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Ross (3284 KP) rated Bohemian Rhapsody (2018) in Movies
Mar 18, 2019
Missed the mark by some way
Given the length of the film, there was a real chance to tell the compelling story of one of the biggest rock bands in history.
However, so much of the band's story is missed out in favour of portraying Mercury as a troubled man. The opening 10 minutes of the film basically covers the band's formation, first gigs and name change and within 15 minutes they are pretty much world famous. For me, this would have been the most interesting aspect of their fame. Instead it all just happens in some very short, throwaway scenes where the editing is so abrupt as to make you queasy.
There then follows an over-indulgent, though enjoyable, section showing how the recording of Bohemian Rhapsody came about. Very little about where the inspiration came from, just how it was recorded. Again, this felt like a missed mark.
There were some amusing scenes - arguing over the artistic merit of songs like "I'm in love with my car" for example, and Mike Myers' character saying he couldn't see a group of teenagers listening to Bo-Rap in their car (Wayne's World reference).
The film then spirals into misery, with Freddie's coming out, isolation from friends and family, the band's split and his solo career (with none of the highs of that material, just that it was hard work and the band hated it). His eventual realisation that he'd been lead astray by a negative influence and came back was pretty badly handled.
The culmination of the film, the Band Aid scenes, was excellent and thoroughly enjoyable.
I think the film was trying to show Freddie as being a troubled genius. Instead I found it to show him as being an irritating gullible drama queen.
Malek's portrayal of Freddie was mostly fine, but not Oscar-worthy.
All in all, a boring over-dramatized telling of the worst parts of Mercury's life, and by no means a celebration of his career and talent.
However, so much of the band's story is missed out in favour of portraying Mercury as a troubled man. The opening 10 minutes of the film basically covers the band's formation, first gigs and name change and within 15 minutes they are pretty much world famous. For me, this would have been the most interesting aspect of their fame. Instead it all just happens in some very short, throwaway scenes where the editing is so abrupt as to make you queasy.
There then follows an over-indulgent, though enjoyable, section showing how the recording of Bohemian Rhapsody came about. Very little about where the inspiration came from, just how it was recorded. Again, this felt like a missed mark.
There were some amusing scenes - arguing over the artistic merit of songs like "I'm in love with my car" for example, and Mike Myers' character saying he couldn't see a group of teenagers listening to Bo-Rap in their car (Wayne's World reference).
The film then spirals into misery, with Freddie's coming out, isolation from friends and family, the band's split and his solo career (with none of the highs of that material, just that it was hard work and the band hated it). His eventual realisation that he'd been lead astray by a negative influence and came back was pretty badly handled.
The culmination of the film, the Band Aid scenes, was excellent and thoroughly enjoyable.
I think the film was trying to show Freddie as being a troubled genius. Instead I found it to show him as being an irritating gullible drama queen.
Malek's portrayal of Freddie was mostly fine, but not Oscar-worthy.
All in all, a boring over-dramatized telling of the worst parts of Mercury's life, and by no means a celebration of his career and talent.
EmersonRose (320 KP) rated Running Plain Sight & Other Stories in Books
Nov 20, 2019
Running in Plain Sight is a collection of short stories by author Charles Butts. The book is named after the first story in the collection. The first story tells the life story of Leander Sills JR. When he was ten years old tragedy struck, and he was forced to go on the run. The story gives glimpses into the rest of his life as he deals with hardship, kindness, and forgiveness. These are themes that are carried over into the other three stories: If All Minds Are Clear, Home Follows, and A Balanced Imbalance. Each is centered on the life of a man who is struggling with his own mistakes or the mistakes of others but grows and finds peace in life. Beginning with Running in Pain Sight was an excellent choice for the first story in the collection because not only does it do a wonderful job of setting the themes in the collection, but that story, in particular, has an incredibly strong and powerful hook from the very beginning.
What I found most captivating about each of these stories were the characters. Both the main characters and the characters around them are flawed people, otherwise known as real people. No one is perfect in these stories, but that makes them easier to be sympatric to. What makes them strong characters is that they take responsibility for their actions. Even though the short stories really only give us glimpses into the lives of the characters that live within them, their flaws and character growth make them deeply developed characters.
Charles R. Butts Jr. published this collection in 2017 and published his first book, For Only A Season in 2016. These stories are quick reads but beautiful and powerful stories. Butts’s writing style is easy and often conversational as you are in the heads of the main characters. However, the simplicity makes the voices stronger, and the meaning of the stories shine through. I greatly enjoyed reading these stories and would highly recommend them.
What I found most captivating about each of these stories were the characters. Both the main characters and the characters around them are flawed people, otherwise known as real people. No one is perfect in these stories, but that makes them easier to be sympatric to. What makes them strong characters is that they take responsibility for their actions. Even though the short stories really only give us glimpses into the lives of the characters that live within them, their flaws and character growth make them deeply developed characters.
Charles R. Butts Jr. published this collection in 2017 and published his first book, For Only A Season in 2016. These stories are quick reads but beautiful and powerful stories. Butts’s writing style is easy and often conversational as you are in the heads of the main characters. However, the simplicity makes the voices stronger, and the meaning of the stories shine through. I greatly enjoyed reading these stories and would highly recommend them.
DC
Dear Cancer, Love Victoria: A Mum's Diary of Hope
Book
'I can't bear not to be with these three most important people in my life. I can't bear not to be...
Kristy H (1252 KP) rated The Wife Who Knew Too Much in Books
Sep 17, 2020
Wild thriller that keeps you on your toes!
Tabby Girard hasn't seen Connor Ford for thirteen years, since he broke her heart as a teen. Back then he was the handsome rich kid whom she fell in love with while working at his country club. But she wasn't good enough for the Ford family, especially Connor's grandmother. Tabby quickly learns Connor is richer than ever now. He's married to Nina Levitt, a wealthy and famous woman twenty years his senior. He married for money, not love, he tells Tabby, and he's miserable. He portrays Nina as a controlling and jealous wife. But if he cheats on Nina and leaves her, their prenup dictates that Connor receives nothing. Then Nina is found dead in the pool at Windswept, her Southampton mansion, where she had just thrown her annual fourth of July party. It seems like Tabby and Connor can finally be together. But Tabby quickly grows suspicious. Was Nina's death really a suicide? And if not, does that mean she's in love with a murderer?
"I'm writing this to raise an alarm in the event of my untimely death. This is hard to admit, even to myself, let alone to the world. My husband is planning to kill me. For obvious reasons. He's in love with someone else. And he wants my money."
It's funny, the writing in this book felt simple and stilted at times. However, I cannot deny that this is a thrilling read. It's fast-paced, and I flew through the pages. Campbell kept me guessing--something that isn't always easy to do--and offered some excellent twists. Kudos to her there. Alternating perspectives between Connor and Tabby works well, as does throwing in some flashbacks from Nina. It all adds up to a very suspenseful, slightly crazy, and quite enjoyable thriller.
Best written book? No. Wild and crazy ride with lots of surprises? Yes. (And also, make better life choices, Tabby.) 3.75 stars.
"I'm writing this to raise an alarm in the event of my untimely death. This is hard to admit, even to myself, let alone to the world. My husband is planning to kill me. For obvious reasons. He's in love with someone else. And he wants my money."
It's funny, the writing in this book felt simple and stilted at times. However, I cannot deny that this is a thrilling read. It's fast-paced, and I flew through the pages. Campbell kept me guessing--something that isn't always easy to do--and offered some excellent twists. Kudos to her there. Alternating perspectives between Connor and Tabby works well, as does throwing in some flashbacks from Nina. It all adds up to a very suspenseful, slightly crazy, and quite enjoyable thriller.
Best written book? No. Wild and crazy ride with lots of surprises? Yes. (And also, make better life choices, Tabby.) 3.75 stars.
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LeftSideCut (3776 KP) rated Scream (2022) in Movies
Jan 16, 2022
Creepy telephone calls, a will-they-won't-they romance between Gale Weathers and Deputy Dewey, a killer that falls over a lot, on-the-nose meta dialogue, and copious amounts of stabbing and blood, can only mean one thing - Scream is back and dammit, it feels good.
The key to the quality of the franchises 5th entry is balance. For a start, it tickles that nostalgia button just the right amount. It's certainly a chronological sequel to all of the 4 movies that came before, but it mainly serves as a love letter to the first. Saying too much could be considered as spoilers, so all I'll say is, the obvious call backs to the original don't feel forced, and make sense in a narrative manner. It doesn't feel like a cash grab. It feels like a film made by fans, for the fans.
Another noticeable balance is found in the characters. With a new Ghostface comes a new set of doomed teenagers. They're just about tolerable enough, but are well written, and aren't over reliant on the legacy characters to get by. Seeing Sidney Prescott, Gale, and Dewey all back together again is, of course, a delight, like a warm embrace from an old friend, but they're utilised in a precise manner. They don't stifle the new cast but their presence is unmistakably notable throughout.
The horror is well realised. Scream is a whole bag of fun, but is also suitably tense. The violence on display is quite brutal and unflinching. Ghostface once again feels menacing and threatening, and the mystery of their identity ticks along until the final moments. Like all of these movies, the reveal is a "I knew it!" moment before realising that you could have said that about anyone. Everybody is a suspect after all.
Radio Silence have done a cracking job of bringing a beloved horror series back to the big screen. I've seen plenty of people saying that Wes Craven would be proud, and I completely agree. Long live Scream.
The key to the quality of the franchises 5th entry is balance. For a start, it tickles that nostalgia button just the right amount. It's certainly a chronological sequel to all of the 4 movies that came before, but it mainly serves as a love letter to the first. Saying too much could be considered as spoilers, so all I'll say is, the obvious call backs to the original don't feel forced, and make sense in a narrative manner. It doesn't feel like a cash grab. It feels like a film made by fans, for the fans.
Another noticeable balance is found in the characters. With a new Ghostface comes a new set of doomed teenagers. They're just about tolerable enough, but are well written, and aren't over reliant on the legacy characters to get by. Seeing Sidney Prescott, Gale, and Dewey all back together again is, of course, a delight, like a warm embrace from an old friend, but they're utilised in a precise manner. They don't stifle the new cast but their presence is unmistakably notable throughout.
The horror is well realised. Scream is a whole bag of fun, but is also suitably tense. The violence on display is quite brutal and unflinching. Ghostface once again feels menacing and threatening, and the mystery of their identity ticks along until the final moments. Like all of these movies, the reveal is a "I knew it!" moment before realising that you could have said that about anyone. Everybody is a suspect after all.
Radio Silence have done a cracking job of bringing a beloved horror series back to the big screen. I've seen plenty of people saying that Wes Craven would be proud, and I completely agree. Long live Scream.
Gareth von Kallenbach (980 KP) rated Kubo and the Two Strings (2016) in Movies
Jul 15, 2019
If you must blink, do it now” or you might miss any number of details the
beautifully animated film, Kubo and the Two Strings, has to offer. Our
culturally rich journey begins with Kubo (Art Parkinson) and his mother
fleeing from his evil grandfather, the Moon King (Ralph Fiennes), after he
leaves Kubo with only one eye. Soon they settle in a cave where Kubo builds
a community around himself in a nearby Japanese village by using his
talents as a storyteller to charm the town’s people. With his stack of
origami papers and his shamisen that brings them to life he weaves tales of
Hanzo the Samurai. Soon though the danger his mother has tried so valiantly
to hide him from finds him and the real magic begins.
After he inadvertently summons an evil spirit from the past, Kubo is lead
on a quest by a monkey (Charlize Theron) to the far lands to recover three
pieces of a magical suit of armor. On their journey they find companionship
with a giant beetle (Matthew McConaughey) that they learn once belonged to
Kubo’s father’s army. The three are plagued by appearances from his aunts
(Rooney Mara) who try their best to keep Kubo from fulfilling his quest. In
the end Kubo is faced with having to choose immortality or to stay human
which we learn has a kind of magic all in its own.
Though I found parts of the film a bit dark for younger viewers it seems it
is a theme of the animated film studio Laika (Coraline, ParaNorman). There
was some comic relief through the banter of Charlize Theron (monkey) and
Mathew McConaughey (beetle) but the movie always circled backed to a more
serious tone. I also felt it could have done a better job of giving us a
back story about how Kubo comes to posses his magical items (origami papers
and his shamisen) and it glossed over some important details, like why his
mother is so fragile after they reach the cave, which we are left to assume
for ourselves. Kubo does however emphasize the power of our memories and
how important stories become in telling what one holds in his or her heart.
Kubo is thoughtful and weaves a story of how family shapes us but how in
the end we must forge our own path.
beautifully animated film, Kubo and the Two Strings, has to offer. Our
culturally rich journey begins with Kubo (Art Parkinson) and his mother
fleeing from his evil grandfather, the Moon King (Ralph Fiennes), after he
leaves Kubo with only one eye. Soon they settle in a cave where Kubo builds
a community around himself in a nearby Japanese village by using his
talents as a storyteller to charm the town’s people. With his stack of
origami papers and his shamisen that brings them to life he weaves tales of
Hanzo the Samurai. Soon though the danger his mother has tried so valiantly
to hide him from finds him and the real magic begins.
After he inadvertently summons an evil spirit from the past, Kubo is lead
on a quest by a monkey (Charlize Theron) to the far lands to recover three
pieces of a magical suit of armor. On their journey they find companionship
with a giant beetle (Matthew McConaughey) that they learn once belonged to
Kubo’s father’s army. The three are plagued by appearances from his aunts
(Rooney Mara) who try their best to keep Kubo from fulfilling his quest. In
the end Kubo is faced with having to choose immortality or to stay human
which we learn has a kind of magic all in its own.
Though I found parts of the film a bit dark for younger viewers it seems it
is a theme of the animated film studio Laika (Coraline, ParaNorman). There
was some comic relief through the banter of Charlize Theron (monkey) and
Mathew McConaughey (beetle) but the movie always circled backed to a more
serious tone. I also felt it could have done a better job of giving us a
back story about how Kubo comes to posses his magical items (origami papers
and his shamisen) and it glossed over some important details, like why his
mother is so fragile after they reach the cave, which we are left to assume
for ourselves. Kubo does however emphasize the power of our memories and
how important stories become in telling what one holds in his or her heart.
Kubo is thoughtful and weaves a story of how family shapes us but how in
the end we must forge our own path.
Jesters_folly (230 KP) rated Kiss Me First in TV
Aug 1, 2019
Kiss me first is six part T.V. series form 2018 that is (loosely) based on a book of the same title by Lottie Moggach. Set in the near future the series follows Leila, a young woman living alone in the house she shared with her mother, who had recently died. Leila spends most of her time in the Virtual Reality world of Azana where she goes by the name Shadowfax. Whilst in Azana, Shadowfax meets another play known as Mania who introduces her to a group known as ‘Red Pill’. As Shadowfax begins to spend more time with red pill she starts to realise that events in the game are being mirrored in real life.
As we are introduced to the characters the first couple of episodes’ flip between the real world and the VR world of Azana but, as the series progresses the VR gives way to the real world, pulling you into the madness of the characters and making the games being played even more sinister.
Kiss me first is not a light hearted series and through the red pill members it tackles subjects like depression, suicide & euthanasia as well as the core theme of manipulation which also makes it quite a slow burn.
I said that Kiss Me First was based on a book of the same title and, after watching the series I went off and read the book and found it to be quite different but also the same, let me explain. The book has the main core characters but Red Pill is a chat room and there is no VR or other version of Azana. Shadowfax/Leila only meets/speaks to two of the group (Mania and Adrian) and one of those are dead for most of the novel. Most of the same subjects are still covered in the book but the book seems to have a bigger focus on suicide whereas the T.V. series spends more time on depression. The book also seems to be a search for purpose and the series a search for belonging and friendship and the changes made in the series seem to make the Leila/ Jonty relationship a bit forced and almost irrelevant. If you enjoyed the book the series is worth a shot but expect a lot of changes and a bit more of a techie element.
As we are introduced to the characters the first couple of episodes’ flip between the real world and the VR world of Azana but, as the series progresses the VR gives way to the real world, pulling you into the madness of the characters and making the games being played even more sinister.
Kiss me first is not a light hearted series and through the red pill members it tackles subjects like depression, suicide & euthanasia as well as the core theme of manipulation which also makes it quite a slow burn.
I said that Kiss Me First was based on a book of the same title and, after watching the series I went off and read the book and found it to be quite different but also the same, let me explain. The book has the main core characters but Red Pill is a chat room and there is no VR or other version of Azana. Shadowfax/Leila only meets/speaks to two of the group (Mania and Adrian) and one of those are dead for most of the novel. Most of the same subjects are still covered in the book but the book seems to have a bigger focus on suicide whereas the T.V. series spends more time on depression. The book also seems to be a search for purpose and the series a search for belonging and friendship and the changes made in the series seem to make the Leila/ Jonty relationship a bit forced and almost irrelevant. If you enjoyed the book the series is worth a shot but expect a lot of changes and a bit more of a techie element.
Two-Way Mirror: A Poetry Notebook
Book
The poem is perhaps the highest verbal form of communication. It illuminates and it conceals. It is...
Lyndsey Gollogly (2893 KP) rated Forsaken (Shadow Cove Saga #1) in Books
Sep 22, 2019
Book One of the Shadow Cove Saga
Inspired by Actual Events
Excerpt from the Journal of Clayton Stone - 1692
She was examined today without torture at Shadow Cove township on the charge of witchcraft. She said she was wholly innocent of the crime and has never in life renounced God. I watched as they brought her out. A poor, sickly thing, worn by her time behind the walls of her prison. Her bared feet and hands bound in leather, her clothing tattered to that of ruin. Despite such condition, her head was held high, her eyes meeting those of her accusers. Upon being stripped and examined, on her right side is found a bluish mark, much like a clover leaf; it was thrice pricked therein but she felt no pain and no blood flowed from the wound. She still refuses to provide her name so we remain unable to search baptismal records, nor has her family stepped forward to claim her as their own. We have no reason to believe she is anything but an orphaned child. I find myself unable to look at her directly in the moments preceding her trial. She is watching me though; with eyes of the deepest blue, she is watching me.
Thad McAlister, Rise of the Witch
When horror author Thad McAlister began his latest novel, a tale rooted in the witch trials of centuries past, the words flowed effortlessly. The story poured forth, filling page after page with the most frightening character ever to crawl from his imagination. It was his greatest work, one that would guarantee him a position among the legends of the craft.
But was it really fiction?
He inadvertently opened a door, one that would soon jeopardize the lives of his family.
She wants to come back.
At home, his wife struggles to keep their family alive. Secretly wondering if she caused it all...a deal she made long ago. A deal with the Forsaken.
<strong>Strange but gripping</strong>
Ok so it was so good. The right amount of spooky and scarlet that made you keep turning the pages. The little pixie creatures reminded me of something Del Toro has used in his films. Highly recommend.
Not much more to really say it's one of those books you just need to read!
Inspired by Actual Events
Excerpt from the Journal of Clayton Stone - 1692
She was examined today without torture at Shadow Cove township on the charge of witchcraft. She said she was wholly innocent of the crime and has never in life renounced God. I watched as they brought her out. A poor, sickly thing, worn by her time behind the walls of her prison. Her bared feet and hands bound in leather, her clothing tattered to that of ruin. Despite such condition, her head was held high, her eyes meeting those of her accusers. Upon being stripped and examined, on her right side is found a bluish mark, much like a clover leaf; it was thrice pricked therein but she felt no pain and no blood flowed from the wound. She still refuses to provide her name so we remain unable to search baptismal records, nor has her family stepped forward to claim her as their own. We have no reason to believe she is anything but an orphaned child. I find myself unable to look at her directly in the moments preceding her trial. She is watching me though; with eyes of the deepest blue, she is watching me.
Thad McAlister, Rise of the Witch
When horror author Thad McAlister began his latest novel, a tale rooted in the witch trials of centuries past, the words flowed effortlessly. The story poured forth, filling page after page with the most frightening character ever to crawl from his imagination. It was his greatest work, one that would guarantee him a position among the legends of the craft.
But was it really fiction?
He inadvertently opened a door, one that would soon jeopardize the lives of his family.
She wants to come back.
At home, his wife struggles to keep their family alive. Secretly wondering if she caused it all...a deal she made long ago. A deal with the Forsaken.
<strong>Strange but gripping</strong>
Ok so it was so good. The right amount of spooky and scarlet that made you keep turning the pages. The little pixie creatures reminded me of something Del Toro has used in his films. Highly recommend.
Not much more to really say it's one of those books you just need to read!