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Debbiereadsbook (1444 KP) rated The Feisty Omega (Leongatha Pack Origins) in Books
Dec 19, 2024
I got to know Talius a bit better!
Independent reviewer for BookSirens, Iwas gifted my copy of this book.
This is an Origins book, it comes before The Sad Omega. I am reading this book after that one. I said in my review for that book, that I didn't much like Talius. NOW I understand why he was the way he was in that book! SO, I think you really should read this book BEFORE The Sad Omega. It might give you a better view of Talius when you first meet him.
Omegas and Alphas cannot mate in this world until they are 22, or 19 with a special license. Talius meets Irian first just before his 17th birthday, he was still 16. But both are drawn to each other in a way they never were to anyone before. They get to known each other over several Christmases, until Irian's mother does something unthinkable: she gets that special license and Irian will have no choice but to mate the alpha chosen by her. And that is NOT Talius.
I really did like young Talius, and how he steps slowly around the young Irian, and how they get to know each other over time. That getting to know you bit was what I missed somewhat in The Sad Omega, I think. We don't get it, as they are already mated and bonded and happy in their pack.
I did not like Irian's mother but that also explains why she is absent from his life in future books.
Both men get a say and I loved getting into their heads as they come across each other for the first time, and at the end, when it all goes down! I did not see that going down as it did, but now I feel for Marius, the alpha that Irian was supposed to mate with, and I want to know if HE gets his HEA too.
I thoroughly enjoyed getting to know Talius and Irian better, but more so Talius. I can see him differently now.
I hope to be able to read more of this pack, in the future.
4 very good stars
* same worded review will appear elsewhere
This is an Origins book, it comes before The Sad Omega. I am reading this book after that one. I said in my review for that book, that I didn't much like Talius. NOW I understand why he was the way he was in that book! SO, I think you really should read this book BEFORE The Sad Omega. It might give you a better view of Talius when you first meet him.
Omegas and Alphas cannot mate in this world until they are 22, or 19 with a special license. Talius meets Irian first just before his 17th birthday, he was still 16. But both are drawn to each other in a way they never were to anyone before. They get to known each other over several Christmases, until Irian's mother does something unthinkable: she gets that special license and Irian will have no choice but to mate the alpha chosen by her. And that is NOT Talius.
I really did like young Talius, and how he steps slowly around the young Irian, and how they get to know each other over time. That getting to know you bit was what I missed somewhat in The Sad Omega, I think. We don't get it, as they are already mated and bonded and happy in their pack.
I did not like Irian's mother but that also explains why she is absent from his life in future books.
Both men get a say and I loved getting into their heads as they come across each other for the first time, and at the end, when it all goes down! I did not see that going down as it did, but now I feel for Marius, the alpha that Irian was supposed to mate with, and I want to know if HE gets his HEA too.
I thoroughly enjoyed getting to know Talius and Irian better, but more so Talius. I can see him differently now.
I hope to be able to read more of this pack, in the future.
4 very good stars
* same worded review will appear elsewhere
Debbiereadsbook (1444 KP) rated Kiss Me Honey Honey (To Love a Psycho #2) in Books
May 7, 2025
I loved watching them at least try a little to deny themselves
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the To Love a Psycho trilogy and you must must MUST read book one, Dream a Litte Dream before this one. There is a lot in there to unpack here and if you haven't read it, much will not make any sense.
After the events of last year, Kenny and Aaron are spiraling, both of them. They need each other, but cannot be together, not until Aaron is ready to ruin Kenny, his words. But there is a murderer in town, and they are getting close to their goal. Whoever it is, might just kill them both.
Ok so! I'm gonna be super SUPER vague here, and super short, because if I give myself free rein, I'll spoil things for someone else and I don't want to do that!
There was a BLINDER of a plot twist here, and until it was fully revealed, I wasn't able to put all the pieces together so I was kinda blindsided and I bloody loved being knocked off my axis!!
Kenny and Aaron are navigating how not to be together but are still drawn to each other at every turn. I loved watching them at least try a little to deny themselves, Kenny more so that Aaron.
The point I loved the most in this book, apart from the plot twist, was the moment that Kenny finally gives Aaron what he wants: a kiss. Kenny is a complicated fella! But letting Aaron in, finally, was a bit of a profound moment, and I had to stop a little bit to regroup.
I have no idea what's going to happen in book 3, I have a sneaking suspicion it will relate to the previously mentioned plot twist! The HEA I'm waiting on, the L-word usage better come in book 3, it really had!!
I cannot fault these books, they are dark and deadly, but so engrossing, I stayed up til 3 am reading this one!!
5 full and shiny stars
*same worded review will appear elsewhere
This is book 2 in the To Love a Psycho trilogy and you must must MUST read book one, Dream a Litte Dream before this one. There is a lot in there to unpack here and if you haven't read it, much will not make any sense.
After the events of last year, Kenny and Aaron are spiraling, both of them. They need each other, but cannot be together, not until Aaron is ready to ruin Kenny, his words. But there is a murderer in town, and they are getting close to their goal. Whoever it is, might just kill them both.
Ok so! I'm gonna be super SUPER vague here, and super short, because if I give myself free rein, I'll spoil things for someone else and I don't want to do that!
There was a BLINDER of a plot twist here, and until it was fully revealed, I wasn't able to put all the pieces together so I was kinda blindsided and I bloody loved being knocked off my axis!!
Kenny and Aaron are navigating how not to be together but are still drawn to each other at every turn. I loved watching them at least try a little to deny themselves, Kenny more so that Aaron.
The point I loved the most in this book, apart from the plot twist, was the moment that Kenny finally gives Aaron what he wants: a kiss. Kenny is a complicated fella! But letting Aaron in, finally, was a bit of a profound moment, and I had to stop a little bit to regroup.
I have no idea what's going to happen in book 3, I have a sneaking suspicion it will relate to the previously mentioned plot twist! The HEA I'm waiting on, the L-word usage better come in book 3, it really had!!
I cannot fault these books, they are dark and deadly, but so engrossing, I stayed up til 3 am reading this one!!
5 full and shiny stars
*same worded review will appear elsewhere
Blood Ties (Monsters of London #2)
10.0
Rate It
Book
Running from my past seemed like a good idea at the time. Too bad it’s about to catch up to me. ...
Menage (MMM) Paranormal Romance
Debbiereadsbook (1444 KP) rated Saving What's Mine (Men of Maddox Security #2) in Books
Apr 3, 2025
loving these group of men and the women who fall for them!
Independent reviewer for BookSirens, I was gifted my copy of this book.
This is book 2 in the Men of Maddox Security series, but it's not necessary to read book 1 first. They can be read as a stand alone. A note though, the first chapter of this book is the same as the first in all the books, just from each guy's point of view. But the note at the front of THIS book, says that it's Ranger who has a point of view, and his book was first. So, maybe that note needs changing for each book. You might not notice it, but I did!
Orion is tasked with keeping Briar safe until a restraining order is obtained against her ex who is becoming dangerous. Seeing her picture, and Orion's world shifts. But can he keep her safe? And her parrot, Jeb?
I found this a bit darker read than book, but no less engaging and I thoroughly enjoyed it!
While Orion has instant and immediately attraction to Briar, he knows that he cannot cross that line. Briar's attraction to Orion takes a little bit of time (but not noo long!) but given what her ex kept telling her, she is wary. She keeps comparing them, but very quickly learns they are miles apart. I like that it took a little time for them to act on it.
I loved Jeb, Briar's parrot. He does get up to mischief, but he does let Orion know when Briar does what she does.
Steamy, oh yes. But I thought the emotional connection was more pronounced here than in book 1.
I'm still a little confused as to what the ex wanted with the star parrot from the zoo, though!
I liked how we caught up with Ranger and Tori from book one. And I still NEEEEEEEEEEEEED to read Dean's book!
Creeping up a bit to 4.5 stars, cos of that emotional connection but rounded down to 4 for the purpose of the review, since I can't do half stars.
*same worded review will appear elsewhere
This is book 2 in the Men of Maddox Security series, but it's not necessary to read book 1 first. They can be read as a stand alone. A note though, the first chapter of this book is the same as the first in all the books, just from each guy's point of view. But the note at the front of THIS book, says that it's Ranger who has a point of view, and his book was first. So, maybe that note needs changing for each book. You might not notice it, but I did!
Orion is tasked with keeping Briar safe until a restraining order is obtained against her ex who is becoming dangerous. Seeing her picture, and Orion's world shifts. But can he keep her safe? And her parrot, Jeb?
I found this a bit darker read than book, but no less engaging and I thoroughly enjoyed it!
While Orion has instant and immediately attraction to Briar, he knows that he cannot cross that line. Briar's attraction to Orion takes a little bit of time (but not noo long!) but given what her ex kept telling her, she is wary. She keeps comparing them, but very quickly learns they are miles apart. I like that it took a little time for them to act on it.
I loved Jeb, Briar's parrot. He does get up to mischief, but he does let Orion know when Briar does what she does.
Steamy, oh yes. But I thought the emotional connection was more pronounced here than in book 1.
I'm still a little confused as to what the ex wanted with the star parrot from the zoo, though!
I liked how we caught up with Ranger and Tori from book one. And I still NEEEEEEEEEEEEED to read Dean's book!
Creeping up a bit to 4.5 stars, cos of that emotional connection but rounded down to 4 for the purpose of the review, since I can't do half stars.
*same worded review will appear elsewhere
Debbiereadsbook (1444 KP) rated Force Majeure in Books
Apr 15, 2025
I liked the dynamics between the two, and then the three
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
*insert sigh*
I wanted to love this book, I really did. It has the buttons I liked pressed, but it just felt a little bit . . .flat? . . .maybe. . .not sure what the word is I'm feeling and ya'll know I'm ALL about the book feelings! And I don't know why I'm not loving this, so maybe typing the review will clear it up.
So, here's what I DID like.
Both Ian and Taren have a say. They are an established couple and I liked that we got them on their own, as well as with Kevin in a three way. I liked the dynamics between the two, and then the three. They were clearly defined and well thought out and I liked the boundaries that Taren set for Kevin. I liked that Taren was the most level headed of the pair, but then again, as the Dom he had to be. It came across really well.
It is steamy, as only a three way can be. There are a more than a few scenes of Taren and Ian on their own, but I think only one with Kevin, and I think I might have wanted more (again, trying to work it out!)
I found that the story line with Kevin was a little short lived, but this is only a short book, some 100 pages.
And also, it appears this book is part of a series about Taren and Ian, and I think maybe if I had read them first, I might have enjoyed this more, as I would have had a better understanding of their emotio . . . .oooh! . . . .I think I might have figured it out!
I found the emotions coming off Taren and Ian were not really what I would have expected, but then again, if this is part of a series, and I haven't read them, I might have missed clues to their personalities and emotional expressions.
So, I'm gonna leave it with a good 3 stars
*same worded review will appear elsewhere
*insert sigh*
I wanted to love this book, I really did. It has the buttons I liked pressed, but it just felt a little bit . . .flat? . . .maybe. . .not sure what the word is I'm feeling and ya'll know I'm ALL about the book feelings! And I don't know why I'm not loving this, so maybe typing the review will clear it up.
So, here's what I DID like.
Both Ian and Taren have a say. They are an established couple and I liked that we got them on their own, as well as with Kevin in a three way. I liked the dynamics between the two, and then the three. They were clearly defined and well thought out and I liked the boundaries that Taren set for Kevin. I liked that Taren was the most level headed of the pair, but then again, as the Dom he had to be. It came across really well.
It is steamy, as only a three way can be. There are a more than a few scenes of Taren and Ian on their own, but I think only one with Kevin, and I think I might have wanted more (again, trying to work it out!)
I found that the story line with Kevin was a little short lived, but this is only a short book, some 100 pages.
And also, it appears this book is part of a series about Taren and Ian, and I think maybe if I had read them first, I might have enjoyed this more, as I would have had a better understanding of their emotio . . . .oooh! . . . .I think I might have figured it out!
I found the emotions coming off Taren and Ian were not really what I would have expected, but then again, if this is part of a series, and I haven't read them, I might have missed clues to their personalities and emotional expressions.
So, I'm gonna leave it with a good 3 stars
*same worded review will appear elsewhere
Chimera's Prisoner (Prime Omegaverse #6)
8.0
Rate It
Book
She hid her omega status for years. Now she's been claimed by the one predator who owns the skies. ...
Dark Dub-Con Science Fiction Erotica
Bob Mann (459 KP) rated Little Women (2019) in Movies
Jan 3, 2020 (Updated Jan 3, 2020)
Saoirse Ronan - just mesmeric. What screen presence! (2 more)
Great supporting cast.
Alexandre Desplat soundtrack.
"God hasn't met my will yet"
Greta Gerwig's follow up to her Oscar-praised "Lady Bird" from 2017 looks set to repeat the job this year. For it's nothing short of a masterpiece of cinema.
Louisa M. Alcott's semi-autobiographical novel has been filmed before (in 1949 and 1994, together with a number of other TV versions). I've not seen any of these previous versions and (as a literary philistine) I've never read the book either. So the story was new to me and drew me in perfectly.
The March sisters - Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh) and the youngest Beth (Eliza Scanlen) - are being brought up by their mother (Laura Dern) and Aunt (Meryl Streep) while their father (Bob Odenkirk) is away fighting in the Civil War. Also providing a helping hand is the rich neighbour Mr Lawrence (Chris Cooper), whose good-looking but indolent son 'Laurie' (Timothée Chalamet) has had the hots for tom-boy Jo for many years.
Each of the girls has a talent: for Jo it's writing, with her struggling to get her work past the grumpy publisher Mr Dashwood (Tracy Letts, from "Le Mans '66"); for Meg it's acting; for Amy it's painting; and for Beth it's music.
The film follows the lives, loves, successes and misfortunes of the sisters over two periods, split 7 years apart. It's a bumpy ride for some.
It struck me, as the big green BBFC certificate flashed onto the screen, how rare it is to find a "U - Suitable for all" (UK) certificate on a film these days. This is a film that the whole family *could* go and see. My only reservation here would be the way the film zips in and out of the two time periods at will. This might confuse the hell out of younger children. The subject matter of one part of the story may also disturb sensitive kids.
It's a really old-fashioned film - full of melodrama, love, unrequited love, death, charity, ambition and kindness - that builds to a feel-good ending that was totally corny but felt perfect in every way. We need more of this in our lives.
Wow. Just wow. The Oscar Best Actress categories are going to be a bloodied battlefield this year! There have been some GREAT roles for women on screen in the last year, and the Academy will have a job on their hands to narrow the long-list to the short-list this year. I would have tentatively forecast that Renée Zellweger might have had the Best Actor Oscar wrapped up for "Judy". But then here comes Saoirse Ronan. With phenomenal screen presence, she lights up every single scene she's in. Emma Watson and Florence Pugh are great actresses (and both here stand a stab at the Supporting Actress category), but your gaze always falls straight back to Ronan's reaction.
It's also a wonderful performance for newcomer Eliza Scanlen as the youngster Beth: I heard director Greta Gerwig comment (on Edith Bowman's excellent Soundtracking podcast) that Eliza needed less lighting than anyone else on set as she was "naturally luminous"!
Again lodging a cracking performance is the versatile Timothée Chalomet.... does the young chap make a bad film?
When you get to the end of the "cast bit", and you haven't mentioned Meryl Streep and Laura Dern yet, that says a lot!
What comes across more than anything else is just how apt this story is today to the 'girl power' times that we are currently living through. Jo in particular is the rebel of her day, fighting against the conformity of what it was in the time to be an independent woman, and specifically an independent working woman. Some of Alcott's words from the book could even today act as a rallying cry to those looking for greater change.
My reviewing year has certainly got off to a bang with this one. It's a glorious movie, utterly absorbing with ravishing cinematography by Yorick Le Saux and a brilliant soundtrack by Alexandre Desplat: both I suspect likely to feature in Oscar nominations. It's also likely to be nominated in other technical categories including Production Design, Costume and Hair & Makeup.
And I predict that this is inevitably going to be a Christmas favourite to match "The Sound of Music" and "It's a Wonderful Life" in future years.
Comes with a highly recommended tag from me.
(For the full graphical review, please visit the One Mann's Movies site here - https://bob-the-movie-man.com/2019/01/03/one-manns-movies-film-review-little-women-2019/. Thanks.)
Louisa M. Alcott's semi-autobiographical novel has been filmed before (in 1949 and 1994, together with a number of other TV versions). I've not seen any of these previous versions and (as a literary philistine) I've never read the book either. So the story was new to me and drew me in perfectly.
The March sisters - Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh) and the youngest Beth (Eliza Scanlen) - are being brought up by their mother (Laura Dern) and Aunt (Meryl Streep) while their father (Bob Odenkirk) is away fighting in the Civil War. Also providing a helping hand is the rich neighbour Mr Lawrence (Chris Cooper), whose good-looking but indolent son 'Laurie' (Timothée Chalamet) has had the hots for tom-boy Jo for many years.
Each of the girls has a talent: for Jo it's writing, with her struggling to get her work past the grumpy publisher Mr Dashwood (Tracy Letts, from "Le Mans '66"); for Meg it's acting; for Amy it's painting; and for Beth it's music.
The film follows the lives, loves, successes and misfortunes of the sisters over two periods, split 7 years apart. It's a bumpy ride for some.
It struck me, as the big green BBFC certificate flashed onto the screen, how rare it is to find a "U - Suitable for all" (UK) certificate on a film these days. This is a film that the whole family *could* go and see. My only reservation here would be the way the film zips in and out of the two time periods at will. This might confuse the hell out of younger children. The subject matter of one part of the story may also disturb sensitive kids.
It's a really old-fashioned film - full of melodrama, love, unrequited love, death, charity, ambition and kindness - that builds to a feel-good ending that was totally corny but felt perfect in every way. We need more of this in our lives.
Wow. Just wow. The Oscar Best Actress categories are going to be a bloodied battlefield this year! There have been some GREAT roles for women on screen in the last year, and the Academy will have a job on their hands to narrow the long-list to the short-list this year. I would have tentatively forecast that Renée Zellweger might have had the Best Actor Oscar wrapped up for "Judy". But then here comes Saoirse Ronan. With phenomenal screen presence, she lights up every single scene she's in. Emma Watson and Florence Pugh are great actresses (and both here stand a stab at the Supporting Actress category), but your gaze always falls straight back to Ronan's reaction.
It's also a wonderful performance for newcomer Eliza Scanlen as the youngster Beth: I heard director Greta Gerwig comment (on Edith Bowman's excellent Soundtracking podcast) that Eliza needed less lighting than anyone else on set as she was "naturally luminous"!
Again lodging a cracking performance is the versatile Timothée Chalomet.... does the young chap make a bad film?
When you get to the end of the "cast bit", and you haven't mentioned Meryl Streep and Laura Dern yet, that says a lot!
What comes across more than anything else is just how apt this story is today to the 'girl power' times that we are currently living through. Jo in particular is the rebel of her day, fighting against the conformity of what it was in the time to be an independent woman, and specifically an independent working woman. Some of Alcott's words from the book could even today act as a rallying cry to those looking for greater change.
My reviewing year has certainly got off to a bang with this one. It's a glorious movie, utterly absorbing with ravishing cinematography by Yorick Le Saux and a brilliant soundtrack by Alexandre Desplat: both I suspect likely to feature in Oscar nominations. It's also likely to be nominated in other technical categories including Production Design, Costume and Hair & Makeup.
And I predict that this is inevitably going to be a Christmas favourite to match "The Sound of Music" and "It's a Wonderful Life" in future years.
Comes with a highly recommended tag from me.
(For the full graphical review, please visit the One Mann's Movies site here - https://bob-the-movie-man.com/2019/01/03/one-manns-movies-film-review-little-women-2019/. Thanks.)
Gareth von Kallenbach (980 KP) rated Elle (2016) in Movies
Jul 12, 2019
The end of 2016 is just a few short weeks away. That being said, studios and filmmakers across the world are rolling out the few remaining big budget blockbusters and potential breakout independent masterpieces before year’s end. Among them is today’s film for your consideration. A film that has already received international acclaim when it premiered in competition for the Palme d’Or at the 2016 Cannes Film Festival as well as several awards including the Gotham Independent Film Award For Best Actress, the Los Angeles Film Critics Association Award for Best Actress, a New York Film Critics Association Award for Best Actress, and a Golden Globe Award Nomination for Best Actress for the film’s star, celebrated French film and stage actress Isabelle Huppert. The film would later go on to be selected as the French entry for Best Foreign Language Film at the 89th Academy Awards.
‘Elle’ ( meaning ‘her’ or ‘she’ in French) is an internationally co-produced psychological thriller directed by Paul Verhoeven. Yes, THAT Paul Verhoeven of ‘RoboCop’ , ‘Basic Instinct’, ‘Starship Troopers’, ‘Showgirls’, and ‘Total Recall’ fame. Hold on a second. Before you take his track record of recent works into account just hear me out. The film is based on the 2012 novel “Oh …. ” by French/Armenian author Philippe Djian which won the prix Interallie literary award for a novel written by journalist. ‘Elle’ is Verhoeven’s first French language film and his first film since 2006’s ‘Black Book’.
The film stars Isabelle Huppert as business woman Michele Leblanc. Mother, divorce, and head of a video game company who is viciously attacked and raped in her home late one night by an unknown assailant wearing a ski mask. Rather than report this to the police, she quickly ‘cleans up the mess’ and carries on with life as usual. The film also features several subplots that intricately weave into the film’s main storyline. Michele has a son Vincent (Jonas Bloquet) who is engaged to his unfaithful and domineering girlfriend Josie (Alice Isaac). Their relationship is strained due to Vincent’s lack of direction and his refusal to break off the relationship with Josie who is pregnant by the man she cheated on Vincent with. Michele’s relationship with her mother is also strained due to her mother’s narcissism and preference for younger men. A point of increasing animosity between Michelle and her mother is the fact that Michelle refuses her mother’s request to visit Michelle’s father, a convicted cereal killer, in prison. Meanwhile, Michele is carrying on an affair with Robert (Christian Berkele). The husband of her business partner and best friend Anna (Anne Consigny) while at the same time developing a fixation with Patrick (Laurent Lafitte). A banker and husband of Michele’s religiously devout neighbor Rebecca (Virginie Efira). All this, combined with the turmoil going on within Michele’s company make her reluctant to involve the police in anyway.
Soon Michele grows suspicious of all the men in her life and begins to ‘stalk in reverse’ those in particular might have the strongest motivation to do her harm. At first she suspects Kurt (Lucas Prisor). A particularly resentful employee of her company and even her ex-husband Richard (Charles Berling) who Michele inadvertently pepper-sprays while he was hiding outside her home checking on her safety. Despite pleas from Richard, her friends, and fearing another media frenzy similar to the one that occurred during her childhood when her father was arrested Michele continues with life as usual on the surface. In secret though, Michele is arming herself and using her company’s resources in an attempt to find her attacker and exact her own vision of retribution in this twisted cat and mouse game.
This film is by far one of the best thrillers I’ve seen in the last few years. In my opinion, we here in America don’t partake in enough of the films our neighbors in other countries have to offer. This film doesn’t ‘play it safe’. The story plays out in a realistic and believable manner. This is another one of those rare stories where there are really no ‘happy endings’ in the situation such as depicted in the film. It’s harsh, it’s in your face, it’s plausible, the innocent unfortunately suffer along with the guilty. Punishing the guilty is never enough and sometimes harms the victim(s) even more over the course of time. The film is rated R for depictions of physical and sexual violence and clocks in just past 2 hours. If you’re searching for a well written, well directed, and even better acted film. This psychological thriller is definitely for you. I expect this film will continue to garner more acclaim and even more awards. I’m giving this one 4 out of 5 stars.
‘Elle’ ( meaning ‘her’ or ‘she’ in French) is an internationally co-produced psychological thriller directed by Paul Verhoeven. Yes, THAT Paul Verhoeven of ‘RoboCop’ , ‘Basic Instinct’, ‘Starship Troopers’, ‘Showgirls’, and ‘Total Recall’ fame. Hold on a second. Before you take his track record of recent works into account just hear me out. The film is based on the 2012 novel “Oh …. ” by French/Armenian author Philippe Djian which won the prix Interallie literary award for a novel written by journalist. ‘Elle’ is Verhoeven’s first French language film and his first film since 2006’s ‘Black Book’.
The film stars Isabelle Huppert as business woman Michele Leblanc. Mother, divorce, and head of a video game company who is viciously attacked and raped in her home late one night by an unknown assailant wearing a ski mask. Rather than report this to the police, she quickly ‘cleans up the mess’ and carries on with life as usual. The film also features several subplots that intricately weave into the film’s main storyline. Michele has a son Vincent (Jonas Bloquet) who is engaged to his unfaithful and domineering girlfriend Josie (Alice Isaac). Their relationship is strained due to Vincent’s lack of direction and his refusal to break off the relationship with Josie who is pregnant by the man she cheated on Vincent with. Michele’s relationship with her mother is also strained due to her mother’s narcissism and preference for younger men. A point of increasing animosity between Michelle and her mother is the fact that Michelle refuses her mother’s request to visit Michelle’s father, a convicted cereal killer, in prison. Meanwhile, Michele is carrying on an affair with Robert (Christian Berkele). The husband of her business partner and best friend Anna (Anne Consigny) while at the same time developing a fixation with Patrick (Laurent Lafitte). A banker and husband of Michele’s religiously devout neighbor Rebecca (Virginie Efira). All this, combined with the turmoil going on within Michele’s company make her reluctant to involve the police in anyway.
Soon Michele grows suspicious of all the men in her life and begins to ‘stalk in reverse’ those in particular might have the strongest motivation to do her harm. At first she suspects Kurt (Lucas Prisor). A particularly resentful employee of her company and even her ex-husband Richard (Charles Berling) who Michele inadvertently pepper-sprays while he was hiding outside her home checking on her safety. Despite pleas from Richard, her friends, and fearing another media frenzy similar to the one that occurred during her childhood when her father was arrested Michele continues with life as usual on the surface. In secret though, Michele is arming herself and using her company’s resources in an attempt to find her attacker and exact her own vision of retribution in this twisted cat and mouse game.
This film is by far one of the best thrillers I’ve seen in the last few years. In my opinion, we here in America don’t partake in enough of the films our neighbors in other countries have to offer. This film doesn’t ‘play it safe’. The story plays out in a realistic and believable manner. This is another one of those rare stories where there are really no ‘happy endings’ in the situation such as depicted in the film. It’s harsh, it’s in your face, it’s plausible, the innocent unfortunately suffer along with the guilty. Punishing the guilty is never enough and sometimes harms the victim(s) even more over the course of time. The film is rated R for depictions of physical and sexual violence and clocks in just past 2 hours. If you’re searching for a well written, well directed, and even better acted film. This psychological thriller is definitely for you. I expect this film will continue to garner more acclaim and even more awards. I’m giving this one 4 out of 5 stars.
Debbiereadsbook (1444 KP) rated On The Ice ( Stick Side '#1) in Books
May 14, 2018
kinda creeps up on ya!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Mitch is working two jobs to put himself through college, and get himself in the NHL league. He puts on a front for everyone and anyone who pays him any attention. But Alex sees Mitch, like SEES him, as he really is and Alex wants more. But both young men are fully aware that coming out might jeopardize both the positions in the league.
I made a new shelf, just for books like this! It's title?? Kinda-creeps-up-on-ya!
Because that is just what this book did! It creeps along, slow, slow, fast, fast, slow. The emotions build along the same, and then, THEN?? I ran out of book!
You get sucked in so far, you can't see a way out, except to keep on going and see how it all turns out!
I loved Mitch, with all his fronts and faces he presents to everyone else. I loved that Alex saw, immediately, past those fronts and faces. Loved that Alex makes it clear to Mitch, while he finds him attractive, there can be nothing between them without the EMOTIONAL connection. And Mitch would rather take the nothing, and have Alex in his life, than just the sex, and lose Alex along the way.
I find myself: me, a middle aged English woman, connecting with Alex on a much deeper level than I expected to. Alex is demisexual: he loves people, not genders. But he won't have sex with just anyone, he needs that emotion connection that Mitch is chasing with Alex. And I think THATS what I connected to, the fact he needs that emotional connection.
I did love the epilogue! Loved that, even though these guys could have lost their league places, they followed their hearts!
There is a little bit in the front of this book, that tells you Mitch and Alex pop up in another book by Aislin. They are already married for 6 years in that book, and this is the story of how they got together. I'd like to read that one too.
From what I can see, the first I have read of Aislin, another new to me author who blew me away.
5 stars, that creep up ya!!
**same worded review will appear elsewhere**
Mitch is working two jobs to put himself through college, and get himself in the NHL league. He puts on a front for everyone and anyone who pays him any attention. But Alex sees Mitch, like SEES him, as he really is and Alex wants more. But both young men are fully aware that coming out might jeopardize both the positions in the league.
I made a new shelf, just for books like this! It's title?? Kinda-creeps-up-on-ya!
Because that is just what this book did! It creeps along, slow, slow, fast, fast, slow. The emotions build along the same, and then, THEN?? I ran out of book!
You get sucked in so far, you can't see a way out, except to keep on going and see how it all turns out!
I loved Mitch, with all his fronts and faces he presents to everyone else. I loved that Alex saw, immediately, past those fronts and faces. Loved that Alex makes it clear to Mitch, while he finds him attractive, there can be nothing between them without the EMOTIONAL connection. And Mitch would rather take the nothing, and have Alex in his life, than just the sex, and lose Alex along the way.
I find myself: me, a middle aged English woman, connecting with Alex on a much deeper level than I expected to. Alex is demisexual: he loves people, not genders. But he won't have sex with just anyone, he needs that emotion connection that Mitch is chasing with Alex. And I think THATS what I connected to, the fact he needs that emotional connection.
I did love the epilogue! Loved that, even though these guys could have lost their league places, they followed their hearts!
There is a little bit in the front of this book, that tells you Mitch and Alex pop up in another book by Aislin. They are already married for 6 years in that book, and this is the story of how they got together. I'd like to read that one too.
From what I can see, the first I have read of Aislin, another new to me author who blew me away.
5 stars, that creep up ya!!
**same worded review will appear elsewhere**
Debbiereadsbook (1444 KP) rated Unlikely Hero (AUDIO) in Books
May 14, 2018
excellent narration of a great book!
Independent reviewer for Divine Magazine, I was gifted the audio version of this book.
Brock never got over Eric leaving him, but he understood why Eric needed to go. When Eric calls, 9 years later, Brock drops everything and calls upon his considerable resources to find Eric's 3 year old daughter , who has been kidnapped. But having Eric and Josie under his roof, to keep them safe, has Brock thinking about all the things he missed out on.
I loved this!!
Brock loved Eric, never stopped so of course he's gonna help him find his daughter! I loved that, right from Eric turning up at his office, Brock is calling him baby. I don;'t usually, so it surprised me here that I did love it! I think it surprised Brock too, the first time he did it!
Brock makes no apologies for his wealth and power and he pulls no punches in using both to keep Eric and Josie safe, and in finding out who is doing this.
But we don't get Eric, at all. This is told entirely from Brock's POV in the third person. And I really REALLY needed to hear from Eric at key points along the way: when Josie is first discovered gone; when he walks into Brock's office and when he finds out just who is behind it all. This is the only reason I gave the book 4 stars, because Eric is not given a voice, and he needed one.
I loved the supporting cast, especially Max and Gordon. They have a tale to tell, not least because of what goes down here!
Jeff Gelder narrates. This is the first, as far as I can see, that I have listened to of his work and I was very impressed. His reading voice is deep and even, and his voices consistent and easily identifiable in multi person conversations. Loved his voice for Josie, who sounded just like a 3 year old should, with all the funny things they say. Gelder gets over all of Brock's emotions in all the right places.
I cannot fault the narration. Gelder is firmly on my to listen list!
4 stars for the book
5 stars for the narration.
4.5 (rounded down to 4) overall.
**same worded review will appear elsewhere**
Brock never got over Eric leaving him, but he understood why Eric needed to go. When Eric calls, 9 years later, Brock drops everything and calls upon his considerable resources to find Eric's 3 year old daughter , who has been kidnapped. But having Eric and Josie under his roof, to keep them safe, has Brock thinking about all the things he missed out on.
I loved this!!
Brock loved Eric, never stopped so of course he's gonna help him find his daughter! I loved that, right from Eric turning up at his office, Brock is calling him baby. I don;'t usually, so it surprised me here that I did love it! I think it surprised Brock too, the first time he did it!
Brock makes no apologies for his wealth and power and he pulls no punches in using both to keep Eric and Josie safe, and in finding out who is doing this.
But we don't get Eric, at all. This is told entirely from Brock's POV in the third person. And I really REALLY needed to hear from Eric at key points along the way: when Josie is first discovered gone; when he walks into Brock's office and when he finds out just who is behind it all. This is the only reason I gave the book 4 stars, because Eric is not given a voice, and he needed one.
I loved the supporting cast, especially Max and Gordon. They have a tale to tell, not least because of what goes down here!
Jeff Gelder narrates. This is the first, as far as I can see, that I have listened to of his work and I was very impressed. His reading voice is deep and even, and his voices consistent and easily identifiable in multi person conversations. Loved his voice for Josie, who sounded just like a 3 year old should, with all the funny things they say. Gelder gets over all of Brock's emotions in all the right places.
I cannot fault the narration. Gelder is firmly on my to listen list!
4 stars for the book
5 stars for the narration.
4.5 (rounded down to 4) overall.
**same worded review will appear elsewhere**