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Kristy H (1252 KP) rated The Guncle in Books
Jul 22, 2021
A beautiful, funny, and sweet story of finding hope after loss
Patrick and Sara were best friends in college. Then she married his brother, had two kids, and life went on. Until Sara dies, leaving Patrick's niece and nephew motherless. Patrick has always adored Maisie and Grant--for small time periods. But when his brother Greg asks Patrick, aka "Gay Uncle Patrick," or "GUP," to take the kids for a bit, he's faced with a dilemma. It's time to actually step up. So GUP and the kids head to Patrick's house in Palm Springs, where Patrick leads the life of a very single (and gay) slightly faded actor. Once there, he institutes the "Guncle Rules" and they set out trying to survive. But as Patrick bumbles his way through parenting and trying to help his little charges heal, he realizes they may be helping them more than he could have ever imagined.
"He promised when they'd met that he would never let her go. And then life intervened. She went north and married his brother. He went west and found fame on TV. And slowly, over time, he did. Let go."
Oh this book. I'm not sure a book has ever made me cry so many times, yet I loved it so much. It's often sad but also incredibly funny and heartwarming. Rowley does something special here, capturing Patrick, Maisie, and Grant so beautifully and authentically. This is a lovely story about family and coming together after loss.
There's not much I can say to do this wonderful book justice. The Guncle is made up of a million little moments--obviously Maisie and Grant are hurting, but you learn Patrick is as well. Who needs who more? Patrick is bitingly caustic, and he talks to the kids as if they are tiny adults. But the warmth and love that comes across in his humor--that he uses as his shield--is so clear. The book is a quiet and beautiful journey of all three characters learning to live again, and it's so well-done. It's such a tender and honest story. And the acceptance that comes across here--oh, it just warmed my heart. (A scene where Maisie didn't want to wear her bathing suit, and Patrick didn't force her, but let her wear a t-shirt instead, promising to buy her a rash guard--well it brought tears to my eyes.)
I promise if you give this sweet book a try, you will love it. I love Patrick, Maisie, and Grant. I adored the welcoming message of the book. It's a sad premise, but a hopeful book. 4.5+ stars.
"He promised when they'd met that he would never let her go. And then life intervened. She went north and married his brother. He went west and found fame on TV. And slowly, over time, he did. Let go."
Oh this book. I'm not sure a book has ever made me cry so many times, yet I loved it so much. It's often sad but also incredibly funny and heartwarming. Rowley does something special here, capturing Patrick, Maisie, and Grant so beautifully and authentically. This is a lovely story about family and coming together after loss.
There's not much I can say to do this wonderful book justice. The Guncle is made up of a million little moments--obviously Maisie and Grant are hurting, but you learn Patrick is as well. Who needs who more? Patrick is bitingly caustic, and he talks to the kids as if they are tiny adults. But the warmth and love that comes across in his humor--that he uses as his shield--is so clear. The book is a quiet and beautiful journey of all three characters learning to live again, and it's so well-done. It's such a tender and honest story. And the acceptance that comes across here--oh, it just warmed my heart. (A scene where Maisie didn't want to wear her bathing suit, and Patrick didn't force her, but let her wear a t-shirt instead, promising to buy her a rash guard--well it brought tears to my eyes.)
I promise if you give this sweet book a try, you will love it. I love Patrick, Maisie, and Grant. I adored the welcoming message of the book. It's a sad premise, but a hopeful book. 4.5+ stars.
Jesters_folly (230 KP) rated Mandy (2018) in Movies
Sep 25, 2019
Contains spoilers, click to show
Red Miller (Nicholas Cage) is sent on a rampaging quest for vengeance when an evil cult abducts and kill his partner, Mandy Bloom.
The story is simple, Mandy and Red live alone in a forest. By chance Mandy is spotted by a cult leader who decided that he wants her to join him. Things don’t go to plan and Mandy ends up dead and Red starts on a quest for revenge. Simple and familiar, it’s not an uncommon plot, however Mandy is part film, part drug filled dream with snippets of animation thrown in, overlaid with a psychedelic, prog rock soundtrack. It has drugs, cults, demonic, slipknot esc bikers, (male) nudity, chainsaws and crossbows, religious parables and Jesus parallels. There is a metaphorical decent to hell and there is Nicholas Cage. All this is shot with constantly changing, coloured filters and distorted voices.
You can probably tell that Mandy isn’t for everyone, at times the film feels like an Italian horror, something like Suspiria or Deep Red and other time it seems like someone has brought a 70’s or 80’s rock/metal album cover to life. Throw in some animation that would be at home in ‘Heavy Metal’ Magazine, turn the crazy dial up to 11 and let Nicolas Cage (slowly) off the sanity leash and you have Mandy.
There are plot point that are not explained, for example Red suddenly has a friend who has a cross bow stored away for him and Red suddenly has a forge and knows how to use it. Is Mandy some kind of witch and, of course, is Red dead at the end.
I would say that there are some crazy scenes but the whole film is crazy but it does lead to some great scene’s like a chainsaw duel.
As I said, Mandy isn’t for everyone, it has a simple plot that has been turned in to a surreal nightmare so if you don’t like weird don’t watch this.
Mandy is also slow to get started as it builds up the atmosphere. I think that, if the film kept the atmosphere it starts with it could have been a similar tone to something like Midsommar however by the halfway point it has past that and, by the end the film just takes a head dive down the rabbit hole (almost literally).
Given all that I found it hard to rate, it has the feel of a 70’s horror and an 80’s grindhouse, some of the filters make it hard to understand some of the lines and the colour filters were disturbing and distracting although most of this was on purpose but over all I did enjoy it.
The story is simple, Mandy and Red live alone in a forest. By chance Mandy is spotted by a cult leader who decided that he wants her to join him. Things don’t go to plan and Mandy ends up dead and Red starts on a quest for revenge. Simple and familiar, it’s not an uncommon plot, however Mandy is part film, part drug filled dream with snippets of animation thrown in, overlaid with a psychedelic, prog rock soundtrack. It has drugs, cults, demonic, slipknot esc bikers, (male) nudity, chainsaws and crossbows, religious parables and Jesus parallels. There is a metaphorical decent to hell and there is Nicholas Cage. All this is shot with constantly changing, coloured filters and distorted voices.
You can probably tell that Mandy isn’t for everyone, at times the film feels like an Italian horror, something like Suspiria or Deep Red and other time it seems like someone has brought a 70’s or 80’s rock/metal album cover to life. Throw in some animation that would be at home in ‘Heavy Metal’ Magazine, turn the crazy dial up to 11 and let Nicolas Cage (slowly) off the sanity leash and you have Mandy.
There are plot point that are not explained, for example Red suddenly has a friend who has a cross bow stored away for him and Red suddenly has a forge and knows how to use it. Is Mandy some kind of witch and, of course, is Red dead at the end.
I would say that there are some crazy scenes but the whole film is crazy but it does lead to some great scene’s like a chainsaw duel.
As I said, Mandy isn’t for everyone, it has a simple plot that has been turned in to a surreal nightmare so if you don’t like weird don’t watch this.
Mandy is also slow to get started as it builds up the atmosphere. I think that, if the film kept the atmosphere it starts with it could have been a similar tone to something like Midsommar however by the halfway point it has past that and, by the end the film just takes a head dive down the rabbit hole (almost literally).
Given all that I found it hard to rate, it has the feel of a 70’s horror and an 80’s grindhouse, some of the filters make it hard to understand some of the lines and the colour filters were disturbing and distracting although most of this was on purpose but over all I did enjoy it.
Ivana A. | Diary of Difference (1171 KP) rated The Nothing Man in Books
Oct 5, 2020
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<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-75.png"/>;
I am so excited to be part of the Ambassador Book Buzz for The Nothing Man by Catherine Ryan Howard. Thank you to the amazing team at LoveReading and Corvus for this opportunity.
Needless to say, this book made me stay up all night, just to find out how it ends.
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/The-Nothing-Man.jpg"/>;
<b><i>I was the girl who survived the Nothing Man.
Now I am the woman who is going to catch him...</i></b>
You've just read the opening pages of The Nothing Man, the true crime memoir Eve Black has written about her obsessive search for the man who killed her family nearly two decades ago.
The Nothing Man starts when Jim is at work, walking through the supermarket, and he notices that a girl has a book with the name "The Nothing Man" with her. His heart starts racing - because he knows what it means. The Nothing Man is a mysterious man that has assaulted and killed many people in the area, and even after twenty years, no one has found him yet. But Jim knows the truth - because he is the man who did all these crimes.
Eve Black is one of the survivors, that managed to escape his attack by hiding in her bathroom. She writes a book about her experiences and the experiences of the other victims. With her whole family dead and nothing to lose, she is set to find out, once and for all, who the mysterious man is.
I loved the writing style - the book within the book - it was unusual and very interesting for me to engage with. I was so intrigued and invested, and that did not change at all. There are many twists and turns in this book, and you will enjoy them all, especially the very ending, where everything just comes to a big climax. It kept me glued to my seat, and I want more.
I loved the difference between Jim and Eve - their different recollections to how things happened, and why they did. In her book, Eve is explaining how the attacks and murders took place, and right after that, we also witness Jim's reaction to Eve's writing, and whether he agrees or not with how correct her facts are. It was very scary at times, to read from the killer's perspective, and the reasons of why he made some choices.
The more Jim reads, the more he realizes how dangerously close Eve is getting to the truth. He knows she won't give up until she finds him. He has no choice but to stop her first...
Usually, in our standard crime books, we have a crime scene, then suspects, and then we figure our way to finding the murderer. But here - we already know who the murderer is at the beginning of the story. But the rest of the world doesn't. And this is a concept that I haven't encountered yet, but really enjoyed it. Because this is something we don't think about often - when we have a crime, and we don't know who did it, the person that is guilty is out there somewhere, and knows he's deceived us.
The other important message from this book is to remember the victims.
Everyone remembers the name of a serial killer - but only few remember the victim's names.
<b><i>"It's fine to be fascinated by serial killers," she tells me in her office after the lecture. "I am myself, obviously. They are fascinating because even though they look just like the rest of us, they do things the rest of us would never, ever do. But they are not especially intelligent. They don't outsmart authorities. You know David Berkowitz? Son of Sam? They caught him because he got himself a parking ticket at the scene of one of his crimes.
They are boring, ordinary, failures of men - not always men, of course, but predominately - who can't even manage to live, love and process their feelings in a world where the rest of us have all managed to master it by the time we're in our teens. These are no dark magicians. They have no special skills. People seem to forget that we know their names because they got caught. In fact, the only remarkable thing about them is what they took from the world: their victims. It's their names we should know."</i></b>
Eve's book and her investigation behind the book had some powerful psychological lessons, and I enjoyed learning everything. If you already love true crime, and psychological thrillers, you have to absolutely read this and soon. This book is too good to be skipped.
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-75.png"/>;
I am so excited to be part of the Ambassador Book Buzz for The Nothing Man by Catherine Ryan Howard. Thank you to the amazing team at LoveReading and Corvus for this opportunity.
Needless to say, this book made me stay up all night, just to find out how it ends.
<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/The-Nothing-Man.jpg"/>;
<b><i>I was the girl who survived the Nothing Man.
Now I am the woman who is going to catch him...</i></b>
You've just read the opening pages of The Nothing Man, the true crime memoir Eve Black has written about her obsessive search for the man who killed her family nearly two decades ago.
The Nothing Man starts when Jim is at work, walking through the supermarket, and he notices that a girl has a book with the name "The Nothing Man" with her. His heart starts racing - because he knows what it means. The Nothing Man is a mysterious man that has assaulted and killed many people in the area, and even after twenty years, no one has found him yet. But Jim knows the truth - because he is the man who did all these crimes.
Eve Black is one of the survivors, that managed to escape his attack by hiding in her bathroom. She writes a book about her experiences and the experiences of the other victims. With her whole family dead and nothing to lose, she is set to find out, once and for all, who the mysterious man is.
I loved the writing style - the book within the book - it was unusual and very interesting for me to engage with. I was so intrigued and invested, and that did not change at all. There are many twists and turns in this book, and you will enjoy them all, especially the very ending, where everything just comes to a big climax. It kept me glued to my seat, and I want more.
I loved the difference between Jim and Eve - their different recollections to how things happened, and why they did. In her book, Eve is explaining how the attacks and murders took place, and right after that, we also witness Jim's reaction to Eve's writing, and whether he agrees or not with how correct her facts are. It was very scary at times, to read from the killer's perspective, and the reasons of why he made some choices.
The more Jim reads, the more he realizes how dangerously close Eve is getting to the truth. He knows she won't give up until she finds him. He has no choice but to stop her first...
Usually, in our standard crime books, we have a crime scene, then suspects, and then we figure our way to finding the murderer. But here - we already know who the murderer is at the beginning of the story. But the rest of the world doesn't. And this is a concept that I haven't encountered yet, but really enjoyed it. Because this is something we don't think about often - when we have a crime, and we don't know who did it, the person that is guilty is out there somewhere, and knows he's deceived us.
The other important message from this book is to remember the victims.
Everyone remembers the name of a serial killer - but only few remember the victim's names.
<b><i>"It's fine to be fascinated by serial killers," she tells me in her office after the lecture. "I am myself, obviously. They are fascinating because even though they look just like the rest of us, they do things the rest of us would never, ever do. But they are not especially intelligent. They don't outsmart authorities. You know David Berkowitz? Son of Sam? They caught him because he got himself a parking ticket at the scene of one of his crimes.
They are boring, ordinary, failures of men - not always men, of course, but predominately - who can't even manage to live, love and process their feelings in a world where the rest of us have all managed to master it by the time we're in our teens. These are no dark magicians. They have no special skills. People seem to forget that we know their names because they got caught. In fact, the only remarkable thing about them is what they took from the world: their victims. It's their names we should know."</i></b>
Eve's book and her investigation behind the book had some powerful psychological lessons, and I enjoyed learning everything. If you already love true crime, and psychological thrillers, you have to absolutely read this and soon. This book is too good to be skipped.
<a href="https://amzn.to/2Wi7amb">Wishlist</a>; | <a
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
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Billie Wichkan (118 KP) rated From the Shadows in Books
May 22, 2019
A stunning, atmospheric police procedural set against the grit of Inverness and the raw beauty of the Scottish Highlands, this is the first book in the DI Monica Kennedy series.
Sixteen-year-old Robert arrives home late. Without a word to his dad, he goes up to his bedroom. Robert is never seen alive again.
A body is soon found on the coast of the Scottish Highlands. Detective Inspector Monica Kennedy stands by the victim in this starkly beautiful and remote landscape. Instinct tells her the case wont begin and end with this one death.
Meanwhile, Inverness-based social worker Michael Bach is worried about one of his clients whose last correspondence was a single ambiguous text message; Nichol Morgan has been missing for seven days.
As Monica is faced with catching a murderer who has been meticulously watching and waiting, Michael keeps searching for Nichol, desperate to find him before the killer claims another victim.
From the Shadows is the first book in the Detective Inspector Monica Kennedy series by G R Halliday and it is a promising start to what will hopefully be one a successful and long running police procedural series.
The story is set in the Scottish Highlands and uses its' setting well to add atmosphere to the book.
I really enjoyed the story and the twists and turns of the plot.
It's quite a dark story but I liked that and wasn't sure who the killer was until close to the end.
I was thoroughly engrossed whilst reading the book and could not put it down.
Definitely recommended.
Thank you NetGalley and Random House Vintage for a copy of this book.
Sixteen-year-old Robert arrives home late. Without a word to his dad, he goes up to his bedroom. Robert is never seen alive again.
A body is soon found on the coast of the Scottish Highlands. Detective Inspector Monica Kennedy stands by the victim in this starkly beautiful and remote landscape. Instinct tells her the case wont begin and end with this one death.
Meanwhile, Inverness-based social worker Michael Bach is worried about one of his clients whose last correspondence was a single ambiguous text message; Nichol Morgan has been missing for seven days.
As Monica is faced with catching a murderer who has been meticulously watching and waiting, Michael keeps searching for Nichol, desperate to find him before the killer claims another victim.
From the Shadows is the first book in the Detective Inspector Monica Kennedy series by G R Halliday and it is a promising start to what will hopefully be one a successful and long running police procedural series.
The story is set in the Scottish Highlands and uses its' setting well to add atmosphere to the book.
I really enjoyed the story and the twists and turns of the plot.
It's quite a dark story but I liked that and wasn't sure who the killer was until close to the end.
I was thoroughly engrossed whilst reading the book and could not put it down.
Definitely recommended.
Thank you NetGalley and Random House Vintage for a copy of this book.
Phoebe (13 KP) rated Hannibal - Season 1 in TV
Oct 8, 2018
Hannibal's character portrayal (3 more)
Will's character depth
The aesthetic
The portrayal of mental disorders
A true favourite
I'm loving the show so far, and considering one of my all time favourite films is Silence of the Lambs, I have high expectations.
It did not disappoint.
The relationships built within this season are well thought out and captivating, especially that of Will Graham and Hannibal Lecter. The way the two men circle each other, their relationship filled with manipulation and a subtle seduction, you learn the ways they need each other, and become dependant on each other as they delve further into each other's psyches.
Speaking of, the way in which Will is both portrayed by Hugh Dancy, and treated within the show in regards to his innate aptitude for understanding the macabre is fascinating. I found it opened a new door to how the mind can work, and the dark repercussions they can have. This is also well shown through Abigail, as we follow through the aftermath of a traumatic event at the hands of her father.
The overly stunning aesthetics of this show work not only to entice but also to act as a juxtaposition to the gore caused by Hannibal and the "monsters of the week" in every episode. It allows the viewer a glimpse into how Hannibal sees the world; as a work of art. Even down to his victims. The elegance that he constantly exudes, particularly in scenes in his kitchen, almost numbs the viewer to the horrific truth behind his character.
Overall, a beautiful show. One I would highly recommend, but maybe not to those with a particularly weak stomach.
It did not disappoint.
The relationships built within this season are well thought out and captivating, especially that of Will Graham and Hannibal Lecter. The way the two men circle each other, their relationship filled with manipulation and a subtle seduction, you learn the ways they need each other, and become dependant on each other as they delve further into each other's psyches.
Speaking of, the way in which Will is both portrayed by Hugh Dancy, and treated within the show in regards to his innate aptitude for understanding the macabre is fascinating. I found it opened a new door to how the mind can work, and the dark repercussions they can have. This is also well shown through Abigail, as we follow through the aftermath of a traumatic event at the hands of her father.
The overly stunning aesthetics of this show work not only to entice but also to act as a juxtaposition to the gore caused by Hannibal and the "monsters of the week" in every episode. It allows the viewer a glimpse into how Hannibal sees the world; as a work of art. Even down to his victims. The elegance that he constantly exudes, particularly in scenes in his kitchen, almost numbs the viewer to the horrific truth behind his character.
Overall, a beautiful show. One I would highly recommend, but maybe not to those with a particularly weak stomach.
AJaneClark (3975 KP) rated Hardwired (Hacker, #1) in Books
Apr 19, 2020
From the back of the book: Determined to overcome a difficult past, Erica Hathaway learns early on how to make it on her own. Days after her college graduation she finds herself face to face with a panel of investors who will make or break her fledgling startup. The only thing she didn't prepare for was going weak in the knees over an arrogant and gorgeous investor who's seemingly determined to derail her presentation.
Billionaire and rumored hacker Blake Landon has already made his fortune in software, and he's used to getting what he wants with very little resistance. Captivated by Erica's drive and unassuming beauty, he's wanted nothing more since she stepped into his boardroom. Determined to win her over, he breaks down her defenses and fights for her trust, even if that means sacrificing a level of control he's grown accustomed to.
But when Blake uncovers a dark secret from Erica's past, he threatens not just her trust, but the life she's fought so hard to create.
I’m not familiar with the author and this is the first of her books that I have read. The premise of the story is interesting, although most definitely a little fifty shadesesque.
I found it an enjoyable short read of 260+ pages.
However I do feel that it could be improved through a little better character development and backgrounds. The storyline is via choppy and jumpy, in no way linear. Erica’s hot and cold, yes/no, sub/doe/switch attitude leaves you with a touch of whiplash, and Blake’s controlling nature is slightly worrying. Hopefully the second novel in the story is an improvement.
Billionaire and rumored hacker Blake Landon has already made his fortune in software, and he's used to getting what he wants with very little resistance. Captivated by Erica's drive and unassuming beauty, he's wanted nothing more since she stepped into his boardroom. Determined to win her over, he breaks down her defenses and fights for her trust, even if that means sacrificing a level of control he's grown accustomed to.
But when Blake uncovers a dark secret from Erica's past, he threatens not just her trust, but the life she's fought so hard to create.
I’m not familiar with the author and this is the first of her books that I have read. The premise of the story is interesting, although most definitely a little fifty shadesesque.
I found it an enjoyable short read of 260+ pages.
However I do feel that it could be improved through a little better character development and backgrounds. The storyline is via choppy and jumpy, in no way linear. Erica’s hot and cold, yes/no, sub/doe/switch attitude leaves you with a touch of whiplash, and Blake’s controlling nature is slightly worrying. Hopefully the second novel in the story is an improvement.
Gareth von Kallenbach (980 KP) rated Parker (2013) in Movies
Aug 7, 2019
So I, being the girl that I am, wasn’t exactly keyed up to go and see a “shoot-em up” style action flick — you know, the kind that Jason Statham excels at? My boyfriend, however, is like most red-blooded men and found this movie right up his alley. Perhaps it was due to the fact I “owed” him from cashing in my chick-flick points and making him watch “the Painted Veil” with me the other day; perhaps it was because my choice of Redbox rentals had been rather lackluster in comparison. Either way, he was looking forward the the prospect of this movie review far more than I.
“Parker” starts off in Ohio where Jason Statham’s character (Parker) is working a job with four other men. The job seems to go off without a hitch until the end when Parker discovers an innocent man died in the process, thus starting “beef” between he and one of his partners. The apparent boss of the crooks then asks Parker to join them in another job, requiring him to give up his share of the loot to contribute to the upcoming job. Parker politely declines and, of course, this doesn’t sit too well with the crooks. As predicted, they then turn on him and Parker is left for dead on the side of the road.
As we know, Jason Statham’s characters are indestructible. I mean, this was covered in both “Crank” movies so the audience should be well-versed in how this goes down, right? Of course, Parker survives and thus starts on a path of revenge. Mob bosses are involved, hits are put out, etc. Regardless, his journey takes him to Palm Springs where the four crooks who betrayed him are preparing for their next big job.
Now, you’re probably wondering where Jennifer Lopez is in all of this (yes, JLo has a part in this movie – I know, I feel your pain too). Given that her last decent flick was “the Cell” and “Selena,” I wasn’t expecting too much from her character. As Parker is making his way down to Palm Springs, the movie then focuses on JLo’s character, a depressed and rather broken divorcee living with her mother and desperate for a commission from her job as a real-estate agent. Cue in Parker, dressed as a wealthy Texan, and looking to buy a home in Palm Springs. Of course we see JLo checking him out and basically throwing herself at him because, well, that’s what all us desperate women do, right? We throw ourselves at rich men when times are hard without taking much else into consideration (like, say the cop – who comes across as a decent guy – who wants nothing else but to date her. But hey, he’s not Jason Statham, right? Pfft!). Regardless, JLo finds a way to weasel herself into helping Parker’s character and thwarting the four thieves who betrayed Parker. Luckily for all of us, JLo advances are shut down and we don’t have to fall witness to another “Gigli”.
Is the movie some amazing cinematic masterpiece? Absolutely not. Are Parker’s flashbacks cheesy and annoying? Of course. But we are talking about an action flick and one that doesn’t disappoint in lots of blood, gun fights, knifing action, and Jason Statham being an overall badass.
Will your girlfriend love this movie? Probably not. Will you, you red-blooded hunk of testosterone, love this movie? Probably. It is, after all, geared towards your sex. And, just in case the blood and fights don’t do it for you, there are more than enough exposed breasts throughout the film keep your interest piqued.
So if you’re looking for a good revenge-style action flick, this one is decent enough. It won’t win any awards, but it won’t leave your poor girlfriend screaming for the hills either. JLo’s performance, however, that’s just inexcusible….
“Parker” starts off in Ohio where Jason Statham’s character (Parker) is working a job with four other men. The job seems to go off without a hitch until the end when Parker discovers an innocent man died in the process, thus starting “beef” between he and one of his partners. The apparent boss of the crooks then asks Parker to join them in another job, requiring him to give up his share of the loot to contribute to the upcoming job. Parker politely declines and, of course, this doesn’t sit too well with the crooks. As predicted, they then turn on him and Parker is left for dead on the side of the road.
As we know, Jason Statham’s characters are indestructible. I mean, this was covered in both “Crank” movies so the audience should be well-versed in how this goes down, right? Of course, Parker survives and thus starts on a path of revenge. Mob bosses are involved, hits are put out, etc. Regardless, his journey takes him to Palm Springs where the four crooks who betrayed him are preparing for their next big job.
Now, you’re probably wondering where Jennifer Lopez is in all of this (yes, JLo has a part in this movie – I know, I feel your pain too). Given that her last decent flick was “the Cell” and “Selena,” I wasn’t expecting too much from her character. As Parker is making his way down to Palm Springs, the movie then focuses on JLo’s character, a depressed and rather broken divorcee living with her mother and desperate for a commission from her job as a real-estate agent. Cue in Parker, dressed as a wealthy Texan, and looking to buy a home in Palm Springs. Of course we see JLo checking him out and basically throwing herself at him because, well, that’s what all us desperate women do, right? We throw ourselves at rich men when times are hard without taking much else into consideration (like, say the cop – who comes across as a decent guy – who wants nothing else but to date her. But hey, he’s not Jason Statham, right? Pfft!). Regardless, JLo finds a way to weasel herself into helping Parker’s character and thwarting the four thieves who betrayed Parker. Luckily for all of us, JLo advances are shut down and we don’t have to fall witness to another “Gigli”.
Is the movie some amazing cinematic masterpiece? Absolutely not. Are Parker’s flashbacks cheesy and annoying? Of course. But we are talking about an action flick and one that doesn’t disappoint in lots of blood, gun fights, knifing action, and Jason Statham being an overall badass.
Will your girlfriend love this movie? Probably not. Will you, you red-blooded hunk of testosterone, love this movie? Probably. It is, after all, geared towards your sex. And, just in case the blood and fights don’t do it for you, there are more than enough exposed breasts throughout the film keep your interest piqued.
So if you’re looking for a good revenge-style action flick, this one is decent enough. It won’t win any awards, but it won’t leave your poor girlfriend screaming for the hills either. JLo’s performance, however, that’s just inexcusible….
Bob Mann (459 KP) rated Sweetheart (2021) in Movies
Sep 20, 2021
Great ensemble cast (1 more)
Sensitive and moving writing by Marley Morrison
A Gregory's Girl for the 21st Century
When I was in my late teen's, Bill Forsyth's "Gregory's Girl" perfectly epitomised the angst of the school years' emotions I'd left behind me. And I was very much heterosexual. With "Sweetheart", Marley Morrison in an astonishing feature debut delivers a "Gregory's Girl" for today's much more sexually fluid times.
Positives:
- What a great ensemble cast! It's all headed up by Nell Barlow, amazingly in her feature debut. Nell manages to perfectly deliver the hair-pullingly frustrating unpredictability of a teenage girl: always planning to go off doing something worthy like "knitting jumpers for elephants in Indonesia". But she manages to keep the portrayal just the right side of parody, not straying into 'Kevin and Perry' territory. "What's wrong with you?" asks her mother. "I'm 17. Everything's wrong with me" she replies. It's an immaculate performance for someone so young.
- Jo Hartley is also fabulous as A. J.'s mum, a lost soul struggling with her own worries, without having those of AJ to add to them. It's not portrayed as a typical 'Mum v Teen' battle, but beautifully nuanced. "Just because you're a lesbian now, it doesn't mean you have to dress like a boy" she pleads with A. J.
- If you're trying to place her, Ella Rae-Smith was the striking girl in the baseball cap in Netflix's "The Stranger". She is also wonderful here, as the 'hot girl' who you think has it all but is underneath deeply troubled and conflicted. A sex scene (beautifully lit and filmed by Emily Almond Barr and Matthew Wicks) manages to show absolutely nothing but is deliciously erotic as a result.
- The writing by Marley Morrison feels very autobiographical. And, as I found through reading this Guardian article about Morrison's gender-journey, there is a lot of personal experience in here. It's clever that the film is claustrophobically set in the remote holiday park (actually the real Freshwater Beach Holiday Park near Bridport on the Dorset coast). If it had been set in a big city like London, AJ could have constantly fled from her feelings, never resolving them. Here, she is constantly running into Isla.... there is no escape.
- I also very much liked the relationship written between A. J. and Steve. Steve is almost the safety valve on the pressure cooker, always helpfully allowing some steam to escape. It adds warmth to the story.
- For such an indie picture, there's a range of great tunes on the soundtrack: mostly from bands I have never heard of (probably making it affordable). I'm not sure if there's to be a soundtrack album released, but it's worth a listen if so.
Negatives:
- I wasn't fond of the sound mix on the film. Some of the dialogue was indistinct.
- A. J. gives us an occasional running commentary of her thoughts as a voiceover. Regular readers of my blog will know my thoughts on this subject! I'm not sure if it added much to the story: a 'show-not-tell' approach would have been my preference.
Summary Thoughts on "Sweetheart": I likened this film to 1980's "Gregory's Girl", and that's a great compliment. That movie made stars out of John Gordon Sinclair and Clare Grogan. I'd predict similar great things for Nell Barlow, Ella Rae-Smith and particularly for writer/director Marley Morrison. I'll very much look forward to Marley's future projects.
It's a cracking little British film. It deserves a major cinema release, but I suspect this is one that you might need to hunt out at your less mainstream cinemas. But please do so - it's well worth it. Very much recommended.
(For the full graphical review and video, check out #onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Positives:
- What a great ensemble cast! It's all headed up by Nell Barlow, amazingly in her feature debut. Nell manages to perfectly deliver the hair-pullingly frustrating unpredictability of a teenage girl: always planning to go off doing something worthy like "knitting jumpers for elephants in Indonesia". But she manages to keep the portrayal just the right side of parody, not straying into 'Kevin and Perry' territory. "What's wrong with you?" asks her mother. "I'm 17. Everything's wrong with me" she replies. It's an immaculate performance for someone so young.
- Jo Hartley is also fabulous as A. J.'s mum, a lost soul struggling with her own worries, without having those of AJ to add to them. It's not portrayed as a typical 'Mum v Teen' battle, but beautifully nuanced. "Just because you're a lesbian now, it doesn't mean you have to dress like a boy" she pleads with A. J.
- If you're trying to place her, Ella Rae-Smith was the striking girl in the baseball cap in Netflix's "The Stranger". She is also wonderful here, as the 'hot girl' who you think has it all but is underneath deeply troubled and conflicted. A sex scene (beautifully lit and filmed by Emily Almond Barr and Matthew Wicks) manages to show absolutely nothing but is deliciously erotic as a result.
- The writing by Marley Morrison feels very autobiographical. And, as I found through reading this Guardian article about Morrison's gender-journey, there is a lot of personal experience in here. It's clever that the film is claustrophobically set in the remote holiday park (actually the real Freshwater Beach Holiday Park near Bridport on the Dorset coast). If it had been set in a big city like London, AJ could have constantly fled from her feelings, never resolving them. Here, she is constantly running into Isla.... there is no escape.
- I also very much liked the relationship written between A. J. and Steve. Steve is almost the safety valve on the pressure cooker, always helpfully allowing some steam to escape. It adds warmth to the story.
- For such an indie picture, there's a range of great tunes on the soundtrack: mostly from bands I have never heard of (probably making it affordable). I'm not sure if there's to be a soundtrack album released, but it's worth a listen if so.
Negatives:
- I wasn't fond of the sound mix on the film. Some of the dialogue was indistinct.
- A. J. gives us an occasional running commentary of her thoughts as a voiceover. Regular readers of my blog will know my thoughts on this subject! I'm not sure if it added much to the story: a 'show-not-tell' approach would have been my preference.
Summary Thoughts on "Sweetheart": I likened this film to 1980's "Gregory's Girl", and that's a great compliment. That movie made stars out of John Gordon Sinclair and Clare Grogan. I'd predict similar great things for Nell Barlow, Ella Rae-Smith and particularly for writer/director Marley Morrison. I'll very much look forward to Marley's future projects.
It's a cracking little British film. It deserves a major cinema release, but I suspect this is one that you might need to hunt out at your less mainstream cinemas. But please do so - it's well worth it. Very much recommended.
(For the full graphical review and video, check out #onemannsmovies on the web, Facebook and Tiktok. Thanks.)
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Baganda * One who loves you, warns you. Ethiopian * Evil enters like a splinter and...