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Ivana A. | Diary of Difference (1171 KP) rated Strange Weather in Tokyo in Books
Oct 5, 2020
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Being born in Macedonia, I grew up reading books that were mostly translated. Because of that, I always appreciate the amazing job that translators do and have always cherished translated copies of my books. Strange Weather in Tokyo is no different, and Allison Markin Powell did an amazing job translating this book.
I read this book in August as part of the Tandem and Granta Books Instagram readalong - to celebrate #Kawakamimonth as well as Women in Translation month - and I am so glad I was able to join.
<b><i>Synopsis:</i></b>
One night when she is drinking alone in a local bar, Tsukiko finds herself sitting next to her former high school teacher. Over the coming months they share food and drink sake, and as seasons pass - from spring cherry blossom to autumnal mushrooms - Tsukiko and her teacher develop a hesitant intimacy that tilts awkwardly and poignantly towards love.
<b><i>My Thoughts:</i></b>
From the very first chapter, we travel to Japan and the whole mood changes. I could grasp the culture, taste the food and feel the weather changing through the seasons. The writing is brief and concise, yet full of emotion and wisdom. Both the characters and the scene had something very special about their description - they appeared so close, so real, as if you could just reach out your hand and touch them, feel them, taste them. This feeling stayed with me and I will cling on to it, because it happens so rarely these days.
Even though I am not a fan of student-teacher relationships, this relationship in particular kept me intrigued, simply because it was so much different than anything I have encountered before.
Tsukiko is young and tries to live in the modern world, while Sensei is much older and very traditional. They meet in the bar and talk. There are no dates, nor arranged meetings. They may see each other, and they may not. Sometimes it could be months before they bump into each other again. And that’s the beauty of their relationship. They live their own lives independently, and having each other as company is an added bonus.
A few plot twists lingered in the way of their love. Tsukiko’s potential boyfriend, who is the same age as her, Sensei’s old age and what that might mean, and the numerous arguments that seem bizarre, but test their relationship on deeper levels. It was very refreshing to see the brutally honest issue that is age between couples. Sensei knows he doesn’t have too long to live, and he is honest with Tsukiko, as he wants her to truly understand what this means, and once she understands it, he wants to ensure she is okay to proceed the relationship, given those circumstances.
<b><i>I have mixed feelings about the ending of Strange Weather in Tokyo.</i></b>
I was surprised at how it ended, but then I understood why. Perhaps I wanted a complete closure, but I learned that life doesn’t do closures. There is no perfect or right time to do something. We only have the “now” and we should enjoy every moment while we can.
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<img src="https://diaryofdifference.com/wp-content/uploads/2020/08/Book-Review-Banner-33.png"/>;
Being born in Macedonia, I grew up reading books that were mostly translated. Because of that, I always appreciate the amazing job that translators do and have always cherished translated copies of my books. Strange Weather in Tokyo is no different, and Allison Markin Powell did an amazing job translating this book.
I read this book in August as part of the Tandem and Granta Books Instagram readalong - to celebrate #Kawakamimonth as well as Women in Translation month - and I am so glad I was able to join.
<b><i>Synopsis:</i></b>
One night when she is drinking alone in a local bar, Tsukiko finds herself sitting next to her former high school teacher. Over the coming months they share food and drink sake, and as seasons pass - from spring cherry blossom to autumnal mushrooms - Tsukiko and her teacher develop a hesitant intimacy that tilts awkwardly and poignantly towards love.
<b><i>My Thoughts:</i></b>
From the very first chapter, we travel to Japan and the whole mood changes. I could grasp the culture, taste the food and feel the weather changing through the seasons. The writing is brief and concise, yet full of emotion and wisdom. Both the characters and the scene had something very special about their description - they appeared so close, so real, as if you could just reach out your hand and touch them, feel them, taste them. This feeling stayed with me and I will cling on to it, because it happens so rarely these days.
Even though I am not a fan of student-teacher relationships, this relationship in particular kept me intrigued, simply because it was so much different than anything I have encountered before.
Tsukiko is young and tries to live in the modern world, while Sensei is much older and very traditional. They meet in the bar and talk. There are no dates, nor arranged meetings. They may see each other, and they may not. Sometimes it could be months before they bump into each other again. And that’s the beauty of their relationship. They live their own lives independently, and having each other as company is an added bonus.
A few plot twists lingered in the way of their love. Tsukiko’s potential boyfriend, who is the same age as her, Sensei’s old age and what that might mean, and the numerous arguments that seem bizarre, but test their relationship on deeper levels. It was very refreshing to see the brutally honest issue that is age between couples. Sensei knows he doesn’t have too long to live, and he is honest with Tsukiko, as he wants her to truly understand what this means, and once she understands it, he wants to ensure she is okay to proceed the relationship, given those circumstances.
<b><i>I have mixed feelings about the ending of Strange Weather in Tokyo.</i></b>
I was surprised at how it ended, but then I understood why. Perhaps I wanted a complete closure, but I learned that life doesn’t do closures. There is no perfect or right time to do something. We only have the “now” and we should enjoy every moment while we can.
Textkraft Lite - easy & fast writing
Productivity and Business
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Improve your writing with Textkraft! Textkraft is a professional writing app. The magic about it...
Catholic New American Bible Revised Edition
Reference
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This iPhone/iPad app has been approved by the United States Conference of Catholic Bishops (USCCB). ...
Purple Phoenix Games (2266 KP) rated Onitama in Tabletop Games
Jun 12, 2019
Who knew that a game, whose loose translation in English is “Ogre Ball” or “Demon Spirit, ” could pack such a 2-player punch, have a checkersesque simplicity, but also the depth in strategy that can be found only in its inspired creation. PPG encourages you to try, what we find to be anyway, the most inspiring Chess spin-off since Chess itself. If you are like us, you are super busy with everyday life and just can’t seem to find the chance to learn how to play the age old classic quintessential board game. Well, get your pawns ready because Onitama will suck you in, and 3 games later, you’ll still have another half hour free to play!
DISCLAIMER: There are several expansions to this game, but we are not reviewing them at this time. Should we review them in the future we will either update this review or post a link to the new material here. -T
While at first glance, Onitama seems to be another little guy trying its darndest to bring down the classic giant. However, this is where the genius of this game really kicks in. It doesn’t try to take down the giant, but yet streamlines it in a way you would never expect. Onitama brilliantly finds a way to keep the grandeur and thick strategy you would expect from Chess, but eliminates the amount of time needed to craft your next move. Okay, so how is this possible you ask!? Well, in Onitama, you are provided 2 cards on each turn that include a set of possible paths that ANY pawn on the board can take. Seems limiting at first right? That’s the beauty. It’s not. You will be planning your moves quite quickly as the card you just used will trade hands around the table once played. So while a certain card may be your absolute best move in that moment, it may also be the key to your opponent winning the game if you pass it to them. Enter strategic bliss! While you don’t have to remember which way the Knight moves again, you do need to think on your feet potentially 2-3 turns ahead so that you don’t play into your opponent’s plans to victory!
A few other glowing graces this board game includes is its low price point, high quality cards, components (playmat included!), and visually beautiful artwork inside and out. While not imperative to the gameplay of Onitama, you will love the clever naming of the potential move cards. The shape of the move on the card plays a certain role in its naming. E.X. a longer squiggle type move on a card might have the name of “Snake.” Or, a card with the name “Dragon” let’s you leap across the board numerous spaces at a time as if in flight to exert your winged dominance.
We here at Purple Phoenix Games really love Onitama; it’s one of our highest rated 2-player board games! While it can act as a quick filler game between other heavier board games, it can also be played numerous times one after another without the loss of fun or strategic opportunities. I personally cannot think of a time I have ever sat down and played Onitama just once. This game keeps you coming back for more. We hope you will consider picking up a copy soon! As I write this, there are already a few expansions out there or in the works. Check back soon for some exciting updates to this already great board game! Purple Phoenix Games gives this one a calculated 19 / 24.
https://purplephoenixgames.wordpress.com/2019/04/12/onitama-review/
DISCLAIMER: There are several expansions to this game, but we are not reviewing them at this time. Should we review them in the future we will either update this review or post a link to the new material here. -T
While at first glance, Onitama seems to be another little guy trying its darndest to bring down the classic giant. However, this is where the genius of this game really kicks in. It doesn’t try to take down the giant, but yet streamlines it in a way you would never expect. Onitama brilliantly finds a way to keep the grandeur and thick strategy you would expect from Chess, but eliminates the amount of time needed to craft your next move. Okay, so how is this possible you ask!? Well, in Onitama, you are provided 2 cards on each turn that include a set of possible paths that ANY pawn on the board can take. Seems limiting at first right? That’s the beauty. It’s not. You will be planning your moves quite quickly as the card you just used will trade hands around the table once played. So while a certain card may be your absolute best move in that moment, it may also be the key to your opponent winning the game if you pass it to them. Enter strategic bliss! While you don’t have to remember which way the Knight moves again, you do need to think on your feet potentially 2-3 turns ahead so that you don’t play into your opponent’s plans to victory!
A few other glowing graces this board game includes is its low price point, high quality cards, components (playmat included!), and visually beautiful artwork inside and out. While not imperative to the gameplay of Onitama, you will love the clever naming of the potential move cards. The shape of the move on the card plays a certain role in its naming. E.X. a longer squiggle type move on a card might have the name of “Snake.” Or, a card with the name “Dragon” let’s you leap across the board numerous spaces at a time as if in flight to exert your winged dominance.
We here at Purple Phoenix Games really love Onitama; it’s one of our highest rated 2-player board games! While it can act as a quick filler game between other heavier board games, it can also be played numerous times one after another without the loss of fun or strategic opportunities. I personally cannot think of a time I have ever sat down and played Onitama just once. This game keeps you coming back for more. We hope you will consider picking up a copy soon! As I write this, there are already a few expansions out there or in the works. Check back soon for some exciting updates to this already great board game! Purple Phoenix Games gives this one a calculated 19 / 24.
https://purplephoenixgames.wordpress.com/2019/04/12/onitama-review/
Ovid's Erotic Poems: Amores and Ars Amatoria
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The most sophisticated and daring poetic ironist of the early Roman Empire, Publius Ovidius Naso, is...
The Karamazov Brothers
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8.0
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Prayer Prompter - Christian Prayer App
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A God-centered, worship-based prayer app that stores and organizes Scripture passages and prayer...
Bob Mann (459 KP) rated Ghost in the Shell (2017) in Movies
Sep 29, 2021
A robot you could take home to meet mother.
I was intrigued to watch the other day (purely for the interest in the technology employed of course!) a short Guardian video on the development of the world’s first fully functioning sex robot: a disturbing watch, requiring a fairly broad mind. Watching it on the same day as going to see Scarlett Johansson’s new film “Ghost in the Shell” though was a mistake, since the similarities between Johansson’s character (‘Major’) and the animatronic sex doll (‘Harmony’) were… erm… distracting.
Johansson is a stunning actress, with unquestionably a stunning figure that she loves to show off, but you would have to start questioning her film choices: since there is hardly a hair’s breadth between the emotionally reserved superhero depiction here and her recent roles in “Lucy” and “Under the Skin“. With her other ongoing “Avengers” superhero work as Natasha Romanoff, and nothing much else beyond that other than brief cameos (“Hail Caesar“, “Hitchcock“) and voice work, its all getting a bit ‘samey’: I’d like to see her get back to her more dramatic roles like “Lost in Translation” that really launched her career.
Anyhoo, back to this flick. Set in the dazzling fictional Japanese city of Niihama, Johansson plays a terrorist victim saved only by having her brain transplanted into an android by the Hanka corporation. In this time (40 years in the future) human ‘upgrades’ with cybernetic technology are commonplace, but Major is a ‘first of a kind’ experiment. Hanka are not pure humanitarians though, since they have turned Major into a lethal fighting weapon with powers of invisibility and lightning reactions. She works for a shadowy anti-terrorism unit called Section 9, led by the Japanese speaking Aramaki (Takeshi Kitano, “Battle Royale”).
The upside of having no human form is that if you get burned or blown up, the team of cyber-surgeons back at Hanka, led by Dr. Ouelet (Juliette Binoche), can rebuild her – – they “have the technology” to quote another bionic hero.
But all is not necessarily well in the idyll of anti-terrorist slashing and burning. Major suffers from recurring ‘glitches’ of memories from her past life: a life that she has no clear memories of. Her latest mission against a deformed and vindictive terrorist called Kuze (Michael Pitt) progressively resurfaces more of these memories, since Kuze clearly knows more about Major than she does.
“Ghost in the Shell” looks glorious, with the Hong Kong-like city being in the style of Blade Runner but with more holograms. (What exactly the holograms are supposed to be doing or advertising is rather unclear!). The cinematography and special effects deserve an Oscar nomination.
Given the film is based on an original Manga series, written and illustrated by Masamune Shirow and well known for its complexity, this Hollywood version has a surprisingly simple and linear story. As such it may disappoint the hoard of fans who adore the original materials.
Treating it as a standalone film, it should have an emotional depth beyond the superficial action, dealing as it does with loyalty and family ties. However, the scripting and editing is rather pedestrian making the whole thing a bit dull. Johansson and Pilou Asbæk, as her co-worker Batou, breathe what life they can into the material; but Binoche is less convincing as the Dr Frankenstein-style doctor. The best act in the piece though is Takeshi Kitano as the kick-ass OAP with attitude.
Where I had particular issues was in some of the detail of the action. ‘Invisibility’ is an attribute that needs to be metered out very carefully in the movies: Harry Potter just about got away with it; in “Die Another Day” it nearly killed the Bond franchise for good. Here, exactly how the androids can achieve invisibility is never explained and I disliked that intently. Similarly, the androids can clearly be physically damaged, yet Major seems to start each mission by throwing herself headfirst off the tallest skyscraper. Again, never explained.
Even though the premise, and the opening titles, brought back bad memories of that truly terrible Star Trek episode “Spock’s Brain”, this is a dark and thoughtful adaptation with great CGI effects but unfortunately its pedestrian pace means it is one that never truly breaks through into the upper echelons of Sci Fi greatness. Worth a watch though.
Johansson is a stunning actress, with unquestionably a stunning figure that she loves to show off, but you would have to start questioning her film choices: since there is hardly a hair’s breadth between the emotionally reserved superhero depiction here and her recent roles in “Lucy” and “Under the Skin“. With her other ongoing “Avengers” superhero work as Natasha Romanoff, and nothing much else beyond that other than brief cameos (“Hail Caesar“, “Hitchcock“) and voice work, its all getting a bit ‘samey’: I’d like to see her get back to her more dramatic roles like “Lost in Translation” that really launched her career.
Anyhoo, back to this flick. Set in the dazzling fictional Japanese city of Niihama, Johansson plays a terrorist victim saved only by having her brain transplanted into an android by the Hanka corporation. In this time (40 years in the future) human ‘upgrades’ with cybernetic technology are commonplace, but Major is a ‘first of a kind’ experiment. Hanka are not pure humanitarians though, since they have turned Major into a lethal fighting weapon with powers of invisibility and lightning reactions. She works for a shadowy anti-terrorism unit called Section 9, led by the Japanese speaking Aramaki (Takeshi Kitano, “Battle Royale”).
The upside of having no human form is that if you get burned or blown up, the team of cyber-surgeons back at Hanka, led by Dr. Ouelet (Juliette Binoche), can rebuild her – – they “have the technology” to quote another bionic hero.
But all is not necessarily well in the idyll of anti-terrorist slashing and burning. Major suffers from recurring ‘glitches’ of memories from her past life: a life that she has no clear memories of. Her latest mission against a deformed and vindictive terrorist called Kuze (Michael Pitt) progressively resurfaces more of these memories, since Kuze clearly knows more about Major than she does.
“Ghost in the Shell” looks glorious, with the Hong Kong-like city being in the style of Blade Runner but with more holograms. (What exactly the holograms are supposed to be doing or advertising is rather unclear!). The cinematography and special effects deserve an Oscar nomination.
Given the film is based on an original Manga series, written and illustrated by Masamune Shirow and well known for its complexity, this Hollywood version has a surprisingly simple and linear story. As such it may disappoint the hoard of fans who adore the original materials.
Treating it as a standalone film, it should have an emotional depth beyond the superficial action, dealing as it does with loyalty and family ties. However, the scripting and editing is rather pedestrian making the whole thing a bit dull. Johansson and Pilou Asbæk, as her co-worker Batou, breathe what life they can into the material; but Binoche is less convincing as the Dr Frankenstein-style doctor. The best act in the piece though is Takeshi Kitano as the kick-ass OAP with attitude.
Where I had particular issues was in some of the detail of the action. ‘Invisibility’ is an attribute that needs to be metered out very carefully in the movies: Harry Potter just about got away with it; in “Die Another Day” it nearly killed the Bond franchise for good. Here, exactly how the androids can achieve invisibility is never explained and I disliked that intently. Similarly, the androids can clearly be physically damaged, yet Major seems to start each mission by throwing herself headfirst off the tallest skyscraper. Again, never explained.
Even though the premise, and the opening titles, brought back bad memories of that truly terrible Star Trek episode “Spock’s Brain”, this is a dark and thoughtful adaptation with great CGI effects but unfortunately its pedestrian pace means it is one that never truly breaks through into the upper echelons of Sci Fi greatness. Worth a watch though.