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House of Chains
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In Northern Genabackis, just before the events recounted in GARDENS OF THE MOON, a raiding party of...
Eilidh G Clark (177 KP) rated The Portrait of Mr W.H. in Books
May 14, 2017
. As a paradox to the realism and ethics of the period, decadent writers, artists, and poets challenged a society that strove for a standard in public discourse.
First published in 1889, Oscar Wilde’s The Portrait of Mr W.H., is a short story about the efforts of three characters trying to discover the identity of Shakespeare’s Mr W.H. ; the dedicatee of his many sonnets. Wilde’s novel is a prime example of decadent literature and aestheticism, which, as a result, challenges the Victorian ideals of moral decency and public rectitude. The author uses paradox in the novel to present a theory that contradicts the conservative critics of Shakespeare’s sonnets.
Wilde presents a subjective interpretation of Shakespeare’s sonnets that portrays homoerotic sexual desire as the force for creative inspiration. Foremost, through the character Cyril Graham, the author demonstrates that art is ‘an attempt to realise one’s own personality on some imaginative plane out of reach of the trammelling accidents and limitations of real life’, (Wilde, p.111).
Taking from a hypothesis in the previous century by Edmund Malone and Thomas Tyrwhitt, the character of Cyril forms a theory in which Mr W.H. is a young actor named Willie Hughes, employed by Shakespeare and who is the muse to which the sonnets are devoted. Cyril investigates each poem and pieces together a theory he believes to be true.
On the surface, Cyril’s theory derives from feeling and beauty rather than logic and instruction.
The withholding of facts in Shakespeare’s sonnets energises Cyril. He scours the poems to find a clue that harmonise with his own feelings. Cyril believes that Shakespeare influences his readers by guiding them to Willie Hughes.
Cyril, spurned by the moralistic interpretations of previous critics, becomes enthralled by Shakespeare’s muse.
Wilde presents a subjective interpretation of Shakespeare’s sonnets that portrays homoerotic sexual desire as the force for creative inspiration. Foremost, through the character Cyril Graham, the author demonstrates that art is ‘an attempt to realise one’s own personality on some imaginative plane out of reach of the trammelling accidents and limitations of real life’, (Wilde, p.111).
Taking from a hypothesis in the previous century by Edmund Malone and Thomas Tyrwhitt, the character of Cyril forms a theory in which Mr W.H. is a young actor named Willie Hughes, employed by Shakespeare and who is the muse to which the sonnets are devoted. Cyril investigates each poem and pieces together a theory he believes to be true.
On the surface, Cyril’s theory derives from feeling and beauty rather than logic and instruction.
The withholding of facts in Shakespeare’s sonnets energises Cyril. He scours the poems to find a clue that harmonise with his own feelings. Cyril believes that Shakespeare influences his readers by guiding them to Willie Hughes.
Cyril, spurned by the moralistic interpretations of previous critics, becomes enthralled by Shakespeare’s muse.
Steven Sklansky (231 KP) rated A Monster Calls (2016) in Movies
Sep 17, 2017
The acting (2 more)
The CGI
The tree was like a giant Groot
Imaginative, fun and emotional
This was a fantastic film. I did not know much going into this movie other then there being a giant tree monster. This movie took my breath away. From the acting to the CGI. The animation sequences made to look like water colors was just brilliant.
You just never new what to expect out of the movie which is always a good thing. You don't know if the tree is good or if it is evil. Something you think the tree is just a big jerk trying to pull one over on Conner. I like how they made it seem that the monster was growing inside of Conner, showing that Conner was the monster, even though I never thought that during the movie. I thought he was just a kid in trouble. Bully's at school, dad not there, mom sick and a Grandma that treated him like a baby. Eventually you new he was just going to act out. When he did there was no punishment. They just told him why bother. I thought this was either because he could learn from his mistakes or that everyone felt sorry that his mom was dying. I think he just wanted to be punished for acting out. But no punishment did seem like his punishment.
The water color stories in the movie were done really well, it felt like you were falling into the story. It showed there is many ways to take life or how to interpret life experiences. What you do is what matters most. In the end Conner just had to learn the truth.
There is a monster tree lurking in all of us, we just have to listen for it. See the movie and you will know why.
You just never new what to expect out of the movie which is always a good thing. You don't know if the tree is good or if it is evil. Something you think the tree is just a big jerk trying to pull one over on Conner. I like how they made it seem that the monster was growing inside of Conner, showing that Conner was the monster, even though I never thought that during the movie. I thought he was just a kid in trouble. Bully's at school, dad not there, mom sick and a Grandma that treated him like a baby. Eventually you new he was just going to act out. When he did there was no punishment. They just told him why bother. I thought this was either because he could learn from his mistakes or that everyone felt sorry that his mom was dying. I think he just wanted to be punished for acting out. But no punishment did seem like his punishment.
The water color stories in the movie were done really well, it felt like you were falling into the story. It showed there is many ways to take life or how to interpret life experiences. What you do is what matters most. In the end Conner just had to learn the truth.
There is a monster tree lurking in all of us, we just have to listen for it. See the movie and you will know why.
Rachel King (13 KP) rated Between Two Kingdoms in Books
Feb 11, 2019
This book was such a unique read for me that I can't recall reading anything of this nature, with the one exception of The Pilgrim's Progress by John Bunyan, which is also allegorical in nature. The story in Between Two Kingdoms is told as a story that I think young children could appreciate just as well as adults because of the simplistic nature of the text. What intrigued me about this book was trying to figure out what each element of the story represented in reference to the Bible. Some things were obvious, such as the King being God, the Good Prince being Jesus Christ, and the River being the Holy Spirit. The interpretation of many elements though are biased according to how the author, Joe Boyd, interprets Bibical scripture, such as making the River female in nature, which would indicate Boyd's interpretation that the Holy Spirit is also female, which I do not agree with. Another interpretation that I found questionable was the Dark Prince and his true name, Adam. I could be wrong, but that tells me that the author interprets the origin of the Devil as the first man, Adam. I was completely baffled by the language that the Phantom Messengers spoke and what it was supposed to represent.
Many elements of the story were quite imaginative and fascinating, such as the behavior of the River, which was as playful and joyous as it could be peaceful and comforting. I love how the children could use such a simple thing as mirrors to destroy the Phantom Messengers by showing them their true selves. The Long Night was rife with metaphor, and I love good metaphors.
On the whole, I think this story is a great conversation piece for anyone interested in puzzling out the meanings behind the allegory.
Many elements of the story were quite imaginative and fascinating, such as the behavior of the River, which was as playful and joyous as it could be peaceful and comforting. I love how the children could use such a simple thing as mirrors to destroy the Phantom Messengers by showing them their true selves. The Long Night was rife with metaphor, and I love good metaphors.
On the whole, I think this story is a great conversation piece for anyone interested in puzzling out the meanings behind the allegory.
graveyardgremlin (7194 KP) rated Night of the Living Trekkies in Books
Feb 15, 2019
Not as imaginative or funny as I'd hoped, <u>Night of the Living Trekkies</u> was still a fun read, some may even call it a brainless read. As far as zombie stories go, this doesn't cover any new territory, but that's where Star Trek helps the book out. Chock full of references, storyline parallels, and chapters named after episodes, it's clear this is devoted to Star Trek fans, whether they be Trekkies or Trekkers. The authors clearly know what they're writing about and lovingly poke fun at Star Trek and its fans. There's even some Star Wars love thrown in for good measure, and not with the usual rivalry between the two either.
In order to fully enjoy this book, I think it is essential that readers have a passable knowledge of the Star Trek universe, like zombies, and appreciate pulp, or at least have two of those three; otherwise, I can't imagine this would appeal to anyone outside of those factors. Overall, I had a good time with <u>Night of the Living Trekkies</u>, there were moments that made me laugh-out-loud (I especially liked the tale of the "Red Shirts") and though it's predictable, the story was well-told, and at around 250 pages, it's a very easy read. Readers could do worse than to pick up this book; what you see on the awesome cover is pretty much what you get on the inside: pure, pulpy entertainment that's well-envisioned and could easily be made into a movie.
3.5 Warp Speed
This has one of the best trailers I've ever seen, certainly the best book trailer:
Not part of the book at all but definitely goes along with it: http://molitorious.blogspot.com/2009/06/zombie-trek.html
In order to fully enjoy this book, I think it is essential that readers have a passable knowledge of the Star Trek universe, like zombies, and appreciate pulp, or at least have two of those three; otherwise, I can't imagine this would appeal to anyone outside of those factors. Overall, I had a good time with <u>Night of the Living Trekkies</u>, there were moments that made me laugh-out-loud (I especially liked the tale of the "Red Shirts") and though it's predictable, the story was well-told, and at around 250 pages, it's a very easy read. Readers could do worse than to pick up this book; what you see on the awesome cover is pretty much what you get on the inside: pure, pulpy entertainment that's well-envisioned and could easily be made into a movie.
3.5 Warp Speed
This has one of the best trailers I've ever seen, certainly the best book trailer:
Not part of the book at all but definitely goes along with it: http://molitorious.blogspot.com/2009/06/zombie-trek.html
Mayhawke (97 KP) rated The Baby Who Wouldn't Go To Bed in Books
Feb 7, 2018
The Best Bed Time Book For Babies & Toddlers. Ever.
This book is delightful on so many levels that it is almost difficult to know where to start. Cooper's artwork is, as always, breathtaking. The imaginative pictures depict a landscape made up of all the things around which the baby's world revolves: the sleepy tiger that is in fact a pyjama case; the train crowded with all the sleeping toys and nursery rhyme characters. Cooper builds a world that is enchanting and delightful to parents and at the same time interesting to children. More importantly her use of subtle colours, and soft lines add a restful and dreamlike quality to these images that is in keeping with the notion of sleep and bedtime.
And all that is before you even get to the text! This is a wonderfully well-structured story. The text starts out full of energy and vigour as the baby 'Vroom-chuga-chug's' off into this make-believe world and then gradually the pace becomes slower and more restful and - in the best possible way - more soporific.
It is not hard to read this book, the text leads even the most awkward reader by the hand, making it's own patterns and rhythms almost magically dictating the speed and volume for the reader.
I bought my first copy many years ago when the older of my nine children were still quite young and the smaller ones hadn't yet made an appearance. My youngest (now two) won't go to bed without it and I have reached the point of being able to read it without even thinking about it.
We've are on our third copy of this book and it has been universally successful, in spite of gender, taste and personality differences. It is hard to imagine a child to whom this book wouldn't appeal.
And all that is before you even get to the text! This is a wonderfully well-structured story. The text starts out full of energy and vigour as the baby 'Vroom-chuga-chug's' off into this make-believe world and then gradually the pace becomes slower and more restful and - in the best possible way - more soporific.
It is not hard to read this book, the text leads even the most awkward reader by the hand, making it's own patterns and rhythms almost magically dictating the speed and volume for the reader.
I bought my first copy many years ago when the older of my nine children were still quite young and the smaller ones hadn't yet made an appearance. My youngest (now two) won't go to bed without it and I have reached the point of being able to read it without even thinking about it.
We've are on our third copy of this book and it has been universally successful, in spite of gender, taste and personality differences. It is hard to imagine a child to whom this book wouldn't appeal.
Gareth von Kallenbach (980 KP) rated Morning Glory (2010) in Movies
Aug 8, 2019 (Updated Aug 8, 2019)
Suddenly fired from a job she worked incredibly hard at, Becky finds herself hitting the mean streets of New York to continue to pursue her dream of producing a television show. The odds are stacked against her when she finds herself producing a failing morning show with challenging anchors, a boss who doubts her skills, and a new romance threatening to distract her already splintered focus.
Diane Keaton brightens the screen looking great while completely selling her role as the eager morning television show anchorwomen, Colleen Peck. The unexpected Harrison Ford adds a rough edge as the once great journalist and now subpar anchorman, Mike Pomeroy. However, it is rising actress, Rachel Adams, as the determined Becky, who stole the show.
Morning Glory offers exactly the amount of oddness one might expect from a film with action star Harrison Ford as a news guy. Yet somehow the story is sweet and mildly uplifting and, on occasion, laugh out loud funny.
The plot is not brilliant, new, or even all that imaginative, still the film is unique. Morning Glory oddly brings to mind “Little Black Book” all be it in a much lighter and less romantically driven tone. In fact the romance element is so light in this film that it is much more likely to fall in the drama/comedy category, with romance taking a backseat to the real focus of the film: the challenges of work-obsessed Becky.
Mashed firmly between an decent episode of the Mary Tyler Moore show and the Dolly Parton classic “9 to 5”, Morning Glory is a one-of-a-kind take on a story that is increasingly all too familiar. Without the unnecessary bells and whistles so often thrown in to modern cinema, Morning Glory keeps the audience watching and sometimes even laughing.
Diane Keaton brightens the screen looking great while completely selling her role as the eager morning television show anchorwomen, Colleen Peck. The unexpected Harrison Ford adds a rough edge as the once great journalist and now subpar anchorman, Mike Pomeroy. However, it is rising actress, Rachel Adams, as the determined Becky, who stole the show.
Morning Glory offers exactly the amount of oddness one might expect from a film with action star Harrison Ford as a news guy. Yet somehow the story is sweet and mildly uplifting and, on occasion, laugh out loud funny.
The plot is not brilliant, new, or even all that imaginative, still the film is unique. Morning Glory oddly brings to mind “Little Black Book” all be it in a much lighter and less romantically driven tone. In fact the romance element is so light in this film that it is much more likely to fall in the drama/comedy category, with romance taking a backseat to the real focus of the film: the challenges of work-obsessed Becky.
Mashed firmly between an decent episode of the Mary Tyler Moore show and the Dolly Parton classic “9 to 5”, Morning Glory is a one-of-a-kind take on a story that is increasingly all too familiar. Without the unnecessary bells and whistles so often thrown in to modern cinema, Morning Glory keeps the audience watching and sometimes even laughing.
Phil Leader (619 KP) rated A Certain Threat (Merriman Chronicles #1) in Books
Nov 11, 2019
Set at the end of the 18th Century just before the Napoleonic Wars, this follows the exploits of Lietenant Merriman. Injured in a battle with Barbary pirates he is given leave and returns to his family's home near Chester. He learns of a gang of smuggers who have taken a Customs ship. Before long he is summoned back to London and given command of his own ship to investigate this theft and also rumours of Irish and French involvement.
What follows is a cracking story that combines Naval adventure in the age of sail with investigation into the mystery around the loss of the Custom ship. Merriman is a strong lead character, a capable officer who looks after his men as best he can at a time when the navy was hard and brutal work, with many seamen ending up dead or injured on even the most routine missions. He is also relentless and imaginative, using the information and resources at his disposal to maximum effect to uncover the true purpose of the smugglers.
Burnage shows tremendous ability in his writing. The tone and dialogue feel very authentic, the characters well drawn and memorable. Every scene drives the plot forward or builds Merriman's character and there is a real sense of momentum and drama in the story. The descriptions of the naval encounters are a real highlight, exciting but clearly showing the danger that existed at the time, as well as the skill required by every member of the crew to ensure victory in any engagement.
Overall this was a terrific book and I would recommend it to readers of any age as a thrilling story. An easy 5 stars and an introduction to what promises to be a thrilling series.
What follows is a cracking story that combines Naval adventure in the age of sail with investigation into the mystery around the loss of the Custom ship. Merriman is a strong lead character, a capable officer who looks after his men as best he can at a time when the navy was hard and brutal work, with many seamen ending up dead or injured on even the most routine missions. He is also relentless and imaginative, using the information and resources at his disposal to maximum effect to uncover the true purpose of the smugglers.
Burnage shows tremendous ability in his writing. The tone and dialogue feel very authentic, the characters well drawn and memorable. Every scene drives the plot forward or builds Merriman's character and there is a real sense of momentum and drama in the story. The descriptions of the naval encounters are a real highlight, exciting but clearly showing the danger that existed at the time, as well as the skill required by every member of the crew to ensure victory in any engagement.
Overall this was a terrific book and I would recommend it to readers of any age as a thrilling story. An easy 5 stars and an introduction to what promises to be a thrilling series.
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