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LeftSideCut (3776 KP) rated Nobody Sleeps in the Woods Tonight (2020) in Movies
Oct 29, 2020 (Updated Oct 29, 2020)
Contains spoilers, click to show
As a starting note, please please please watch this film with the audio set to Polish with subtitles. Netflix started playing the dubbed version for me, and I managed about 30 seconds worth of cheesy American voice over before I couldn't stand it any longer. It's 100% more natural the way it was intended.
Nobody Sleeps in the Woods tonight is absolutely and wholly not original - it cherry picks parts from other horror movies and shamelessly imitates them, and do you know what? I don't hate it.
The whole movie is shot nicely, especially taking into account it's low budget.
Among these moments we have:
- A sleeping bag kill ripped straight out of Friday the 13th Part VII.
- A character explaining the rules of horror movies just like in Scream.
- A character tied to a chair and ballgagged a la Hostel.
- Big cannabalistic, dungaree wearing woodsman straight out of Wrong Turn.
- A cut-in-half-vertically-with-an-axe kill from Wrong Turn 2, using the same damn camera angle and everything.
- A character going through a woodchipper like in Tucker and Dale vs Evil
- An under the bed shot of someone being stabbed repeatedly with a machete, just like in Freddy vs Jason.
So yeah, absolutely zero points for originality, but props for executing it all to a satisfactory degree. A less cynical person could choose to look at it as a horror love letter, rather than a rip off.
Some of the camerawork is genuinely fantastic. There are multiple shots during the runtime that are quite captivating, and took me out of the standard slasher situation now and again.
The make up effects applied to the monster men are pretty good, and the movie delivers some pretty brutal gore. It's hard to fully tell, but it looked like a fair chunk of it was practical, which is always a bonus.
The characters are likable as well, especially the badass final girl Zodiac, played awesomely by Julia Wieniawa-Narkiewicz.
The film also touches on some social issues, such as the perception of homosexuality in Poland. It's a shame it's not explored further than a few lines of dialogue.
Nobody Sleeps in the Woods may be down right predictable, but if you can leave any cynicism at the door, then it's a pretty fun slasher to pass the time.
As my first foray into Polish horror, I found it mostly enjoyable. Worth checking out for any horror fans.
Nobody Sleeps in the Woods tonight is absolutely and wholly not original - it cherry picks parts from other horror movies and shamelessly imitates them, and do you know what? I don't hate it.
The whole movie is shot nicely, especially taking into account it's low budget.
Among these moments we have:
- A sleeping bag kill ripped straight out of Friday the 13th Part VII.
- A character explaining the rules of horror movies just like in Scream.
- A character tied to a chair and ballgagged a la Hostel.
- Big cannabalistic, dungaree wearing woodsman straight out of Wrong Turn.
- A cut-in-half-vertically-with-an-axe kill from Wrong Turn 2, using the same damn camera angle and everything.
- A character going through a woodchipper like in Tucker and Dale vs Evil
- An under the bed shot of someone being stabbed repeatedly with a machete, just like in Freddy vs Jason.
So yeah, absolutely zero points for originality, but props for executing it all to a satisfactory degree. A less cynical person could choose to look at it as a horror love letter, rather than a rip off.
Some of the camerawork is genuinely fantastic. There are multiple shots during the runtime that are quite captivating, and took me out of the standard slasher situation now and again.
The make up effects applied to the monster men are pretty good, and the movie delivers some pretty brutal gore. It's hard to fully tell, but it looked like a fair chunk of it was practical, which is always a bonus.
The characters are likable as well, especially the badass final girl Zodiac, played awesomely by Julia Wieniawa-Narkiewicz.
The film also touches on some social issues, such as the perception of homosexuality in Poland. It's a shame it's not explored further than a few lines of dialogue.
Nobody Sleeps in the Woods may be down right predictable, but if you can leave any cynicism at the door, then it's a pretty fun slasher to pass the time.
As my first foray into Polish horror, I found it mostly enjoyable. Worth checking out for any horror fans.
Hadley (567 KP) rated A Deadly Education: Lesson One of the Scholomance in Books
Dec 19, 2020
A darker version of Harry Potter (1 more)
Witchcraft/occult
Main character was unlikable (1 more)
Too much internal dialogue
It's nice knowing that books about witches aren't dead. The main idea of Naomi Novik's new novel, A Deadly Education - - - a new series with the second book already slated to release in 2021 - - - is about a school of magic that is focused on survival. Of course, this may bring about similarities of J.K. Rowling's Harry Potter series, but this story is no way the same, A Deadly Education is a much darker witch school story with young murderers and also monsters that eat the students alive.
Yet this dark and morbid story is about a young girl who has been foreseen to possess powers that could destroy millions of people as our main character, and she can be quite off-putting at times. Her personality - - - a need to be liked, but refuses to allow anyone to like her, her need to show that she is always the smartest person in the room, and her blatant rudeness to a young man that saves her life more than once - - - makes it hard, as a reader, to root for this character. She does have moments of dark humor that made me laugh, moments of sarcasm that were pretty good, but she quickly assumes that everyone hates her and wants her to die before making it to senior graduation.
Galadriel is her name, but she prefers to go by El, and both of her parents were students at this Scholomance. She begins by talking about different kinds of witches there are at the school, including ones that use malia. Malia is a form of magic that takes it's mana from living things, including people. One such student she knows that uses malia is Yi Liu. El describes how malia of this sort slowly kills the one using it by telling the reader that Liu's eyes are turning all white, and her nails have gone completely black (and it's not polish).
Early on, readers are told about enclaves at the school, usually rich kids whose families have had more survivors from graduating classes than others. Students who are not part of these cliques know that it is very important to try to get an invitation to join one before senior year because your chances of survival are higher with a group than by yourself. El spends most of her time debating whether she wants to be part of one or not; her shifts in decisions are quite annoying. After she is saved by a student named Orion Lake, who is an enclaver from New York, she quickly decides to use him to obtain a seat in his enclave: " I couldn't blame her, really. It wasn't stupid to want to be pals with Orion if that looked like a real possibility. Aadhya's family lives in New Jersey: if she got into the New York enclave, she could probably pull them all inside. And I couldn't afford to alienate one of the vanishing few people who are willing to deal with me. "
Throughout the story, El becomes angrier and angrier every time that Lake saves her from being killed (which ends up almost being ten times), but one such time that he isn't able to, readers finally get to see what her powers have taught her, and this is practically the only time that we do: while an attack is happening in the library, El decides to go after Lake and help him save other students, but you can easily get lost in the library due to the shelves constantly moving, or you can be eaten because of the dark areas the shelves create; this is when a giant creature appears called a maw-mouth: "My whole body was clenched and waiting for it, and in the next flare of deep-red light I met half a dozen human eyes watching me, scattered over the thick rolling folds of the translucent, glossy mass that was just bulging its way out of the vent, many mouths open and working for air. " El tells us that the only way to stop a maw-mouth is to give it indigestion. "I stopped, and I used the best of the nineteen spells I know for killing an entire roomful of people, the shortest one; it's just three words in French, a la mort, but it must be cast carelessly, with a flick of the hand that most people get wrong, and if you get it even a little wrong, it kills you instead. " She does it correctly and the maw-mouth is defeated.
El believes that she saved a majority of the students from being killed by defeating the maw-mouth, but when she goes to breakfast the next morning, she finds out that a student had been 'poached' by a senior student. Every student's dorm room has a wall or spot that is nothing but a black abyss, where if anything that enters it will disappear forever. 'Poaching' is an act that has happened at the school before, and it's when a student pushes another student into the void, usually to take over their dorm room because the former's is unsafe. Oddly, this isn't surprising that it happened, when life at the school is life or death, people, especially teenagers, will make rash decisions without adults being present - - - yes, there are no teachers at this school, and everything seems to appear out of thin air.
The novel finally picks up pace when the wall leading to the graduation hall, which contains two maw-mouths for the senior class, is starting to break away, threatening to release any and all creatures into the school: "If a hole opened up to the graduation hall before the senior dorms were closed off, the seniors went from being the whole buffet to the toughest and most stale entrees on the menu. "
When the students decide to work together to patch up the hole, they soon find out that the senior students don't want it patched up: " 'But we also don't want to let you buy your lives with ours. That's what I hear seniors saying. Not, let's rip open the school, but why don't we make you, your class, graduate with us. Your class are the ones Orion has saved the most.' Chloe flinched visibly, and a lot of the other kids at our table tensed. 'So? Are you all willing to do that, graduate early, to save the poor little freshmen? If not, you can stop ' - - - she waved a hand in a spiraling circle, making a gesture of drama - - -'about how evil we are because we don't want to die...' "
The atmosphere in the story makes the threat of death in the school very real, but Novik's main character isn't well-written; there are side characters that I found much more interesting than El, and were better written. Lake is even a better character - - - especially when readers find out why he has a need to save people - - - I honestly believe it would have been a better story from Lake's point-of-view. Also, the amount of explaining that Novik does in the novel really breaks up the flow of the story, sometimes stopping right in the middle of an important scene just to explain something about the school.
I will be reading the sequel when it comes out because I do want to know what happens to a lot of the side characters and their senior graduation, but I can only recommend this book to people who love stories about witches and the occult. As for horror fans, I don't think you would get your fix from this novel.
Yet this dark and morbid story is about a young girl who has been foreseen to possess powers that could destroy millions of people as our main character, and she can be quite off-putting at times. Her personality - - - a need to be liked, but refuses to allow anyone to like her, her need to show that she is always the smartest person in the room, and her blatant rudeness to a young man that saves her life more than once - - - makes it hard, as a reader, to root for this character. She does have moments of dark humor that made me laugh, moments of sarcasm that were pretty good, but she quickly assumes that everyone hates her and wants her to die before making it to senior graduation.
Galadriel is her name, but she prefers to go by El, and both of her parents were students at this Scholomance. She begins by talking about different kinds of witches there are at the school, including ones that use malia. Malia is a form of magic that takes it's mana from living things, including people. One such student she knows that uses malia is Yi Liu. El describes how malia of this sort slowly kills the one using it by telling the reader that Liu's eyes are turning all white, and her nails have gone completely black (and it's not polish).
Early on, readers are told about enclaves at the school, usually rich kids whose families have had more survivors from graduating classes than others. Students who are not part of these cliques know that it is very important to try to get an invitation to join one before senior year because your chances of survival are higher with a group than by yourself. El spends most of her time debating whether she wants to be part of one or not; her shifts in decisions are quite annoying. After she is saved by a student named Orion Lake, who is an enclaver from New York, she quickly decides to use him to obtain a seat in his enclave: " I couldn't blame her, really. It wasn't stupid to want to be pals with Orion if that looked like a real possibility. Aadhya's family lives in New Jersey: if she got into the New York enclave, she could probably pull them all inside. And I couldn't afford to alienate one of the vanishing few people who are willing to deal with me. "
Throughout the story, El becomes angrier and angrier every time that Lake saves her from being killed (which ends up almost being ten times), but one such time that he isn't able to, readers finally get to see what her powers have taught her, and this is practically the only time that we do: while an attack is happening in the library, El decides to go after Lake and help him save other students, but you can easily get lost in the library due to the shelves constantly moving, or you can be eaten because of the dark areas the shelves create; this is when a giant creature appears called a maw-mouth: "My whole body was clenched and waiting for it, and in the next flare of deep-red light I met half a dozen human eyes watching me, scattered over the thick rolling folds of the translucent, glossy mass that was just bulging its way out of the vent, many mouths open and working for air. " El tells us that the only way to stop a maw-mouth is to give it indigestion. "I stopped, and I used the best of the nineteen spells I know for killing an entire roomful of people, the shortest one; it's just three words in French, a la mort, but it must be cast carelessly, with a flick of the hand that most people get wrong, and if you get it even a little wrong, it kills you instead. " She does it correctly and the maw-mouth is defeated.
El believes that she saved a majority of the students from being killed by defeating the maw-mouth, but when she goes to breakfast the next morning, she finds out that a student had been 'poached' by a senior student. Every student's dorm room has a wall or spot that is nothing but a black abyss, where if anything that enters it will disappear forever. 'Poaching' is an act that has happened at the school before, and it's when a student pushes another student into the void, usually to take over their dorm room because the former's is unsafe. Oddly, this isn't surprising that it happened, when life at the school is life or death, people, especially teenagers, will make rash decisions without adults being present - - - yes, there are no teachers at this school, and everything seems to appear out of thin air.
The novel finally picks up pace when the wall leading to the graduation hall, which contains two maw-mouths for the senior class, is starting to break away, threatening to release any and all creatures into the school: "If a hole opened up to the graduation hall before the senior dorms were closed off, the seniors went from being the whole buffet to the toughest and most stale entrees on the menu. "
When the students decide to work together to patch up the hole, they soon find out that the senior students don't want it patched up: " 'But we also don't want to let you buy your lives with ours. That's what I hear seniors saying. Not, let's rip open the school, but why don't we make you, your class, graduate with us. Your class are the ones Orion has saved the most.' Chloe flinched visibly, and a lot of the other kids at our table tensed. 'So? Are you all willing to do that, graduate early, to save the poor little freshmen? If not, you can stop ' - - - she waved a hand in a spiraling circle, making a gesture of drama - - -'about how evil we are because we don't want to die...' "
The atmosphere in the story makes the threat of death in the school very real, but Novik's main character isn't well-written; there are side characters that I found much more interesting than El, and were better written. Lake is even a better character - - - especially when readers find out why he has a need to save people - - - I honestly believe it would have been a better story from Lake's point-of-view. Also, the amount of explaining that Novik does in the novel really breaks up the flow of the story, sometimes stopping right in the middle of an important scene just to explain something about the school.
I will be reading the sequel when it comes out because I do want to know what happens to a lot of the side characters and their senior graduation, but I can only recommend this book to people who love stories about witches and the occult. As for horror fans, I don't think you would get your fix from this novel.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Guardian's Wyrd in Books
Jan 23, 2020
The Guardian's Wyrd didn't exactly hit the bull's eye with me, and half the time my mind was telling me to just click the DNF button because there wasn't much going on.
Or maybe I just need to lower down the chances of trying to catch my attention from 50% down to 25%. A quarter just seems a tad bit harsh, and 50 just seems like a nice number compared to 38. :p
The book focuses on a guy named Jason September, in which I actually thought he was a she and "her" name was September. Confused? Yeah... that was me for 10% of the book. Is it a girl, or is it a guy? It sounds like a guy, but is his name Jay (preferred nickname), or is it September? And if it's September, why does that sound like a girl's name? That's like my parents naming me Jace May (if you really fell for that, you must be a newcomer. Welcome. Please take a moment to look at who posted this if that is the case). I'm not exactly sure how that works, and that probably says I should remain a single pringle, in which I'm happy to oblige. Just be sure to buy me a pack of Pringles every Valentine's Day.
Said dude who isn't actually a girl in the long run apparently has a crush on his music teacher, lives in Cape Town (I'm sort of a fan for books that are well... set in not so major cities like LA or NYC), an oddball at school who gets picked on a lot and dreams of being a famous musician. The Guardian's Wyrd seems to focus a lot on Jay's dreams of being a musician. I think that probably shows how determined he is to go after his dreams, which isn't always a bad thing.
Problem is, when you're too busy daydreaming of being the next Harry Styles, it doesn't actually keep my attention forever. Oh, and he has a temper problem. LOTS of anger. >_<
<img border="0" src="http://3.bp.blogspot.com/-ISpQyM6f4zY/U3qB1NhQnYI/AAAAAAAADRA/wqRU0-4YX4s/s1600/giphy.gif"; height="179" width="320">
It's not until around 34% of the book that things actually catch my attention, when View Spoiler » . Then it sort of gets ruined a bit a few moments later when Jay meets a birdy and ends up kissing her. Within 3 pages, actually. Fortunately it doesn't seem like it's instalove, so that's not exactly a problem (yush).
While I did get warned that the language may not be what I'm used to, what does larny or jawellnofine even mean? I don't think it's in the dictionary either, so if anyone knows, do tell me. And if any of the definitions are as bad as twerking or even remotely close to it, please. Don't even say a word. Because I do NOT want to know. o_o
------------
Advanced copy provided by the publisher for review
Original Rating: 3.5 out of 5
This review and more can be found over at <a href="http://bookwyrming-thoughts.blogspot.com/2014/05/arc-review-the-guardians-wyrd-by-nerine-dorman.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
Or maybe I just need to lower down the chances of trying to catch my attention from 50% down to 25%. A quarter just seems a tad bit harsh, and 50 just seems like a nice number compared to 38. :p
The book focuses on a guy named Jason September, in which I actually thought he was a she and "her" name was September. Confused? Yeah... that was me for 10% of the book. Is it a girl, or is it a guy? It sounds like a guy, but is his name Jay (preferred nickname), or is it September? And if it's September, why does that sound like a girl's name? That's like my parents naming me Jace May (if you really fell for that, you must be a newcomer. Welcome. Please take a moment to look at who posted this if that is the case). I'm not exactly sure how that works, and that probably says I should remain a single pringle, in which I'm happy to oblige. Just be sure to buy me a pack of Pringles every Valentine's Day.
Said dude who isn't actually a girl in the long run apparently has a crush on his music teacher, lives in Cape Town (I'm sort of a fan for books that are well... set in not so major cities like LA or NYC), an oddball at school who gets picked on a lot and dreams of being a famous musician. The Guardian's Wyrd seems to focus a lot on Jay's dreams of being a musician. I think that probably shows how determined he is to go after his dreams, which isn't always a bad thing.
Problem is, when you're too busy daydreaming of being the next Harry Styles, it doesn't actually keep my attention forever. Oh, and he has a temper problem. LOTS of anger. >_<
<img border="0" src="http://3.bp.blogspot.com/-ISpQyM6f4zY/U3qB1NhQnYI/AAAAAAAADRA/wqRU0-4YX4s/s1600/giphy.gif"; height="179" width="320">
It's not until around 34% of the book that things actually catch my attention, when View Spoiler » . Then it sort of gets ruined a bit a few moments later when Jay meets a birdy and ends up kissing her. Within 3 pages, actually. Fortunately it doesn't seem like it's instalove, so that's not exactly a problem (yush).
While I did get warned that the language may not be what I'm used to, what does larny or jawellnofine even mean? I don't think it's in the dictionary either, so if anyone knows, do tell me. And if any of the definitions are as bad as twerking or even remotely close to it, please. Don't even say a word. Because I do NOT want to know. o_o
------------
Advanced copy provided by the publisher for review
Original Rating: 3.5 out of 5
This review and more can be found over at <a href="http://bookwyrming-thoughts.blogspot.com/2014/05/arc-review-the-guardians-wyrd-by-nerine-dorman.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
Eleanor Luhar (47 KP) rated She Is Not Invisible in Books
Jun 24, 2019
This was not how I expected it to be. I liked the uniqueness of it, though, and how unpredictable it turned out to be.
It starts in an airport, with the protagonist and narrator (who's name we learn to be Laureth) and her little brother Benjamin. We soon discover that Laureth is blind, which provides us with a very interesting account of the events of this story. They are going to America, alone, to find their father. He's a writer, and holds his notebooks very dearly - so when Laureth gets an email about one being found in America when he's supposed to be in Switzerland (and then he fails to answer his phone) she immediately assumes something is very wrong.
This is told mostly chronologically, but with memories scattered throughout. Laureth also gives slight hints as to what will be happening later on, reinstating the fact that she is writing about past events. I quite liked this - we were told about certain memories and events that were relevant to the story at that time, nothing more, nothing less.
It turns into quite a dark, suspenseful hunt. Laureth starts to fear that her father may even have taken his own life. The pair even get cornered by a man with a knife who claims to have seen her father. His partner later breaks into their hotel room, searching for some valuable contents of her father's safe. Coincidentally, they run in to her father just moments later.
The obsession of Laureth and Ben's father is coincidences; a very interesting topic. He goes into great detail in his notebook (which we are shown throughout the book), discussing theories and particular physicists' experiences. Bit by bit, he seems to be delving deeper and deeper into the mysteries of the universe. Laureth is caught up in this - she looks for clues in every page of her dad's notebook. But is she looking too hard? Is she finding signs that aren't really there?
Laureth relies on her brother to navigate the world, and although he is only going, he is superbly helpful to her. She is adamant on being an independent young lady, and even hides her impairment from most people she meets. As she is the narrator of this book, we are given an account that does not include any visual descriptions. Instead, the other senses are used far more - sounds and feelings especially. I really liked this.
The ending was wonderful. It was different - completely unexpected. I especially liked how her "coincidental" meeting with Sam turned out to mean nothing at all. And her father's account of what had happened, and his realisation that his obsession was pointless, was so ironic. Laureth and Ben had been on this massive journey, worried their father was so caught up in his obsession that his life was in danger. They began to find strange patterns and signs everywhere - only to find out how coindences are completely fake.
And the last page was so clever, too. It was numbered 354 which is clever in itself - this number holds a massive significance throughout this book - but then there's also the hidden message that's revealed. One of the last sentences prompts you to look closely at the book, and then you find a heartwarming little phrase. I really liked this idea - it seems a bit naff, but actually worked really well.
I did feel like this was maybe a little more for younger adults (I'm nearly 18) but it was really easy to follow and quick to read. It wasn't lengthy or tiresome at all. 4 stars.
It starts in an airport, with the protagonist and narrator (who's name we learn to be Laureth) and her little brother Benjamin. We soon discover that Laureth is blind, which provides us with a very interesting account of the events of this story. They are going to America, alone, to find their father. He's a writer, and holds his notebooks very dearly - so when Laureth gets an email about one being found in America when he's supposed to be in Switzerland (and then he fails to answer his phone) she immediately assumes something is very wrong.
This is told mostly chronologically, but with memories scattered throughout. Laureth also gives slight hints as to what will be happening later on, reinstating the fact that she is writing about past events. I quite liked this - we were told about certain memories and events that were relevant to the story at that time, nothing more, nothing less.
It turns into quite a dark, suspenseful hunt. Laureth starts to fear that her father may even have taken his own life. The pair even get cornered by a man with a knife who claims to have seen her father. His partner later breaks into their hotel room, searching for some valuable contents of her father's safe. Coincidentally, they run in to her father just moments later.
The obsession of Laureth and Ben's father is coincidences; a very interesting topic. He goes into great detail in his notebook (which we are shown throughout the book), discussing theories and particular physicists' experiences. Bit by bit, he seems to be delving deeper and deeper into the mysteries of the universe. Laureth is caught up in this - she looks for clues in every page of her dad's notebook. But is she looking too hard? Is she finding signs that aren't really there?
Laureth relies on her brother to navigate the world, and although he is only going, he is superbly helpful to her. She is adamant on being an independent young lady, and even hides her impairment from most people she meets. As she is the narrator of this book, we are given an account that does not include any visual descriptions. Instead, the other senses are used far more - sounds and feelings especially. I really liked this.
The ending was wonderful. It was different - completely unexpected. I especially liked how her "coincidental" meeting with Sam turned out to mean nothing at all. And her father's account of what had happened, and his realisation that his obsession was pointless, was so ironic. Laureth and Ben had been on this massive journey, worried their father was so caught up in his obsession that his life was in danger. They began to find strange patterns and signs everywhere - only to find out how coindences are completely fake.
And the last page was so clever, too. It was numbered 354 which is clever in itself - this number holds a massive significance throughout this book - but then there's also the hidden message that's revealed. One of the last sentences prompts you to look closely at the book, and then you find a heartwarming little phrase. I really liked this idea - it seems a bit naff, but actually worked really well.
I did feel like this was maybe a little more for younger adults (I'm nearly 18) but it was really easy to follow and quick to read. It wasn't lengthy or tiresome at all. 4 stars.
BankofMarquis (1832 KP) rated Shaft (2019) in Movies
Jun 18, 2019
Bland, boring and uninteresting
Were you the one clamoring for a sequel to the year 2000 Samuel L. Jackson SHAFT (the sequel to the original 1971 Richard Roundtree SHAFT)? Did you remember there WAS a 2000 version of SHAFT? Do you remember the 1971 SHAFT?
Doesn't matter.
The makers of this film certainly don't remember those films for - besides casting Jackson and Roundtree - there is no similarity to either of these films.
The first SHAFT was a Blacksploitation film starring Roundtree with mucho gunfire and bloodshed and SHAFT 2000 (as I'll call it) is a full on action flick with Jackson as Roundtree's nephew fighting crime. SHAFT 2019 is none of these - the Samuel L. Jackson Shaft is now the SON of Richard Roundtree and partners with his son JJ ,John Shaft, Jr. (played by Jessie T. Usher) to investigate the death of his friend.
Okay...fine. I can forgive the change in tone and the "tweak" (I'm being generous) to the timeline. What I can't forgive is the weak script (why write any good, or interesting, dialogue when we can have all of the characters say Samuel L. Jackson's signature motherf*^#er over and over) by 3 different writers (never a good sign) that were all, clearly, just in it for the paycheck.
Jessie T. Usher (he played Will Smith's son in the also ill-advised sequel to INDEPENDENCE DAY) is a bland lead with no gravitas and no swagger that starts out young and naive and is supposed to develop (under the tutelage of his father) street smarts but, really, just becomes annoying.
Regina Hall (GIRLS TRIP), Titus Welliver (BOSCH), Method Man (!) and Luna Lauren Velez (DEXTER) are all sleepwalking through underwritten roles just counting the minutes until they can take their paychecks to the bank.
At the heart of all of this "missed opportunities" is Director Tim Story (RIDE ALONG) he directs this film like he has someplace else to be, never missing an opportunity to be obvious (for example, JJ's friend - Karim - who's death sparks what passes for a plot in this film - might as well be walking around with a "Dead Man Walking" sign on him). Story's direction is lazy (and that's doing injustice to the word lazy) and obvious with no spark of ingenuity or imagination to be found.
And then there's Samuel L. Jackson as SHAFT. He defines the term "sleepwalking through the picture" looking bored and uninterested throughout and HE'S THE BEST THING IN THE FILM! Thank goodness his charisma and charm ooze out of him without really trying - for he didn't really try here.
Save 2 hours of your life - skip SHAFT - you'll be glad you did.
Letter Grade: C
4 Stars (out of 10) and you can take this to the Bank(ofMarquis)
Doesn't matter.
The makers of this film certainly don't remember those films for - besides casting Jackson and Roundtree - there is no similarity to either of these films.
The first SHAFT was a Blacksploitation film starring Roundtree with mucho gunfire and bloodshed and SHAFT 2000 (as I'll call it) is a full on action flick with Jackson as Roundtree's nephew fighting crime. SHAFT 2019 is none of these - the Samuel L. Jackson Shaft is now the SON of Richard Roundtree and partners with his son JJ ,John Shaft, Jr. (played by Jessie T. Usher) to investigate the death of his friend.
Okay...fine. I can forgive the change in tone and the "tweak" (I'm being generous) to the timeline. What I can't forgive is the weak script (why write any good, or interesting, dialogue when we can have all of the characters say Samuel L. Jackson's signature motherf*^#er over and over) by 3 different writers (never a good sign) that were all, clearly, just in it for the paycheck.
Jessie T. Usher (he played Will Smith's son in the also ill-advised sequel to INDEPENDENCE DAY) is a bland lead with no gravitas and no swagger that starts out young and naive and is supposed to develop (under the tutelage of his father) street smarts but, really, just becomes annoying.
Regina Hall (GIRLS TRIP), Titus Welliver (BOSCH), Method Man (!) and Luna Lauren Velez (DEXTER) are all sleepwalking through underwritten roles just counting the minutes until they can take their paychecks to the bank.
At the heart of all of this "missed opportunities" is Director Tim Story (RIDE ALONG) he directs this film like he has someplace else to be, never missing an opportunity to be obvious (for example, JJ's friend - Karim - who's death sparks what passes for a plot in this film - might as well be walking around with a "Dead Man Walking" sign on him). Story's direction is lazy (and that's doing injustice to the word lazy) and obvious with no spark of ingenuity or imagination to be found.
And then there's Samuel L. Jackson as SHAFT. He defines the term "sleepwalking through the picture" looking bored and uninterested throughout and HE'S THE BEST THING IN THE FILM! Thank goodness his charisma and charm ooze out of him without really trying - for he didn't really try here.
Save 2 hours of your life - skip SHAFT - you'll be glad you did.
Letter Grade: C
4 Stars (out of 10) and you can take this to the Bank(ofMarquis)
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Polar Flow is a sports, fitness, and activity analyzer to be used with Polar GPS sports watches,...
Billie Wichkan (118 KP) rated A Single Source in Books
May 22, 2019
Veteran BBC reporter William Carver is in Cairo, bang in the middle of the Arab Spring. 'The only story in the world' according to his editor. But it isn't.
There's another story, more significant and potentially more dangerous, and if no one else is willing to tell it, then Carver will - whatever the consequences.
A Single Source tells two stories, which over a few tumultuous months come together to prove inextricably linked. There are the dramatic, world-changing events as protests spread across North Africa and the Middle East, led by a new generation of tech-savvy youngsters challenging the corrupt old order. And then there are two Eritrean brothers, desperate enough to risk everything to make their way across the continent to a better life in Europe.
The world is watching, but its attention span is increasingly short. Carver knows the story is a complex one and, in the age of Facebook, Twitter and rolling news, difficult stories are getting harder to tell. If everyone is a reporter, then who do you believe?
I have to say this book was a complete departure from the types of books I've been reading recently.
A Single Source is set in 2011 in a time that came to be known as the Arab Spring. Carver and his producer Patrick are in Cairos Tahrir Square to report on the January 25th uprising. There are three strands to the story the one set in Egypt, another revolving around the foreign office and the third set in Eritrea. Gradually these three strands are woven together..
A slow starter which I found very difficult to get into maybe because this is not my usual type of reading material.
This book is well written and descriptive and the author has done a lot of work and research.
Unfortunately just not my cup of tea but do recommend if political thrillers is what you like.
Many thanks to the publisher and Net Galley for the opportunity to review this book.
Review copied to Amazon UK but link not available yet.
There's another story, more significant and potentially more dangerous, and if no one else is willing to tell it, then Carver will - whatever the consequences.
A Single Source tells two stories, which over a few tumultuous months come together to prove inextricably linked. There are the dramatic, world-changing events as protests spread across North Africa and the Middle East, led by a new generation of tech-savvy youngsters challenging the corrupt old order. And then there are two Eritrean brothers, desperate enough to risk everything to make their way across the continent to a better life in Europe.
The world is watching, but its attention span is increasingly short. Carver knows the story is a complex one and, in the age of Facebook, Twitter and rolling news, difficult stories are getting harder to tell. If everyone is a reporter, then who do you believe?
I have to say this book was a complete departure from the types of books I've been reading recently.
A Single Source is set in 2011 in a time that came to be known as the Arab Spring. Carver and his producer Patrick are in Cairos Tahrir Square to report on the January 25th uprising. There are three strands to the story the one set in Egypt, another revolving around the foreign office and the third set in Eritrea. Gradually these three strands are woven together..
A slow starter which I found very difficult to get into maybe because this is not my usual type of reading material.
This book is well written and descriptive and the author has done a lot of work and research.
Unfortunately just not my cup of tea but do recommend if political thrillers is what you like.
Many thanks to the publisher and Net Galley for the opportunity to review this book.
Review copied to Amazon UK but link not available yet.
Mark @ Carstairs Considers (2456 KP) rated Ripe for Vengeance in Books
Jul 21, 2019
Corporate Volunteer Event Leads to Murder
Some of Denver Finn’s friends are coming to town, and Megan Sawyer is excited to see a different side of her boyfriend. They don’t make a good first impression, however, when their dinner together is filled with not so hidden tension. These friends are in town as part of a corporate charity weekend to mentor kids at a nearby school for troubled teens, but that event goes wrong when one of the adults is murdered. The police are looking at a teen as the likely killer, but Megan doesn’t think the teen did it. Can she find the real killer?
This series always has strong characters, and this book is no different. We get to know everyone involved in this case well, and as events unfold, their reactions and the impact on their live help pull us into the story. Those looking for a twist a minute might find the pace a little slow, but I found the book compelling since I was so drawn to the characters. Not to say that this book doesn’t have some good twists and an ending that surprised me. We do get to see the series regulars and those introduced in previous books, but they are in supporting roles, so they don’t take over from the characters important to this case. There is a little foul language, and the more serious tone helps put this on the traditional side of the spectrum for me. Just make sure that your mood matches the book, and you’ll be fine. This isn’t to say that it is all serious; we get a fun sub-plot involving a pig and plenty of cuteness from the animals on Megan’s farm to help lighten things. Plan to set aside quite a bit of time when you open this book because you won’t want to stop reading.
This series always has strong characters, and this book is no different. We get to know everyone involved in this case well, and as events unfold, their reactions and the impact on their live help pull us into the story. Those looking for a twist a minute might find the pace a little slow, but I found the book compelling since I was so drawn to the characters. Not to say that this book doesn’t have some good twists and an ending that surprised me. We do get to see the series regulars and those introduced in previous books, but they are in supporting roles, so they don’t take over from the characters important to this case. There is a little foul language, and the more serious tone helps put this on the traditional side of the spectrum for me. Just make sure that your mood matches the book, and you’ll be fine. This isn’t to say that it is all serious; we get a fun sub-plot involving a pig and plenty of cuteness from the animals on Megan’s farm to help lighten things. Plan to set aside quite a bit of time when you open this book because you won’t want to stop reading.
Le Marchand de Sable
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" ... a bedtime story with sumptuously blocky, simple illustrations that you can interact with......
Charlie Cobra Reviews (1840 KP) rated Raya and the Last Dragon (2021) in Movies
Mar 20, 2021 (Updated Mar 27, 2021)
Beautiful animation and good character design (2 more)
Voice acting/voice actors
Pretty good setup or start of story going into the movie
$29.99 on top of a Disney plus subscription (2 more)
More often than not pretty predictable and not enough surprises
Not enough stakes or characters never really felt like they were ever in danger to me
Raya, A Really Good Movie That Could Have Been Great
This movie was really good. I really liked it, from the character design to the excellent voice-actors and the setup of the story going into it in the beginning, it really had a lot going for it. This movie had a pretty good all-star cast of Asian voice actors and really liked Kelly Marie Tran and Awkwafina's performances. Awkwafina was really funny to me and her voice fit naturally for her character Sisu. The character designs were interesting to me and I liked the way they differed for the different tribes. I heard a lot of people were giving comparisons to Avatar: The Last Airbender and I can see why people would say that but for me there really isn't that much of a comparison. Avatar is by far a way better show but it also has a lot more episodes to be a better show and tell a better story. I feel this movie wasn't able to live up to the hype and the Disney standard in the long run but that doesn't stop it from trying. I just think that a lot of it is predictable and nothing really surprising, also as likable as the characters were, there wasn't a lot of character development outside of the main character and nothing to really make you feel enough for the other characters to make them really, really matter to the viewer/audience. The beginning like I said was a decent setup of the legend of how the people had the dragons protecting them from these evil spirits and how the last dragons used their power to save everyone. That was a pretty cool concept and I definitely like the way it lead into the introduction of the different tribal lands and tribes which exist in the present. The training scene with Chief Benja and Raya reminded me of something, from another movie but it was pretty cool. There are also some pretty funny and cool characters you meet later like the charismatic young boy Boun, the hilarious little baby Noi and let's not forget the adorable Tuk-Tuk, Raya's best friend. There's a lot more that I want to go over but I'll save it for the spoiler section because I don't want to ruin this movie for those who still want to see it. This movie doesn't get my must-see seal of approval but it did come close. Main reason is the additional $29.99 price tag on top of Disney plus subscription required for most people to see it at home. If you can see it without having to pay that price then I would say it's definitely worth checking out and if you're going to see it in theaters then it's worth taking the family too. But if your short on cash I'd say wait for this one to be free on Disney plus around June 4th. The rating I give for this movie is going to be a 7/10. It was really good but not great but I enjoyed it.
-------------------------------------------------------
Spoiler Section Review:
I thought this movie was really good but it definitely had a lot of flaws. One of those wasn't the character designs or animation which were looked awesome. Also the voice actors were really good and Awkwafina's performance really surprised me but was understandably one of the better performance's and reminded me of such great comedians who have leant their voices for roles like Robin Williams as Genie in Aladdin and Eddie Murphy as Mushu in Mulan and Donkey in Shrek. I mentioned in the first part of the review that the opening story of the legend of how the dragons saved everyone was a really cool concept I thought worked well into introducing the different tribes and then the main characters. That opening scene of Raya breaking into the orb chamber and training with her father reminded me of a scene from another movie. Not sure if it was Pacific Rim: Uprising where John Boyega's character Jake is stealing something from one of the giant robots or a scene from Indiana Jones but it felt very familiar. Which brings me to another big thing that I didn't like about this movie, which is that most if not all the movie was pretty predictable for me. Which doesn't necessary make it a bad thing or a bad movie but takes some of the fun out of it. One of the things that I didn't predict was how after making friends with Namaari in the beginning of the movie that she would totally backstab Raya the way she did. That was such a gripping and tense moment where Chief Benja had to come to Raya's rescue as the Fang tribe moves in to steal the orb. I really liked the part where he can see in the reflection of his sword that Raya was ready to continue fighting alongside him against all the enemies even when the other tribes came to steal the orb for themselves as well. The character designs and animation were really awesome too. I liked Raya's costume and how she transitioned from what she wore as a child to the time skip as well as the different attire that the different tribes had. I liked how they all were quite different beside just their clothes too, like how Raya's tribe was the Heart and they wore green and blue but their home was the most full of life, with plants and water, the Fang looked more like a city but like a capital militaristic feel to it, with much being about law and order or rule. The spine was more in the colder region and had big people wearing multiple layer clothing for warmth and Tail which little is known about even though it was the first one we're shown because it has been wiped out by the Druun and it is supposed to be a mainly dried up desert region and have small pockets of villages. The last one, Talon was probably one of the most colorful ones and smart in how they dealt with the Druun as well. They built their houses on stilts right on the water and had a huge marketplace where it seemed like a festival or party was going on because there was so many people going on as if there wasn't any danger. Another thing I liked about the movie was how Raya didn't have to have powers and she didn't have to be the rescued princess but instead was a strong capable person on her own. I also liked how it seemed the more the movie went on, she kept adding people to her group/crew on her journey. Kind of like Magnificent Seven. One thing I didn't like was that it never really felt like their were enough stakes along the way. Characters kept making mistakes but nothing bad really happened or mattered for long enough to impact the characters in a bad way. The part that got me the most was in the very beginning scene where the tribes try to steal the orb and it falls and breaks and Chief Benja gets shot by an arrow in the leg and tries his hardest to save Raya from the Druun as they come back and start devouring everyone turning them to stone. I heard a lot of people say that he didn't need to sacrifice himself and throw Raya into the river to save her if he just kept running; and that he probably could have hopped more on the other leg. If you think about it though he probably made it pretty far even though he had that injury and couldn't go on any further. I admit that this part got me a little emotional but for many people that knew it was a Disney movie and not Pixar figured that it didn't mean everyone would stay as stone. I however thought back to the beginning of the film and remember that even the dragons stayed as stone meaning it was possible that these people might never turn back to normal. The other part that got me was also a part I had a hard time with was when Namaari first sees Sisu and then her actions later after she tells her mother. I felt that Sisu should have told her something or vice-versa but I guess she stayed in shock. Also when she told her mother and the mother already knew I really felt like her Mother was the bad guy of the film but when Raya gives Namaari her pendant back and sets up a meeting with her, I really felt like I knew what would happen next. Namaari's mother, Virana would have a bunch of guards show up and it would be a setup and Namaari wouldn't have known about it and it would be a time for her character to redeem herself. Instead Namaari pulls out a crossbow when she sees Raya has all the pieces of the orb and while Sisu tries to talk her down Raya takes a chance to attack Namaari and Sisu gets struck with an arrow and falls into the river to die. I could totally see this happening but what I couldn't predict was that Namaari would blame it all on Raya and say it was all her fault and none of this would of happened if it wasn't for her. This was like the stupidest line in the movie and made no sense to me because Namaari was the one when she was a girl who backstabbed Raya and betrayed her as soon as she found out the location of the orb. So the scene where Raya is super pissed and trying to kill her was very gratifying to me because it made a lot of sense that Raya was mad and didn't care about anything but revenge in that part. Namaari tells her that she's lost everything already and doesn't care, and Raya decides to help her friends with her orb piece. As the pieces start losing power and they are becoming surrounded by the Druun, what doesn't make sense to me is how Raya chooses to put her faith in Namaari and let's herself become consumed by the Druun. Her friends decide to follow her example and do the same and eventually when Namaari is the only one she's able to put the pieces of the orb back together vanquishing the Druun and bringing everyone back to life including Sisu and all the dragons. I don't know to me it just seemed like Namaari was pretty irredeemable after all that she had done and didn't seem like it was a sure thing and this kind of bothered me. It seemed like the movie had a message about wanting to be able to trust people but showed more and more how sometimes you can't so had me pretty mixed about what the movie was really about. Anyways I think I went off a little too long for this review but it's because it was a fun watch for me. So like I said, I give this movie a 7/10 and say it's a really good movie.
https://youtu.be/3So_GFox4-A
-------------------------------------------------------
Spoiler Section Review:
I thought this movie was really good but it definitely had a lot of flaws. One of those wasn't the character designs or animation which were looked awesome. Also the voice actors were really good and Awkwafina's performance really surprised me but was understandably one of the better performance's and reminded me of such great comedians who have leant their voices for roles like Robin Williams as Genie in Aladdin and Eddie Murphy as Mushu in Mulan and Donkey in Shrek. I mentioned in the first part of the review that the opening story of the legend of how the dragons saved everyone was a really cool concept I thought worked well into introducing the different tribes and then the main characters. That opening scene of Raya breaking into the orb chamber and training with her father reminded me of a scene from another movie. Not sure if it was Pacific Rim: Uprising where John Boyega's character Jake is stealing something from one of the giant robots or a scene from Indiana Jones but it felt very familiar. Which brings me to another big thing that I didn't like about this movie, which is that most if not all the movie was pretty predictable for me. Which doesn't necessary make it a bad thing or a bad movie but takes some of the fun out of it. One of the things that I didn't predict was how after making friends with Namaari in the beginning of the movie that she would totally backstab Raya the way she did. That was such a gripping and tense moment where Chief Benja had to come to Raya's rescue as the Fang tribe moves in to steal the orb. I really liked the part where he can see in the reflection of his sword that Raya was ready to continue fighting alongside him against all the enemies even when the other tribes came to steal the orb for themselves as well. The character designs and animation were really awesome too. I liked Raya's costume and how she transitioned from what she wore as a child to the time skip as well as the different attire that the different tribes had. I liked how they all were quite different beside just their clothes too, like how Raya's tribe was the Heart and they wore green and blue but their home was the most full of life, with plants and water, the Fang looked more like a city but like a capital militaristic feel to it, with much being about law and order or rule. The spine was more in the colder region and had big people wearing multiple layer clothing for warmth and Tail which little is known about even though it was the first one we're shown because it has been wiped out by the Druun and it is supposed to be a mainly dried up desert region and have small pockets of villages. The last one, Talon was probably one of the most colorful ones and smart in how they dealt with the Druun as well. They built their houses on stilts right on the water and had a huge marketplace where it seemed like a festival or party was going on because there was so many people going on as if there wasn't any danger. Another thing I liked about the movie was how Raya didn't have to have powers and she didn't have to be the rescued princess but instead was a strong capable person on her own. I also liked how it seemed the more the movie went on, she kept adding people to her group/crew on her journey. Kind of like Magnificent Seven. One thing I didn't like was that it never really felt like their were enough stakes along the way. Characters kept making mistakes but nothing bad really happened or mattered for long enough to impact the characters in a bad way. The part that got me the most was in the very beginning scene where the tribes try to steal the orb and it falls and breaks and Chief Benja gets shot by an arrow in the leg and tries his hardest to save Raya from the Druun as they come back and start devouring everyone turning them to stone. I heard a lot of people say that he didn't need to sacrifice himself and throw Raya into the river to save her if he just kept running; and that he probably could have hopped more on the other leg. If you think about it though he probably made it pretty far even though he had that injury and couldn't go on any further. I admit that this part got me a little emotional but for many people that knew it was a Disney movie and not Pixar figured that it didn't mean everyone would stay as stone. I however thought back to the beginning of the film and remember that even the dragons stayed as stone meaning it was possible that these people might never turn back to normal. The other part that got me was also a part I had a hard time with was when Namaari first sees Sisu and then her actions later after she tells her mother. I felt that Sisu should have told her something or vice-versa but I guess she stayed in shock. Also when she told her mother and the mother already knew I really felt like her Mother was the bad guy of the film but when Raya gives Namaari her pendant back and sets up a meeting with her, I really felt like I knew what would happen next. Namaari's mother, Virana would have a bunch of guards show up and it would be a setup and Namaari wouldn't have known about it and it would be a time for her character to redeem herself. Instead Namaari pulls out a crossbow when she sees Raya has all the pieces of the orb and while Sisu tries to talk her down Raya takes a chance to attack Namaari and Sisu gets struck with an arrow and falls into the river to die. I could totally see this happening but what I couldn't predict was that Namaari would blame it all on Raya and say it was all her fault and none of this would of happened if it wasn't for her. This was like the stupidest line in the movie and made no sense to me because Namaari was the one when she was a girl who backstabbed Raya and betrayed her as soon as she found out the location of the orb. So the scene where Raya is super pissed and trying to kill her was very gratifying to me because it made a lot of sense that Raya was mad and didn't care about anything but revenge in that part. Namaari tells her that she's lost everything already and doesn't care, and Raya decides to help her friends with her orb piece. As the pieces start losing power and they are becoming surrounded by the Druun, what doesn't make sense to me is how Raya chooses to put her faith in Namaari and let's herself become consumed by the Druun. Her friends decide to follow her example and do the same and eventually when Namaari is the only one she's able to put the pieces of the orb back together vanquishing the Druun and bringing everyone back to life including Sisu and all the dragons. I don't know to me it just seemed like Namaari was pretty irredeemable after all that she had done and didn't seem like it was a sure thing and this kind of bothered me. It seemed like the movie had a message about wanting to be able to trust people but showed more and more how sometimes you can't so had me pretty mixed about what the movie was really about. Anyways I think I went off a little too long for this review but it's because it was a fun watch for me. So like I said, I give this movie a 7/10 and say it's a really good movie.
https://youtu.be/3So_GFox4-A
