"I grew up in kind of a rough neighborhood and there was kind of this whole gangster thing, too. I think that’s the opening line: “As far back as I can remember I always wanted to be a gangster.” And I think there was a part of me that felt the same way. I just loved Robert De Niro’s work, all those guys really. Man, the acting, and everything about that movie — almost flawless film. And I’ve loved all of Scorsese’s films. Just his working relationship with Robert De Niro, from Mean Streets on; there are so many movies that I love with the two of them. I feel like everything kind of comes together in Goodfellas in some way. Goodfellas has kind of got it all. That was probably one of my favorite films as a kid, so I carried a picture of Goodfellas in my wallet. With De Niro and Pesci and Liotta, it was like, you know, the trinity [laughing]. I mean, really, Goodfellas was kind of like my Star Wars [laughing]. Really just the pacing of that film, everything, just how realistic. And at times it’s just jarring how violent it is. And hilarious too. It’s f—ing hilarious. I mean, I know it’s not funny that you would wrap a telephone cord around a guy’s neck. That’s not funny at all! The whole situation is terrible! But I think on some level, really, you kind of care for these guys and I think that’s what Scorsese is able to do in his films, is make these guys so human that we are able to somehow relate to them and, on some level, even kind of root for them, even though some of the stuff they do is just really despicable. I mean, the stuff that Joe Pesci does is just awful and I don’t think you really necessarily root for him; he’s kind of a hot head. The thing is, obviously, I know these things are bad. I do know how life can go one way or another, and that it’s not all just black and white, and there are many different situations and twists and turns in life. I feel these things sometimes and say, “Oh wow, I knew a guy like that. And I knew a guy like that.” And so I am very into gangster movies just because I feel, in some ways, I don’t think I have the heart for it, honestly. I’d have a nervous breakdown as a gangster. I’d be a very nervous gangster. I’d be the gangster that pops a lot of Klonopin."

"And then after that I got into Good Old Boys, which is a more refined thing, and at first I was like, no, I like Sail Away better, but Good Old Boys: he'll be singing like a love song, like a song like 'Marie', best love song ever, but then if you listen close, he's like, ""I love you the first time I saw you, and I will always love you Marie"". And then you realise, y'know, ""I don't listen to a word you say, when you're in trouble I just turn away"". You realise it's a love song from an asshole, a Southern asshole basically! There's another song on there, called 'Guilty', and that killed me. You've got to listen to the lyrics on that song. He starts out: ""Yes, baby, I been drinking, and I shouldn't come by I know, but I found myself in trouble, and I had nowhere else to go"", but then the production's amazing, it just kicks in with the drums and he's like: ""Got some whisky from the barman, got some cocaine from a friend"", and then it builds up and builds up, he's talking to his girlfriend. He's obviously a shit and he's shown up drunk at her doorway, and the punchline at the end is: ""You know I just can't stand myself and it takes a whole lot of medicine for me to pretend that I'm somebody else."" It's incredible! He always mocked the singer-songwriter thing, even though he was inspired by it. I say that in his moments like 'Guilty' and 'Marie', he says it better than Bob Dylan or anybody, or even Neil Young; obviously they're still talented at being real, they're both clever, they can put you on psychedelically any time they want and say [their lyrics] mean something or not and give a very cool response - not too cool, they can just answer any way they want, just be immortal. But Randy Newman has the concise moment that hits you in the gut; sometimes, I think, he's nailed it better than Bob Dylan. I totally think it's important to have humour in records. That's my personality anyway, but that's the best thing you can do, really. Because I was sometimes sad or melancholy, but I think the people that just ran that home, like in the grunge era, fucking like Smashing Pumpkins - I liked them when I was a kid - or even Eddie Vedder - no offence on them really, but at the same time they're victims of thinking there was this movement, like in the '70s, that there was this utopian dream that they'd change the world, like Crosby or something. But it's too one-sided after a while. Like fucking darkness in grunge - I don't know, no relief whatsoever? It's bullshit, it's too one-sided, it's not the way life is: life isn't that fucked, but it is. I just think that people, when they get too dramatic, it comes off like a bummer."