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The Roads Not Taken (2020)
The Roads Not Taken (2020)
2020 | Drama
7
7.0 (2 Ratings)
Movie Rating
Javier Bardem and Elle Fanning act their socks off (1 more)
Robbie Ryan cinematography is Oscar worthy
Molly is a bit two-dimensional (0 more)
Pain and not a lot of Glory.
If you like your movies action packed you are going to dislike this movie. If you like light and uplifting stories you are going to positively loathe this one! For everyone else, "The Roads Not Taken" is a very thought-provoking piece of film-making from writer/director Sally Potter that I have a lot of respect for. Even more so, since I learned that the film is based on the director's time caring for her now deceased brother Nic, diagnosed with early onset dementia in 2010.

It's not a promising premise. "The Roads Not Taken" concerns a New Yorker with dementia being taking to the dentist and the opticians. Gripped yet? Nope... didn't think so. But stay with me here.

Elle Fanning plays Molly, daughter of the almost catatonic Leo (Javier Bardem) who is receiving a lot of support to stay in his own home. As his daughter assists him on his trip to his medical appointments, he is only about 10% 'there'. Glassy-eyed and almost incomprehensible, his utterances are often taken to refer to his present experiences. But actually, he's 90% somewhere else, revisiting two key episodes in his past life and reacting in the real world to what's happening in his dreams.

As he relives 'the roads not taken' we can piece together the elements of a life that's lived and - perhaps - lay out some elements that might have contributed to his mental decline in later life.

Before we plunge into the doom and gloom of the story, there was one moment of levity for me in the opening titles. I commented in my review of "The Farewell" that the company 'dog-tags' at the start of the film reminded me of a famous Family Guy comic moment. But this is kindergarten level compared to this movie. I assume Sally Potter must have tapped her complete phone contacts list to raise the funding for this one! Since I counted FOURTEEN different production companies referenced! Is this a record?

As you enter later life, it's common for many of us to suffer a significant source of stress. Sometimes - if you're lucky - four sources of stress. The reason? You stop worrying about your kids as much and start worrying about your aged parents and in-laws. Like heating up a frog in water, it's often imperceptible how much stress you are actually carrying with that until the last of the relatives 'shuffles off this mortal coil'. Within the grief, there's also a source of guilty relief in there somewhere. Such is the maelstrom that young Molly is in - with knobs on - given the disability of Leo. As a professional in her 20's, she is also having the juggle this responsibility with progressing her career.

It's a bit early in this turbulent year to talk of Oscar nominations. But for me, there are three standout performances in this movie:

1) Javier Bardem: what an acting masterclass! As with Daniel Day-Lewis's win in 1990 for "My Left Foot", the Academy loves a disability-based performance. I haven't seen much Oscar-buzz about this performance, but I'd personally throw his hat into the ring, for at least my long-list;

2) Elle Fanning: this young lady has been in movies since the age of 2, but rose to stardom with "Super 8". She's building a formidable filmography behind her. Here she matches Bardem shot-for-shot in the acting stakes: a caring daughter being emotionally torn apart; always needing to be in two places at the same time (as nicely positioned by the cryptic ending). A first Oscar-nomination perhaps?

3) Robbie Ryan: with an Oscar-nom previously for "The Favourite", could another one follow for this? For this is a beautiful film to look at, despite its downbeat story. There are some drop-dead gorgeous shots. One in particular is where a sun-lit Fanning has a "Marilyn Monroe subway skirt moment" at a window (with her hair being blown, I should add). Glorious. And all of the Mexican/Greek scenes (all Spain I believe) are deliciously lit and coloured.

"The Roads Not Taken" is an intelligent watch for sure, and reminiscent to me of Almodovar's "Pain and Glory": another artist's life lived again in flashback. If anything, this one is more unstructured in setting out a box of jigsaw pieces that you need to piece together through the unreliable narrator's random memories. ("Ooh, look - here's a bit with Laura Linney on it... ah, that goes there"; "So that's who Selma Hayek is"; etc.) But, as with a jigsaw, staying the course and putting the last pieces in is a very satisfying experience.

There's also a really feelgood scene in a taxi rank that restores your faith in the underlying goodness of people.... and a rant by a "Trump-voter" that gives you quite the opposite view!

Where I found some frustration was in the lack of backstory for Molly. She seems to be painted rather two-dimensionally. Yes - young with job, but of her personal life we see nothing. Adding another dimension (a young family for example) would have added yet another set of stresses to the mix. Leo's flashbacks are also focused on just two time periods. More wide-ranging reminiscences might have broadened the drama.

But I personally found "The Roads Not Taken" intensely moving. I'm not sure I could say I "enjoyed" it, but it is a worthy watch and has left me with thought-provoking images to chew on.

(For the full graphical review, please check out the One Mann's Movies here https://bob-the-movie-man.com/2020/09/15/the-roads-not-taken-2020-pain-and-very-little-glory/.)
  
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Lee (2222 KP) rated Bird Box (2018) in Movies

Dec 26, 2018  
Bird Box (2018)
Bird Box (2018)
2018 | Drama, Horror, Sci-Fi
It's easy to draw comparisons between Bird Box and one of this years biggest hits, A Quiet Place. As Malorie (Sandra Bullock), guides two young children towards a boat, all three of them blindfolded and terrified of the consequences should they remove them, the similarities with the post apocalyptic themes of A Quiet Place are clear. In that movie, you couldn't make a sound for fear of drawing the attentions of the ominous killers, while in this one you're unable to use your eyes to look at the world around you.

But Bird Box does what AQP didn't, by going back in time 5 years to see how the apocalypse all came about. A pregnant Malorie is visiting the hospital for a scan, along with sister Jessica (Sarah Paulson), while news reports detail events unfolding throughout the world. Something is causing thousands of people to suddenly commit suicide, and it has found its way to American shores. As Malorie and Jessica leave the hospital, everything around them descends into panic, chaos and destruction. Cars crash, people throw themselves in front of oncoming cars and thousands of others are running to escape from who knows what. As her sister meets an untimely death, the heavily pregnant Malorie is helped into a nearby house where a large number of people have already found refuge.

We manage to catch our breath for a short while, while the survivors piece together what has happened, offering their theories. As one of them explains - "Humanity has been judged and we've been found wanting. They go by different names. You got world religion and mythology that's full of mentions of demons or spirit creatures. People who’ve seen these creatures almost always describe their encounter as with an entity who takes on the form of your worst fears, your deepest sadness or your greatest loss. It’s not bullshit. It’s real talk, it’s facts."

Life continues in the house for a while, with all the windows covered to prevent anyone from seeing something that might lead to their death. There's a tense trip to the supermarket for supplies, driving a car with blacked out windows and only a satnav to guide them, along with various dramas between the group. Every so often, we rejoin the future timeline, as Malorie and the children (referred to only as boy and girl) make their way along the river.

Bird Box is more of a slow burn than A Quiet Place, and we never actually see what is responsible for causing the suicides either, but I still found much to enjoy with it. And as we become fully immersed in the present timeline, following the blindfolded journey, things build to a tense and satisfying climax.
  
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Beatriz (138 KP) Dec 26, 2018

I watched this the other day, I loved it

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Melkat1977 (4 KP) Mar 3, 2019

Loved this movie, it leaves a lot of room for interpretation. I'm tempted to go read the book!

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Ti West recommended The Shining (1980) in Movies (curated)

 
The Shining (1980)
The Shining (1980)
1980 | Horror

"The Shining. It was the first movie that I saw when I was a kid that, like, really traumatized me. It was mostly the two little girls as well as being in room 237. That was one of the movies that I remember really, after watching that movie, having a problem sleeping. But as I’ve sort of grown up with that movie, what’s been so inspirational about that movie… if you watch that movie, like everybody watches that movie, it’s terrifying, it’s one of the scariest movies of all time. And what I think’s great about it is that it’s not only a horror movie, it’s more a movie about an alcoholic man who hates his family, and then it’s a horror movie. To me, all the best horror movies are a regular movie first and then they’re a horror movie. That’s true with the The Exorcist, Rosemary’s Baby as well as The Shining. But what’s most exciting to me about The Shining, and there’s a famous quote from the Vivian Kubrick documentary, from Jack Nicholson, where he says he’s been spending his whole career trying to make his performances real, like no one’s ever seen realness onscreen and he’s going to be the one to make it real and he’s going to do something no one’s ever seen before, this quest to make it authentic. And then he’s like, “Then you get someone like Stanley who says, ‘Yeah, Jack, it’s real, but it’s just not interesting.'” After I heard that conversation, if you watch The Shining and don’t get sucked into it just being a great scary movie, if you walk into it and just watch the choices that are being made, it’s an insane movie. Like, everybody’s performance is, like, the stakes are so high, as if every line they say is the end of the world. Every shot is so grandiose. The locations are so unbelievable, and they’re all built, which is also totally insane. It’s like this constructed movie that’s so hypnotic because every time Shelly Duval comes on the screen and screams, “[falsetto] They’re trying to kill Danny!” and it’s like, in any other movie that would just be like a joke. Or Jack Nicholson, if you look at every take of his in the movie, [it] shouldn’t work. It’s all so extreme with his performance. But it’s consistent and, I guess as Stanley Kubrick said, it’s interesting. Because it’s consistent, the movie has this very hypnotic tone to it and it’s something that Kubrick is obviously very known for. It not only is an amazingly terrifying movie and one of the best horror movies of all time, it also is just this really unique approach to filmmaking that I’ve always found really fascinating. It seems to, across the board, raise the stakes and make everybody just operate on this much higher level, and that’s always been very hypnotic to me."

Source
  
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Kristy H (1252 KP) rated Snap in Books

Mar 10, 2019  
Snap
Snap
Belinda Bauer | 2019 | Crime, Mystery, Thriller
8
7.3 (4 Ratings)
Book Rating
Fun, intriguing novel that keeps you guessing until the end
Jack is eleven when his pregnant mother goes for help after their car breaks down by the side of the road. She leaves him in charge of his two younger sisters. But she's gone too long and Jack and his siblings eventually go in search of her. But they do not find her: just a broken pay phone. Jack never sees his mother again, and it's eventually revealed she's been murdered. Three years later, Jack is doing the best to support his sisters, especially since his dad went out for milk and never came back. Meanwhile, another pregnant woman named Catherine While is startled when her house is broken into--while she's home--and the intruder leaves her a disturbing note. A strange set of occurrences leaves Catherine feeling unsettled and watched. And Jack is starting to wonder if he's getting closer to finding out who killed his mother.

This was a really bizarre book in many ways, but I totally enjoyed it. It's mainly told from the point of view of Jack, Catherine, and two policemen: Reynolds, a fastidious Detective Sergeant and Marvel, a disgruntled DCI. It often quickly changes viewpoints between these characters, but somehow, it all works. In fact, while the novel is compulsively readable in terms of finding out what happened to Jack's mother, it's also oddly funny at times: there's a dry wit running underneath the story.

Even more, the characters are really enjoyable. Catherine, eh, she wasn't my favorite (her decision-making leaves a lot to be desired), but Jack was great: I was rooting for him the entire time, even in cases where I probably shouldn't have been, based on some of his behavior. The poor kid has a lot to deal with, trying to care for his kid sisters. And Marvel and Reynolds: they can be annoying and even spiteful in their actions at times, but they are really fun to read about. The whole combination of this group somehow works, and it kept me flipping the pages, wondering what on earth had transpired and how, when, and why. The novel is creepy at times, funny at times, and sad and heartbreaking at times: impressive.

There are definitely a lot of characters in this book, and sometimes keeping track of them all was a bit of a challenge, but I was impressed at how Bauer connected them all eventually. And, seriously, you get attached to them, or annoyed with them as if they are real people--which I find doesn't always happen to me with a thriller. Some of what the police do seems a little much--part of why I say the book seems a little bizarre, as does some of the plot, but I found myself enjoying the book so much that none of it mattered. Bauer lets us put the pieces together simultaneously as her characters do, and the story in this one was just compelling, fun, and different.

Overall, this was a fun, intriguing novel that keeps you guessing until the end. The characters are interesting and draw you in immediately. There's humor and heartbreak, but also a great puzzle to solve as well.

I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
  
Of Fire and Stars (Of Fire and Stars #1)
Of Fire and Stars (Of Fire and Stars #1)
Audrey Coulthurst | 2016 | LGBTQ+, Science Fiction/Fantasy, Young Adult (YA)
8
8.0 (7 Ratings)
Book Rating
Of Fire and Stars is a tale of magic, romance, and treachery. The story is told through alternating points of view, Mare is the princess of Mynaria and sister to Thandi the future King while Denna is a princess of Havemont and future wife of Thandi. Although Mare is royalty, she does not enjoy her crown choosing to spend her time in the stables and wishing she could live her own life. Denna has been trained and taught her entire life to be worthy of the arranged marriage that is her future. That is what is expected of her and all she knows.

Forced to adjust to a life at court, Denna finds herself in riding lessons with Mare in preparation for her wedding. Having never ridden a horse before she is concerned but puts her all into learning, which impresses the recalcitrant Mare. Their interactions and friendship grow over the course of the novel in a believable way, from the initial opinions of dislike to a true, bonded friendship. Although Denna is betrothed, her feelings only grow for Mare until her every thought is of the princess rather than the prince. Mare dismays each time she thinks about her brother marrying Denna, as he doesn't realize her best qualities. Each fears that her feelings are not reciprocated and keep everything bottled up. Whether their tale has a happy ending or not, you won't know unless you read the book. I really enjoyed the relationships and interactions in this book, particularly a romance that is more diverse than we normally get to see.

The world-building could have been better in this novel, but it is not non-existent. There are a variety of different lands and people mentioned, unfortunately, we only receive the barest of information. Even though one of our main characters is from another land, we learn about little more than their harsh winters. The magic system and other lands like Zumorda were so fascinating, but not explored. While some of this can be explained by the fact that our characters also seem to be ill-informed about their neighbors, we don't receive much more information about Mynaria and that's where this book takes place.

I found the main characters to be relatable but didn't connect deeply with some of the secondary ones. That was disappointing because it meant when there was an emotional scene or death, as a reader you weren't torn apart by it. To be honest, I didn't have opinions or feelings about it at all and I wish that were not the case. I love when books sweep you up, heart and soul, making you a part of the story and tearing out your emotions with every line.

Magic is feared and punished in Mynaria, so we sadly don't get to experience much of it. When we see experienced practitioners perform, it is fascinating and varied. Someone with an air affinity might be able to create a breeze but they also may be able to transform into a bird. I wish this magic system was more developed and/or explained more because I just want to know more.

Overall, I enjoyed this book and would recommend it to young adult/teen readers who enjoy magic, fantasy, romance, or more diverse books.
  
Lethal Licorice (Amish Candy Shop Mystery, #2)
Lethal Licorice (Amish Candy Shop Mystery, #2)
Amanda Flower | 2018 | Mystery
10
8.3 (3 Ratings)
Book Rating
Lethal Licorice is the 2nd book in the delightful new Amish Candy Shop Murder series by author Amanda Flower.

What is Bailey King, an “Englisch” chocolatier from Manhattan, doing as a competitor in the Amish Confectionery Competition in tiny Harvest, Ohio? Filling in for her recently deceased grandfather (co-owner of Swissmen Sweets), Bailey finds herself competing against not so friendly or accepting Amish candy makers. When vocal candy maker Josephine Weaver of Berlin puts up a fuss and then is later found dead from a severe allergy to anise (the major ingredient in licorice), Bailey becomes the number one suspect. Following along as Bailey tries to compete and do her grandparents proud while sticking her nose into finding the real murder culprit.

This book is a must read! It has a little bit of mystery, a little bit of romance, and a great cast of characters. If you enjoy cozy mysteries that will keep you guessing until the end, then Lethal Licorice needs to be added to your book list.

I voluntarily read an ARC of this book provided by the publisher and NetGalley.
  
Lethal Licorice (Amish Candy Shop Mystery, #2)
Lethal Licorice (Amish Candy Shop Mystery, #2)
Amanda Flower | 2018 | Mystery
10
8.3 (3 Ratings)
Book Rating
Lethal Licorice is the 2nd book in the delightful new Amish Candy Shop Murder series by author Amanda Flower.

What is Bailey King, an “Englisch” chocolatier from Manhattan, doing as a competitor in the Amish Confectionery Competition in tiny Harvest, Ohio? Filling in for her recently deceased grandfather (co-owner of Swissmen Sweets), Bailey finds herself competing against not so friendly or accepting Amish candy makers. When vocal candy maker Josephine Weaver of Berlin puts up a fuss and then is later found dead from a severe allergy to anise (the major ingredient in licorice), Bailey becomes the number one suspect. Following along as Bailey tries to compete and do her grandparents proud while sticking her nose into finding the real murder culprit.

This book is a must read! It has a little bit of mystery, a little bit of romance, and a great cast of characters. If you enjoy cozy mysteries that will keep you guessing until the end, then Lethal Licorice needs to be added to your book list.

I voluntarily read an ARC of this book provided by the publisher and NetGalley.
  
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Awix (3310 KP) rated Waves (2019) in Movies

Jan 22, 2020  
Waves (2019)
Waves (2019)
2019 | Drama
Powerful, visually dazzling contemporary drama. The lives of an African-American family in Florida begin to unravel when their son, perhaps pushed too hard by a driven father, develops a painkiller addiction and discovers his girlfriend is pregnant. Very much in the same kind of vein as Moonlight, but I found this to be much more powerful in addition to being incredibly creative visually - the screen is filled with a bravura mixture of colour and movement.

For the first hour and half or so, this is like watching a car crash in slow motion: it's almost unbearable to watch the main character go off the rails, but you can't look away either. It concludes with the kind of incident you hear about as a brief item on the news, but here the film puts flesh on those bones and the scale of the tragedy is made clear. The third act is a definite change of pace: no less artfully made or moving, but less focused, and the outcome of the film remains in doubt until the very end. I'm hugely surprised this hasn't featured on the Academy Awards shortlist: a tremendous film in so many ways.
  
Horror in the Woods
Horror in the Woods
Lee Mountford | 2017 | Horror
7
7.0 (1 Ratings)
Book Rating
28 of 250
Kindle
Horror in the Woods
By Lee Mountford

Once read a review will be written via Smashbomb and link posted in comments

First they found a desecrated body…

… then hell followed.

Four friends spend a weekend hiking in the woods, getting back to nature, never imagining they would end up being hunted.

But they soon stumble into the territory of the sick and twisted Webb family—psychopaths with a taste for human meat. And these monsters are hungry.

Will the group make it out of the woods alive? To do so, they will have to face these cannibals head-on, and unravel the secret behind the twisted family’s very existence.

You will love this brutal, gory, and violent horror story, because it raises the tension on every page and will leave you exhausted and drained.



Honestly it was well written,a strong story and decent characters. Also it was very middle of the road when it comes to these types of stories. I knew Tim was one of the from the Start it was made quite obvious. Overall a good and gory if not predictable.