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ClareR (6106 KP) rated Sistersong in Books

Aug 9, 2021  
Sistersong
Sistersong
Lucy Holland | 2021 | Fiction & Poetry, LGBTQ+, Science Fiction/Fantasy, Young Adult (YA)
10
10.0 (1 Ratings)
Book Rating
Sistersong is a stunning story, steeped in the mythology of Ancient Britain. It’s set in Dumnonia (a real place - I googled it. It was in SW England where Cornwall, Devon and some of West Somerset are now), at a time of great change and fear. Christianity is making itself known, and the Saxons are a very real threat. King Cador has lost his magical connection to his Land, due to the threats and sermons of a priest called Gildas. With this loss comes the danger of the Dumnonians being unable to protect themselves effectively, and the land not providing food for them.

Cadors three daughters do still have that magical connection. The story is told from their perspective. The eldest, Riva, has been badly burnt in the past, and whilst she can heal others, she can’t heal herself.

Keyne, although born female, has never felt female and longs to be recognised as a man.

Sinne, the youngest, lives for love and flirtation.

 When an emissary from another kingdom arrives, he drives a wedge between Riva and Sinne. They see their chance at escape from the Hold. Whilst this is happening, Keyne trains with Myrdin, in the hope that he’ll be recognised as next in line to the throne.

I loved this book - it has all of my favourite elements in a story: mythology, history, magic, lies, deceit, the love of family and siblings, along with the themes of duty and identity. It really packs a punch. The world building is fantastic, and thoroughly immersive. Highly recommended!
  
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Rachel King (13 KP) rated Frostbite in Books

Feb 11, 2019  
Frostbite
Frostbite
Richelle Mead | 2013 | Children
6
8.6 (26 Ratings)
Book Rating
I enjoyed this book nearly as much as the first one in the series, but I'm getting really frustrated with the lack of progress in Dimitri and Rose's forbidden romance. Instead, it seems to have taken a backseat to other plotlines, such as the turmoil between Rose and her mother and the political climate that Lissa is moving into. I find Rose's mother, Janine, intriguing in that she seems to be what Rose could become if Rose chooses duty over love. I sure wish that Janine would open up more since there seems to be a lot of great plot material there that was not exploited very much - Rose's black eye being a perfect example. The politics that Lissa is dealing with appear to be moving in the direction that I guessed might happen when I read the first book, which is an equalizing between the Moroi and Dhampir classes of their society, especially when it comes to dealing with the Strigoi.
Despite how Rose views Adrian, I actually rather like him. There is always something attractive about the flirty-jokester that entices women - afterall I don't know a woman who doesn't like to laugh. It's obvious that he really likes Rose and I find myself feeling sorry for him since Rose is definitely taken, even if not in the literal sense yet. Mason really ends up in the worst position, though, even if I don't include what happens to him in the end. Rose all but lies to him while he falls for her hard, all the while being the perfect gentlemen. In a way, Mason and Adrian are opposite in styles, and yet Rose is blind to both - not that I blame her, as she likes to say, "Dimitri is a badass." Why is it that female protagonists always seem to have hords of guys going after them? (Think - Twilight saga, Rachel Morgan series, Mercy Thompson series, House of Night series, etc.)
I wish that Rose's nazar could be explained a bit more, as there seems to be more to it than anyone is discussing. Adrian knows things that he is not spilling, and Janine sure is tight-lipped about most of her life, excluding what she does in the line of duty.
  
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Jordan Binkerd (567 KP) rated Sabotage (2014) in Movies

Sep 17, 2019  
Sabotage (2014)
Sabotage (2014)
2014 | Action, Mystery
7
5.8 (9 Ratings)
Movie Rating
The cast, across the board (1 more)
The action
Nearly all of the characters are unlikeable, in spite of the actors' best efforts (0 more)
A more thoughtful, if forgettable, Arnold
Schwarzenegger and company are a DEA strike team who take ten million dollars from the cartel in a raid, except that it's not there when they go back to get it. After an investigation fails to find enough evidence to prove they're guilty they're returned to active duty, but someone starts taking them down one by one....

This film was.... okay is probably the best word. It's kinda forgettable despite a stellar cast, several of whom I typically try to see regardless of what they're doing, all turning in excellent performances. Arnold in particular gets to actually act instead of just blowing everyone away, which is a nice change. Which isn't to say there isn't action - there is, and a lot of it, gritty and gory not in the exaggerated Tarentino style but more brutally realistic. There's torture too, which is legitimately uncomfortable to watch even with the extra remove of watching a character watch the video of it. It's just that the story is a bit predictable (though the darker take on Breacher and the ending seen in the deleted scenes would have been more interesting and less predictable, I wouldn't have liked it), and despite excellent performances from stellar actors the characters are all completely unlikeable, which is a bit of a problem when they're dropping like flies and you don't really care. Bottom line: I'm not sorry I borrowed it from the library, but I don't think I'll be watching it again.