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The Maestro's Mates (The Vampire Impresario #3)
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One grumpy gargoyle. One hopeful vampire. One chaotic witch. Three fated mates face a looming...
Menage MMM Urban Fantasy Romance
Bob Mann (459 KP) rated Little Women (2019) in Movies
Jan 3, 2020 (Updated Jan 3, 2020)
Saoirse Ronan - just mesmeric. What screen presence! (2 more)
Great supporting cast.
Alexandre Desplat soundtrack.
"God hasn't met my will yet"
Greta Gerwig's follow up to her Oscar-praised "Lady Bird" from 2017 looks set to repeat the job this year. For it's nothing short of a masterpiece of cinema.
Louisa M. Alcott's semi-autobiographical novel has been filmed before (in 1949 and 1994, together with a number of other TV versions). I've not seen any of these previous versions and (as a literary philistine) I've never read the book either. So the story was new to me and drew me in perfectly.
The March sisters - Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh) and the youngest Beth (Eliza Scanlen) - are being brought up by their mother (Laura Dern) and Aunt (Meryl Streep) while their father (Bob Odenkirk) is away fighting in the Civil War. Also providing a helping hand is the rich neighbour Mr Lawrence (Chris Cooper), whose good-looking but indolent son 'Laurie' (Timothée Chalamet) has had the hots for tom-boy Jo for many years.
Each of the girls has a talent: for Jo it's writing, with her struggling to get her work past the grumpy publisher Mr Dashwood (Tracy Letts, from "Le Mans '66"); for Meg it's acting; for Amy it's painting; and for Beth it's music.
The film follows the lives, loves, successes and misfortunes of the sisters over two periods, split 7 years apart. It's a bumpy ride for some.
It struck me, as the big green BBFC certificate flashed onto the screen, how rare it is to find a "U - Suitable for all" (UK) certificate on a film these days. This is a film that the whole family *could* go and see. My only reservation here would be the way the film zips in and out of the two time periods at will. This might confuse the hell out of younger children. The subject matter of one part of the story may also disturb sensitive kids.
It's a really old-fashioned film - full of melodrama, love, unrequited love, death, charity, ambition and kindness - that builds to a feel-good ending that was totally corny but felt perfect in every way. We need more of this in our lives.
Wow. Just wow. The Oscar Best Actress categories are going to be a bloodied battlefield this year! There have been some GREAT roles for women on screen in the last year, and the Academy will have a job on their hands to narrow the long-list to the short-list this year. I would have tentatively forecast that Renée Zellweger might have had the Best Actor Oscar wrapped up for "Judy". But then here comes Saoirse Ronan. With phenomenal screen presence, she lights up every single scene she's in. Emma Watson and Florence Pugh are great actresses (and both here stand a stab at the Supporting Actress category), but your gaze always falls straight back to Ronan's reaction.
It's also a wonderful performance for newcomer Eliza Scanlen as the youngster Beth: I heard director Greta Gerwig comment (on Edith Bowman's excellent Soundtracking podcast) that Eliza needed less lighting than anyone else on set as she was "naturally luminous"!
Again lodging a cracking performance is the versatile Timothée Chalomet.... does the young chap make a bad film?
When you get to the end of the "cast bit", and you haven't mentioned Meryl Streep and Laura Dern yet, that says a lot!
What comes across more than anything else is just how apt this story is today to the 'girl power' times that we are currently living through. Jo in particular is the rebel of her day, fighting against the conformity of what it was in the time to be an independent woman, and specifically an independent working woman. Some of Alcott's words from the book could even today act as a rallying cry to those looking for greater change.
My reviewing year has certainly got off to a bang with this one. It's a glorious movie, utterly absorbing with ravishing cinematography by Yorick Le Saux and a brilliant soundtrack by Alexandre Desplat: both I suspect likely to feature in Oscar nominations. It's also likely to be nominated in other technical categories including Production Design, Costume and Hair & Makeup.
And I predict that this is inevitably going to be a Christmas favourite to match "The Sound of Music" and "It's a Wonderful Life" in future years.
Comes with a highly recommended tag from me.
(For the full graphical review, please visit the One Mann's Movies site here - https://bob-the-movie-man.com/2019/01/03/one-manns-movies-film-review-little-women-2019/. Thanks.)
Louisa M. Alcott's semi-autobiographical novel has been filmed before (in 1949 and 1994, together with a number of other TV versions). I've not seen any of these previous versions and (as a literary philistine) I've never read the book either. So the story was new to me and drew me in perfectly.
The March sisters - Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh) and the youngest Beth (Eliza Scanlen) - are being brought up by their mother (Laura Dern) and Aunt (Meryl Streep) while their father (Bob Odenkirk) is away fighting in the Civil War. Also providing a helping hand is the rich neighbour Mr Lawrence (Chris Cooper), whose good-looking but indolent son 'Laurie' (Timothée Chalamet) has had the hots for tom-boy Jo for many years.
Each of the girls has a talent: for Jo it's writing, with her struggling to get her work past the grumpy publisher Mr Dashwood (Tracy Letts, from "Le Mans '66"); for Meg it's acting; for Amy it's painting; and for Beth it's music.
The film follows the lives, loves, successes and misfortunes of the sisters over two periods, split 7 years apart. It's a bumpy ride for some.
It struck me, as the big green BBFC certificate flashed onto the screen, how rare it is to find a "U - Suitable for all" (UK) certificate on a film these days. This is a film that the whole family *could* go and see. My only reservation here would be the way the film zips in and out of the two time periods at will. This might confuse the hell out of younger children. The subject matter of one part of the story may also disturb sensitive kids.
It's a really old-fashioned film - full of melodrama, love, unrequited love, death, charity, ambition and kindness - that builds to a feel-good ending that was totally corny but felt perfect in every way. We need more of this in our lives.
Wow. Just wow. The Oscar Best Actress categories are going to be a bloodied battlefield this year! There have been some GREAT roles for women on screen in the last year, and the Academy will have a job on their hands to narrow the long-list to the short-list this year. I would have tentatively forecast that Renée Zellweger might have had the Best Actor Oscar wrapped up for "Judy". But then here comes Saoirse Ronan. With phenomenal screen presence, she lights up every single scene she's in. Emma Watson and Florence Pugh are great actresses (and both here stand a stab at the Supporting Actress category), but your gaze always falls straight back to Ronan's reaction.
It's also a wonderful performance for newcomer Eliza Scanlen as the youngster Beth: I heard director Greta Gerwig comment (on Edith Bowman's excellent Soundtracking podcast) that Eliza needed less lighting than anyone else on set as she was "naturally luminous"!
Again lodging a cracking performance is the versatile Timothée Chalomet.... does the young chap make a bad film?
When you get to the end of the "cast bit", and you haven't mentioned Meryl Streep and Laura Dern yet, that says a lot!
What comes across more than anything else is just how apt this story is today to the 'girl power' times that we are currently living through. Jo in particular is the rebel of her day, fighting against the conformity of what it was in the time to be an independent woman, and specifically an independent working woman. Some of Alcott's words from the book could even today act as a rallying cry to those looking for greater change.
My reviewing year has certainly got off to a bang with this one. It's a glorious movie, utterly absorbing with ravishing cinematography by Yorick Le Saux and a brilliant soundtrack by Alexandre Desplat: both I suspect likely to feature in Oscar nominations. It's also likely to be nominated in other technical categories including Production Design, Costume and Hair & Makeup.
And I predict that this is inevitably going to be a Christmas favourite to match "The Sound of Music" and "It's a Wonderful Life" in future years.
Comes with a highly recommended tag from me.
(For the full graphical review, please visit the One Mann's Movies site here - https://bob-the-movie-man.com/2019/01/03/one-manns-movies-film-review-little-women-2019/. Thanks.)
Gareth von Kallenbach (980 KP) rated Elle (2016) in Movies
Jul 12, 2019
The end of 2016 is just a few short weeks away. That being said, studios and filmmakers across the world are rolling out the few remaining big budget blockbusters and potential breakout independent masterpieces before year’s end. Among them is today’s film for your consideration. A film that has already received international acclaim when it premiered in competition for the Palme d’Or at the 2016 Cannes Film Festival as well as several awards including the Gotham Independent Film Award For Best Actress, the Los Angeles Film Critics Association Award for Best Actress, a New York Film Critics Association Award for Best Actress, and a Golden Globe Award Nomination for Best Actress for the film’s star, celebrated French film and stage actress Isabelle Huppert. The film would later go on to be selected as the French entry for Best Foreign Language Film at the 89th Academy Awards.
‘Elle’ ( meaning ‘her’ or ‘she’ in French) is an internationally co-produced psychological thriller directed by Paul Verhoeven. Yes, THAT Paul Verhoeven of ‘RoboCop’ , ‘Basic Instinct’, ‘Starship Troopers’, ‘Showgirls’, and ‘Total Recall’ fame. Hold on a second. Before you take his track record of recent works into account just hear me out. The film is based on the 2012 novel “Oh …. ” by French/Armenian author Philippe Djian which won the prix Interallie literary award for a novel written by journalist. ‘Elle’ is Verhoeven’s first French language film and his first film since 2006’s ‘Black Book’.
The film stars Isabelle Huppert as business woman Michele Leblanc. Mother, divorce, and head of a video game company who is viciously attacked and raped in her home late one night by an unknown assailant wearing a ski mask. Rather than report this to the police, she quickly ‘cleans up the mess’ and carries on with life as usual. The film also features several subplots that intricately weave into the film’s main storyline. Michele has a son Vincent (Jonas Bloquet) who is engaged to his unfaithful and domineering girlfriend Josie (Alice Isaac). Their relationship is strained due to Vincent’s lack of direction and his refusal to break off the relationship with Josie who is pregnant by the man she cheated on Vincent with. Michele’s relationship with her mother is also strained due to her mother’s narcissism and preference for younger men. A point of increasing animosity between Michelle and her mother is the fact that Michelle refuses her mother’s request to visit Michelle’s father, a convicted cereal killer, in prison. Meanwhile, Michele is carrying on an affair with Robert (Christian Berkele). The husband of her business partner and best friend Anna (Anne Consigny) while at the same time developing a fixation with Patrick (Laurent Lafitte). A banker and husband of Michele’s religiously devout neighbor Rebecca (Virginie Efira). All this, combined with the turmoil going on within Michele’s company make her reluctant to involve the police in anyway.
Soon Michele grows suspicious of all the men in her life and begins to ‘stalk in reverse’ those in particular might have the strongest motivation to do her harm. At first she suspects Kurt (Lucas Prisor). A particularly resentful employee of her company and even her ex-husband Richard (Charles Berling) who Michele inadvertently pepper-sprays while he was hiding outside her home checking on her safety. Despite pleas from Richard, her friends, and fearing another media frenzy similar to the one that occurred during her childhood when her father was arrested Michele continues with life as usual on the surface. In secret though, Michele is arming herself and using her company’s resources in an attempt to find her attacker and exact her own vision of retribution in this twisted cat and mouse game.
This film is by far one of the best thrillers I’ve seen in the last few years. In my opinion, we here in America don’t partake in enough of the films our neighbors in other countries have to offer. This film doesn’t ‘play it safe’. The story plays out in a realistic and believable manner. This is another one of those rare stories where there are really no ‘happy endings’ in the situation such as depicted in the film. It’s harsh, it’s in your face, it’s plausible, the innocent unfortunately suffer along with the guilty. Punishing the guilty is never enough and sometimes harms the victim(s) even more over the course of time. The film is rated R for depictions of physical and sexual violence and clocks in just past 2 hours. If you’re searching for a well written, well directed, and even better acted film. This psychological thriller is definitely for you. I expect this film will continue to garner more acclaim and even more awards. I’m giving this one 4 out of 5 stars.
‘Elle’ ( meaning ‘her’ or ‘she’ in French) is an internationally co-produced psychological thriller directed by Paul Verhoeven. Yes, THAT Paul Verhoeven of ‘RoboCop’ , ‘Basic Instinct’, ‘Starship Troopers’, ‘Showgirls’, and ‘Total Recall’ fame. Hold on a second. Before you take his track record of recent works into account just hear me out. The film is based on the 2012 novel “Oh …. ” by French/Armenian author Philippe Djian which won the prix Interallie literary award for a novel written by journalist. ‘Elle’ is Verhoeven’s first French language film and his first film since 2006’s ‘Black Book’.
The film stars Isabelle Huppert as business woman Michele Leblanc. Mother, divorce, and head of a video game company who is viciously attacked and raped in her home late one night by an unknown assailant wearing a ski mask. Rather than report this to the police, she quickly ‘cleans up the mess’ and carries on with life as usual. The film also features several subplots that intricately weave into the film’s main storyline. Michele has a son Vincent (Jonas Bloquet) who is engaged to his unfaithful and domineering girlfriend Josie (Alice Isaac). Their relationship is strained due to Vincent’s lack of direction and his refusal to break off the relationship with Josie who is pregnant by the man she cheated on Vincent with. Michele’s relationship with her mother is also strained due to her mother’s narcissism and preference for younger men. A point of increasing animosity between Michelle and her mother is the fact that Michelle refuses her mother’s request to visit Michelle’s father, a convicted cereal killer, in prison. Meanwhile, Michele is carrying on an affair with Robert (Christian Berkele). The husband of her business partner and best friend Anna (Anne Consigny) while at the same time developing a fixation with Patrick (Laurent Lafitte). A banker and husband of Michele’s religiously devout neighbor Rebecca (Virginie Efira). All this, combined with the turmoil going on within Michele’s company make her reluctant to involve the police in anyway.
Soon Michele grows suspicious of all the men in her life and begins to ‘stalk in reverse’ those in particular might have the strongest motivation to do her harm. At first she suspects Kurt (Lucas Prisor). A particularly resentful employee of her company and even her ex-husband Richard (Charles Berling) who Michele inadvertently pepper-sprays while he was hiding outside her home checking on her safety. Despite pleas from Richard, her friends, and fearing another media frenzy similar to the one that occurred during her childhood when her father was arrested Michele continues with life as usual on the surface. In secret though, Michele is arming herself and using her company’s resources in an attempt to find her attacker and exact her own vision of retribution in this twisted cat and mouse game.
This film is by far one of the best thrillers I’ve seen in the last few years. In my opinion, we here in America don’t partake in enough of the films our neighbors in other countries have to offer. This film doesn’t ‘play it safe’. The story plays out in a realistic and believable manner. This is another one of those rare stories where there are really no ‘happy endings’ in the situation such as depicted in the film. It’s harsh, it’s in your face, it’s plausible, the innocent unfortunately suffer along with the guilty. Punishing the guilty is never enough and sometimes harms the victim(s) even more over the course of time. The film is rated R for depictions of physical and sexual violence and clocks in just past 2 hours. If you’re searching for a well written, well directed, and even better acted film. This psychological thriller is definitely for you. I expect this film will continue to garner more acclaim and even more awards. I’m giving this one 4 out of 5 stars.
Debbiereadsbook (1487 KP) rated On The Ice ( Stick Side '#1) in Books
May 14, 2018
kinda creeps up on ya!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Mitch is working two jobs to put himself through college, and get himself in the NHL league. He puts on a front for everyone and anyone who pays him any attention. But Alex sees Mitch, like SEES him, as he really is and Alex wants more. But both young men are fully aware that coming out might jeopardize both the positions in the league.
I made a new shelf, just for books like this! It's title?? Kinda-creeps-up-on-ya!
Because that is just what this book did! It creeps along, slow, slow, fast, fast, slow. The emotions build along the same, and then, THEN?? I ran out of book!
You get sucked in so far, you can't see a way out, except to keep on going and see how it all turns out!
I loved Mitch, with all his fronts and faces he presents to everyone else. I loved that Alex saw, immediately, past those fronts and faces. Loved that Alex makes it clear to Mitch, while he finds him attractive, there can be nothing between them without the EMOTIONAL connection. And Mitch would rather take the nothing, and have Alex in his life, than just the sex, and lose Alex along the way.
I find myself: me, a middle aged English woman, connecting with Alex on a much deeper level than I expected to. Alex is demisexual: he loves people, not genders. But he won't have sex with just anyone, he needs that emotion connection that Mitch is chasing with Alex. And I think THATS what I connected to, the fact he needs that emotional connection.
I did love the epilogue! Loved that, even though these guys could have lost their league places, they followed their hearts!
There is a little bit in the front of this book, that tells you Mitch and Alex pop up in another book by Aislin. They are already married for 6 years in that book, and this is the story of how they got together. I'd like to read that one too.
From what I can see, the first I have read of Aislin, another new to me author who blew me away.
5 stars, that creep up ya!!
**same worded review will appear elsewhere**
Mitch is working two jobs to put himself through college, and get himself in the NHL league. He puts on a front for everyone and anyone who pays him any attention. But Alex sees Mitch, like SEES him, as he really is and Alex wants more. But both young men are fully aware that coming out might jeopardize both the positions in the league.
I made a new shelf, just for books like this! It's title?? Kinda-creeps-up-on-ya!
Because that is just what this book did! It creeps along, slow, slow, fast, fast, slow. The emotions build along the same, and then, THEN?? I ran out of book!
You get sucked in so far, you can't see a way out, except to keep on going and see how it all turns out!
I loved Mitch, with all his fronts and faces he presents to everyone else. I loved that Alex saw, immediately, past those fronts and faces. Loved that Alex makes it clear to Mitch, while he finds him attractive, there can be nothing between them without the EMOTIONAL connection. And Mitch would rather take the nothing, and have Alex in his life, than just the sex, and lose Alex along the way.
I find myself: me, a middle aged English woman, connecting with Alex on a much deeper level than I expected to. Alex is demisexual: he loves people, not genders. But he won't have sex with just anyone, he needs that emotion connection that Mitch is chasing with Alex. And I think THATS what I connected to, the fact he needs that emotional connection.
I did love the epilogue! Loved that, even though these guys could have lost their league places, they followed their hearts!
There is a little bit in the front of this book, that tells you Mitch and Alex pop up in another book by Aislin. They are already married for 6 years in that book, and this is the story of how they got together. I'd like to read that one too.
From what I can see, the first I have read of Aislin, another new to me author who blew me away.
5 stars, that creep up ya!!
**same worded review will appear elsewhere**
Debbiereadsbook (1487 KP) rated Unlikely Hero (AUDIO) in Books
May 14, 2018
excellent narration of a great book!
Independent reviewer for Divine Magazine, I was gifted the audio version of this book.
Brock never got over Eric leaving him, but he understood why Eric needed to go. When Eric calls, 9 years later, Brock drops everything and calls upon his considerable resources to find Eric's 3 year old daughter , who has been kidnapped. But having Eric and Josie under his roof, to keep them safe, has Brock thinking about all the things he missed out on.
I loved this!!
Brock loved Eric, never stopped so of course he's gonna help him find his daughter! I loved that, right from Eric turning up at his office, Brock is calling him baby. I don;'t usually, so it surprised me here that I did love it! I think it surprised Brock too, the first time he did it!
Brock makes no apologies for his wealth and power and he pulls no punches in using both to keep Eric and Josie safe, and in finding out who is doing this.
But we don't get Eric, at all. This is told entirely from Brock's POV in the third person. And I really REALLY needed to hear from Eric at key points along the way: when Josie is first discovered gone; when he walks into Brock's office and when he finds out just who is behind it all. This is the only reason I gave the book 4 stars, because Eric is not given a voice, and he needed one.
I loved the supporting cast, especially Max and Gordon. They have a tale to tell, not least because of what goes down here!
Jeff Gelder narrates. This is the first, as far as I can see, that I have listened to of his work and I was very impressed. His reading voice is deep and even, and his voices consistent and easily identifiable in multi person conversations. Loved his voice for Josie, who sounded just like a 3 year old should, with all the funny things they say. Gelder gets over all of Brock's emotions in all the right places.
I cannot fault the narration. Gelder is firmly on my to listen list!
4 stars for the book
5 stars for the narration.
4.5 (rounded down to 4) overall.
**same worded review will appear elsewhere**
Brock never got over Eric leaving him, but he understood why Eric needed to go. When Eric calls, 9 years later, Brock drops everything and calls upon his considerable resources to find Eric's 3 year old daughter , who has been kidnapped. But having Eric and Josie under his roof, to keep them safe, has Brock thinking about all the things he missed out on.
I loved this!!
Brock loved Eric, never stopped so of course he's gonna help him find his daughter! I loved that, right from Eric turning up at his office, Brock is calling him baby. I don;'t usually, so it surprised me here that I did love it! I think it surprised Brock too, the first time he did it!
Brock makes no apologies for his wealth and power and he pulls no punches in using both to keep Eric and Josie safe, and in finding out who is doing this.
But we don't get Eric, at all. This is told entirely from Brock's POV in the third person. And I really REALLY needed to hear from Eric at key points along the way: when Josie is first discovered gone; when he walks into Brock's office and when he finds out just who is behind it all. This is the only reason I gave the book 4 stars, because Eric is not given a voice, and he needed one.
I loved the supporting cast, especially Max and Gordon. They have a tale to tell, not least because of what goes down here!
Jeff Gelder narrates. This is the first, as far as I can see, that I have listened to of his work and I was very impressed. His reading voice is deep and even, and his voices consistent and easily identifiable in multi person conversations. Loved his voice for Josie, who sounded just like a 3 year old should, with all the funny things they say. Gelder gets over all of Brock's emotions in all the right places.
I cannot fault the narration. Gelder is firmly on my to listen list!
4 stars for the book
5 stars for the narration.
4.5 (rounded down to 4) overall.
**same worded review will appear elsewhere**
Debbiereadsbook (1487 KP) rated Cutting Cords (Kiss of Leather #6) in Books
May 3, 2018
love this one!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Book 6 in the series, and blah blah blah, READ the others first! Cos I SAID so!!
I don't recall if we met Liam in previous, or he was just mentioned as a friend of the other subs, but we certainly don't meet Master Neal til this book.
Liam is traumatized by the death of his previous Master, and is skittish, and very socially awkward. Watching Master Neal doing a flogging at Kiss Of leather as part of his being accepted into the club, Liam is all kinds of torn up. For his love for Master Mark, but his need to move on. Being introduced to the painfully shy Liam, Master Neal's protectiveness goes into overdrive. He never wanted anyone like he wants Liam, and if he can be who and what Liam wants and needs, he will bide his time, treat Liam with the kid gloves he needs.
I said in my review of Gaining trust that I thought Master Jordan was my most favourite, but now I have a dilemma! Because I LOVED Master Neal! And Liam, so painfully socially awkward! oh! Loved them both!
Master Neal never wanted to do the TPE thing, but for Liam, he might just be able to do it. Liam needs that, and Master Neal needs Liam. He just didn't know he did, til he met Liam.
I can't express how much Liam's story affected me, he had a painful upbringing and then meeting Master Mark, a much MUCH older guy, he was very sheltered. Watching him come out of himself, and become the young man who helps Master Neal at his tattoo and piercing shop was great fun. Master Neal is very playful with Liam, and while Liam needs the TPE, he also learns there are other things he needs.
While the on going story arc is somewhat finished, it goes into different, more deadly direction. Spoilers I ain't giving!
We are introduced to Tobey and Master Hunter, and also a couple of very interesting characters at Master Neal's tattoo shop! A story for Ray and Cruella would make a very welcome addition to this series!!
5 full stars
**same worded review will appear elsewhere**
Book 6 in the series, and blah blah blah, READ the others first! Cos I SAID so!!
I don't recall if we met Liam in previous, or he was just mentioned as a friend of the other subs, but we certainly don't meet Master Neal til this book.
Liam is traumatized by the death of his previous Master, and is skittish, and very socially awkward. Watching Master Neal doing a flogging at Kiss Of leather as part of his being accepted into the club, Liam is all kinds of torn up. For his love for Master Mark, but his need to move on. Being introduced to the painfully shy Liam, Master Neal's protectiveness goes into overdrive. He never wanted anyone like he wants Liam, and if he can be who and what Liam wants and needs, he will bide his time, treat Liam with the kid gloves he needs.
I said in my review of Gaining trust that I thought Master Jordan was my most favourite, but now I have a dilemma! Because I LOVED Master Neal! And Liam, so painfully socially awkward! oh! Loved them both!
Master Neal never wanted to do the TPE thing, but for Liam, he might just be able to do it. Liam needs that, and Master Neal needs Liam. He just didn't know he did, til he met Liam.
I can't express how much Liam's story affected me, he had a painful upbringing and then meeting Master Mark, a much MUCH older guy, he was very sheltered. Watching him come out of himself, and become the young man who helps Master Neal at his tattoo and piercing shop was great fun. Master Neal is very playful with Liam, and while Liam needs the TPE, he also learns there are other things he needs.
While the on going story arc is somewhat finished, it goes into different, more deadly direction. Spoilers I ain't giving!
We are introduced to Tobey and Master Hunter, and also a couple of very interesting characters at Master Neal's tattoo shop! A story for Ray and Cruella would make a very welcome addition to this series!!
5 full stars
**same worded review will appear elsewhere**
Debbiereadsbook (1487 KP) rated The Glasshouse (Lavender Shores #6) in Books
Apr 24, 2018
love love LOVE this series!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 6 in the series, but you don't need to have read there other books to follow this one. They can all be read as stand alones. But they are all 4 and 5 star reviews, from me!
I keep flipping from 4 to 5 stars and back to four again, and I have no idea why I keep crossing the numbers out at the top of the page, so gonna split the difference and call it 4.5 stars, rounded up to 5 for the blog!
A little bit more of an emotional read, this one. I felt for Harrison, I really did. I cried for him when he runs, first from Will then from Adrian. And cheered for him when he finds himself, after being someone else for everyone for so very long.
But equally, Adrian wrecks your heart too! While he fights for what he feels for Harrison in the beginning, then letting it all out and going all in, and when he was waiting for Harrison to come back to him. Oh Lord, the waiting was painful!
Harrison's brother Jasper plays a huge part here, and I think he should get a story too. Adrian's brother too, but to a lesser degree. He needs a happy ever after though, after such loss. OH!! Did I see that one being laid out?? Maybe not, we'll see!
But my overwhelming feeling (and ya'll know I'm all about sharing the feelings!) is that I want, no, I NEED the story of Adrian's uncles, Alex and Alan. Alex' diary was found in one of the couples (I forget which) house when they are remodeling. Adrian references Alex' diary here, and I so desperately want to hear their story. Although members of the Founding Families, they didn't have it as easy as the guys in Lavender Shores do now. I think THEIR story would be a welcome addition to this series.
As I read each one of these books, I find once I start, I cannot stop and I have read most of them in one sitting. They aren't short books, some 300 pages but everything just grinds to a halt when I start. So, please, keep them coming!
Ah stuff it!
5 full and shiny stars!
**same worded review will appear elsewhe
This is book 6 in the series, but you don't need to have read there other books to follow this one. They can all be read as stand alones. But they are all 4 and 5 star reviews, from me!
I keep flipping from 4 to 5 stars and back to four again, and I have no idea why I keep crossing the numbers out at the top of the page, so gonna split the difference and call it 4.5 stars, rounded up to 5 for the blog!
A little bit more of an emotional read, this one. I felt for Harrison, I really did. I cried for him when he runs, first from Will then from Adrian. And cheered for him when he finds himself, after being someone else for everyone for so very long.
But equally, Adrian wrecks your heart too! While he fights for what he feels for Harrison in the beginning, then letting it all out and going all in, and when he was waiting for Harrison to come back to him. Oh Lord, the waiting was painful!
Harrison's brother Jasper plays a huge part here, and I think he should get a story too. Adrian's brother too, but to a lesser degree. He needs a happy ever after though, after such loss. OH!! Did I see that one being laid out?? Maybe not, we'll see!
But my overwhelming feeling (and ya'll know I'm all about sharing the feelings!) is that I want, no, I NEED the story of Adrian's uncles, Alex and Alan. Alex' diary was found in one of the couples (I forget which) house when they are remodeling. Adrian references Alex' diary here, and I so desperately want to hear their story. Although members of the Founding Families, they didn't have it as easy as the guys in Lavender Shores do now. I think THEIR story would be a welcome addition to this series.
As I read each one of these books, I find once I start, I cannot stop and I have read most of them in one sitting. They aren't short books, some 300 pages but everything just grinds to a halt when I start. So, please, keep them coming!
Ah stuff it!
5 full and shiny stars!
**same worded review will appear elsewhe
Lighthouses have long been the symbol of salvation, warning sailors away from dangerous rocks and shallow waters. Along the Great Lakes, America’s inland seas, lighthouses played a vital role in the growth of the nation. They shepherded settlers traveling by water to places that had no roads. These beacons of light required constant tending even in remote and often dangerous places. Brave men and women battled the elements and loneliness to keep the lights shining. Their sacrifice kept goods and immigrants moving. Seven romances set between 1883 and 1911 bring hope to these lonely keepers and love to weary hearts. The Last Memory by Kathleen Rouser 1899—Mackinac Point Lighthouse Natalie Brooks loses her past to amnesia, and Cal Waterson, the lighthouse keeper who rescues her, didn’t bargain on risking his heart—when her past might change everything.
My Thoughts: This is a collection of short stories "novellas" about lighthouses and their keepers. The authors have given a precise account of the lives that these people led while helping to save the lives of others. The hardships they faced, loneliness, living in a remote area and dealing with the aftermath of shipwrecks.
The stories will draw the reader in and will fall in love with the heroines in the stories. I think of all the stories my favorites were Rose and Natalie. Rose being strong and independent, Natalie has a wonderful outlook on life after losing her memory. The reader will love all the women in the stories, these are the two that I identified with the most.
Living on a small island has given me a love for the lighthouse, and I have visited many on the Eastern Shore. That's one of the reasons I enjoyed these stories and the characters in them. Whenever you visit a lighthouse you try to envision the people that were once living there, this book gives us a wonderful look into some of those lives.
The readers will also learn how important the lighthouse is to people and the ships. It is fascinating to learn the working day of the lighthouse keepers. It was pleasant reading that the writers did make sure that the word of God was written into the stories. God is our lighthouse and we must always remember to look toward the light.
I think that everyone will enjoy this novella.
⭐⭐⭐⭐
My Thoughts: This is a collection of short stories "novellas" about lighthouses and their keepers. The authors have given a precise account of the lives that these people led while helping to save the lives of others. The hardships they faced, loneliness, living in a remote area and dealing with the aftermath of shipwrecks.
The stories will draw the reader in and will fall in love with the heroines in the stories. I think of all the stories my favorites were Rose and Natalie. Rose being strong and independent, Natalie has a wonderful outlook on life after losing her memory. The reader will love all the women in the stories, these are the two that I identified with the most.
Living on a small island has given me a love for the lighthouse, and I have visited many on the Eastern Shore. That's one of the reasons I enjoyed these stories and the characters in them. Whenever you visit a lighthouse you try to envision the people that were once living there, this book gives us a wonderful look into some of those lives.
The readers will also learn how important the lighthouse is to people and the ships. It is fascinating to learn the working day of the lighthouse keepers. It was pleasant reading that the writers did make sure that the word of God was written into the stories. God is our lighthouse and we must always remember to look toward the light.
I think that everyone will enjoy this novella.
⭐⭐⭐⭐
Debbiereadsbook (1487 KP) rated Her Lord of Death in Books
Mar 21, 2019
loved this!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I'm not writing a blurby bit here, gonna jump straight in!
I bloody loved this!
So many layers, so much betrayal and back stabbing. Such pain for Acheron in his past, his present, and as he sees, his future. Kora is a woman he can never have, then he does, but still he can't. Cryptic, I know but I ain't doing spoilers!
And so, so many plot twists, I did not see any of them coming at me!
I loved that Acheron knew he was damaged, possibly beyond repair, but still he tries to make Kora see, to SEE that damage, in the only way he knows how: with violence. But KORA?? Kora SEES Acheron. She sees the man behind the rumours and whispers. She sees the man behind the scars, and finally, she SEES why Acheron does what he does to push her away and it makes her love him even more. She makes Acheron SEE, that there is more to life than pain.
And when WE find out why? Well, lets just say I bawled my eyes out. You get hints and snippets as to why Acheron reacts the way he does, but you don't get the full picture. Oh you put the clues together well enough, but really? Not enough. Nowhere NEAR enough.
After we get the full picture of what Acheron endured while in in Crete at the hands of Minos, it's a wonder the man is even sane! As Oz, Acheron's approximation of a best friend pointed out, he only had two years there, and Acheron had TEN years fighting for his life almost every day.
Suffices to say, this carries some dark story lines, but to say what they are would be spoilers. If you want to know, please message me, I'll tell you. Some readers may have triggers.
There is a little bit at the back of this, about how THIS book was Knight's first book, not Beautiful Beast. About how much of a battle Knight had with it. I'm so bloody glad she won that battle!
It's also billed as A Mythic World Romance. No idea what comes next, but I really wanna read it!
5 stars
**same worded review will appear elsewhere**
I'm not writing a blurby bit here, gonna jump straight in!
I bloody loved this!
So many layers, so much betrayal and back stabbing. Such pain for Acheron in his past, his present, and as he sees, his future. Kora is a woman he can never have, then he does, but still he can't. Cryptic, I know but I ain't doing spoilers!
And so, so many plot twists, I did not see any of them coming at me!
I loved that Acheron knew he was damaged, possibly beyond repair, but still he tries to make Kora see, to SEE that damage, in the only way he knows how: with violence. But KORA?? Kora SEES Acheron. She sees the man behind the rumours and whispers. She sees the man behind the scars, and finally, she SEES why Acheron does what he does to push her away and it makes her love him even more. She makes Acheron SEE, that there is more to life than pain.
And when WE find out why? Well, lets just say I bawled my eyes out. You get hints and snippets as to why Acheron reacts the way he does, but you don't get the full picture. Oh you put the clues together well enough, but really? Not enough. Nowhere NEAR enough.
After we get the full picture of what Acheron endured while in in Crete at the hands of Minos, it's a wonder the man is even sane! As Oz, Acheron's approximation of a best friend pointed out, he only had two years there, and Acheron had TEN years fighting for his life almost every day.
Suffices to say, this carries some dark story lines, but to say what they are would be spoilers. If you want to know, please message me, I'll tell you. Some readers may have triggers.
There is a little bit at the back of this, about how THIS book was Knight's first book, not Beautiful Beast. About how much of a battle Knight had with it. I'm so bloody glad she won that battle!
It's also billed as A Mythic World Romance. No idea what comes next, but I really wanna read it!
5 stars
**same worded review will appear elsewhere**
Contains spoilers, click to show
Celestine is Flawed to the very backbone, according to The Guild. She went against society and assisted a Flawed man – going against every value a Perfect citizen should hold. She was branded as flawed, not just the maximum of five times, but a sixth. Now, she finds herself on the run from The Guild and their Whistleblowers, an attempt at freedom that a Flawed citizen should never have.
Perfect is the second and final book in Cecelia Ahern’s Flawed series.
I read Flawed, the first book, a couple of years ago now. It’s the first book I had ever read by Cecelia Ahern, and it’s what made her writing stand out to me. However, for whatever reason (I can’t remember now) I’d put off buying Perfect. And when I did finally buy it, it sat on my bookshelf for ages. That was until the other weekend when I finally made the decision to read it.
I forgot how immersive the world Ahern created was. I was straight into the book as it jumped straight into action, and found it really easy to remember everything that had happened in the previous book.
Perfect is a fast paced novel, that never really slows down for a second. I found myself finishing it in just a couple of days, and really couldn’t put it down. It was addictive and kept me wanting to know what happened next.
I love Celestine as a character. The fact that she points out that she’s Flawed, but likes that part of herself because it makes her real is one of my favourite ideas of the whole book.
Celestine is strong and confident, and doesn’t need to have anyone by her side to help her get her way. She’s the perfect independent protagonist and I love her for that.
The focus on an over-controlling society where if you do the slightest thing wrong, you’re branded for life was really interesting. It makes you question whether a person can really be fully bad, and whether a person’s past is really different to who they are in the present day.
It’s definitely a thrilling book with some of the best characters you’ll find in YA. I would usually comment about how I’m not really into YA or Dystopia, but I’m not because I’m now definitely a convert and really enjoying the genre.
Perfect is the second and final book in Cecelia Ahern’s Flawed series.
I read Flawed, the first book, a couple of years ago now. It’s the first book I had ever read by Cecelia Ahern, and it’s what made her writing stand out to me. However, for whatever reason (I can’t remember now) I’d put off buying Perfect. And when I did finally buy it, it sat on my bookshelf for ages. That was until the other weekend when I finally made the decision to read it.
I forgot how immersive the world Ahern created was. I was straight into the book as it jumped straight into action, and found it really easy to remember everything that had happened in the previous book.
Perfect is a fast paced novel, that never really slows down for a second. I found myself finishing it in just a couple of days, and really couldn’t put it down. It was addictive and kept me wanting to know what happened next.
I love Celestine as a character. The fact that she points out that she’s Flawed, but likes that part of herself because it makes her real is one of my favourite ideas of the whole book.
Celestine is strong and confident, and doesn’t need to have anyone by her side to help her get her way. She’s the perfect independent protagonist and I love her for that.
The focus on an over-controlling society where if you do the slightest thing wrong, you’re branded for life was really interesting. It makes you question whether a person can really be fully bad, and whether a person’s past is really different to who they are in the present day.
It’s definitely a thrilling book with some of the best characters you’ll find in YA. I would usually comment about how I’m not really into YA or Dystopia, but I’m not because I’m now definitely a convert and really enjoying the genre.