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Austin Garrick recommended House (1986) in Movies (curated)

 
House (1986)
House (1986)
1986 | Comedy, Horror

"Seeing House for the first time is probably my fondest film-watching experience of the past couple of years. I’m drawn to the idea of creative purity, something House emanates in a way no other horror film I’ve ever seen does. That’s if you can even call it a horror film (the director himself doesn’t). Obayashi found his own moviemaking solution to Picasso’s lifelong goal of creating like a child: sourcing ideas for the script from his ten-year-old daughter. The result is a heartful, imaginative, creepy, weird, and wonderful dream come to life. It’s sort of like John Hughes, Miyazaki, Evil Dead 2–era Sam Raimi, and bizarre 1970s children’s TV rolled into one. The score in its more sincere moments is also incredible. I’m still in the totally infatuated honeymoon stage with this one, recommending it to people any chance I get."

Source
  
Echo of the Dead (DSI William Lorimer #19)
Echo of the Dead (DSI William Lorimer #19)
Alex Gray | 2022 | Crime, Mystery, Thriller
7
7.0 (1 Ratings)
Book Rating
This is another entertaining outing for DSI Lorimer and whilst this is the 19th in the series, it can easily be read as a standalone.

Echo of the Dead if set in the Scottish Highlands and Alex Gray does an excellent job of 'selling' the area to the reader despite the darkness of the story.

Lorimer is on a break with his friend, Daniel, when they stumble upon a body. A short time later, another body is found and Lorimer returns with his Team to investigate. Are these connected and could they be related to an historical massacre?

With a great cast of characters, this is an intriguing mystery with twists and is a great edition to the series and one that I would recommend to lovers of this genre.

Thank you to Little, Brown Book Group and NetGalley for my copy in return for an honest, unbiased and unedited review.
  
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Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Gravel in Video Games

Jun 19, 2019  
Gravel
Gravel
2017 | Racing
Last year at the start of PAX West; Genevieve, Joseph, and myself were invited to get a look at the pending racing game GRAVEL in a private meeting at a suite near the convention. What made this even more exciting was that the meeting took place a day before the convention opened so since we were in the area to run errands and pick up our press passes; this was a very appealing way to see a game and get the jump on our convention coverage.

I do want to say at the start that I am horrible at driving games. My preferred method of braking often is using the wall, other cars, and obstacles to redirect my vehicle or slow down, but it does not stop my appreciation for them.

GRAVEL is a very fast paced and enjoyable game that mixes online and offline racing and allows players to use and customize trucks and cars as they race on tracks and outdoor courses. Everything from the Pacific to Alaska and Africa come into play and there are even some amazingly difficult night races where you have to make your way with only your headlights to keep you on the ever changing off-road course.
I had hoped for a few more locales, but there are variations on each locale and you can expect more maps and possibly modes will come down the road.
The graphics are fantastic and playing the game on a PS4 Pro with a 4K television brought the visuals of the game into amazing focus as it was easy to become immersed in the game from the very start.
The menus do take a bit of getting used to as it was at times unclear what form of racing I was about to embark on but I was up to speed in no time.
Matchmaking was fairly easy but it did seem to match me with drivers of a far superior ability time and again which makes it hard to see anything other than a last place finish should I make one mistake on the course.

While the game may not have the depth of other racing games, I found it to be instantly engaging and very fun which is saying quite a bit considering I usually do not play many racing games. Joseph is a fan of racing games and he was able to successfully complete many of the races in our PAX West meeting with no issues and often in the top position.
In the end GRAVEL is a fun entry for those looking to dip their toes into some off road racing or for diehards, but some hardcore racers may want more depth and variety.

http://sknr.net/2018/03/10/gravel/
  
Killing for Company: Case of Dennis Nilsen
Killing for Company: Case of Dennis Nilsen
Brian Masters | 1995 | Biography
6
6.0 (2 Ratings)
Book Rating
64 of 250
Book
Killing for Company: The Case of Dennis Nilsen
By Brian Masters

Once read a review will be written via Smashbomb and link posted in comments

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Dennis Nilsen, who died in May 2018, admitted to killing at least 15 people before his arrest in 1983. This ground-breaking criminal study of his killings was written with Nilsen's full cooperation, resulting in a fascinating - and horrifying - portrait of the man who worshipped death.

In February 1983, residents of Muswell Hill had been plagued by blocked drains. When a plumber was called to investigate, he discovered a large blockage of biological material. To his horror, it appeared to be formed of human flesh and bones.

The next day, local resident Dennis Nilsen was arrested.

'Are we talking about one body or two?' a detective asked. Nilsen replied 'Fifteen or sixteen, since 1978. I'll tell you everything.'

Within days he had confessed to fifteen gruesome murders over a period of four years. His victims, mostly young gay men at a time when society cared little for them, had been overlooked. Killing for Company is a unique study of a murderer's mind, essential reading for true crime aficionados.
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This is a seriously hard book to read and review! I grew up loving true crimes and British serial killers and a bit later American serial killers and although I knew this case as I’d read lots about it growing up I found this book hard going, not because it was poorly written but by the content and knowing Nilsen had a lot to say to Masters. I have read Masters book on Jeffery Dahmer and it was a decent retelling but to me it always seemed so far away! This however was in the UK and only 100+ miles down the motorway, he was in the army the same time as my dad and the fact he on paper seemed so bloody normal! He held a steady job and campaigned via the union for people under discrimination, he loved pets he didn’t have all the common markers as your typical serial killer! It’s only when he was on remand you start seeing how mentally ill he really was! It’s always hard to say you enjoy these types of books I tend to find them fascinating not enjoyable this one really hit home I cried and felt physically sick at several points. I want to know how it can suddenly change from being the person he was before the first murder to that monster ( the only word to describe him). Reading his reactions to how one victims parents would hopefully forgive him is chilling! Also the illustrations at the end of the book are just shocking! Worth a read and I would recommend but this left me asking so many questions!
  
Shadow and Bone (The Grisha #1)
Shadow and Bone (The Grisha #1)
Leigh Bardugo | 2012 | Science Fiction/Fantasy, Young Adult (YA)
Captivating story that leaves you enthralled
You can also find this review along with others on my blog: bookingwayreads.wordpress.com

TRIGGER WARNINGS: violence, manipulation, death, blood, absent of parent(s), emotional abuse, anger issues, anxiety – panic attacks, talk of hallucinations

Review:
Firstly, I did not realize that Shadow and Bone was set in Russia or should I say – based on Russia and spun into a fantasy filled folklore novel. It starts off strong in the prologue and holds that captivating appeal throughout. I was enthralled with the whole basis of the story.

The one thing that knocked half of a star off of this review is the extremely overused trope of “the main character is ordinary and then finds out that they are extraordinary.” In Leigh Bardugo’s doing, this trope works perfectly well with the plot line of this story. But it made me really dislike the main character, Alina, quite a lot. Behind that awful trope, lies a girl who is not only strong, but shows intelligence and loyalty. Alina was also extremely relatable through her sarcastic perceptiveness but there was something else about her that I couldn’t put my finger on and found rather annoying.

The Darkling on the other hand was this morally gray character that fascinated me. For example: how he is willing to be ruthless just to pursue his goal of freeing Ravka from the Shadow Fold. His sarcasm that outwits Alina’s. His good looks and charms. I love to hate him! Plus that one scene had me heated from head to toe. If only The Darkling were real…

Overall, all of the characters were multidimensional and extremely interesting! The pacing of Shadow and Bone was done excruciating well and I was absorbed in this fantastical world of magic and war, love and mystery. Finding out more of who the Grisha truly were, kept me turning page after page. The chemistry between characters was even amazing! There was a bit of a love triangle style of trope, yet it wasn’t quite that exactly. All in all, Leigh did an excellent job with giving Alina more than one love interest but showing how vastly different feelings she feels for each.

The plot was extremely engaging and continued on, even after the climax. It enthralled the reader, calling them with a whisper that is interwoven with a dark energy, seeking to break your heart. I did not notice any spelling and/ or grammatical errors that took away from the story. I do however want to know more of not only Alina’s and Ravkas fate, but The Darklings as well.

Leigh Bardugo, why do you do cruel things to me…

“What is infinite? The universe and the greed of men.”
  
Little Joe (2019)
Little Joe (2019)
2019 | Drama, Horror, Sci-Fi
I managed to get a ticket to see this at the London Film Festival, it had made my long shortlist, the premise looked interesting and the graphics were extremely appealing. I was very excited to see what Little Joe had in store.

Alice is developing a new breed of flower, a beautiful crimson flower that has an incredible therapeutic value to its owner. Look after it properly, speak to it nicely, and it will make you happy.

After Alice sneaks one home to her son she soon notices that rather than a happy demeanour he starts acting strangely, and he's not the only one showing odd behaviour after being around Little Joe.

Little Joe has some very strong style choices. The colour palette is beautiful, and I wish I could find the notes I made about it from the Q&A after the film. The vibrant pastels are homely and comforting while at the same time unsettling around the normal tones of life.

That's what a lot of the film is made to do though, the music is something I noted frequently. The oriental music works directly against what's happening in the story, an intentional choice by the composer. I also wrote down the word "whistling" a lot with regards to sound. While I can understand (sort of) why the composer went that way with the music I didn't feel like it worked. I didn't dislike the music itself, but my comments were mainly exclaiming that it stuck out and felt too different from everything around it that it became distracting.

Another piece of the film that didn't sit well with me was camera work. There are some very well shot scenes, when we first encounter Little Joe in Alice's home and a scene later on inside the greenhouse (that I won't go into because of spoilers), that draw the viewer in with intrigue. But then... you know when you're doing something and you get bored and realise you've drifted off looking at a point in the distance? The camera appears to get bored too and it'll zoom to the gaps between characters. Maybe I'm just programmed to expect this sort of shot to reveal something secret to the audience that the characters haven't noticed... I found it more distracting and annoying than having any artistic benefit.

Alice (Emily Beecham) has a dual mother role, firstly with her son Joe and secondly with her plants. Little Joe appears to be more like a son to her than her own flesh and blood, her scientific mind perhaps finding it easier to interact with an inanimate object that begins to defy what she knows to be possible. The film gets across her struggle quite well with her therapy sessions and the interactions with those around her as we get deeper into the story. Beecham's performance is... relaxed? Even when there's urgency nothing ever seems to be very urgent.

That's something that is common throughout, the pace plods. You would expect a somewhat subdued pace in this sort of invasion storyline, but there are no real points of climax and that makes it more of a meander... perhaps those exciting moments happened when the camera zoned out.

There are touches here and there that do make you hopeful for the film, but overall it feels like Little Joe went for subtle and took it slightly too far. Everything felt too calm, the only one that seemed to react as you'd expect was Bella, but the nature of her part of the story meant that this was over the top because it was so far from everything else.

I like the idea behind this and we know from many different films that this sort of thing can work, but the lack of a real punch anywhere made this a struggle to watch. Oddly, I think this would have worked as a limited series without a lot of changes. The slow pace wouldn't have been so evident if it was broken down into episodes, there are small peaks in there that would give just enough intrigue to hold over to the next episode, I even feel like the ending as it is would have worked more in this style. Sadly, as it was I don't feel like there was enough reward for the time invested in watching it as a film, there's a different expectation between and film and a TV series but it's very difficult to explain it here without revealing spoilers.

Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/little-joe-movie-review.html