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Emma @ The Movies (1786 KP) rated Murder on the Orient Express (2017) in Movies
Sep 25, 2019
It is 1934, and our moustachioed detective has just solved a theft in Jerusalem. He looks forward to resting in Istanbul, but his break is interrupted with the news that he must return to London for a case. It seems like Poirot's luck is in, having just met his friend who is director of the Orient Express.
Once on board Poirot catches the attention of the businessman, Samuel Ratchett. Ratchett has received threatening letters, and wishes to hire the detective as his bodyguard during their journey, but the offer is politely declined.
That night an avalanche derails he train and the passengers are stranded. In the morning Ratchett is found dead, stabbed a dozen times. Poirot and Bouc, the train director, investigate the passengers as repairs begin. Poirot discovers a partially destroyed note connecting Ratchett to the kidnapping of Daisy Armstrong, a child who was abducted from her bedroom and held for ransom. After the ransom was paid, Daisy was found murdered. Ratchett is identified as John Cassetti, Daisy’s kidnapper and murderer.
First off, let me address the elephant in the room... that'll be Kenneth Branagh as Poirot. David Suchet will always be my Poirot, he's perfect. Branagh, for me, has an overacting issue. And that moustache, it's just ridiculous. That's not even taking into account the scene where Poirot is laying in bed and he doesn't have his night-time moustache cosy on. Crazy.
Agatha Christie's tale has definitely been given the Hollywood treatment. It's gone from the quite dark Suchet version, to something quite farcical in comparison. I can understand remaking some things, but when you have such a definitive portrayal of a character why would you recast them?
Having just rewatched the 2010 version I will say that the story line in the movie is probably easier to understand. It's also more suitable for a younger audience.
As a passing comment to everyone who was surprised to hear they were going to do Death On The Nile next... no shit, Poirot! It was dropped in at the end of the film.
Once on board Poirot catches the attention of the businessman, Samuel Ratchett. Ratchett has received threatening letters, and wishes to hire the detective as his bodyguard during their journey, but the offer is politely declined.
That night an avalanche derails he train and the passengers are stranded. In the morning Ratchett is found dead, stabbed a dozen times. Poirot and Bouc, the train director, investigate the passengers as repairs begin. Poirot discovers a partially destroyed note connecting Ratchett to the kidnapping of Daisy Armstrong, a child who was abducted from her bedroom and held for ransom. After the ransom was paid, Daisy was found murdered. Ratchett is identified as John Cassetti, Daisy’s kidnapper and murderer.
First off, let me address the elephant in the room... that'll be Kenneth Branagh as Poirot. David Suchet will always be my Poirot, he's perfect. Branagh, for me, has an overacting issue. And that moustache, it's just ridiculous. That's not even taking into account the scene where Poirot is laying in bed and he doesn't have his night-time moustache cosy on. Crazy.
Agatha Christie's tale has definitely been given the Hollywood treatment. It's gone from the quite dark Suchet version, to something quite farcical in comparison. I can understand remaking some things, but when you have such a definitive portrayal of a character why would you recast them?
Having just rewatched the 2010 version I will say that the story line in the movie is probably easier to understand. It's also more suitable for a younger audience.
As a passing comment to everyone who was surprised to hear they were going to do Death On The Nile next... no shit, Poirot! It was dropped in at the end of the film.
GA1: An Assassin in Orlandes
Games and Book
App
An interactive fantasy adventure! It's a book. It's a game. It's an RPG. It's a Gamebook Adventure! ...
Hazel (1853 KP) rated Witch Hunter (The Witch Hunter, #1) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
The sixteenth century is a dangerous time for wizards and witches to live – a place where magic is illegal. Sixteen-year-old Elizabeth Grey spends her time disguised as a kitchen maid as she goes around hunting down witches. However when she is accused of witchcraft after being found in possession of herbs, her life is over. Suddenly the most wanted wizard in Anglia, who claims she can help him as much as he can help her, rescues her. Finding herself surrounded by the enemy, Elizabeth must decide whether she should escape and turn them in, or begin to trust people she has been raised to believe are evil.
<i>Witch Hunter</i> is a young adult fantasy novel targeted at those with a love of both historical and magical stories. Initially Elizabeth wants to capture and send all wizards and witches to their deaths, but after her rescue begins to realize that not all she has been led to believe is true. Magic is neither inherently good nor bad; it is what someone does with the power that matters. This story is full of action from beginning to end as Elizabeth learns who to trust and who needs to be destroyed.
At the beginning of the book there was a particular reference to something that felt inappropriate for young readers, however the remainder is exactly what the reader expects to find within this genre. Underneath the magical storyline is a message that urges readers not to jump to conclusions and be judgmental, particularly about things that they do not fully understand. Substitute magic for mental illness, disabilities or different cultures, and you have something that readers of all ages can relate to today.
<i>Witch Hunter</i> is the first in what promises to be an incredible series by the author Virginia Boecker. Although the key issue was resolved within this first book there is an even larger issue that still needs settling. Readers who enjoy this novel will be eagerly waiting to find out what Elizabeth and her new friends do next.
The sixteenth century is a dangerous time for wizards and witches to live – a place where magic is illegal. Sixteen-year-old Elizabeth Grey spends her time disguised as a kitchen maid as she goes around hunting down witches. However when she is accused of witchcraft after being found in possession of herbs, her life is over. Suddenly the most wanted wizard in Anglia, who claims she can help him as much as he can help her, rescues her. Finding herself surrounded by the enemy, Elizabeth must decide whether she should escape and turn them in, or begin to trust people she has been raised to believe are evil.
<i>Witch Hunter</i> is a young adult fantasy novel targeted at those with a love of both historical and magical stories. Initially Elizabeth wants to capture and send all wizards and witches to their deaths, but after her rescue begins to realize that not all she has been led to believe is true. Magic is neither inherently good nor bad; it is what someone does with the power that matters. This story is full of action from beginning to end as Elizabeth learns who to trust and who needs to be destroyed.
At the beginning of the book there was a particular reference to something that felt inappropriate for young readers, however the remainder is exactly what the reader expects to find within this genre. Underneath the magical storyline is a message that urges readers not to jump to conclusions and be judgmental, particularly about things that they do not fully understand. Substitute magic for mental illness, disabilities or different cultures, and you have something that readers of all ages can relate to today.
<i>Witch Hunter</i> is the first in what promises to be an incredible series by the author Virginia Boecker. Although the key issue was resolved within this first book there is an even larger issue that still needs settling. Readers who enjoy this novel will be eagerly waiting to find out what Elizabeth and her new friends do next.
Kristy H (1252 KP) rated Big Lies in a Small Town in Books
Mar 19, 2020
Morgan Christopher is shocked when she's plucked from prison and told she will be released early, as long as she perform a certain task: restore an old mural from the 1940s. Morgan, an art school dropout, has no restoration skills, but she is desperate to leave prison, where she is imprisoned for a crime she didn't commit. Once released, she finds herself captivated by the mural and what she finds underneath the layers of grime. Meanwhile, in 1940, young Anna Dale, an artist from New Jersey wins a contest to paint a mural for the post office in Edenton, North Carolina. She travels there to learn more about the town that she needs to capture. But once there, Anna is confronted both by kindness and deep-set prejudice.
I've never read a book by Diane Chamberlain before, and I really enjoyed this one. It's oddly captivating for centering on a painting from the 1940s. The point-of-view switches between Morgan and Anna and each are compelling narrators in their own right. This was one of those books where I found myself desperately wishing I could read faster, as I wanted to find out what happened to Anna (we're told early on she "went crazy").
I applaud Chamberlain for her original plot. It's odd, but not in a bad way, as it had me interested the entire time. She does a wonderful job of creating two completely different worlds: Anna's in the 40s and Morgan's in near present-day. She deftly weaves in art aspects; Morgan's drunk driving conviction and her past in prison; Anna's possible mental illness; and Morgan's benefactor, so to speak, Lisa, who springs her out of prison to fulfill the wishes of her late father, Jesse, a famous artist.
While this novel is mainly fiction, there are some great twists and turns, especially as we learn what happened to Anna. Chamberlain delves into race relations, as Anna confronts the prejudices of the south in the 1940s. Her writing style is easy, making you want to keep reading, and overall, I quite enjoyed this one. 4 stars.
I've never read a book by Diane Chamberlain before, and I really enjoyed this one. It's oddly captivating for centering on a painting from the 1940s. The point-of-view switches between Morgan and Anna and each are compelling narrators in their own right. This was one of those books where I found myself desperately wishing I could read faster, as I wanted to find out what happened to Anna (we're told early on she "went crazy").
I applaud Chamberlain for her original plot. It's odd, but not in a bad way, as it had me interested the entire time. She does a wonderful job of creating two completely different worlds: Anna's in the 40s and Morgan's in near present-day. She deftly weaves in art aspects; Morgan's drunk driving conviction and her past in prison; Anna's possible mental illness; and Morgan's benefactor, so to speak, Lisa, who springs her out of prison to fulfill the wishes of her late father, Jesse, a famous artist.
While this novel is mainly fiction, there are some great twists and turns, especially as we learn what happened to Anna. Chamberlain delves into race relations, as Anna confronts the prejudices of the south in the 1940s. Her writing style is easy, making you want to keep reading, and overall, I quite enjoyed this one. 4 stars.
MelanieTheresa (997 KP) rated Under Currents in Books
Sep 20, 2019 (Updated Sep 23, 2019)
AGAIN. Nora Roberts did it again. She got me.
Definition of undercurrent:
1: a current below the upper currents or surface
2: a hidden opinion, feeling, or tendency often contrary to the one publicly shown<
While Under Currents may not have put me on the edge of my seat as often as some previous Nora Roberts titles (see: Shelter in Place, Come Sundown), it more than made up for that in sheer emotion.
The first part of this book is both brutal and beautiful. The descriptions of the horrific abuse Zane and his sister suffer at the hands of their father can be hard to get through; I found myself tearing up quite a few times, entwining the sorrow with anger that anyone should have to experience any of it, least of all a child. However, there is beauty in how they come out of it.
Thankfully, the horror does lift, and we're treated to a wonderful story, at times simultaneously uplifting and heartbreaking. The character development here is terrific. Each character, down to the most random of townspeople, has a purpose and a backstory, and interacts perfectly with the other characters, building a supportive community with a definite small-town vibe.
The descriptions of landscaping and gardening are so well done I could picture the finished products quite clearly in my head - and man do I want a "water feature" now! (the fact that I do not have a yard in which to do this is completely irrelevant 😁).
Each plot line, whether primary, secondary or tertiary, was well developed and led toward a satisfying resolution - and each contained under currents of its own.
A couple of final thoughts:
*Zane & Darby are #couplegoals.
*I feel like there's always a dog, and I always love the dog. 🐶 Although, hey, Nora: cats are pretty awesome too. 🐱
*Nora Roberts is a master of attention to detail.
*Sad tears? Happy tears? This book will bring them all.
*Can we take a minute to appreciate this gorgeous cover??
Thank you to St. Martin's Press for the ARE!
1: a current below the upper currents or surface
2: a hidden opinion, feeling, or tendency often contrary to the one publicly shown<
While Under Currents may not have put me on the edge of my seat as often as some previous Nora Roberts titles (see: Shelter in Place, Come Sundown), it more than made up for that in sheer emotion.
The first part of this book is both brutal and beautiful. The descriptions of the horrific abuse Zane and his sister suffer at the hands of their father can be hard to get through; I found myself tearing up quite a few times, entwining the sorrow with anger that anyone should have to experience any of it, least of all a child. However, there is beauty in how they come out of it.
Thankfully, the horror does lift, and we're treated to a wonderful story, at times simultaneously uplifting and heartbreaking. The character development here is terrific. Each character, down to the most random of townspeople, has a purpose and a backstory, and interacts perfectly with the other characters, building a supportive community with a definite small-town vibe.
The descriptions of landscaping and gardening are so well done I could picture the finished products quite clearly in my head - and man do I want a "water feature" now! (the fact that I do not have a yard in which to do this is completely irrelevant 😁).
Each plot line, whether primary, secondary or tertiary, was well developed and led toward a satisfying resolution - and each contained under currents of its own.
A couple of final thoughts:
*Zane & Darby are #couplegoals.
*I feel like there's always a dog, and I always love the dog. 🐶 Although, hey, Nora: cats are pretty awesome too. 🐱
*Nora Roberts is a master of attention to detail.
*Sad tears? Happy tears? This book will bring them all.
*Can we take a minute to appreciate this gorgeous cover??
Thank you to St. Martin's Press for the ARE!
Merissa (12030 KP) rated Princes and Kings (A Rose in a Thorn Bush #1) in Books
Dec 7, 2021 (Updated Jul 9, 2023)
PRINCES AND KINGS is the first book in A Rose in a Thorn Bush series, and we start with Llywelyn the Great's funeral and his two sons, Dafydd and Gruffudd. Gruffudd's son, Owain, doesn't think his uncle will make a good king and has no hesitation in confronting him. This means that when King Henry of England gives him a choice, Dafydd makes Owain part of the bargain to get him out of his hair. Gruffudd and Owain are sent to the Tower of London as hostages of war, the treaty dependent upon their safekeeping. All is well until Gruffudd can't cope with being a prisoner any longer and tries to escape, dying in the process. The treaty is broken and war is inevitable.
As a long-term lover of Wales and all things Welsh, I couldn't wait to read this story. Told as third-person and with a multitude of perspectives, it gives a rounded view of the events leading up to and including, the defeat of the English by the younger Llywelyn. You also get the see the bond between brothers, even with their vastly different experiences.
Whilst I enjoyed this story, I found it slightly disconcerting when the character's emotions changed so quickly. One of them went from being distraught at the thought of the loss of her husband to thinking that she'd lost him years ago anyway. And another went from intensely disliking a wife, to having a normal conversation with her in the blink of an eye. And then there is having a funny feeling about someone where nothing else is mentioned or happens.
That being said, I did enjoy this book and think it is a really good interesting start to a series that involves a bloody and brilliant time in Welsh history.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 7, 2021
As a long-term lover of Wales and all things Welsh, I couldn't wait to read this story. Told as third-person and with a multitude of perspectives, it gives a rounded view of the events leading up to and including, the defeat of the English by the younger Llywelyn. You also get the see the bond between brothers, even with their vastly different experiences.
Whilst I enjoyed this story, I found it slightly disconcerting when the character's emotions changed so quickly. One of them went from being distraught at the thought of the loss of her husband to thinking that she'd lost him years ago anyway. And another went from intensely disliking a wife, to having a normal conversation with her in the blink of an eye. And then there is having a funny feeling about someone where nothing else is mentioned or happens.
That being said, I did enjoy this book and think it is a really good interesting start to a series that involves a bloody and brilliant time in Welsh history.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 7, 2021
Christine A. (965 KP) rated Losing Normal in Books
Mar 15, 2019
I was provided with a complimentary copy of this book so I could give an honest review.
Losing Normal by Francis Moss is relatively short, less than 300 pages, but do not let the length fool you into thinking it does not have a lot to say. There is a lot of action in this short book.
Alex, a highly-functioning autistic boy, likes things to stay the same. He knows how many steps it is from school to home and, to him, that is normal. He knows all the answers in math. That is normal. The strange giant television screens that are being put up all over are making him forget and that is not normal. Only the "defective" kids, those that are immune to the televisions, like Alex can save the world from becoming television watching zombies. What ensues is an interesting novel that shows how quickly technology could take over.
Losing Normal is not a post-apocalyptic novel. It shows the collapse of society by our rapidly advancing technology getting out of hand and beginning to think for itself.
This novel would be appropriate for those as young as middle school to read but it is an interesting story adults would enjoy too. I found it to be a quick, easy, enjoyable, and thought provoking read.
Review published on Philomathinphila.com, Smashbomb, Goodreads, Facebook, Twitter, Amazon, and Barnes and Noble on 3/14/19.
Losing Normal by Francis Moss is relatively short, less than 300 pages, but do not let the length fool you into thinking it does not have a lot to say. There is a lot of action in this short book.
Alex, a highly-functioning autistic boy, likes things to stay the same. He knows how many steps it is from school to home and, to him, that is normal. He knows all the answers in math. That is normal. The strange giant television screens that are being put up all over are making him forget and that is not normal. Only the "defective" kids, those that are immune to the televisions, like Alex can save the world from becoming television watching zombies. What ensues is an interesting novel that shows how quickly technology could take over.
Losing Normal is not a post-apocalyptic novel. It shows the collapse of society by our rapidly advancing technology getting out of hand and beginning to think for itself.
This novel would be appropriate for those as young as middle school to read but it is an interesting story adults would enjoy too. I found it to be a quick, easy, enjoyable, and thought provoking read.
Review published on Philomathinphila.com, Smashbomb, Goodreads, Facebook, Twitter, Amazon, and Barnes and Noble on 3/14/19.
ClareR (5716 KP) rated The Great Believers in Books
Aug 27, 2018
A truly touching depiction of the AIDS epidemic.
I loved this, really loved it. It’s one of those books where you turn the last page and there’s that empty feeling, knowing that there’s no more of it to read.
There are two timelines: the mid-1980s and the emergence and devastation of the AIDS epidemic amongst a group of gay friends; 2015, and one of the characters from the 1980s is travelling to Paris to try and find her estranged daughter. She meets up with one of the characters who was also in Chicago in the 80s.
This is such a heart breaking story, particularly the earlier timeline. The panic, disbelief and sorrow of the men as they and their friends contract AIDS (such was the speed of their deaths after they found out they had the virus, I can’t remember there being any mention of HIV) was described so well, and Fiona, who is in both timelines, was there for those who needed her starting with her own brother. That seemed like such a huge responsibility to me, and she’s such a strong character: we do see the repercussions of those years though, in 2015.
This is definitely a book to read with a box of tissues to hand, but it’s worth every tear. I can see this being one of my favourite books of the year.
Many thanks to NetGalley and the publisher for giving me the chance to read this. And yes, it’s a completely honest review!
There are two timelines: the mid-1980s and the emergence and devastation of the AIDS epidemic amongst a group of gay friends; 2015, and one of the characters from the 1980s is travelling to Paris to try and find her estranged daughter. She meets up with one of the characters who was also in Chicago in the 80s.
This is such a heart breaking story, particularly the earlier timeline. The panic, disbelief and sorrow of the men as they and their friends contract AIDS (such was the speed of their deaths after they found out they had the virus, I can’t remember there being any mention of HIV) was described so well, and Fiona, who is in both timelines, was there for those who needed her starting with her own brother. That seemed like such a huge responsibility to me, and she’s such a strong character: we do see the repercussions of those years though, in 2015.
This is definitely a book to read with a box of tissues to hand, but it’s worth every tear. I can see this being one of my favourite books of the year.
Many thanks to NetGalley and the publisher for giving me the chance to read this. And yes, it’s a completely honest review!
The Complete Buddhism for Mothers
Book
Become a calmer and happier mother with The Complete Buddhism for Mothers. Parenthood can be a time...
LoganCrews (2861 KP) rated Ghost in the Shell (2017) in Movies
Sep 19, 2020
Dumb as fuck, sheds the vast majority of the source's intelligence - even speaking as someone with only a cursory knowledge of it - for something a lot more nonsensical, westernized, and generic. But it doesn't sacrifice even an ounce of its visual pizzazz - if we've learned anything about Rupert Sanders (non-cheating scandal related, that is) it's that he does not fuck around with his aesthetic. 110% magnetic, self-assured, and every bit as visually stupendous as 𝘉𝘭𝘢𝘥𝘦 𝘙𝘶𝘯𝘯𝘦𝘳 2049. I found most of the ending parts to be a disingenuous swing and a miss but who cares, did you *see* the way ScarJo beat the shit out of those people to synth music while she was invisible and the water was going all slo-mo and stuff? As a piece of seductive sci-fi junk food that's nice and heavy on the portent, it's nothing less than orgasmic - though it makes sense fans of the source would detest this, this is pretty much what I expected after all so I can't say my bar was mega high to begin with. I'm in the middle with Scarlett, it isn't too demanding of a performance but the unnatural cranes and dead gawks are right up her alley and do fit quite nicely here so eh I'll take it for now even if it feels like bootleg 𝘜𝘯𝘥𝘦𝘳 𝘵𝘩𝘦 𝘚𝘬𝘪𝘯. And it's always good to see Takeshi Kitano. Oh and also Juliette Binoche is at least twenty-five times better in this than every role she's ever been nominated for an Oscar for.