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Gareth von Kallenbach (977 KP) rated Parker (2013) in Movies
Aug 7, 2019
So I, being the girl that I am, wasn’t exactly keyed up to go and see a “shoot-em up” style action flick — you know, the kind that Jason Statham excels at? My boyfriend, however, is like most red-blooded men and found this movie right up his alley. Perhaps it was due to the fact I “owed” him from cashing in my chick-flick points and making him watch “the Painted Veil” with me the other day; perhaps it was because my choice of Redbox rentals had been rather lackluster in comparison. Either way, he was looking forward the the prospect of this movie review far more than I.
“Parker” starts off in Ohio where Jason Statham’s character (Parker) is working a job with four other men. The job seems to go off without a hitch until the end when Parker discovers an innocent man died in the process, thus starting “beef” between he and one of his partners. The apparent boss of the crooks then asks Parker to join them in another job, requiring him to give up his share of the loot to contribute to the upcoming job. Parker politely declines and, of course, this doesn’t sit too well with the crooks. As predicted, they then turn on him and Parker is left for dead on the side of the road.
As we know, Jason Statham’s characters are indestructible. I mean, this was covered in both “Crank” movies so the audience should be well-versed in how this goes down, right? Of course, Parker survives and thus starts on a path of revenge. Mob bosses are involved, hits are put out, etc. Regardless, his journey takes him to Palm Springs where the four crooks who betrayed him are preparing for their next big job.
Now, you’re probably wondering where Jennifer Lopez is in all of this (yes, JLo has a part in this movie – I know, I feel your pain too). Given that her last decent flick was “the Cell” and “Selena,” I wasn’t expecting too much from her character. As Parker is making his way down to Palm Springs, the movie then focuses on JLo’s character, a depressed and rather broken divorcee living with her mother and desperate for a commission from her job as a real-estate agent. Cue in Parker, dressed as a wealthy Texan, and looking to buy a home in Palm Springs. Of course we see JLo checking him out and basically throwing herself at him because, well, that’s what all us desperate women do, right? We throw ourselves at rich men when times are hard without taking much else into consideration (like, say the cop – who comes across as a decent guy – who wants nothing else but to date her. But hey, he’s not Jason Statham, right? Pfft!). Regardless, JLo finds a way to weasel herself into helping Parker’s character and thwarting the four thieves who betrayed Parker. Luckily for all of us, JLo advances are shut down and we don’t have to fall witness to another “Gigli”.
Is the movie some amazing cinematic masterpiece? Absolutely not. Are Parker’s flashbacks cheesy and annoying? Of course. But we are talking about an action flick and one that doesn’t disappoint in lots of blood, gun fights, knifing action, and Jason Statham being an overall badass.
Will your girlfriend love this movie? Probably not. Will you, you red-blooded hunk of testosterone, love this movie? Probably. It is, after all, geared towards your sex. And, just in case the blood and fights don’t do it for you, there are more than enough exposed breasts throughout the film keep your interest piqued.
So if you’re looking for a good revenge-style action flick, this one is decent enough. It won’t win any awards, but it won’t leave your poor girlfriend screaming for the hills either. JLo’s performance, however, that’s just inexcusible….
“Parker” starts off in Ohio where Jason Statham’s character (Parker) is working a job with four other men. The job seems to go off without a hitch until the end when Parker discovers an innocent man died in the process, thus starting “beef” between he and one of his partners. The apparent boss of the crooks then asks Parker to join them in another job, requiring him to give up his share of the loot to contribute to the upcoming job. Parker politely declines and, of course, this doesn’t sit too well with the crooks. As predicted, they then turn on him and Parker is left for dead on the side of the road.
As we know, Jason Statham’s characters are indestructible. I mean, this was covered in both “Crank” movies so the audience should be well-versed in how this goes down, right? Of course, Parker survives and thus starts on a path of revenge. Mob bosses are involved, hits are put out, etc. Regardless, his journey takes him to Palm Springs where the four crooks who betrayed him are preparing for their next big job.
Now, you’re probably wondering where Jennifer Lopez is in all of this (yes, JLo has a part in this movie – I know, I feel your pain too). Given that her last decent flick was “the Cell” and “Selena,” I wasn’t expecting too much from her character. As Parker is making his way down to Palm Springs, the movie then focuses on JLo’s character, a depressed and rather broken divorcee living with her mother and desperate for a commission from her job as a real-estate agent. Cue in Parker, dressed as a wealthy Texan, and looking to buy a home in Palm Springs. Of course we see JLo checking him out and basically throwing herself at him because, well, that’s what all us desperate women do, right? We throw ourselves at rich men when times are hard without taking much else into consideration (like, say the cop – who comes across as a decent guy – who wants nothing else but to date her. But hey, he’s not Jason Statham, right? Pfft!). Regardless, JLo finds a way to weasel herself into helping Parker’s character and thwarting the four thieves who betrayed Parker. Luckily for all of us, JLo advances are shut down and we don’t have to fall witness to another “Gigli”.
Is the movie some amazing cinematic masterpiece? Absolutely not. Are Parker’s flashbacks cheesy and annoying? Of course. But we are talking about an action flick and one that doesn’t disappoint in lots of blood, gun fights, knifing action, and Jason Statham being an overall badass.
Will your girlfriend love this movie? Probably not. Will you, you red-blooded hunk of testosterone, love this movie? Probably. It is, after all, geared towards your sex. And, just in case the blood and fights don’t do it for you, there are more than enough exposed breasts throughout the film keep your interest piqued.
So if you’re looking for a good revenge-style action flick, this one is decent enough. It won’t win any awards, but it won’t leave your poor girlfriend screaming for the hills either. JLo’s performance, however, that’s just inexcusible….
Bob Mann (459 KP) rated Sweetheart (2021) in Movies
Sep 20, 2021
Great ensemble cast (1 more)
Sensitive and moving writing by Marley Morrison
A Gregory's Girl for the 21st Century
When I was in my late teen's, Bill Forsyth's "Gregory's Girl" perfectly epitomised the angst of the school years' emotions I'd left behind me. And I was very much heterosexual. With "Sweetheart", Marley Morrison in an astonishing feature debut delivers a "Gregory's Girl" for today's much more sexually fluid times.
Positives:
- What a great ensemble cast! It's all headed up by Nell Barlow, amazingly in her feature debut. Nell manages to perfectly deliver the hair-pullingly frustrating unpredictability of a teenage girl: always planning to go off doing something worthy like "knitting jumpers for elephants in Indonesia". But she manages to keep the portrayal just the right side of parody, not straying into 'Kevin and Perry' territory. "What's wrong with you?" asks her mother. "I'm 17. Everything's wrong with me" she replies. It's an immaculate performance for someone so young.
- Jo Hartley is also fabulous as A. J.'s mum, a lost soul struggling with her own worries, without having those of AJ to add to them. It's not portrayed as a typical 'Mum v Teen' battle, but beautifully nuanced. "Just because you're a lesbian now, it doesn't mean you have to dress like a boy" she pleads with A. J.
- If you're trying to place her, Ella Rae-Smith was the striking girl in the baseball cap in Netflix's "The Stranger". She is also wonderful here, as the 'hot girl' who you think has it all but is underneath deeply troubled and conflicted. A sex scene (beautifully lit and filmed by Emily Almond Barr and Matthew Wicks) manages to show absolutely nothing but is deliciously erotic as a result.
- The writing by Marley Morrison feels very autobiographical. And, as I found through reading this Guardian article about Morrison's gender-journey, there is a lot of personal experience in here. It's clever that the film is claustrophobically set in the remote holiday park (actually the real Freshwater Beach Holiday Park near Bridport on the Dorset coast). If it had been set in a big city like London, AJ could have constantly fled from her feelings, never resolving them. Here, she is constantly running into Isla.... there is no escape.
- I also very much liked the relationship written between A. J. and Steve. Steve is almost the safety valve on the pressure cooker, always helpfully allowing some steam to escape. It adds warmth to the story.
- For such an indie picture, there's a range of great tunes on the soundtrack: mostly from bands I have never heard of (probably making it affordable). I'm not sure if there's to be a soundtrack album released, but it's worth a listen if so.
Negatives:
- I wasn't fond of the sound mix on the film. Some of the dialogue was indistinct.
- A. J. gives us an occasional running commentary of her thoughts as a voiceover. Regular readers of my blog will know my thoughts on this subject! I'm not sure if it added much to the story: a 'show-not-tell' approach would have been my preference.
Summary Thoughts on "Sweetheart": I likened this film to 1980's "Gregory's Girl", and that's a great compliment. That movie made stars out of John Gordon Sinclair and Clare Grogan. I'd predict similar great things for Nell Barlow, Ella Rae-Smith and particularly for writer/director Marley Morrison. I'll very much look forward to Marley's future projects.
It's a cracking little British film. It deserves a major cinema release, but I suspect this is one that you might need to hunt out at your less mainstream cinemas. But please do so - it's well worth it. Very much recommended.
(For the full graphical review and video, check out #onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Positives:
- What a great ensemble cast! It's all headed up by Nell Barlow, amazingly in her feature debut. Nell manages to perfectly deliver the hair-pullingly frustrating unpredictability of a teenage girl: always planning to go off doing something worthy like "knitting jumpers for elephants in Indonesia". But she manages to keep the portrayal just the right side of parody, not straying into 'Kevin and Perry' territory. "What's wrong with you?" asks her mother. "I'm 17. Everything's wrong with me" she replies. It's an immaculate performance for someone so young.
- Jo Hartley is also fabulous as A. J.'s mum, a lost soul struggling with her own worries, without having those of AJ to add to them. It's not portrayed as a typical 'Mum v Teen' battle, but beautifully nuanced. "Just because you're a lesbian now, it doesn't mean you have to dress like a boy" she pleads with A. J.
- If you're trying to place her, Ella Rae-Smith was the striking girl in the baseball cap in Netflix's "The Stranger". She is also wonderful here, as the 'hot girl' who you think has it all but is underneath deeply troubled and conflicted. A sex scene (beautifully lit and filmed by Emily Almond Barr and Matthew Wicks) manages to show absolutely nothing but is deliciously erotic as a result.
- The writing by Marley Morrison feels very autobiographical. And, as I found through reading this Guardian article about Morrison's gender-journey, there is a lot of personal experience in here. It's clever that the film is claustrophobically set in the remote holiday park (actually the real Freshwater Beach Holiday Park near Bridport on the Dorset coast). If it had been set in a big city like London, AJ could have constantly fled from her feelings, never resolving them. Here, she is constantly running into Isla.... there is no escape.
- I also very much liked the relationship written between A. J. and Steve. Steve is almost the safety valve on the pressure cooker, always helpfully allowing some steam to escape. It adds warmth to the story.
- For such an indie picture, there's a range of great tunes on the soundtrack: mostly from bands I have never heard of (probably making it affordable). I'm not sure if there's to be a soundtrack album released, but it's worth a listen if so.
Negatives:
- I wasn't fond of the sound mix on the film. Some of the dialogue was indistinct.
- A. J. gives us an occasional running commentary of her thoughts as a voiceover. Regular readers of my blog will know my thoughts on this subject! I'm not sure if it added much to the story: a 'show-not-tell' approach would have been my preference.
Summary Thoughts on "Sweetheart": I likened this film to 1980's "Gregory's Girl", and that's a great compliment. That movie made stars out of John Gordon Sinclair and Clare Grogan. I'd predict similar great things for Nell Barlow, Ella Rae-Smith and particularly for writer/director Marley Morrison. I'll very much look forward to Marley's future projects.
It's a cracking little British film. It deserves a major cinema release, but I suspect this is one that you might need to hunt out at your less mainstream cinemas. But please do so - it's well worth it. Very much recommended.
(For the full graphical review and video, check out #onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Haley Mathiot (9 KP) rated Gateway to Dreamworld in Books
Apr 27, 2018
Gateway to Dreamworld
by Brenda Estacio
Rating: 3.5/5
My Summary: Jean and Brad have a wonderful life with wonderful kids. But through several awful things that happen to them, like the car accident that put Pete in a wheelchair for his life and the depression that Brad experienced from it, the family has slipped apart. Jason, the oldest son, goes up into his hideout in the Lighthouse to try to escape the stress of his family falling apart. While up there, a stroke of lightning hits the lighthouse and creates a magical Gateway from the real world to Dreamworld, a place that only the pure of heart can access in their dreams. Jason has to decide whether or not he wants to stay in Dreamworld for the rest of his life, where everything is perfect and nobody gets sick or dies, or whether he wants to stay in the real world with his family. When Jason finds out that his mom is pregnant and ill, he is sure she is going to die. Then Jason finds out that he can save his mom and heal his brother by taking his family to Dreamworld—but he has to do it before the Gateway closes up forever…
My thoughts: Gateway to Dreamworld is an interesting yet odd read. It’s fast paced, covering a whole beginning of a relationship, two births, a death and a few other major events in the first few chapters and moving through important story lines very quickly—almost too quickly. I wished the author had slowed down and taken more time developing the story line in the first 100 pages, rather than just telling it all so fast—the first ten chapters or so felt rushed, as if she was in a hurry to get it over with and explain it so she could move on to what she wanted to write about. The pdf that I read from was 358 pages, and it got really interesting on chapter 13, page 118. That being said, it wasn’t that I didn’t enjoy the first 100 pages, they were very interesting and showed the life of a realistic family.
The only thing about this book that I didn’t like was that it had what I call “happy-land” syndrome—everything is working out perfectly, or is resolved too quickly. The father slipped into depression, and it was totally expected and realistic, however he was jerked out of it too fast (Maybe only people who have experienced depression can testify, but it doesn’t go away that quickly—it takes months of talking, treatment, and sometimes medication, not one talk with a pastor and a few tears.). When the grandma died, the character’s reactions were realistic—but family members “got over it” so fast that it left me frowning. This was all in the earliest part of the book, again I felt that the author just wanted to be done with the explaining part so she could move onto the interesting part.
Plot: this was a science fiction book, and it’s been a long time since I’ve read a sci fi. I loved getting lost in the idea of Dreamworld and The Gateway and the fear of the Unknown was horrific. During one of the crucial moments at the end of the book I could feel my blood speed up as I read it. The end of this book was a bit of a shock, not at all what I expected. I’m not sure if I was disappointed or satisfied, but it was certainly intriguing.
Characters: I personally didn’t connect with the characters very well because they were two adults and two young children, however my favorite character would have to be Pete, the little brother who gets paralyzed. He’s such a brave kid, trusting of his brother, and loving to his parents.
The Writing: The writing seemed very formal—I don’t think there was a single contraction in the whole book, and the character’s lines were detailed, specific, honest, and humble— they almost felt like robots the way they were never greedy, never mean. The word that came to mind as I read it was “quaint,” because it was told from third person omniscient perspective, and there wasn’t a lot of dialogue.
Recommendation: I think ages 9-14 would enjoy this book a lot more than I did (not to say I didn’t) because of the young characters and the science fiction aspect. However, there were a few scenes of husband and wife relationship that were not detailed, but were not suitable for an eleven or twelve-year-old either. It’s hard to place a specific age on this book, but I will say that anyone who read and enjoyed Madeleine L'Engle’s Many Waters (A Wrinkle In Time series) will enjoy this book as well.
All in all, I immensely enjoyed this book and found myself needing to finish it, I couldn’t stop in the middle. It was highly addicting and exciting, and I look forward to more from this author.
Thank You to Brenda Estacio for the e-book to review!
~Haleyknitz
by Brenda Estacio
Rating: 3.5/5
My Summary: Jean and Brad have a wonderful life with wonderful kids. But through several awful things that happen to them, like the car accident that put Pete in a wheelchair for his life and the depression that Brad experienced from it, the family has slipped apart. Jason, the oldest son, goes up into his hideout in the Lighthouse to try to escape the stress of his family falling apart. While up there, a stroke of lightning hits the lighthouse and creates a magical Gateway from the real world to Dreamworld, a place that only the pure of heart can access in their dreams. Jason has to decide whether or not he wants to stay in Dreamworld for the rest of his life, where everything is perfect and nobody gets sick or dies, or whether he wants to stay in the real world with his family. When Jason finds out that his mom is pregnant and ill, he is sure she is going to die. Then Jason finds out that he can save his mom and heal his brother by taking his family to Dreamworld—but he has to do it before the Gateway closes up forever…
My thoughts: Gateway to Dreamworld is an interesting yet odd read. It’s fast paced, covering a whole beginning of a relationship, two births, a death and a few other major events in the first few chapters and moving through important story lines very quickly—almost too quickly. I wished the author had slowed down and taken more time developing the story line in the first 100 pages, rather than just telling it all so fast—the first ten chapters or so felt rushed, as if she was in a hurry to get it over with and explain it so she could move on to what she wanted to write about. The pdf that I read from was 358 pages, and it got really interesting on chapter 13, page 118. That being said, it wasn’t that I didn’t enjoy the first 100 pages, they were very interesting and showed the life of a realistic family.
The only thing about this book that I didn’t like was that it had what I call “happy-land” syndrome—everything is working out perfectly, or is resolved too quickly. The father slipped into depression, and it was totally expected and realistic, however he was jerked out of it too fast (Maybe only people who have experienced depression can testify, but it doesn’t go away that quickly—it takes months of talking, treatment, and sometimes medication, not one talk with a pastor and a few tears.). When the grandma died, the character’s reactions were realistic—but family members “got over it” so fast that it left me frowning. This was all in the earliest part of the book, again I felt that the author just wanted to be done with the explaining part so she could move onto the interesting part.
Plot: this was a science fiction book, and it’s been a long time since I’ve read a sci fi. I loved getting lost in the idea of Dreamworld and The Gateway and the fear of the Unknown was horrific. During one of the crucial moments at the end of the book I could feel my blood speed up as I read it. The end of this book was a bit of a shock, not at all what I expected. I’m not sure if I was disappointed or satisfied, but it was certainly intriguing.
Characters: I personally didn’t connect with the characters very well because they were two adults and two young children, however my favorite character would have to be Pete, the little brother who gets paralyzed. He’s such a brave kid, trusting of his brother, and loving to his parents.
The Writing: The writing seemed very formal—I don’t think there was a single contraction in the whole book, and the character’s lines were detailed, specific, honest, and humble— they almost felt like robots the way they were never greedy, never mean. The word that came to mind as I read it was “quaint,” because it was told from third person omniscient perspective, and there wasn’t a lot of dialogue.
Recommendation: I think ages 9-14 would enjoy this book a lot more than I did (not to say I didn’t) because of the young characters and the science fiction aspect. However, there were a few scenes of husband and wife relationship that were not detailed, but were not suitable for an eleven or twelve-year-old either. It’s hard to place a specific age on this book, but I will say that anyone who read and enjoyed Madeleine L'Engle’s Many Waters (A Wrinkle In Time series) will enjoy this book as well.
All in all, I immensely enjoyed this book and found myself needing to finish it, I couldn’t stop in the middle. It was highly addicting and exciting, and I look forward to more from this author.
Thank You to Brenda Estacio for the e-book to review!
~Haleyknitz
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Baganda * One who loves you, warns you. Ethiopian * Evil enters like a splinter and...
Bob Mann (459 KP) rated Solo: A Star Wars Story (2018) in Movies
Sep 29, 2021
Solo? So-so.
When the whole Disney “broaden out the Star Wars universe” thing was first mooted I was NOT enthusiastic about the prospect. Then, in Christmas 2016 “Rogue One” burst onto our screens as a breath of fresh air, and I thought “OK, I can be wrong!”. But even jolted by that pleasant surprise, I always thought that the second proposed diversion off the main hyperspace highway into “Radiator Springs” – a Han Solo back-story flick – might fall short. It just didn’t float my boat.
Add into that proposition the decision to give the film initially to “The Lego Movie” directors Phil Lord and Christopher Miller (why Disney? why?); them trying to forge it as a ‘comedy’; them falling horribly short and being fired by Disney; Disney bringing Ron Howard (“Inferno“, “Rush“) in to try to salvage the project; and Howard reportedly re-shooting 75% of the film and you have the makings of a turkey of galactic proportions.
With all that being said, I was surprised I enjoyed it as much as I did. But that’s off a very low base of expectation.
As you might guess, we go back to see Han… just Han… as a delinquent youth trying to keep his head above water under the thrall of the Fagin-like Lady Proxima (who – no pun intended – keeps her head under the water for most of the time). He is desperate to pull off a con that’s lucrative enough that it will get him and his girlfriend Qi’ra (Emilia Clarke, “Me Before You“; “Terminator: Genisys“; “Game of Thrones”) off-planet and into a free life. Things don’t go to plan though and Han – now Han Solo – finds himself a trooper of the Galactic Empire. He links up with fellow rogues Beckett (Woody Harrelson, “War for the Planet of the Apes“; “Three Billboards in Ebbing, Missouri“), Val (Thandie Newton, “Westworld”, “2012”), Rio (voiced by Jon Favreau, “Spider-Man: Homecoming“; “Iron Man Three“) and their assertive and rebellious droid L3-37 (voiced by Phoebe Waller-Bridge) in a get-rich-or-die mission for vicious gang-boss Dryden Vos (Paul Bettany, “Avengers: Infinity War“).
The film has its moments for sure:
There are some nice background touches: an army recruitment video plays to the sound of John William’s empire march (played I am assured by my more musical wife in a major key to sound more uplifting and positive!);
Han’s first meeting with that famous walking carpet (played by Joonas Suotamo) is memorable, as is the introduction to that “card player, gambler and scoundrel” Lando Calrissian (Donald Glover, “The Martian“, “Spider-Man: Homecoming“): all flamboyance, self-regard and well-dressed ego;
solo2
Never count your money while you’re sitting at the table. Lando Calrissian played by Donald Glover putting his ship (you probably haven’t heard of it) on the line. (Source: Lucasfilm).
the character of L3-37 is an excellent addition to the saga, forcefully demanding equality for droids: I would have liked to have seen much more of her;
there is a nice twist on the Greedo/Han “who shot first” debate;
production design and special effects are up to standard for a Star Wars film, and I enjoyed John Powell’s score, incorporating a new ‘young Han’ theme from John Williams himself;
and Erin Kellyman (in here movie debut) is just breathtaking and strikingly brilliant as the be-freckled renegade Enfys Nest.
But overall it’s all a bit disjointed and jumbled, probably as befits its growing pains. We are introduced to Solo within five seconds of the film’s opening….. BAM! No exquisite ‘reveal’ as we saw with River Phoenix in “Indiana Jones and the Last Crusade”. I found this disconcerting and it took me ten minutes to get into the film as a result.
When it gets going it rather tries too hard to join up more Star Wars dots than it needs to. “Rogue One” did that exceedingly well, but that was because it needed to as ‘Episode 3.5’. Here there are visual and verbal references everywhere as the screenwriters (Lawrence and Jonathan Kasdan) desperately try to knit their story into the canon. As an example, the action moves to the mines of Kessel at one point. Kessel? Kessel? Wasn’t that a throwaway C3PO line from the “A New Hope” about being “smashed to who knows what” in said mines?. So obviously, in the WHOLE GALAXY that’s where the story leads us, with the local lingo for the hyperspace fuel McGuffin at the heart of the plot being “spice”! It’s all a bit too trite for my liking.
And while a key protagonist appearing near the end of the film (no spoilers) is both a startling surprise and great fun, don’t get me started on the timeline implications…. (see the spoiler section below the trailer for more).
Alden Ehrenreich, who was just brilliant in “Hail Caesar” (“Was that it t’WERRRE so simple“) for me barely makes it past bland in the lead role. One of the defining characteristics of Harrison Ford’s Solo was his swagger and bravado and unfortunately Ehrenreich barely rates a three out of ten on the scale. I also found the chemistry with Emelia Clarke to be lukewarm. Clarke still seems to be struggling to make a significant breakthrough to the big screen…. “Me Before You” still seems to be her high water mark so far. Here she has a key and complex role, but comes over as just plain unconvincing and “meh”.
Ron Howard has clearly done a good job in buffing up a poisoned chalice so it can at least share space on the Star Wars shelf without being laughed out of the Cantina. Perhaps with a more coordinated and thought-through run-up to a Solo sequel (more Enfys Nest please!) this offshoot might have legs.
Add into that proposition the decision to give the film initially to “The Lego Movie” directors Phil Lord and Christopher Miller (why Disney? why?); them trying to forge it as a ‘comedy’; them falling horribly short and being fired by Disney; Disney bringing Ron Howard (“Inferno“, “Rush“) in to try to salvage the project; and Howard reportedly re-shooting 75% of the film and you have the makings of a turkey of galactic proportions.
With all that being said, I was surprised I enjoyed it as much as I did. But that’s off a very low base of expectation.
As you might guess, we go back to see Han… just Han… as a delinquent youth trying to keep his head above water under the thrall of the Fagin-like Lady Proxima (who – no pun intended – keeps her head under the water for most of the time). He is desperate to pull off a con that’s lucrative enough that it will get him and his girlfriend Qi’ra (Emilia Clarke, “Me Before You“; “Terminator: Genisys“; “Game of Thrones”) off-planet and into a free life. Things don’t go to plan though and Han – now Han Solo – finds himself a trooper of the Galactic Empire. He links up with fellow rogues Beckett (Woody Harrelson, “War for the Planet of the Apes“; “Three Billboards in Ebbing, Missouri“), Val (Thandie Newton, “Westworld”, “2012”), Rio (voiced by Jon Favreau, “Spider-Man: Homecoming“; “Iron Man Three“) and their assertive and rebellious droid L3-37 (voiced by Phoebe Waller-Bridge) in a get-rich-or-die mission for vicious gang-boss Dryden Vos (Paul Bettany, “Avengers: Infinity War“).
The film has its moments for sure:
There are some nice background touches: an army recruitment video plays to the sound of John William’s empire march (played I am assured by my more musical wife in a major key to sound more uplifting and positive!);
Han’s first meeting with that famous walking carpet (played by Joonas Suotamo) is memorable, as is the introduction to that “card player, gambler and scoundrel” Lando Calrissian (Donald Glover, “The Martian“, “Spider-Man: Homecoming“): all flamboyance, self-regard and well-dressed ego;
solo2
Never count your money while you’re sitting at the table. Lando Calrissian played by Donald Glover putting his ship (you probably haven’t heard of it) on the line. (Source: Lucasfilm).
the character of L3-37 is an excellent addition to the saga, forcefully demanding equality for droids: I would have liked to have seen much more of her;
there is a nice twist on the Greedo/Han “who shot first” debate;
production design and special effects are up to standard for a Star Wars film, and I enjoyed John Powell’s score, incorporating a new ‘young Han’ theme from John Williams himself;
and Erin Kellyman (in here movie debut) is just breathtaking and strikingly brilliant as the be-freckled renegade Enfys Nest.
But overall it’s all a bit disjointed and jumbled, probably as befits its growing pains. We are introduced to Solo within five seconds of the film’s opening….. BAM! No exquisite ‘reveal’ as we saw with River Phoenix in “Indiana Jones and the Last Crusade”. I found this disconcerting and it took me ten minutes to get into the film as a result.
When it gets going it rather tries too hard to join up more Star Wars dots than it needs to. “Rogue One” did that exceedingly well, but that was because it needed to as ‘Episode 3.5’. Here there are visual and verbal references everywhere as the screenwriters (Lawrence and Jonathan Kasdan) desperately try to knit their story into the canon. As an example, the action moves to the mines of Kessel at one point. Kessel? Kessel? Wasn’t that a throwaway C3PO line from the “A New Hope” about being “smashed to who knows what” in said mines?. So obviously, in the WHOLE GALAXY that’s where the story leads us, with the local lingo for the hyperspace fuel McGuffin at the heart of the plot being “spice”! It’s all a bit too trite for my liking.
And while a key protagonist appearing near the end of the film (no spoilers) is both a startling surprise and great fun, don’t get me started on the timeline implications…. (see the spoiler section below the trailer for more).
Alden Ehrenreich, who was just brilliant in “Hail Caesar” (“Was that it t’WERRRE so simple“) for me barely makes it past bland in the lead role. One of the defining characteristics of Harrison Ford’s Solo was his swagger and bravado and unfortunately Ehrenreich barely rates a three out of ten on the scale. I also found the chemistry with Emelia Clarke to be lukewarm. Clarke still seems to be struggling to make a significant breakthrough to the big screen…. “Me Before You” still seems to be her high water mark so far. Here she has a key and complex role, but comes over as just plain unconvincing and “meh”.
Ron Howard has clearly done a good job in buffing up a poisoned chalice so it can at least share space on the Star Wars shelf without being laughed out of the Cantina. Perhaps with a more coordinated and thought-through run-up to a Solo sequel (more Enfys Nest please!) this offshoot might have legs.
Purple Phoenix Games (2266 KP) rated High Noon in Tabletop Games
Mar 1, 2021
Howdy partners, and welcome to the (fictional) state of Saratoga. There’s 4 main posses ’round these parts, and they’re all willing to fight to the bitter end to settle scores and collect gold. Who will y’all side with in this cut-throat town, and who will come out victorious? Only time will tell, and I reckon that time to be High Noon.
Disclaimer: We were provided with a copy of the game for the purposes of this preview. This is a finalized production copy, and the components you see pictured are those you will receive in your own game! Also, we were provided the 4-player starter set – the game is playable with more people when expansions are included. -L
High Noon is a game of action points, grid movement, and fighting, played over a series of 12 rounds, in which players take on the roles of various posses in the Wild West who are battling to collect the most gold in town. To setup for the game, each player selects a posse and receives their corresponding deck of cards, character sheets, and minis. Character sheets are placed in front of each player, and a red Poker Chip is placed on each to track the Health of each character. Setup the map tiles as shown in the rulebook, or players may create their own map layout using at least 7 of the map tiles. Shuffle the Loot decks and place them to the side within reach of all players, and create a pool of Gold tokens and Poker Chips. The Loot Crate tokens are shuffled and randomly placed on the green squares of the board, and then players will take turns each placing 3 more Loot Crates following certain placement restrictions. All minis are placed on their starting squares on the map tiles, players draw 6 cards from their own posse decks, a starting player is selected, and the game is ready to begin!
Each turn is broken into 3 phases: Movement, Action, and Draw Cards. During the Movement phase, players may move any/all of their minis on the map up to the Speed value listed on their respective Character Sheets. Movement is always in straight lines, or can be diagonal. Diagonal movement costs 2 squares of movement though, so keep that in mind! The map tiles have various obstacles as well, and navigating over obstacles costs 2 squares of movement as well. After a player has moved their minis, they now move to the Action phase. In this phase, each individual character of your posse is allowed one action: Play a Card, Loot a Crate, Loot a Body, Equip an Item, Pass an Item, or Drop an Item. To Play a Card, select a card from your hand, perform the action listed on it (either an Attack or Special Action), and discard it. It is important to note that a character may only ‘Play a Card’ if you have one of their cards in your hand! Each posse deck is made up of action cards for the various posse members – so you might not always have a card in hand for every character. In order to Loot a Crate or Loot a Body, your mini must be in an adjacent square to the item to pick it up. Any Loot that is picked up is placed with the corresponding character’s Character Sheet – each character may only hold a specific amount of Loot! Certain Loot items need to be equipped, and thus you may make that character equip an item in lieu of any other actions this turn. Loot cards have various uses: Weapons, Consumables, or Ammunition. These can provide extra Attack damage, Healing powers, or Defense bonuses to characters. Loot is highly coveted!
Passing an Item allows you to hand off Loot between posse members, or Dropping an Item (a free action) removes that Loot from your Character and is discarded. After all of your characters have acted (if possible), your turn then moves to the Draw Cards phase. You will draw 3 cards from your posse deck. Once you have 12 cards in hand, you must discard 3 cards in order to draw 3 cards. You must always draw 3 cards at the end of your turn. The game then proceeds to the next player, and continues as such until the end of 12 rounds. So how do you win? By collecting Gold, of course! And the way to do that is by attacking your rival posses. Any time one of your characters deals at least 1 point of damage to an opponent, you collect 1 Gold token. Any time you kill an opposing character (reducing their Health on their Character Sheet to 0), you collect the amount of Gold listed on the deceased character’s Character Sheet. At the end of 12 rounds, the player/posse that has amassed the most Gold is the winner!
Ok, so I know that seems like a lot, but I promise that the gameplay is pretty streamlined once you actually get going. The Movement phase is very straightforward and simple to perform. The Action phase is logical, and the options are clear. Drawing cards is a no-brainer at the end of your turn. The real nitty-gritty part of play is in the strategy. You earn Gold by dealing damage or killing opponents, so naturally Combat is where the crux of the gameplay is centered. All characters are armed with weapons that have finite range. You may only ever attack opponents who are in direct Line-of-Sight – in a straight line away from you, or diagonally, each square costing 2 squares of range. If an opponent is not in either of those 2 directions from your character, you may not attack them! So movement and character placement becomes a lot more strategic and important in gameplay. There is also the concept of obstacles impeding the attacks of players. It makes logical sense, and I feel like the damage adjustments to incorporate obstacles feel realistic. When a player is attacked, they may choose to play a card from their hand to defend against some of the damage being dealt. As mentioned above, though, a character may only ever play a card that is specified for him! (Ex. Col. Rodgers cannot defend if you have no Col. Rodgers cards in hand) Are you willing to risk your only Leroy Gang card to defend 2 points of damage instead of using it to attack for 3 points of damage on your turn? You have to figure out exactly how to play the combat, and that strategy can turn in the blink of an eye.
Honestly, for me, the trickiest part of the gameplay was keeping track of which character acted each turn. I ended up grabbing some of the extra Poker Chips and placing them on a Character Sheet once he had acted each turn. Not necessarily a knock on the game, just on my inability to control multiple characters I guess! Let me touch on components for a minute. The copy of the game that I received is a finalized production copy. There may be some updates to the rulebook, but component-wise, what you see is what you get. And what you get is pretty great. The posse and Loot decks are nice sturdy cards, and the cardboard chits (Poker Chips, Loot tokens, and Gold) are thick, if not a little too small for my taste. The Character Sheets are big, easy to read, and clear in their iconography. The map tiles are some nice thick card stock-like material that definitely will hold up to numerous plays. And the minis. They are so cool! Each posse has a designated color, and they are just fun to play with and move around the board. At first, I found it difficult to tell certain posse members apart, since some of the minis look alike. But then I realized that each mini has a number of nicks in the base to help players identify which mini corresponds to which character. That was definitely a lifesaver for me in my plays. The components make this feel like a luxury game, and that helps make it more exciting to play!
So all in all, how does High Noon fare? In my opinion, pretty well! The map grid and combat are reminiscent of Dungeons and Dragons, but with a Wild West theme that feels novel and unique. And according to the box, it can be played with more than 4 players if you incorporate expansions into the base game. So you can really turn this into an all-out Western showdown! The gameplay is smooth, the strategy ever-changing, and the concept and rules are fairly simple to learn and teach. High Noon definitely gets some high marks from me!
Disclaimer: We were provided with a copy of the game for the purposes of this preview. This is a finalized production copy, and the components you see pictured are those you will receive in your own game! Also, we were provided the 4-player starter set – the game is playable with more people when expansions are included. -L
High Noon is a game of action points, grid movement, and fighting, played over a series of 12 rounds, in which players take on the roles of various posses in the Wild West who are battling to collect the most gold in town. To setup for the game, each player selects a posse and receives their corresponding deck of cards, character sheets, and minis. Character sheets are placed in front of each player, and a red Poker Chip is placed on each to track the Health of each character. Setup the map tiles as shown in the rulebook, or players may create their own map layout using at least 7 of the map tiles. Shuffle the Loot decks and place them to the side within reach of all players, and create a pool of Gold tokens and Poker Chips. The Loot Crate tokens are shuffled and randomly placed on the green squares of the board, and then players will take turns each placing 3 more Loot Crates following certain placement restrictions. All minis are placed on their starting squares on the map tiles, players draw 6 cards from their own posse decks, a starting player is selected, and the game is ready to begin!
Each turn is broken into 3 phases: Movement, Action, and Draw Cards. During the Movement phase, players may move any/all of their minis on the map up to the Speed value listed on their respective Character Sheets. Movement is always in straight lines, or can be diagonal. Diagonal movement costs 2 squares of movement though, so keep that in mind! The map tiles have various obstacles as well, and navigating over obstacles costs 2 squares of movement as well. After a player has moved their minis, they now move to the Action phase. In this phase, each individual character of your posse is allowed one action: Play a Card, Loot a Crate, Loot a Body, Equip an Item, Pass an Item, or Drop an Item. To Play a Card, select a card from your hand, perform the action listed on it (either an Attack or Special Action), and discard it. It is important to note that a character may only ‘Play a Card’ if you have one of their cards in your hand! Each posse deck is made up of action cards for the various posse members – so you might not always have a card in hand for every character. In order to Loot a Crate or Loot a Body, your mini must be in an adjacent square to the item to pick it up. Any Loot that is picked up is placed with the corresponding character’s Character Sheet – each character may only hold a specific amount of Loot! Certain Loot items need to be equipped, and thus you may make that character equip an item in lieu of any other actions this turn. Loot cards have various uses: Weapons, Consumables, or Ammunition. These can provide extra Attack damage, Healing powers, or Defense bonuses to characters. Loot is highly coveted!
Passing an Item allows you to hand off Loot between posse members, or Dropping an Item (a free action) removes that Loot from your Character and is discarded. After all of your characters have acted (if possible), your turn then moves to the Draw Cards phase. You will draw 3 cards from your posse deck. Once you have 12 cards in hand, you must discard 3 cards in order to draw 3 cards. You must always draw 3 cards at the end of your turn. The game then proceeds to the next player, and continues as such until the end of 12 rounds. So how do you win? By collecting Gold, of course! And the way to do that is by attacking your rival posses. Any time one of your characters deals at least 1 point of damage to an opponent, you collect 1 Gold token. Any time you kill an opposing character (reducing their Health on their Character Sheet to 0), you collect the amount of Gold listed on the deceased character’s Character Sheet. At the end of 12 rounds, the player/posse that has amassed the most Gold is the winner!
Ok, so I know that seems like a lot, but I promise that the gameplay is pretty streamlined once you actually get going. The Movement phase is very straightforward and simple to perform. The Action phase is logical, and the options are clear. Drawing cards is a no-brainer at the end of your turn. The real nitty-gritty part of play is in the strategy. You earn Gold by dealing damage or killing opponents, so naturally Combat is where the crux of the gameplay is centered. All characters are armed with weapons that have finite range. You may only ever attack opponents who are in direct Line-of-Sight – in a straight line away from you, or diagonally, each square costing 2 squares of range. If an opponent is not in either of those 2 directions from your character, you may not attack them! So movement and character placement becomes a lot more strategic and important in gameplay. There is also the concept of obstacles impeding the attacks of players. It makes logical sense, and I feel like the damage adjustments to incorporate obstacles feel realistic. When a player is attacked, they may choose to play a card from their hand to defend against some of the damage being dealt. As mentioned above, though, a character may only ever play a card that is specified for him! (Ex. Col. Rodgers cannot defend if you have no Col. Rodgers cards in hand) Are you willing to risk your only Leroy Gang card to defend 2 points of damage instead of using it to attack for 3 points of damage on your turn? You have to figure out exactly how to play the combat, and that strategy can turn in the blink of an eye.
Honestly, for me, the trickiest part of the gameplay was keeping track of which character acted each turn. I ended up grabbing some of the extra Poker Chips and placing them on a Character Sheet once he had acted each turn. Not necessarily a knock on the game, just on my inability to control multiple characters I guess! Let me touch on components for a minute. The copy of the game that I received is a finalized production copy. There may be some updates to the rulebook, but component-wise, what you see is what you get. And what you get is pretty great. The posse and Loot decks are nice sturdy cards, and the cardboard chits (Poker Chips, Loot tokens, and Gold) are thick, if not a little too small for my taste. The Character Sheets are big, easy to read, and clear in their iconography. The map tiles are some nice thick card stock-like material that definitely will hold up to numerous plays. And the minis. They are so cool! Each posse has a designated color, and they are just fun to play with and move around the board. At first, I found it difficult to tell certain posse members apart, since some of the minis look alike. But then I realized that each mini has a number of nicks in the base to help players identify which mini corresponds to which character. That was definitely a lifesaver for me in my plays. The components make this feel like a luxury game, and that helps make it more exciting to play!
So all in all, how does High Noon fare? In my opinion, pretty well! The map grid and combat are reminiscent of Dungeons and Dragons, but with a Wild West theme that feels novel and unique. And according to the box, it can be played with more than 4 players if you incorporate expansions into the base game. So you can really turn this into an all-out Western showdown! The gameplay is smooth, the strategy ever-changing, and the concept and rules are fairly simple to learn and teach. High Noon definitely gets some high marks from me!
Kinect Open Source Programming Secrets: Hacking the Kinect with OpenNI, NITE, and Java
Book
Program Kinect to do awesome things using a unique selection of open source software! The Kinect...
Gareth von Kallenbach (977 KP) rated Smallfoot (2018) in Movies
Jul 2, 2019
The movie features Channing Tatum as Migo, James Corden as Percy,
Zendaya as Meechee, Common as Stonekeeper, LeBron James and Gwangi and
Danny DeVito and Dorgie, Migos father.
The movie is centered around a group of characters (the Yeti) and the
rules that surround their existence and are literally “set in stone” ,
carried around by (and, one surmises, enforced by) the Stonekeeper.
If it isn’t in the Stones, it just isn’t so.
Conversely, if it IS in the stones, it MUST be so, even if your eyes and
experiences tell you differently.
Each member of the village has a job, and even though the jobs are
monotonously repetitive, and even though at the bottom of it all, they
don’t really know the “why” behind what they are doing, all the Yeti
happily go about their days and participate to make the village run
smoothly.
Until, that is, Migo sees and chases down an airplane that crash lands
into their mountaintop sanctuary. There are legends of Smallfoot in the
Yeti’s folklore, but the stones emphatically state that Smallfoot do NOT
exist.
Migo brings his exciting news of the Smallfoot sighting back to the
village, only to be met by the Stonekeeper questioning whether Migo
could have ACTUALLY seen a Smallfoot, since the stones say they do not
exist. Migo does not let go of his story of seeing the Smallfoot, and is
subsequently banished from the village until he can “see the truth”.
(Maybe he REALLY saw a new breed of Yak!)
Migo leaves the village not knowing where his path should take him now,
and is intercepted by the members of the SES (Smallfoot Evidentiary
Society) who tell him that they believe him and show him the reasons
why, as backed by evidence that they have found over the years.
The three members of the SES are Meechee (Zendaya), who happens to be
the Stonekeepers daughter (!!), Kolka (Gina Rodriguez), Gwangi (LeBron
James), and Fleem (Ely Henry). The four encourage Migo to follow his
curiosity to find the Smallfoot and see what he can find out about them.
With trepidation, Migo heads down the mountain to see what he can find.
Once he has made his way down the mountain, Migo meets a videographer
named Percy, who has been lamenting his recent dismal ratings and lack
of viewers. Percy was going to go so far as to fabricate a story to get
“hits” online and to make a story go viral. Meeting Migo changes all
that and what follows is a heartwarming story about overcoming
differences, learning how to communicate, friendship & sacrifice.
The movie is colorful, and has great, catchy songs. The characters are
funny, there are lots of jokes, and I didn’t feel like there was any
“dead space” in the movie. The story was easy to follow but not boring.
I wouldn’t be surprised to hear about some sort of outcry raised by a
certain segment of the population, saying that the movie is
“anti-religious”, but I found it entirely refreshing for a kids movie to
send the message of not believing something someone tells you just
because “they say so” or just because “that’s the way its always been”,
or even “we do it this way for your own good (because you can’t be
trusted to think for yourself)” . Critical thinking skills are highly
lacking in today’s society, and I think that this movie is a great
example of finding out the truth by asking questions and not just
blindly following where you are told to.
My 10 year old son loved the movie, and I would go see it again in the
theatre, just to watch it again!
Zendaya as Meechee, Common as Stonekeeper, LeBron James and Gwangi and
Danny DeVito and Dorgie, Migos father.
The movie is centered around a group of characters (the Yeti) and the
rules that surround their existence and are literally “set in stone” ,
carried around by (and, one surmises, enforced by) the Stonekeeper.
If it isn’t in the Stones, it just isn’t so.
Conversely, if it IS in the stones, it MUST be so, even if your eyes and
experiences tell you differently.
Each member of the village has a job, and even though the jobs are
monotonously repetitive, and even though at the bottom of it all, they
don’t really know the “why” behind what they are doing, all the Yeti
happily go about their days and participate to make the village run
smoothly.
Until, that is, Migo sees and chases down an airplane that crash lands
into their mountaintop sanctuary. There are legends of Smallfoot in the
Yeti’s folklore, but the stones emphatically state that Smallfoot do NOT
exist.
Migo brings his exciting news of the Smallfoot sighting back to the
village, only to be met by the Stonekeeper questioning whether Migo
could have ACTUALLY seen a Smallfoot, since the stones say they do not
exist. Migo does not let go of his story of seeing the Smallfoot, and is
subsequently banished from the village until he can “see the truth”.
(Maybe he REALLY saw a new breed of Yak!)
Migo leaves the village not knowing where his path should take him now,
and is intercepted by the members of the SES (Smallfoot Evidentiary
Society) who tell him that they believe him and show him the reasons
why, as backed by evidence that they have found over the years.
The three members of the SES are Meechee (Zendaya), who happens to be
the Stonekeepers daughter (!!), Kolka (Gina Rodriguez), Gwangi (LeBron
James), and Fleem (Ely Henry). The four encourage Migo to follow his
curiosity to find the Smallfoot and see what he can find out about them.
With trepidation, Migo heads down the mountain to see what he can find.
Once he has made his way down the mountain, Migo meets a videographer
named Percy, who has been lamenting his recent dismal ratings and lack
of viewers. Percy was going to go so far as to fabricate a story to get
“hits” online and to make a story go viral. Meeting Migo changes all
that and what follows is a heartwarming story about overcoming
differences, learning how to communicate, friendship & sacrifice.
The movie is colorful, and has great, catchy songs. The characters are
funny, there are lots of jokes, and I didn’t feel like there was any
“dead space” in the movie. The story was easy to follow but not boring.
I wouldn’t be surprised to hear about some sort of outcry raised by a
certain segment of the population, saying that the movie is
“anti-religious”, but I found it entirely refreshing for a kids movie to
send the message of not believing something someone tells you just
because “they say so” or just because “that’s the way its always been”,
or even “we do it this way for your own good (because you can’t be
trusted to think for yourself)” . Critical thinking skills are highly
lacking in today’s society, and I think that this movie is a great
example of finding out the truth by asking questions and not just
blindly following where you are told to.
My 10 year old son loved the movie, and I would go see it again in the
theatre, just to watch it again!
Kristy H (1252 KP) rated You Will Know Me in Books
Jan 10, 2018
Suspenseful (1 more)
Well-written
Katie Knox's life basically revolves around her teenage daughter, Devon, an extremely talented gymnast who is on a path to the Olympics. Katie and her husband, Eric, have given up their lives, their time, and their money for Devon's dream. But when a sudden death hits their close gymnastic community a few weeks before an important competition, this dream suddenly seems in jeopardy. Devon's fellow gymnasts and their families are awash in gossip as their beloved coach and his family deal with an unexpected loss. Katie wants only to focus on healing and moving on, but she finds her family drawn into the swirl, as each day reveals more surprises about her daughter and husband.
This novel was a very realistic look at the gymnastics world. You could easily picture Devon's gym and the cutthroat parents who populated it, forcing the weight of the world on Devon's shoulders, as they believed the gym's success rides on her shoulders. She captured their gossip and competition quite well. It also did an excellent job of portraying the lengths parents will go to support and protect their children. I guessed the outcome of this one fairly early on, but still found it fairly tense and suspenseful. In fact, this novel is almost too tense at times to be enjoyable, even though it's rather well-written and quite compelling. It's a trainwreck; you can't walk away, even though you know how it will end.
The book is intriguing in that it's written from Katie's perspective, despite the fact that it's basically all about Devon. This adds to the suspense -- how reliable is Katie, and how much does she truly know about Devon, her husband, and her younger son? There are times when you'd really love to key in on what Devon is thinking (and what she knows), which just adds to the tantalizingly frustrating element of this novel.
Overall, I enjoyed this one, though it wasn't one of my all-time favorite thrillers. Still, it's a quick, compelling read. 3.5 stars.
This novel was a very realistic look at the gymnastics world. You could easily picture Devon's gym and the cutthroat parents who populated it, forcing the weight of the world on Devon's shoulders, as they believed the gym's success rides on her shoulders. She captured their gossip and competition quite well. It also did an excellent job of portraying the lengths parents will go to support and protect their children. I guessed the outcome of this one fairly early on, but still found it fairly tense and suspenseful. In fact, this novel is almost too tense at times to be enjoyable, even though it's rather well-written and quite compelling. It's a trainwreck; you can't walk away, even though you know how it will end.
The book is intriguing in that it's written from Katie's perspective, despite the fact that it's basically all about Devon. This adds to the suspense -- how reliable is Katie, and how much does she truly know about Devon, her husband, and her younger son? There are times when you'd really love to key in on what Devon is thinking (and what she knows), which just adds to the tantalizingly frustrating element of this novel.
Overall, I enjoyed this one, though it wasn't one of my all-time favorite thrillers. Still, it's a quick, compelling read. 3.5 stars.
Mark @ Carstairs Considers (2165 KP) rated The Revenge of Magic in Books
Mar 19, 2019
Intriguing Series Debut
It’s been six months since the attack on Washington, D.C. Six months since Forsythe “Fort” Fitzgerald’s world was turned upside down when a giant creature comes up from the ground and destroys many of the monuments there, killing his father in the process. In that time, one thought has kept Fort moving forward – the desire for revenge.
One day, Fort is surprised to be visited by the representatives of a school for magic. Thirteen years ago, four magic books were found and only those born after they were discovered can read and use them. When Fort is offered a chance to study at this school, he jumps on it, figuring this is a chance to learn something to help him extract his revenge. However, not everything at the school is what it seems. Can Fort learn what people are hiding from him? Or will he be kicked out before that happens?
Since this is the first in the series, there is some world building that happens here. However, it is mixed into the story so well that it never really slows things down. It borrows a few fantasy tropes, but it mixes them up in such a way that it makes you forget where you might have seen them before. The characters have layers to them, and, while they feel developed for a first book in a new series, I suspect we will be seeing much more depth to them as the series progresses. The story moves forward quickly, and I never wanted to put it down. This is a little darker and has less humor than James Riley’s earlier series, but it isn’t really that dark. I’m intrigued by the threads left dangling at the end of this book and can’t wait to see where things go next. Pick this book up today so you won’t be left behind on this magical ride.
One day, Fort is surprised to be visited by the representatives of a school for magic. Thirteen years ago, four magic books were found and only those born after they were discovered can read and use them. When Fort is offered a chance to study at this school, he jumps on it, figuring this is a chance to learn something to help him extract his revenge. However, not everything at the school is what it seems. Can Fort learn what people are hiding from him? Or will he be kicked out before that happens?
Since this is the first in the series, there is some world building that happens here. However, it is mixed into the story so well that it never really slows things down. It borrows a few fantasy tropes, but it mixes them up in such a way that it makes you forget where you might have seen them before. The characters have layers to them, and, while they feel developed for a first book in a new series, I suspect we will be seeing much more depth to them as the series progresses. The story moves forward quickly, and I never wanted to put it down. This is a little darker and has less humor than James Riley’s earlier series, but it isn’t really that dark. I’m intrigued by the threads left dangling at the end of this book and can’t wait to see where things go next. Pick this book up today so you won’t be left behind on this magical ride.