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Lee (2222 KP) rated Welcome to Marwen (2018) in Movies
Jan 11, 2019
Steve Carell (1 more)
Leslie Mann
This year, I made a resolution to try not to let critic reviews heavily influence my decision to go see a movie or not. In the period between Christmas and New year, I'd booked to go see Holmes and Watson, but when the very bad reviews for it started coming it, I decided to cancel, opting to continue lazing on the sofa with food, drink and Netflix instead. That particular choice I don't regret, but I feel there have been many occasions over the last year where I've either hated a movie the critics loved, or loved a movie the critics were negative about. Time to try and change that.
I almost did miss out on seeing Welcome to Marwen though, due to the large number of mediocre reviews I read. In fact, it doesn't seem to have appealed to the general public enough to keep it in the cinemas for very long at all. Having only opened here in the UK on New year's Day, the screening I went to last night was actually the last screening being shown at that particular cinema, and I was one of only a handful of people there watching it. What prompted me earlier this week to give it a go though was after listening to director Robert Zemeckis talk passionately about it, along with his other movies. It was a gentle reminder that this guy is responsible for so many of my favourite movies, and I decided to give it a shot. While I'm glad I did, and overall I enjoyed it a lot, I can certainly appreciate where some of the criticism is coming from.
Welcome to Marwen is based on the true story of Mark Hogancamp, and the 2010 documentary on his life title 'Marwencol'. Mark (played in the movie by Steve Carell) suffered a severe beating at the hands of a bunch of thugs following an altercation in a bar regarding his lifestyle choice of being a cross dresser. After nine days in a coma, the beating understandably left him traumatised, but it also left him without any memory his life prior to the attack - once a talented war illustrator, he now can't even write his own name. But Mark remained an artist, building a miniature World War II Belgian town called Marwen outside his home and populating it with dolls. Using them he creates scenes and a story which he then photographs, helping him to express and deal with his lack of memory, the pain and trauma he now experiences, and the relationships with the people around him. Captain Hogie is a fighter pilot, an Action Man/GI Joe figure representing Mark. The residents of Marwen are all women, alter egos of various people who have helped him in the past or continue to help him. The toyshop worker who supplies him with the dolls, a friend he met during rehab, a co-worker, his carer and the woman who came to his aid following his beating. The town is also terrorised regularly by a bunch of Nazis, representing the men responsible for attacking him. And whenever the Nazis are beaten and killed, they are brought back to life by a Belgian witch! When a woman called Nicol (Leslie Mann) moves in across the street, she strikes up a wonderful friendship with Mark, earning her own doll in the town of Marwen where she strikes up a relationship with Captain Hogie. As the movie progresses, Mark has to deal with the pending sentencing of his attackers and the anxiety surrounding an upcoming exhibition showcasing his photographs. Marwen, and its inhabitants, help him to work through all of this.
The scenes and stories in Marwen that Mark is creating and imagining are brought to life in the movie using impressive motion capture CGI which, if you've seen the trailer or any clips of the movie, will know looks incredible. When you think about the animation Zemeckis and his team were producing for The Polar Express back in 2004, through Beowulf and Disney's The Christmas Carol to where we are now with this movie, it's simply amazing how far we've come. Perfect recreations of the movie characters in doll form, moving and interacting with the real surroundings and the CGI is just faultless. But for the earlier parts of the movie, this aspect of the movie for me was for a while the most frustrating and dull. The movie opens with a big scene as Captain Hogie crashes his plane, comes across a group of Nazis before being rescued by the girls of Marwen and we get a few more of these lengthy sequences early on, with only short glimpses of Mark and his life inbetween. I found myself become interested and engrossed in the life of Mark, wanting to learn more, only to be snapped out of it by a not so interesting scene involving some dolls. Thankfully, the length of those scenes reduces over time, and as you begin to empathise more with Mark and his life, you start to appreciate more the reasons why a certain scene is playing out the way it is. At that point, I began to really appreciate and enjoy them a lot more.
My only issue overall with this movie is that I wouldn't really know the age range to pitch it at, and that's possibly why it doesn't appear to have done so well with audiences. You've got the fun elements involving the dolls and the CGI, but then some of these scenes do involve a fair bit of violence which actually appears quite realistic at times. Then you've got the trauma and the flashbacks involving the beating - the movie doesn't go as dark as it could, or maybe should have done with that subject matter, but I certainly wouldn't say this is a fun movie for all the family to enjoy. Which is a shame really because I did enjoy this a lot. Steve Carell does an outstanding job, and Leslie Mann is just wonderful as always. It's opened my eyes to some of the consequences of brain injury and made me want to learn more about Mark Hogancamp, which parts of the movie are true and which parts were added for entertainment. I'll be sure to try and watch the documentary at some point.
I almost did miss out on seeing Welcome to Marwen though, due to the large number of mediocre reviews I read. In fact, it doesn't seem to have appealed to the general public enough to keep it in the cinemas for very long at all. Having only opened here in the UK on New year's Day, the screening I went to last night was actually the last screening being shown at that particular cinema, and I was one of only a handful of people there watching it. What prompted me earlier this week to give it a go though was after listening to director Robert Zemeckis talk passionately about it, along with his other movies. It was a gentle reminder that this guy is responsible for so many of my favourite movies, and I decided to give it a shot. While I'm glad I did, and overall I enjoyed it a lot, I can certainly appreciate where some of the criticism is coming from.
Welcome to Marwen is based on the true story of Mark Hogancamp, and the 2010 documentary on his life title 'Marwencol'. Mark (played in the movie by Steve Carell) suffered a severe beating at the hands of a bunch of thugs following an altercation in a bar regarding his lifestyle choice of being a cross dresser. After nine days in a coma, the beating understandably left him traumatised, but it also left him without any memory his life prior to the attack - once a talented war illustrator, he now can't even write his own name. But Mark remained an artist, building a miniature World War II Belgian town called Marwen outside his home and populating it with dolls. Using them he creates scenes and a story which he then photographs, helping him to express and deal with his lack of memory, the pain and trauma he now experiences, and the relationships with the people around him. Captain Hogie is a fighter pilot, an Action Man/GI Joe figure representing Mark. The residents of Marwen are all women, alter egos of various people who have helped him in the past or continue to help him. The toyshop worker who supplies him with the dolls, a friend he met during rehab, a co-worker, his carer and the woman who came to his aid following his beating. The town is also terrorised regularly by a bunch of Nazis, representing the men responsible for attacking him. And whenever the Nazis are beaten and killed, they are brought back to life by a Belgian witch! When a woman called Nicol (Leslie Mann) moves in across the street, she strikes up a wonderful friendship with Mark, earning her own doll in the town of Marwen where she strikes up a relationship with Captain Hogie. As the movie progresses, Mark has to deal with the pending sentencing of his attackers and the anxiety surrounding an upcoming exhibition showcasing his photographs. Marwen, and its inhabitants, help him to work through all of this.
The scenes and stories in Marwen that Mark is creating and imagining are brought to life in the movie using impressive motion capture CGI which, if you've seen the trailer or any clips of the movie, will know looks incredible. When you think about the animation Zemeckis and his team were producing for The Polar Express back in 2004, through Beowulf and Disney's The Christmas Carol to where we are now with this movie, it's simply amazing how far we've come. Perfect recreations of the movie characters in doll form, moving and interacting with the real surroundings and the CGI is just faultless. But for the earlier parts of the movie, this aspect of the movie for me was for a while the most frustrating and dull. The movie opens with a big scene as Captain Hogie crashes his plane, comes across a group of Nazis before being rescued by the girls of Marwen and we get a few more of these lengthy sequences early on, with only short glimpses of Mark and his life inbetween. I found myself become interested and engrossed in the life of Mark, wanting to learn more, only to be snapped out of it by a not so interesting scene involving some dolls. Thankfully, the length of those scenes reduces over time, and as you begin to empathise more with Mark and his life, you start to appreciate more the reasons why a certain scene is playing out the way it is. At that point, I began to really appreciate and enjoy them a lot more.
My only issue overall with this movie is that I wouldn't really know the age range to pitch it at, and that's possibly why it doesn't appear to have done so well with audiences. You've got the fun elements involving the dolls and the CGI, but then some of these scenes do involve a fair bit of violence which actually appears quite realistic at times. Then you've got the trauma and the flashbacks involving the beating - the movie doesn't go as dark as it could, or maybe should have done with that subject matter, but I certainly wouldn't say this is a fun movie for all the family to enjoy. Which is a shame really because I did enjoy this a lot. Steve Carell does an outstanding job, and Leslie Mann is just wonderful as always. It's opened my eyes to some of the consequences of brain injury and made me want to learn more about Mark Hogancamp, which parts of the movie are true and which parts were added for entertainment. I'll be sure to try and watch the documentary at some point.
Whatchareadin (174 KP) rated Reflected in You (Crossfire, #2) in Books
May 10, 2018
The story of Eva and Gideon continues. Now, this book didn't make me think of 50 Shades at all, thank goodness. Eva and Gideon are now going to therapy together and trying to work on their issues and the crazy relationship that they have.
Gideon is trying to understand why it is so hard for Eva to trust him and Eva just wants Gideon to let her in.
In this book, their relationship is such a roller coaster ride, I got motion sickness. So many things happen in this book, that just astounded me.
<spoiler>Eva meets up with an old flame, who still has a little sizzle left, he actually wrote a song about her. Cary, the roommate is attacked, but why, no one knows. Nathan, the evil step-brother that molested and raped her as a child is found dead, and Eva didn't even know he was keeping tabs on her. Gideon stops communicating with her after an amazing weekend away. Her parents come face to face with each other for the first time in years. Gideon finally tells Eva, what she wants to hear, in more ways than one.</spoiler>
I'm interested to know what is going to happen next for these too.
One great thing about this book compared to Bared To You, she doesn't use the C-word nearly as much!!!
Gideon is trying to understand why it is so hard for Eva to trust him and Eva just wants Gideon to let her in.
In this book, their relationship is such a roller coaster ride, I got motion sickness. So many things happen in this book, that just astounded me.
<spoiler>Eva meets up with an old flame, who still has a little sizzle left, he actually wrote a song about her. Cary, the roommate is attacked, but why, no one knows. Nathan, the evil step-brother that molested and raped her as a child is found dead, and Eva didn't even know he was keeping tabs on her. Gideon stops communicating with her after an amazing weekend away. Her parents come face to face with each other for the first time in years. Gideon finally tells Eva, what she wants to hear, in more ways than one.</spoiler>
I'm interested to know what is going to happen next for these too.
One great thing about this book compared to Bared To You, she doesn't use the C-word nearly as much!!!
JT (287 KP) rated Crawl (2019) in Movies
Mar 10, 2020
I was pleasantly surprised by Crawl. For one, it’s a monster movie. Two, it has a decent plot with characters you care about seeing survive. And three, it’s very well shot with some great CGI. The film opens with Haley (Kaya Scodelario) psyching herself up to compete in the pool, proof that her ability to swim and swim fast will not be found wanting later on.
When her sister calls to tell her that she has not heard from their father (Barry Pepper), Hayley heads towards a brewing category five Hurricane to see if all is OK – which it’s not.
Turns out that daddy has had a run-in with a couple of hungry alligators and only the confines of the underground basement has prevented him from becoming a quick snack. With floodwaters rising by the minute Hayley the ‘apex predator’ has to get her game face on to fend off another impending attack.
Sharks have always been at the forefront of water-based terror so it’s nice to see the alligator making a return. There is some neat jump scares coupled with good amounts of gore, but it rarely raises the tension levels any more than that.
Acting-wise Scodelario and Pepper do an alright job and there is an inkling of a back story to shed light on their slightly troubled relationship and competitive edge.
When her sister calls to tell her that she has not heard from their father (Barry Pepper), Hayley heads towards a brewing category five Hurricane to see if all is OK – which it’s not.
Turns out that daddy has had a run-in with a couple of hungry alligators and only the confines of the underground basement has prevented him from becoming a quick snack. With floodwaters rising by the minute Hayley the ‘apex predator’ has to get her game face on to fend off another impending attack.
Sharks have always been at the forefront of water-based terror so it’s nice to see the alligator making a return. There is some neat jump scares coupled with good amounts of gore, but it rarely raises the tension levels any more than that.
Acting-wise Scodelario and Pepper do an alright job and there is an inkling of a back story to shed light on their slightly troubled relationship and competitive edge.
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LoganCrews (2861 KP) rated Tigers are Not Afraid (2017) in Movies
Oct 5, 2020 (Updated Oct 5, 2020)
I initially found this to be uncommonly touching but no sooner does it fall into the draining rhythm of the rest of these sad realism/fantasy metaphor films. Still cloying as can be but a reasonable amount of mostly unaffected emotional scenes do make it out of the wreckage with this one, and after all it's still vastly better than 𝘉𝘦𝘢𝘴𝘵𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘚𝘰𝘶𝘵𝘩𝘦𝘳𝘯 𝘞𝘪𝘭𝘥 and 𝘗𝘢𝘯'𝘴 𝘓𝘢𝘣𝘺𝘳𝘪𝘯𝘵𝘩 combined because it's visually divine without being cut down to scraps via obnoxious handheld gimmick (which this still has but it's much more restrained, sort of works here, and is actually visible for once) or an eyesore color palette that resembles somebody smearing mud all over the lens like either of those two. As is usual for the genre there isn't near enough depth or fantasy parts for this to be fully successful, but the child performers are all marvelous and the horror/fantasy that is here is quite masterful - the effects and art design are just awesome. If this was interested in being its own deal rather than ripping off practically every single trope you can find in these types of movies then we'd really be in business. But as it stands, it's still far above the pack in comparison to the rest of them - as if that's even a high bar to begin with.
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