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Heather Cranmer (2721 KP) rated The Last Sanctuary (The Last Sanctuary, #1) in Books
Jun 7, 2018
This review is also on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>
The Last Sanctuary is such a sweet story! I enjoyed it very much. It also has faeries in it which I'm obsessed with =D
The Last Sanctuary by P.S. Mokha is a middle grade fantasy story. It's about three twelve year old girls, (Lily, Olivia, and Rose) who have been orphaned and their adventures trying to find the Hidden Room. On the way, they learn a lot about themselves and get themselves into many dangerous predicaments as well as finding out that they're part of a prophecy "Three will arrive. One to give...One to die...One to Live."
My favourite character was Lily. I could relate a lot to her. She seemed to be the most empathetic. I like the way she's cautious about everything and worried about getting into trouble. She's also aware of everyone's feelings. Rose was great as well. She is the brains behind the group, always working out problems and finding a way out of them. She's the one with a good head on her shoulders. Olivia is the one who's always more worried about her stomach than anything else. Of this, I can relate with her. She's always wanting to eat something and is always snacking. She, to me, seems to be the more funnier one.
I thought the world building was fantastic! The school is set in London but is hidden from the outside world. It sounds ridiculous, but the author made it believable in this book. The description of London is perfect. You can definitely tell the author lived in London. The world of Amassaya was also built beautifully. It actually sounded like a place I'd love to visit. It sounds so magical as it's supposed to.
I found the pacing to be just right for a middle grade book. It's just the right pace to keep the reader interested.
The dialogue was easy to understand. However, there were a few words, and when I say few, I mean about 5 or less, that would probably be a bit difficult for middle graders to understand. Most could be understood using context clues though.
Now I have to talk about the cover - How cool does that cover look!?! I love the faery that's on fire on the cover!!! I don't want to give too much away, but the cover shows some of the main elements of the book. The title of the book also fits the plot as well.
This book left me with a magical feeling. It had perfect comic timing but knew when to be serious. This book definitely made me feel warm =)
I'd definitely recommend this book to all those that are fans of middle grade or YA fantasy.
The Last Sanctuary is such a sweet story! I enjoyed it very much. It also has faeries in it which I'm obsessed with =D
The Last Sanctuary by P.S. Mokha is a middle grade fantasy story. It's about three twelve year old girls, (Lily, Olivia, and Rose) who have been orphaned and their adventures trying to find the Hidden Room. On the way, they learn a lot about themselves and get themselves into many dangerous predicaments as well as finding out that they're part of a prophecy "Three will arrive. One to give...One to die...One to Live."
My favourite character was Lily. I could relate a lot to her. She seemed to be the most empathetic. I like the way she's cautious about everything and worried about getting into trouble. She's also aware of everyone's feelings. Rose was great as well. She is the brains behind the group, always working out problems and finding a way out of them. She's the one with a good head on her shoulders. Olivia is the one who's always more worried about her stomach than anything else. Of this, I can relate with her. She's always wanting to eat something and is always snacking. She, to me, seems to be the more funnier one.
I thought the world building was fantastic! The school is set in London but is hidden from the outside world. It sounds ridiculous, but the author made it believable in this book. The description of London is perfect. You can definitely tell the author lived in London. The world of Amassaya was also built beautifully. It actually sounded like a place I'd love to visit. It sounds so magical as it's supposed to.
I found the pacing to be just right for a middle grade book. It's just the right pace to keep the reader interested.
The dialogue was easy to understand. However, there were a few words, and when I say few, I mean about 5 or less, that would probably be a bit difficult for middle graders to understand. Most could be understood using context clues though.
Now I have to talk about the cover - How cool does that cover look!?! I love the faery that's on fire on the cover!!! I don't want to give too much away, but the cover shows some of the main elements of the book. The title of the book also fits the plot as well.
This book left me with a magical feeling. It had perfect comic timing but knew when to be serious. This book definitely made me feel warm =)
I'd definitely recommend this book to all those that are fans of middle grade or YA fantasy.
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theVman (16 KP) rated Twin Peaks - Season 3 in TV
May 22, 2017
The Cast (1 more)
The new mysterys
Lack of the familar Twin Peaks stuff (2 more)
The way the story unfolds
Very Slow
The first four episodes
Twin Peaks: The Return
*** Ive tried to write this as spoiler free as i can, you may find some in here but nothing that i think would ruin watching the show for you ***
I don’t think it will come to anyones surprise to say that the first four episodes of Twin Peaks return are strange. But maybe not in the way that we know and love.
I found these first four episodes difficult to enjoy not because they were bad, but because it was not what I was expecting at all. I wanted the key things that I love about Twin Peaks to be there, the returning characters, the iconic score by Angleo Badalamenti, the quirky weirdness grounded by soap opera like stories. I wanted the dark seriousness of murder, lust and money, beautifully intertwined with the ridiculousness of silent drape runners, saving the pine weasel and miss twin peaks contests.Unfortunately I found very little of any of what I wanted.
Yes Cooper is back or more accurately Kyle Maclachlan is back but has yet to act or sound anything like Special Agent Dale Cooper at all, the story calling for him to play a very lifeless rendition of his former glory. Other familiar faces have shown up along the way, but not very many and for not very long at all.
What we have is something very Lynchian, long drawn out scenes, especially in The Black Lodge that after extended moments of a droning humming score and lot of not a lot going on in slow motion followed by more not a lot going on but this time with a white horse or a talking lump of flesh on a leafless tree in the picture, it starts to feel like a lot of weird stuff just for sheer sake of being weird.
Fans of the previous seasons of Twin Peaks might be left wondering what is going on with the stories that were left open, is Leo still holding that rope in his mouth, what happened after the explosion in the bank vault, and what the hell has happened to Annie – well you wont find any of these answers here. Instead we are given a whole bunch of new characters, who’s stories we are still trying to figure out and how they are related to the events of Twin Peaks, which is a made into a bigger and more confusing mystery seeing as none of them actually take place in Twin Peaks at all. In fact, the most recognisable place in the first few hours is The Black Lodge, which features extensively in the first two episodes before “Cooper” bizarrely ends up in Las Vegas. Also knocking us out of our comfort zone and driving home the fact that this is not the same kind of Twin Peaks show we are used to, are the occasional F bombs being dropped and the coy sexiness that flowed through the show has been replaced with plain nudity.
We have been given vision that is pure David Lynch. He produces some fantastical imagery and some unnerving editing that is like watching Eraserhead, Lost Highway and Fire Walk With Me all at the same time on the same screen. As a piece of art it has its place amongst Lynch fans, but as a piece of entertainment for prime time television, it missed the mark for me, and as a return to Twin Peaks, it should be ashamed of itself, as apart from 30 seconds or so in episode 4 where here the familiar twangs of the original score, I didn’t feel like there was any return to that great tv show from the early 90s. There is the odd nugget of new that will keep me watching, Naomi Watts and Matthew Lillard have joined the team in what promises to be entertaining roles, there is a glass box that is being kept in some kind of secret bunker under constant video monitoring that seems to have something to do with The Black Lodge, the log lady is getting message from her log again, a body that doesn’t belong to its head and we are still hanging out at the Bang Bang Bar with Bobby, Shelley and James even if it was for far too brief at time.
Overall: It didn’t deliver on its promise, or give me what I wanted, but there is still a lot more episodes to come. I cant think of another show that would get away with such a slow build or lack of deliverance than the new third season of Twin Peaks.
*** Ive tried to write this as spoiler free as i can, you may find some in here but nothing that i think would ruin watching the show for you ***
I don’t think it will come to anyones surprise to say that the first four episodes of Twin Peaks return are strange. But maybe not in the way that we know and love.
I found these first four episodes difficult to enjoy not because they were bad, but because it was not what I was expecting at all. I wanted the key things that I love about Twin Peaks to be there, the returning characters, the iconic score by Angleo Badalamenti, the quirky weirdness grounded by soap opera like stories. I wanted the dark seriousness of murder, lust and money, beautifully intertwined with the ridiculousness of silent drape runners, saving the pine weasel and miss twin peaks contests.Unfortunately I found very little of any of what I wanted.
Yes Cooper is back or more accurately Kyle Maclachlan is back but has yet to act or sound anything like Special Agent Dale Cooper at all, the story calling for him to play a very lifeless rendition of his former glory. Other familiar faces have shown up along the way, but not very many and for not very long at all.
What we have is something very Lynchian, long drawn out scenes, especially in The Black Lodge that after extended moments of a droning humming score and lot of not a lot going on in slow motion followed by more not a lot going on but this time with a white horse or a talking lump of flesh on a leafless tree in the picture, it starts to feel like a lot of weird stuff just for sheer sake of being weird.
Fans of the previous seasons of Twin Peaks might be left wondering what is going on with the stories that were left open, is Leo still holding that rope in his mouth, what happened after the explosion in the bank vault, and what the hell has happened to Annie – well you wont find any of these answers here. Instead we are given a whole bunch of new characters, who’s stories we are still trying to figure out and how they are related to the events of Twin Peaks, which is a made into a bigger and more confusing mystery seeing as none of them actually take place in Twin Peaks at all. In fact, the most recognisable place in the first few hours is The Black Lodge, which features extensively in the first two episodes before “Cooper” bizarrely ends up in Las Vegas. Also knocking us out of our comfort zone and driving home the fact that this is not the same kind of Twin Peaks show we are used to, are the occasional F bombs being dropped and the coy sexiness that flowed through the show has been replaced with plain nudity.
We have been given vision that is pure David Lynch. He produces some fantastical imagery and some unnerving editing that is like watching Eraserhead, Lost Highway and Fire Walk With Me all at the same time on the same screen. As a piece of art it has its place amongst Lynch fans, but as a piece of entertainment for prime time television, it missed the mark for me, and as a return to Twin Peaks, it should be ashamed of itself, as apart from 30 seconds or so in episode 4 where here the familiar twangs of the original score, I didn’t feel like there was any return to that great tv show from the early 90s. There is the odd nugget of new that will keep me watching, Naomi Watts and Matthew Lillard have joined the team in what promises to be entertaining roles, there is a glass box that is being kept in some kind of secret bunker under constant video monitoring that seems to have something to do with The Black Lodge, the log lady is getting message from her log again, a body that doesn’t belong to its head and we are still hanging out at the Bang Bang Bar with Bobby, Shelley and James even if it was for far too brief at time.
Overall: It didn’t deliver on its promise, or give me what I wanted, but there is still a lot more episodes to come. I cant think of another show that would get away with such a slow build or lack of deliverance than the new third season of Twin Peaks.
Lee (2222 KP) rated The Nun (2018) in Movies
Sep 6, 2018 (Updated Sep 7, 2018)
Disappointing
I'm a big fan of The Conjuring movies. The original is one of my favourite scary movies, and while I enjoyed the sequel, for me it just didn't live up to the very high bar set by the first. Creepy doll Annabelle from the first movie landed her own disappointing outing, followed by a surprisingly enjoyable sequel/prequel in Annabelle: Creation. Now, next up in The Conjuring Universe is the turn of The Nun. After a brief, but very effective appearance in The Conjuring 2, The Nun movie looks to expand the universe even further, providing us with an insight into how the demon nun came to be.
We're in Romania, 1952. A large, remote, creepy looking convent is having trouble trying to contain something dark and evil, resulting in one of the nuns hanging herself. The body is discovered by Frenchie, a local farmer bringing supplies from the nearby village. When word gets back to the Vatican, priest Father Burke (Demián Bichir) is sent, along with Sister Irene (Taissa Farmiga) to investigate.
They learn that the convent was built in the middle ages by the Duke of St Carta who, while being possessed, also created a gateway from hell somewhere within its basement. Religious figures were able to seal the gateway using the blood of Christ, but during the second world war bombings resulted in the seal being broken, releasing the demon Valak. Since then, the nuns have engaged in constant prayer in an attempt to keep evil at bay.
As you'd expect, the whole tone of this movie is very dark, and very gloomy. It takes a while to get going, and there is nothing of interest to keep you hooked. Aside from Sister Irene, the characters are dull, and occasional attempts at humour fall flat. The tense expectation of chills and scares soon fizzles out when you're realise that there really aren't any. Just plenty of prolonged periods of quietness, followed by LOUD NOISE!! Which may work for some people, but I just found it annoying.
The characters wander around dark corridors, playing on the whole creepy castle vibe, and shadowy nuns are everywhere. Valak himself occasionally appears, but it's nothing more than an attempt at a jump scare. The whole thing just seems like such a wasted opportunity and I found myself looking at my watch even during the climactic scenes where they're trying to seal the gateway once more. Not good for a movie that's only 96 minutes long.
The one thing I did like is how they managed to link everything back to The Conjuring movies, in particular the opening scenes of the original movie where the Warrens are giving their lecture, and the consequences that brings for the rest of the movies. Aside from that I just found the whole thing disappointing.
We're in Romania, 1952. A large, remote, creepy looking convent is having trouble trying to contain something dark and evil, resulting in one of the nuns hanging herself. The body is discovered by Frenchie, a local farmer bringing supplies from the nearby village. When word gets back to the Vatican, priest Father Burke (Demián Bichir) is sent, along with Sister Irene (Taissa Farmiga) to investigate.
They learn that the convent was built in the middle ages by the Duke of St Carta who, while being possessed, also created a gateway from hell somewhere within its basement. Religious figures were able to seal the gateway using the blood of Christ, but during the second world war bombings resulted in the seal being broken, releasing the demon Valak. Since then, the nuns have engaged in constant prayer in an attempt to keep evil at bay.
As you'd expect, the whole tone of this movie is very dark, and very gloomy. It takes a while to get going, and there is nothing of interest to keep you hooked. Aside from Sister Irene, the characters are dull, and occasional attempts at humour fall flat. The tense expectation of chills and scares soon fizzles out when you're realise that there really aren't any. Just plenty of prolonged periods of quietness, followed by LOUD NOISE!! Which may work for some people, but I just found it annoying.
The characters wander around dark corridors, playing on the whole creepy castle vibe, and shadowy nuns are everywhere. Valak himself occasionally appears, but it's nothing more than an attempt at a jump scare. The whole thing just seems like such a wasted opportunity and I found myself looking at my watch even during the climactic scenes where they're trying to seal the gateway once more. Not good for a movie that's only 96 minutes long.
The one thing I did like is how they managed to link everything back to The Conjuring movies, in particular the opening scenes of the original movie where the Warrens are giving their lecture, and the consequences that brings for the rest of the movies. Aside from that I just found the whole thing disappointing.
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Sarah (7800 KP) rated The Disappearance of Madeleine McCann in TV
Mar 16, 2019
Entirely unnecessary
Whilst I know the story of Madeleine McCann’s disappearance (I was 20 when it happened), I don’t claim to know the full detail and have never watched a documentary on it before. After seeing Netflix’s effort, I don’t think I would ever need or even want to watch a documentary on this story ever again.
For starters, similar to the Leaving Neverland documentary, this manages to draw out even the tiniest of details and unimportant interviews with barely involved witnesses to a staggering 8 episodes, and a total runtime of nearly 8 hours. This is far too long. I’m pretty sure it could’ve been cut down by half and still had no noticeable effect on the important content they were trying to get across. There is a lot of nonsense guff in this, like the history of the Algarve and interviews of people who happened to be in the same resort or journalists, yet none of this provided anything of value.
That said, it did at least have interviews with some of the suspects at the time and having never seen them before, I found it quite interesting. This documentary also went a way to changing my point of view - I’m not ashamed to admit that I’m on the side that thinks it was the parents, but seeing some of this documentary made me doubt some of my aspersions.
The problem though is that this documentary doesn’t tell us anything new. There’s no new evidence or insights and it’s just rehashing the same old story. And it just made me think what’s the point? It just highlights the amount of resource and money being put into a case that is still no closer to being solved and now 12 years have passed, it’s very unlikely it will ever get solved now. I don’t mean to sound heartless about that, but when you work for the police it’s frustrating to see hundreds of thousands of pounds being shelled out for an operation that is seeing no results when that money could be invested into the front line that desperately needs it.
For starters, similar to the Leaving Neverland documentary, this manages to draw out even the tiniest of details and unimportant interviews with barely involved witnesses to a staggering 8 episodes, and a total runtime of nearly 8 hours. This is far too long. I’m pretty sure it could’ve been cut down by half and still had no noticeable effect on the important content they were trying to get across. There is a lot of nonsense guff in this, like the history of the Algarve and interviews of people who happened to be in the same resort or journalists, yet none of this provided anything of value.
That said, it did at least have interviews with some of the suspects at the time and having never seen them before, I found it quite interesting. This documentary also went a way to changing my point of view - I’m not ashamed to admit that I’m on the side that thinks it was the parents, but seeing some of this documentary made me doubt some of my aspersions.
The problem though is that this documentary doesn’t tell us anything new. There’s no new evidence or insights and it’s just rehashing the same old story. And it just made me think what’s the point? It just highlights the amount of resource and money being put into a case that is still no closer to being solved and now 12 years have passed, it’s very unlikely it will ever get solved now. I don’t mean to sound heartless about that, but when you work for the police it’s frustrating to see hundreds of thousands of pounds being shelled out for an operation that is seeing no results when that money could be invested into the front line that desperately needs it.
Sam (74 KP) rated The Undomestic Goddess in Books
Mar 27, 2019
Samantha is a high powered lawyer in a high powered law firm in London. She’s one of the best and has worked hard to get where she is. And when the opportunity a arises for her to become a partner at the firm, she works even harder than before. She’s got everything set out and knows that the promotion is hers, then finds out she has made a terrible mistake. A mistake that has cost fifty million. And she runs.
She finds herself being mistaken for the new housekeeper at a lovely house in the country and she is so flustered that she doesn’t know how to tell her new employers that it is all a mistake, so instead she goes along with it.
Samantha Sweeting is probably my favourite female protagonist ever. She is absolutely hilarious (even if she doesn’t know it) and she’s definitely not your stereotypical character. She runs when she realises she’s made a mistake, and then follows the fake it to make it life, pretending to be a housekeeper even though she’s got no idea how to even turn on a washing machine.
She is so comical, especially how she doesn’t have any idea how to do anything in a house but somehow becomes an amazing housekeeper.
The Undomestic Goddess is a novel about overcoming everything you have spent your life trying to be in order to find happiness. Samantha is faced with the problem of whether she wants to be happy, have time for herself and her own life, or she could go back to Carter Spink. It raises the question of whether happiness is truly worth more than money, and if success really equals happiness.
When I read Sophie Kinsella’s My Not So Perfect Life, I thought that I had found the most true and realistic book I could. But The Undomestic Goddess beats even that and is even more entertaining. I can’t believe I hadn’t discovered it sooner than when I spotted it in Morrisons. It’s such a heartfelt and honest book that it’s definitely a must read.
She finds herself being mistaken for the new housekeeper at a lovely house in the country and she is so flustered that she doesn’t know how to tell her new employers that it is all a mistake, so instead she goes along with it.
Samantha Sweeting is probably my favourite female protagonist ever. She is absolutely hilarious (even if she doesn’t know it) and she’s definitely not your stereotypical character. She runs when she realises she’s made a mistake, and then follows the fake it to make it life, pretending to be a housekeeper even though she’s got no idea how to even turn on a washing machine.
She is so comical, especially how she doesn’t have any idea how to do anything in a house but somehow becomes an amazing housekeeper.
The Undomestic Goddess is a novel about overcoming everything you have spent your life trying to be in order to find happiness. Samantha is faced with the problem of whether she wants to be happy, have time for herself and her own life, or she could go back to Carter Spink. It raises the question of whether happiness is truly worth more than money, and if success really equals happiness.
When I read Sophie Kinsella’s My Not So Perfect Life, I thought that I had found the most true and realistic book I could. But The Undomestic Goddess beats even that and is even more entertaining. I can’t believe I hadn’t discovered it sooner than when I spotted it in Morrisons. It’s such a heartfelt and honest book that it’s definitely a must read.
BookblogbyCari (345 KP) rated The Last Straw in Books
Apr 7, 2019
When I read the synopsis for this book, I thought “Aah, here’s a story with some oomph!” The book starts with the line “Perry Mason unzipped his pants…” and I thought “I didn’t think it was that sort of a book!” There were no erotic scenes though, but there was violence and drama aplenty!
The events in the book are sparked by the witnessing of a murder at a car hijacking gone awry. However, there is a snowball-come-avalanche effect for the surrounding characters. The central character is Rico, a hit man with conscience, albeit a very selective conscience. Rico’s sworn enemy is tasked with taking out the murder witness, but this puts a friend of Rico’s at risk, and tensions quickly escalate between the hit men.
There are countless high octane action scenes, and they are shocking! Rico often put me in mind of Jack Reacher, and his killer instincts mean the action scenes are so rapid that I found myself reading them twice to take everything in. And the death count becomes comparable to Game of Thrones!
In between the action scenes, a lot of background information is provided on the surrounding characters, such as the on the lawyer looking after the murder witness. And many of these characters are often working through their own moral dilemmas in relation to what’s going on. (As usual, NO spoilers in my book reviews!)
This book is the second in a series, and I usually start with the first in a series (unless I’ve seen the first portrayed in a film) but the synopsis had me sold! Much of what happened in the first book is explained in dribs and drabs throughout the second. You certainly don’t need to read the first book to enjoy the second, but I imagine you’d get more from it by reading the whole series.
It wasn’t always the most realistic story in places; like when Rico does nothing to cover his tracks after a hit, but then again we often read novels as a means of escapism, it’s not supposed to represent the real world. And in fairness, it’s done a damn good job of distracting me from my current worries. Recommended!
The events in the book are sparked by the witnessing of a murder at a car hijacking gone awry. However, there is a snowball-come-avalanche effect for the surrounding characters. The central character is Rico, a hit man with conscience, albeit a very selective conscience. Rico’s sworn enemy is tasked with taking out the murder witness, but this puts a friend of Rico’s at risk, and tensions quickly escalate between the hit men.
There are countless high octane action scenes, and they are shocking! Rico often put me in mind of Jack Reacher, and his killer instincts mean the action scenes are so rapid that I found myself reading them twice to take everything in. And the death count becomes comparable to Game of Thrones!
In between the action scenes, a lot of background information is provided on the surrounding characters, such as the on the lawyer looking after the murder witness. And many of these characters are often working through their own moral dilemmas in relation to what’s going on. (As usual, NO spoilers in my book reviews!)
This book is the second in a series, and I usually start with the first in a series (unless I’ve seen the first portrayed in a film) but the synopsis had me sold! Much of what happened in the first book is explained in dribs and drabs throughout the second. You certainly don’t need to read the first book to enjoy the second, but I imagine you’d get more from it by reading the whole series.
It wasn’t always the most realistic story in places; like when Rico does nothing to cover his tracks after a hit, but then again we often read novels as a means of escapism, it’s not supposed to represent the real world. And in fairness, it’s done a damn good job of distracting me from my current worries. Recommended!