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Debbiereadsbook (1620 KP) rated Walking on Broken Paths in Books
Jul 24, 2025
This book has a lot. A lot of emotions, a lot of pain, of joy, of love and I absolutely loved it.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Jesse ran when his brother died, and hasn't returned since. He doesn't know if he is staying but bought a house to fix up over the summer. Coming face to face with his childhood best friend was a shock, but Jesse wants to keep Parker in his life, if only for the summer. Parks is dealing with his father's death and he doesn't know what he wants to do. Keeping Jesse in his life, however briefly, is top of his list.
This book has a lot. A lot of emotions, a lot of pain, of joy, of love and I absolutely bloody it.
Jesse's pain is long lived: 15 years since his brother passed away but Jesse still talks to him, Jesse just can't hear him. He carries a lot of the past on his shoulders, but things are getting better a little every day. Parker's pain is new: a few weeks have gone by since his dad lost his fight to cancer, and Parks is struggling with what to do with his dad's dinner cruise business. He knows it's not really going to work for him, but it was his dad's pride and joy.
These guys fall straight back into their friendship that very quickly morphs into more and both are asking themselves, but not yet each other, if they can make it work long distance.
I loved that there was no 3rd act break up/make up. Loved the steam level was low-ish and it was perfect for this book.
There were some other hockey players mentioned, as Parker wants to write a book about gay hockey players and their history and the names rang some bells. I had to go back through Aislin's backlist and find them! Loved that.
AN Absolutely wonderful book, that was just what I needed a the time.
5 full and shiny stars
*same worded review will appear elsewhere
Jesse ran when his brother died, and hasn't returned since. He doesn't know if he is staying but bought a house to fix up over the summer. Coming face to face with his childhood best friend was a shock, but Jesse wants to keep Parker in his life, if only for the summer. Parks is dealing with his father's death and he doesn't know what he wants to do. Keeping Jesse in his life, however briefly, is top of his list.
This book has a lot. A lot of emotions, a lot of pain, of joy, of love and I absolutely bloody it.
Jesse's pain is long lived: 15 years since his brother passed away but Jesse still talks to him, Jesse just can't hear him. He carries a lot of the past on his shoulders, but things are getting better a little every day. Parker's pain is new: a few weeks have gone by since his dad lost his fight to cancer, and Parks is struggling with what to do with his dad's dinner cruise business. He knows it's not really going to work for him, but it was his dad's pride and joy.
These guys fall straight back into their friendship that very quickly morphs into more and both are asking themselves, but not yet each other, if they can make it work long distance.
I loved that there was no 3rd act break up/make up. Loved the steam level was low-ish and it was perfect for this book.
There were some other hockey players mentioned, as Parker wants to write a book about gay hockey players and their history and the names rang some bells. I had to go back through Aislin's backlist and find them! Loved that.
AN Absolutely wonderful book, that was just what I needed a the time.
5 full and shiny stars
*same worded review will appear elsewhere
Debbiereadsbook (1620 KP) rated Velvet in Books
Aug 2, 2025
I cannot stress the point highly enough: I LOVED THIS BOOK!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Forgive me, if this review runs away with itself! I loved this book, and it might get said a time or three!!
AJ runs Velvet, a cocktail lounge. He meets Blake when he spills drinks all down him! A very amusing meet cute, I tell ya. And then?? They get together, and fall in love and THAT, peeps, is the most simplest blurb you ever did get!
But this book? It is not simple, no ma'am.
It's deep: both men carry some baggage, but AJ's is a little more emotional. Blake seems to have it all, but all he wants is someone to love him. The fact that he'd been dating women for so long meant he never put a man in that position, though. AJ's heart was broken, and he trusted slowly.
It's smexy: While AJ is openly gay, Blake is not. So Blake sets the pace of their relationship and once he gets a taste of AJ, he is smitten!
It's a lot of fun: I found this, while emotional in places, a lot of fun in others and it meant I was able to catch my breath from the deeper bits, and laugh and these two, and their group of friends.
I loved that there was no make-up/breakup/ These two really are perfect for each other and they fit into each other's lives and hearts perfectly!
The friends made me chuckle. They all knew something was going on, but since AJ and Blake were both quiet about it at first, neither knew exactly what. I also enjoyed catching up with the owners of The V Lounge, too!
Did I say?? I bloody loved this book!
No?? Maybe I should say it again for those at the back!
It really was a delightful read and I cannot stress the point highly enough: I LOVED THIS BOOK!
5 full and shiny stars! (if I didn't make myself clear enough!)
*same worded review will appear elsewhere
Forgive me, if this review runs away with itself! I loved this book, and it might get said a time or three!!
AJ runs Velvet, a cocktail lounge. He meets Blake when he spills drinks all down him! A very amusing meet cute, I tell ya. And then?? They get together, and fall in love and THAT, peeps, is the most simplest blurb you ever did get!
But this book? It is not simple, no ma'am.
It's deep: both men carry some baggage, but AJ's is a little more emotional. Blake seems to have it all, but all he wants is someone to love him. The fact that he'd been dating women for so long meant he never put a man in that position, though. AJ's heart was broken, and he trusted slowly.
It's smexy: While AJ is openly gay, Blake is not. So Blake sets the pace of their relationship and once he gets a taste of AJ, he is smitten!
It's a lot of fun: I found this, while emotional in places, a lot of fun in others and it meant I was able to catch my breath from the deeper bits, and laugh and these two, and their group of friends.
I loved that there was no make-up/breakup/ These two really are perfect for each other and they fit into each other's lives and hearts perfectly!
The friends made me chuckle. They all knew something was going on, but since AJ and Blake were both quiet about it at first, neither knew exactly what. I also enjoyed catching up with the owners of The V Lounge, too!
Did I say?? I bloody loved this book!
No?? Maybe I should say it again for those at the back!
It really was a delightful read and I cannot stress the point highly enough: I LOVED THIS BOOK!
5 full and shiny stars! (if I didn't make myself clear enough!)
*same worded review will appear elsewhere
Blood Ties (Monsters of London #2)
10.0
Rate It
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Running from my past seemed like a good idea at the time. Too bad it’s about to catch up to me. ...
Menage (MMM) Paranormal Romance
Debbiereadsbook (1620 KP) rated Saving What's Mine (Men of Maddox Security #2) in Books
Apr 3, 2025
loving these group of men and the women who fall for them!
Independent reviewer for BookSirens, I was gifted my copy of this book.
This is book 2 in the Men of Maddox Security series, but it's not necessary to read book 1 first. They can be read as a stand alone. A note though, the first chapter of this book is the same as the first in all the books, just from each guy's point of view. But the note at the front of THIS book, says that it's Ranger who has a point of view, and his book was first. So, maybe that note needs changing for each book. You might not notice it, but I did!
Orion is tasked with keeping Briar safe until a restraining order is obtained against her ex who is becoming dangerous. Seeing her picture, and Orion's world shifts. But can he keep her safe? And her parrot, Jeb?
I found this a bit darker read than book, but no less engaging and I thoroughly enjoyed it!
While Orion has instant and immediately attraction to Briar, he knows that he cannot cross that line. Briar's attraction to Orion takes a little bit of time (but not noo long!) but given what her ex kept telling her, she is wary. She keeps comparing them, but very quickly learns they are miles apart. I like that it took a little time for them to act on it.
I loved Jeb, Briar's parrot. He does get up to mischief, but he does let Orion know when Briar does what she does.
Steamy, oh yes. But I thought the emotional connection was more pronounced here than in book 1.
I'm still a little confused as to what the ex wanted with the star parrot from the zoo, though!
I liked how we caught up with Ranger and Tori from book one. And I still NEEEEEEEEEEEEED to read Dean's book!
Creeping up a bit to 4.5 stars, cos of that emotional connection but rounded down to 4 for the purpose of the review, since I can't do half stars.
*same worded review will appear elsewhere
This is book 2 in the Men of Maddox Security series, but it's not necessary to read book 1 first. They can be read as a stand alone. A note though, the first chapter of this book is the same as the first in all the books, just from each guy's point of view. But the note at the front of THIS book, says that it's Ranger who has a point of view, and his book was first. So, maybe that note needs changing for each book. You might not notice it, but I did!
Orion is tasked with keeping Briar safe until a restraining order is obtained against her ex who is becoming dangerous. Seeing her picture, and Orion's world shifts. But can he keep her safe? And her parrot, Jeb?
I found this a bit darker read than book, but no less engaging and I thoroughly enjoyed it!
While Orion has instant and immediately attraction to Briar, he knows that he cannot cross that line. Briar's attraction to Orion takes a little bit of time (but not noo long!) but given what her ex kept telling her, she is wary. She keeps comparing them, but very quickly learns they are miles apart. I like that it took a little time for them to act on it.
I loved Jeb, Briar's parrot. He does get up to mischief, but he does let Orion know when Briar does what she does.
Steamy, oh yes. But I thought the emotional connection was more pronounced here than in book 1.
I'm still a little confused as to what the ex wanted with the star parrot from the zoo, though!
I liked how we caught up with Ranger and Tori from book one. And I still NEEEEEEEEEEEEED to read Dean's book!
Creeping up a bit to 4.5 stars, cos of that emotional connection but rounded down to 4 for the purpose of the review, since I can't do half stars.
*same worded review will appear elsewhere
Debbiereadsbook (1620 KP) rated Force Majeure in Books
Apr 15, 2025
I liked the dynamics between the two, and then the three
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
*insert sigh*
I wanted to love this book, I really did. It has the buttons I liked pressed, but it just felt a little bit . . .flat? . . .maybe. . .not sure what the word is I'm feeling and ya'll know I'm ALL about the book feelings! And I don't know why I'm not loving this, so maybe typing the review will clear it up.
So, here's what I DID like.
Both Ian and Taren have a say. They are an established couple and I liked that we got them on their own, as well as with Kevin in a three way. I liked the dynamics between the two, and then the three. They were clearly defined and well thought out and I liked the boundaries that Taren set for Kevin. I liked that Taren was the most level headed of the pair, but then again, as the Dom he had to be. It came across really well.
It is steamy, as only a three way can be. There are a more than a few scenes of Taren and Ian on their own, but I think only one with Kevin, and I think I might have wanted more (again, trying to work it out!)
I found that the story line with Kevin was a little short lived, but this is only a short book, some 100 pages.
And also, it appears this book is part of a series about Taren and Ian, and I think maybe if I had read them first, I might have enjoyed this more, as I would have had a better understanding of their emotio . . . .oooh! . . . .I think I might have figured it out!
I found the emotions coming off Taren and Ian were not really what I would have expected, but then again, if this is part of a series, and I haven't read them, I might have missed clues to their personalities and emotional expressions.
So, I'm gonna leave it with a good 3 stars
*same worded review will appear elsewhere
*insert sigh*
I wanted to love this book, I really did. It has the buttons I liked pressed, but it just felt a little bit . . .flat? . . .maybe. . .not sure what the word is I'm feeling and ya'll know I'm ALL about the book feelings! And I don't know why I'm not loving this, so maybe typing the review will clear it up.
So, here's what I DID like.
Both Ian and Taren have a say. They are an established couple and I liked that we got them on their own, as well as with Kevin in a three way. I liked the dynamics between the two, and then the three. They were clearly defined and well thought out and I liked the boundaries that Taren set for Kevin. I liked that Taren was the most level headed of the pair, but then again, as the Dom he had to be. It came across really well.
It is steamy, as only a three way can be. There are a more than a few scenes of Taren and Ian on their own, but I think only one with Kevin, and I think I might have wanted more (again, trying to work it out!)
I found that the story line with Kevin was a little short lived, but this is only a short book, some 100 pages.
And also, it appears this book is part of a series about Taren and Ian, and I think maybe if I had read them first, I might have enjoyed this more, as I would have had a better understanding of their emotio . . . .oooh! . . . .I think I might have figured it out!
I found the emotions coming off Taren and Ian were not really what I would have expected, but then again, if this is part of a series, and I haven't read them, I might have missed clues to their personalities and emotional expressions.
So, I'm gonna leave it with a good 3 stars
*same worded review will appear elsewhere
Chimera's Prisoner (Prime Omegaverse #6)
8.0
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She hid her omega status for years. Now she's been claimed by the one predator who owns the skies. ...
Dark Dub-Con Science Fiction Erotica
Debbiereadsbook (1620 KP) rated His Mate by Allegiance (Lunetti Pack #3) in Books
Jul 12, 2025
steamy and deadly!
Independent reviewer for GRR, I was gifted my copy of this book.
This is book 3 in the Lunetti Pack series, and I would recommend that you books one, His Mate by Venegeance and book two, His Mate by Resistance before this one. A personal rec, is all.
I enjoyed book one, I loved book 2, but I LOVED this one!
Emilio knew that Rocco was his mate the minute they met. That kinda put his plans out, since his new husband was going to meet an unfortunate end and now his wolf would not let that happen. Rocca creeps under Emmy skin and fur and while they down and dirty quite quickly, I loved that Emmy was NOT going to bite Rocco and Rocco used his magic to bind his puppy. I loved that Rocco called Emmy puppy from the very beginning and not once did Emmy tell him to stop it!
I loved that Rocco really SAW Emmy, you know? As a witch, he didn't get the mating urge quite as bad as the shifters did, but he knew that Emmy was special, and his feelings developing super speedy was another reason that he knew.
Super smexy, and steamy! Loved that they went all in, but no biting! Rcco's power was amazing, with the wind and things and I loved that Emmy's wolf responded to that power.
Violent, too. Emilio is, after all, an assassin. But given what happens here, I think it's needed on page. Loved how Rocco responded to Emilio's trade.
Emotional, as well. Emmy is dealing with some deep emotions, after his father did what he did. And he fights Rocco all the way because of that. But once Rocco knows WHY Emmy is fighting, he understands and goes all out to make sure his puppy knows Rocco will always stand by him, and never against him.
Epilogue gives us who is next and I look forward to that one, given as Rafe and Adri have a long history!
5 full and shiny stars
*same worded review will appear elsewhere
This is book 3 in the Lunetti Pack series, and I would recommend that you books one, His Mate by Venegeance and book two, His Mate by Resistance before this one. A personal rec, is all.
I enjoyed book one, I loved book 2, but I LOVED this one!
Emilio knew that Rocco was his mate the minute they met. That kinda put his plans out, since his new husband was going to meet an unfortunate end and now his wolf would not let that happen. Rocca creeps under Emmy skin and fur and while they down and dirty quite quickly, I loved that Emmy was NOT going to bite Rocco and Rocco used his magic to bind his puppy. I loved that Rocco called Emmy puppy from the very beginning and not once did Emmy tell him to stop it!
I loved that Rocco really SAW Emmy, you know? As a witch, he didn't get the mating urge quite as bad as the shifters did, but he knew that Emmy was special, and his feelings developing super speedy was another reason that he knew.
Super smexy, and steamy! Loved that they went all in, but no biting! Rcco's power was amazing, with the wind and things and I loved that Emmy's wolf responded to that power.
Violent, too. Emilio is, after all, an assassin. But given what happens here, I think it's needed on page. Loved how Rocco responded to Emilio's trade.
Emotional, as well. Emmy is dealing with some deep emotions, after his father did what he did. And he fights Rocco all the way because of that. But once Rocco knows WHY Emmy is fighting, he understands and goes all out to make sure his puppy knows Rocco will always stand by him, and never against him.
Epilogue gives us who is next and I look forward to that one, given as Rafe and Adri have a long history!
5 full and shiny stars
*same worded review will appear elsewhere
The Maestro's Mates (The Vampire Impresario #3)
6.0
Rate It
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One grumpy gargoyle. One hopeful vampire. One chaotic witch. Three fated mates face a looming...
Menage MMM Urban Fantasy Romance
Bob Mann (459 KP) rated Little Women (2019) in Movies
Jan 3, 2020 (Updated Jan 3, 2020)
Saoirse Ronan - just mesmeric. What screen presence! (2 more)
Great supporting cast.
Alexandre Desplat soundtrack.
"God hasn't met my will yet"
Greta Gerwig's follow up to her Oscar-praised "Lady Bird" from 2017 looks set to repeat the job this year. For it's nothing short of a masterpiece of cinema.
Louisa M. Alcott's semi-autobiographical novel has been filmed before (in 1949 and 1994, together with a number of other TV versions). I've not seen any of these previous versions and (as a literary philistine) I've never read the book either. So the story was new to me and drew me in perfectly.
The March sisters - Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh) and the youngest Beth (Eliza Scanlen) - are being brought up by their mother (Laura Dern) and Aunt (Meryl Streep) while their father (Bob Odenkirk) is away fighting in the Civil War. Also providing a helping hand is the rich neighbour Mr Lawrence (Chris Cooper), whose good-looking but indolent son 'Laurie' (Timothée Chalamet) has had the hots for tom-boy Jo for many years.
Each of the girls has a talent: for Jo it's writing, with her struggling to get her work past the grumpy publisher Mr Dashwood (Tracy Letts, from "Le Mans '66"); for Meg it's acting; for Amy it's painting; and for Beth it's music.
The film follows the lives, loves, successes and misfortunes of the sisters over two periods, split 7 years apart. It's a bumpy ride for some.
It struck me, as the big green BBFC certificate flashed onto the screen, how rare it is to find a "U - Suitable for all" (UK) certificate on a film these days. This is a film that the whole family *could* go and see. My only reservation here would be the way the film zips in and out of the two time periods at will. This might confuse the hell out of younger children. The subject matter of one part of the story may also disturb sensitive kids.
It's a really old-fashioned film - full of melodrama, love, unrequited love, death, charity, ambition and kindness - that builds to a feel-good ending that was totally corny but felt perfect in every way. We need more of this in our lives.
Wow. Just wow. The Oscar Best Actress categories are going to be a bloodied battlefield this year! There have been some GREAT roles for women on screen in the last year, and the Academy will have a job on their hands to narrow the long-list to the short-list this year. I would have tentatively forecast that Renée Zellweger might have had the Best Actor Oscar wrapped up for "Judy". But then here comes Saoirse Ronan. With phenomenal screen presence, she lights up every single scene she's in. Emma Watson and Florence Pugh are great actresses (and both here stand a stab at the Supporting Actress category), but your gaze always falls straight back to Ronan's reaction.
It's also a wonderful performance for newcomer Eliza Scanlen as the youngster Beth: I heard director Greta Gerwig comment (on Edith Bowman's excellent Soundtracking podcast) that Eliza needed less lighting than anyone else on set as she was "naturally luminous"!
Again lodging a cracking performance is the versatile Timothée Chalomet.... does the young chap make a bad film?
When you get to the end of the "cast bit", and you haven't mentioned Meryl Streep and Laura Dern yet, that says a lot!
What comes across more than anything else is just how apt this story is today to the 'girl power' times that we are currently living through. Jo in particular is the rebel of her day, fighting against the conformity of what it was in the time to be an independent woman, and specifically an independent working woman. Some of Alcott's words from the book could even today act as a rallying cry to those looking for greater change.
My reviewing year has certainly got off to a bang with this one. It's a glorious movie, utterly absorbing with ravishing cinematography by Yorick Le Saux and a brilliant soundtrack by Alexandre Desplat: both I suspect likely to feature in Oscar nominations. It's also likely to be nominated in other technical categories including Production Design, Costume and Hair & Makeup.
And I predict that this is inevitably going to be a Christmas favourite to match "The Sound of Music" and "It's a Wonderful Life" in future years.
Comes with a highly recommended tag from me.
(For the full graphical review, please visit the One Mann's Movies site here - https://bob-the-movie-man.com/2019/01/03/one-manns-movies-film-review-little-women-2019/. Thanks.)
Louisa M. Alcott's semi-autobiographical novel has been filmed before (in 1949 and 1994, together with a number of other TV versions). I've not seen any of these previous versions and (as a literary philistine) I've never read the book either. So the story was new to me and drew me in perfectly.
The March sisters - Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh) and the youngest Beth (Eliza Scanlen) - are being brought up by their mother (Laura Dern) and Aunt (Meryl Streep) while their father (Bob Odenkirk) is away fighting in the Civil War. Also providing a helping hand is the rich neighbour Mr Lawrence (Chris Cooper), whose good-looking but indolent son 'Laurie' (Timothée Chalamet) has had the hots for tom-boy Jo for many years.
Each of the girls has a talent: for Jo it's writing, with her struggling to get her work past the grumpy publisher Mr Dashwood (Tracy Letts, from "Le Mans '66"); for Meg it's acting; for Amy it's painting; and for Beth it's music.
The film follows the lives, loves, successes and misfortunes of the sisters over two periods, split 7 years apart. It's a bumpy ride for some.
It struck me, as the big green BBFC certificate flashed onto the screen, how rare it is to find a "U - Suitable for all" (UK) certificate on a film these days. This is a film that the whole family *could* go and see. My only reservation here would be the way the film zips in and out of the two time periods at will. This might confuse the hell out of younger children. The subject matter of one part of the story may also disturb sensitive kids.
It's a really old-fashioned film - full of melodrama, love, unrequited love, death, charity, ambition and kindness - that builds to a feel-good ending that was totally corny but felt perfect in every way. We need more of this in our lives.
Wow. Just wow. The Oscar Best Actress categories are going to be a bloodied battlefield this year! There have been some GREAT roles for women on screen in the last year, and the Academy will have a job on their hands to narrow the long-list to the short-list this year. I would have tentatively forecast that Renée Zellweger might have had the Best Actor Oscar wrapped up for "Judy". But then here comes Saoirse Ronan. With phenomenal screen presence, she lights up every single scene she's in. Emma Watson and Florence Pugh are great actresses (and both here stand a stab at the Supporting Actress category), but your gaze always falls straight back to Ronan's reaction.
It's also a wonderful performance for newcomer Eliza Scanlen as the youngster Beth: I heard director Greta Gerwig comment (on Edith Bowman's excellent Soundtracking podcast) that Eliza needed less lighting than anyone else on set as she was "naturally luminous"!
Again lodging a cracking performance is the versatile Timothée Chalomet.... does the young chap make a bad film?
When you get to the end of the "cast bit", and you haven't mentioned Meryl Streep and Laura Dern yet, that says a lot!
What comes across more than anything else is just how apt this story is today to the 'girl power' times that we are currently living through. Jo in particular is the rebel of her day, fighting against the conformity of what it was in the time to be an independent woman, and specifically an independent working woman. Some of Alcott's words from the book could even today act as a rallying cry to those looking for greater change.
My reviewing year has certainly got off to a bang with this one. It's a glorious movie, utterly absorbing with ravishing cinematography by Yorick Le Saux and a brilliant soundtrack by Alexandre Desplat: both I suspect likely to feature in Oscar nominations. It's also likely to be nominated in other technical categories including Production Design, Costume and Hair & Makeup.
And I predict that this is inevitably going to be a Christmas favourite to match "The Sound of Music" and "It's a Wonderful Life" in future years.
Comes with a highly recommended tag from me.
(For the full graphical review, please visit the One Mann's Movies site here - https://bob-the-movie-man.com/2019/01/03/one-manns-movies-film-review-little-women-2019/. Thanks.)
Gareth von Kallenbach (980 KP) rated Elle (2016) in Movies
Jul 12, 2019
The end of 2016 is just a few short weeks away. That being said, studios and filmmakers across the world are rolling out the few remaining big budget blockbusters and potential breakout independent masterpieces before year’s end. Among them is today’s film for your consideration. A film that has already received international acclaim when it premiered in competition for the Palme d’Or at the 2016 Cannes Film Festival as well as several awards including the Gotham Independent Film Award For Best Actress, the Los Angeles Film Critics Association Award for Best Actress, a New York Film Critics Association Award for Best Actress, and a Golden Globe Award Nomination for Best Actress for the film’s star, celebrated French film and stage actress Isabelle Huppert. The film would later go on to be selected as the French entry for Best Foreign Language Film at the 89th Academy Awards.
‘Elle’ ( meaning ‘her’ or ‘she’ in French) is an internationally co-produced psychological thriller directed by Paul Verhoeven. Yes, THAT Paul Verhoeven of ‘RoboCop’ , ‘Basic Instinct’, ‘Starship Troopers’, ‘Showgirls’, and ‘Total Recall’ fame. Hold on a second. Before you take his track record of recent works into account just hear me out. The film is based on the 2012 novel “Oh …. ” by French/Armenian author Philippe Djian which won the prix Interallie literary award for a novel written by journalist. ‘Elle’ is Verhoeven’s first French language film and his first film since 2006’s ‘Black Book’.
The film stars Isabelle Huppert as business woman Michele Leblanc. Mother, divorce, and head of a video game company who is viciously attacked and raped in her home late one night by an unknown assailant wearing a ski mask. Rather than report this to the police, she quickly ‘cleans up the mess’ and carries on with life as usual. The film also features several subplots that intricately weave into the film’s main storyline. Michele has a son Vincent (Jonas Bloquet) who is engaged to his unfaithful and domineering girlfriend Josie (Alice Isaac). Their relationship is strained due to Vincent’s lack of direction and his refusal to break off the relationship with Josie who is pregnant by the man she cheated on Vincent with. Michele’s relationship with her mother is also strained due to her mother’s narcissism and preference for younger men. A point of increasing animosity between Michelle and her mother is the fact that Michelle refuses her mother’s request to visit Michelle’s father, a convicted cereal killer, in prison. Meanwhile, Michele is carrying on an affair with Robert (Christian Berkele). The husband of her business partner and best friend Anna (Anne Consigny) while at the same time developing a fixation with Patrick (Laurent Lafitte). A banker and husband of Michele’s religiously devout neighbor Rebecca (Virginie Efira). All this, combined with the turmoil going on within Michele’s company make her reluctant to involve the police in anyway.
Soon Michele grows suspicious of all the men in her life and begins to ‘stalk in reverse’ those in particular might have the strongest motivation to do her harm. At first she suspects Kurt (Lucas Prisor). A particularly resentful employee of her company and even her ex-husband Richard (Charles Berling) who Michele inadvertently pepper-sprays while he was hiding outside her home checking on her safety. Despite pleas from Richard, her friends, and fearing another media frenzy similar to the one that occurred during her childhood when her father was arrested Michele continues with life as usual on the surface. In secret though, Michele is arming herself and using her company’s resources in an attempt to find her attacker and exact her own vision of retribution in this twisted cat and mouse game.
This film is by far one of the best thrillers I’ve seen in the last few years. In my opinion, we here in America don’t partake in enough of the films our neighbors in other countries have to offer. This film doesn’t ‘play it safe’. The story plays out in a realistic and believable manner. This is another one of those rare stories where there are really no ‘happy endings’ in the situation such as depicted in the film. It’s harsh, it’s in your face, it’s plausible, the innocent unfortunately suffer along with the guilty. Punishing the guilty is never enough and sometimes harms the victim(s) even more over the course of time. The film is rated R for depictions of physical and sexual violence and clocks in just past 2 hours. If you’re searching for a well written, well directed, and even better acted film. This psychological thriller is definitely for you. I expect this film will continue to garner more acclaim and even more awards. I’m giving this one 4 out of 5 stars.
‘Elle’ ( meaning ‘her’ or ‘she’ in French) is an internationally co-produced psychological thriller directed by Paul Verhoeven. Yes, THAT Paul Verhoeven of ‘RoboCop’ , ‘Basic Instinct’, ‘Starship Troopers’, ‘Showgirls’, and ‘Total Recall’ fame. Hold on a second. Before you take his track record of recent works into account just hear me out. The film is based on the 2012 novel “Oh …. ” by French/Armenian author Philippe Djian which won the prix Interallie literary award for a novel written by journalist. ‘Elle’ is Verhoeven’s first French language film and his first film since 2006’s ‘Black Book’.
The film stars Isabelle Huppert as business woman Michele Leblanc. Mother, divorce, and head of a video game company who is viciously attacked and raped in her home late one night by an unknown assailant wearing a ski mask. Rather than report this to the police, she quickly ‘cleans up the mess’ and carries on with life as usual. The film also features several subplots that intricately weave into the film’s main storyline. Michele has a son Vincent (Jonas Bloquet) who is engaged to his unfaithful and domineering girlfriend Josie (Alice Isaac). Their relationship is strained due to Vincent’s lack of direction and his refusal to break off the relationship with Josie who is pregnant by the man she cheated on Vincent with. Michele’s relationship with her mother is also strained due to her mother’s narcissism and preference for younger men. A point of increasing animosity between Michelle and her mother is the fact that Michelle refuses her mother’s request to visit Michelle’s father, a convicted cereal killer, in prison. Meanwhile, Michele is carrying on an affair with Robert (Christian Berkele). The husband of her business partner and best friend Anna (Anne Consigny) while at the same time developing a fixation with Patrick (Laurent Lafitte). A banker and husband of Michele’s religiously devout neighbor Rebecca (Virginie Efira). All this, combined with the turmoil going on within Michele’s company make her reluctant to involve the police in anyway.
Soon Michele grows suspicious of all the men in her life and begins to ‘stalk in reverse’ those in particular might have the strongest motivation to do her harm. At first she suspects Kurt (Lucas Prisor). A particularly resentful employee of her company and even her ex-husband Richard (Charles Berling) who Michele inadvertently pepper-sprays while he was hiding outside her home checking on her safety. Despite pleas from Richard, her friends, and fearing another media frenzy similar to the one that occurred during her childhood when her father was arrested Michele continues with life as usual on the surface. In secret though, Michele is arming herself and using her company’s resources in an attempt to find her attacker and exact her own vision of retribution in this twisted cat and mouse game.
This film is by far one of the best thrillers I’ve seen in the last few years. In my opinion, we here in America don’t partake in enough of the films our neighbors in other countries have to offer. This film doesn’t ‘play it safe’. The story plays out in a realistic and believable manner. This is another one of those rare stories where there are really no ‘happy endings’ in the situation such as depicted in the film. It’s harsh, it’s in your face, it’s plausible, the innocent unfortunately suffer along with the guilty. Punishing the guilty is never enough and sometimes harms the victim(s) even more over the course of time. The film is rated R for depictions of physical and sexual violence and clocks in just past 2 hours. If you’re searching for a well written, well directed, and even better acted film. This psychological thriller is definitely for you. I expect this film will continue to garner more acclaim and even more awards. I’m giving this one 4 out of 5 stars.