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Teaching Geography Creatively
Book
This lively, thought-provoking edited collection is packed full of practical ideas for teachers...
The Best of MAKE
Book
In the two years and 10 volumes since its debut in early 2005, "MAKE": has become one of the hottest...
Charlemagne and His Legend in Early Spanish Literature and Historiography
Ryan D. Giles and Matthew Bailey
Book
The historical point of departure for this volume is Charlemagne's ill-fated incursion into Spain in...
Labyrinths: Selected Stories and Other Writings
Jorge Luis Borges, Donald A. Yates, James East Irby and Andre Maurois
Book
Jorge Luis Borges's Labyrinths is a collection of short stories and essays showcasing one of Latin...
Motherhood in Literature and Culture: Interdisciplinary Perspectives from Europe
Victoria Browne, Adalgisa Giorgio, Emily Jeremiah and Abigail Lee Six
Book
Motherhood remains a complex and contested issue in feminist research as well as public discussion....
Adam Green recommended Os Muntantes by Os Muntantes in Music (curated)
Grace
Book
For decades, Grace Coddington's personal touch has steered wildly imaginative fashion spreads in...
TravelersWife4Life (31 KP) rated Big Wishes for Little Feat in Books
Feb 24, 2021
I love children’s picture books, but I loved them with substance, <i>Big Wishes for Little Feet </i> gives me that and so much more!
Cheryl Olsten brought to life a vivid story of finding happiness right where you are planted, of never giving up even when things do not go your way, and that there is joy in the midst of sadness. I LOVED Lafitte and his story of perseverance. The narration was done beautifully (emphasized by the fantastic illustrations) and I enjoyed getting to watch him grow up. I also liked Ella’s story and how they intertwined together. I think there are a lot of kids who can relate to Ella and her family situation. I especially liked how Cheryl Olsten explained the phonics to say Ella’s nickname from her father <i>Brilliant étoile</i>. It was a fun interactive part of the story; plus, it reinforces dual language learning.
<b>“Little Feet, thought the horse. That is who I am—a horse of great courage, strength, and skill.”</b>
Paolo D’Altan’s work in this book is phenomenal. He truly conveyed the wonder and curiosity displayed by Ella and Lafitte and told their story in a colorful and eye-catching way. I want some of the pictures to hang in my home! As I look back over the story, I am again amazed by all the detailed work that went into this book and I am looking forward to showing my niece this book over Christmas to see which picture is her favorite. Well done Paolo D’Altan!
A definite 5 out of 5 stars for me! Some great themes combined with a good flowing storyline and some great imaginative art.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Cheryl Olsten brought to life a vivid story of finding happiness right where you are planted, of never giving up even when things do not go your way, and that there is joy in the midst of sadness. I LOVED Lafitte and his story of perseverance. The narration was done beautifully (emphasized by the fantastic illustrations) and I enjoyed getting to watch him grow up. I also liked Ella’s story and how they intertwined together. I think there are a lot of kids who can relate to Ella and her family situation. I especially liked how Cheryl Olsten explained the phonics to say Ella’s nickname from her father <i>Brilliant étoile</i>. It was a fun interactive part of the story; plus, it reinforces dual language learning.
<b>“Little Feet, thought the horse. That is who I am—a horse of great courage, strength, and skill.”</b>
Paolo D’Altan’s work in this book is phenomenal. He truly conveyed the wonder and curiosity displayed by Ella and Lafitte and told their story in a colorful and eye-catching way. I want some of the pictures to hang in my home! As I look back over the story, I am again amazed by all the detailed work that went into this book and I am looking forward to showing my niece this book over Christmas to see which picture is her favorite. Well done Paolo D’Altan!
A definite 5 out of 5 stars for me! Some great themes combined with a good flowing storyline and some great imaginative art.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
LeftSideCut (3776 KP) rated A Nightmare on Elm Street (1984) in Movies
Jul 4, 2021
80s horror is its own unique thing, and nothing quite encapsulates the era as well as A Nightmare On Elm Street. Another series that spawned a whole bunch of sequels, the original holds the crown, and still stands the test of time.
For one, iconic slasher villain Freddy Krueger is a scary motherfucker here. There are glimpses of the more comedic elements that would encompass his personality in later entries, but here, for the most part, he's a no nonsense, nasty SOB. Of course Robert Englund relishes in his role, and it's hard to see anyone else effectively filling his shoes.
Opposite Freddy is Nancy Thompson (a fantastic Heather Langenkamp), a well written and hugely likable final girl, a final girl who rivals Laurie Strode in the pantheon of horror protagonists.
The premise of ANOES is wonderfully simple. Don't fall asleep. This film scared the living shit out of me when I was a young teenager. Wes Craven was extremely successful in doing for sleep what Jaws did for swimming in the ocean. As an adult, it's less scary sure, but still makes me feel uneasy. This is thanks to a wonderfully creepy score by Charles Bernstein, and the of course, the incredibly executed, and imaginative kill scenes. The gory moments are paced out nicely, and hit hard when they arrive. The first kill in particular is a solid all timer, and then the infamous scene where Johnny Depp meets his demise is so otherworldly. It really drives home the near impossible odds that the good guys are facing.
ANOES is obviously a genre classic, and I personally think it just gets better with age. One of the all time greats, from one of the all time greats.
For one, iconic slasher villain Freddy Krueger is a scary motherfucker here. There are glimpses of the more comedic elements that would encompass his personality in later entries, but here, for the most part, he's a no nonsense, nasty SOB. Of course Robert Englund relishes in his role, and it's hard to see anyone else effectively filling his shoes.
Opposite Freddy is Nancy Thompson (a fantastic Heather Langenkamp), a well written and hugely likable final girl, a final girl who rivals Laurie Strode in the pantheon of horror protagonists.
The premise of ANOES is wonderfully simple. Don't fall asleep. This film scared the living shit out of me when I was a young teenager. Wes Craven was extremely successful in doing for sleep what Jaws did for swimming in the ocean. As an adult, it's less scary sure, but still makes me feel uneasy. This is thanks to a wonderfully creepy score by Charles Bernstein, and the of course, the incredibly executed, and imaginative kill scenes. The gory moments are paced out nicely, and hit hard when they arrive. The first kill in particular is a solid all timer, and then the infamous scene where Johnny Depp meets his demise is so otherworldly. It really drives home the near impossible odds that the good guys are facing.
ANOES is obviously a genre classic, and I personally think it just gets better with age. One of the all time greats, from one of the all time greats.
LeftSideCut (3776 KP) rated Escape Room (2019) in Movies
Sep 15, 2020
Contains spoilers, click to show
In short, Escape Room is actually a pretty tight thriller with a really disappointingly shitty ending.
It's disappointing because I found myself unexpectedly enjoying the bulk of the movie, even if it doesn't carry a lot of substance.
It's a more recent entry into the currently popular and seemingly unending PG-13 corner of horror. This of course means little in the way of gore or scares, something that I would usually take issue with, but managed to get on board with in this instance.
The set up is resemblant of Saw, but the later films in that franchise are evidence that more gore certainly doesn't make for a better film. With the focus here not being on violence but the actual puzzles the characters have to work through, I found it to be fairly engaging.
The set pieces and room designs are imaginative, and a lot of these moments are suitably tense.
The cast are decent as well - Taylor Russell, Tyler Labine and Nik Dodani are likeable, and I always enjoy Deborah Ann Woll whenever she pops up in things.
My main gripe however is the plot. The premise is really straightforward, not much room for error in that respect, so the inclusion of a faceless Hostel-esque corporation who caters to rich people who profit from this whole thing is just dumb. It's feels lazy, unnecessary, and more than anything, really tacked on and rushed. The ending flies by in an attempt to hastily set up a sequel rather than focusing on ending this film in a satisfying manner. It's a real shame because the majority of the film is relatively entertaining, and the climax just de-rails it completely.
Escape Room is worth watching for the Saw meets Cube premise, but ultimately ends up being a bang average thriller.
It's disappointing because I found myself unexpectedly enjoying the bulk of the movie, even if it doesn't carry a lot of substance.
It's a more recent entry into the currently popular and seemingly unending PG-13 corner of horror. This of course means little in the way of gore or scares, something that I would usually take issue with, but managed to get on board with in this instance.
The set up is resemblant of Saw, but the later films in that franchise are evidence that more gore certainly doesn't make for a better film. With the focus here not being on violence but the actual puzzles the characters have to work through, I found it to be fairly engaging.
The set pieces and room designs are imaginative, and a lot of these moments are suitably tense.
The cast are decent as well - Taylor Russell, Tyler Labine and Nik Dodani are likeable, and I always enjoy Deborah Ann Woll whenever she pops up in things.
My main gripe however is the plot. The premise is really straightforward, not much room for error in that respect, so the inclusion of a faceless Hostel-esque corporation who caters to rich people who profit from this whole thing is just dumb. It's feels lazy, unnecessary, and more than anything, really tacked on and rushed. The ending flies by in an attempt to hastily set up a sequel rather than focusing on ending this film in a satisfying manner. It's a real shame because the majority of the film is relatively entertaining, and the climax just de-rails it completely.
Escape Room is worth watching for the Saw meets Cube premise, but ultimately ends up being a bang average thriller.