move in unnatural and disturbing looking ways.
To conclude, I’m left with some mixed feelings on Scary Stories to Tell in the Dark. For me, it almost hits the mark, but unfortunately it isn’t a movie that I think I’d bother to watch again. It made a solid first impression with its rich atmosphere and creepy first act, but it failed to maintain its momentum and level of quality. In the end, my favorite thing about the whole movie is actually the excellent cover song of “Season of the Witch” by Lana Del Rey that plays during the credits. However that’s not in any way to say the movie is so bad that the credits were my favorite part. It’s just a great song by an artist I very much enjoy. If you grew up with the Scary Stories to Tell in the Dark series, then by all means, I recommend that you at least check it out. If you like horror and have any troublesome teenaged kids, this may be a perfect opportunity to have some fun scaring the heck out of them.