"Terry Gilliam is a living treasure, and we are squandering him foolishly with every film of his that remains unmade. Proof that our world is the poorer for this can be found in two of his masterpieces. Gilliam is a fabulist pregnant with images—exploding with them, actually—and fierce, untamed imagination. He understands that “bad taste” is the ultimate declaration of independence from the discreet charm of the bourgeoisie. He jumps with no safety net and drags us with him into a world made coherent only by his undying faith in the tale he is telling. Brazil remains one of the most important films of my life, and Time Bandits is a Roald Dahl–ian landmark to all fantasy films. Seeing Time Bandits with my youngest daughter just two weeks ago, I was delighted when she laughed and rejoiced at the moment when Kevin’s parents explode into a cloud of smoke."

"Terry Gilliam is a living treasure, and we are squandering him foolishly with every film of his that remains unmade. Proof that our world is the poorer for this can be found in two of his masterpieces. Gilliam is a fabulist pregnant with images—exploding with them, actually—and fierce, untamed imagination. He understands that “bad taste” is the ultimate declaration of independence from the discreet charm of the bourgeoisie. He jumps with no safety net and drags us with him into a world made coherent only by his undying faith in the tale he is telling. Brazil remains one of the most important films of my life, and Time Bandits is a Roald Dahl–ian landmark to all fantasy films. Seeing Time Bandits with my youngest daughter just two weeks ago, I was delighted when she laughed and rejoiced at the moment when Kevin’s parents explode into a cloud of smoke."

"This book was given to me by friend and colleague Ben Vickers, and although it was considered by Jung to be his most important work, very few people had seen it before it was reproduced as a facsimile edition in 2009. During the first world war, Carl Jung embarked on an extended self-exploration which he referred to as his “confrontation with the unconscious,” culminating in this extraordinary illuminated volume created between 1914 and 1930. Best described as an early example of bio-hacking the mind, he developed profound journeying techniques that took him to the essence of his inner cognitive processes, which he called active imagination. The Red Book charts these visionary moments in Jung's life with great illumination in a mode akin to the medieval manuscripts of the saints and William Blake's The Marriage of Heaven and Hell. Its true significance has yet to be understood in the 21st century."

"Every single song on here is incredible and all their imagery really captured my imagination. I just loved that everything was black: they were in black leathers, the album cover was black and it was just so stylistically arresting for me. 

 I just loved how it sounded really smart too. He sounded to me both dangerous and educated, a [combination] I found really intriguing. I didn't always understand what the lyrics were about, but I got the sort of gist. I was a young teenage girl in Scotland and I'd grown up in a very conventional family and this just felt dangerous and exciting to me. It was the sort of life that I wanted to pursue – whatever is on that record, the sound of that record, that's what I wanted to pursue in my life. I wanted smart boys [laughs] dressed in black leather sounding dangerous. That's what I wanted, and that's what I went after [laughs]. "