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Green Hills and Daffodils (The Green Hills #1)
6.0
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The Green Hills Series: Nestled within the green sheep-covered hills of Wales is a tiny town that...
Fantasy LGBT+ Romance
Debbiereadsbook (1777 KP) rated Winterian Sky (Ninety Planets) in Books
Nov 28, 2023
great start to a new series
Independent reviewer for Arcaheolibrarian, I was gifted my copy of this book.
This is the first in the Ninety Planets series, and as such has a huge amount of world building. It made for slow reading for me at times, and this is the only reason I'm giving it 4 and not 5 stars.
Chesterfield is a Healer and scientist, trying to find a cure for the illness sweeping the whole planet. There is also a threat from above, the whole planet is in a kind of lockdown by the Moracci. The previous politicians had sold the planet out, and not they were all paying for it. Donacio is a Guard of Winteria and he caught sight of Chesterfield on a broadcast. His instincts kick in, and he knows he needs to pledge to Chesterfield. But first, he has to save him!
I really loved this, bar the world building, I really did. I loved the fade to grey romance element, which was a slow burn and kinda crept up on you! The virus ravaging the world gave me chills about what OUR world has just been through, but the politicians took things to the extreme here, and they themselves paid a heavy price as well as the world they left behind.
There is a great deal of love here, not just between Donacio and Chesterfield, but family love, trying to get the best for those who have been infected, but are still managing to function to some extent.
Set on a planet in outer space, things had different names, however when talked about, they were described in a way that made perfect sense, and I really liked that. Sometimes space set books are a little difficult to follow, cos you have no idea what they are talking about. But not so here.
It is the first in the series, but I'm given no indication as to who/where the next book might be about, and I'm intrigued by some characters here.
I look forward to reading the next one!
4 very VERY good stars
*same worded review will appear elsewhere
This is the first in the Ninety Planets series, and as such has a huge amount of world building. It made for slow reading for me at times, and this is the only reason I'm giving it 4 and not 5 stars.
Chesterfield is a Healer and scientist, trying to find a cure for the illness sweeping the whole planet. There is also a threat from above, the whole planet is in a kind of lockdown by the Moracci. The previous politicians had sold the planet out, and not they were all paying for it. Donacio is a Guard of Winteria and he caught sight of Chesterfield on a broadcast. His instincts kick in, and he knows he needs to pledge to Chesterfield. But first, he has to save him!
I really loved this, bar the world building, I really did. I loved the fade to grey romance element, which was a slow burn and kinda crept up on you! The virus ravaging the world gave me chills about what OUR world has just been through, but the politicians took things to the extreme here, and they themselves paid a heavy price as well as the world they left behind.
There is a great deal of love here, not just between Donacio and Chesterfield, but family love, trying to get the best for those who have been infected, but are still managing to function to some extent.
Set on a planet in outer space, things had different names, however when talked about, they were described in a way that made perfect sense, and I really liked that. Sometimes space set books are a little difficult to follow, cos you have no idea what they are talking about. But not so here.
It is the first in the series, but I'm given no indication as to who/where the next book might be about, and I'm intrigued by some characters here.
I look forward to reading the next one!
4 very VERY good stars
*same worded review will appear elsewhere
Debbiereadsbook (1777 KP) rated Endosymbiont (The Vampire Guard #3) in Books
May 8, 2022
great to catch up with these guys!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in The Vampire Guard series, and I STRONGLY recommend you read Codename Jack Rabbit, and Quarry before this one. It will give you a better view of this group and who they are and what they do.
It's been a long time since I read the first 2 books, 6 years and 3 years and it took me a little bit of time to get back into this group, their dynamics and what they do, and what they are, but once I did, I thoroughly enjoyed it!
It gets a bit complicated, when they are talking about the endosymbiont and what it does and what it was meant for, but I kinda glazed over that bit. In all honesty, my mind wasn't comprehending it, so I didn't try to hard to understand the technical stuff!
The story flips from various times in the past, 1929/1940s and now, giving you a picture of things that have happened to get to this point, at the bottom of the ocean where they are fighting for their lives and I loved that. It gives us Kai and Ori in all their glory, who (but feel free to correct, it has been YEARS!) are a new introduction to the Guard (in terms of these books) and some Sohpia and Porter too, along with Jonas, Lucas, Declan and Blair.
It's quite violent, but dealing with mutated beings would be. And again, it's clean and I'm finding I like that about these books. There is love and feelings, cos you get that through the various bonded pairings as things move along but no actual smexy times and its not needed at all.
There is an epilogue. Said epilogue ends rather abruptly. Leading me to believe that not only will there be another book, but the endosymbiont will pop up again.
A thoroughly enjoyable read, a great catch up with these guys.
4 stars
*same worded review will appear elsewhere
This is book 3 in The Vampire Guard series, and I STRONGLY recommend you read Codename Jack Rabbit, and Quarry before this one. It will give you a better view of this group and who they are and what they do.
It's been a long time since I read the first 2 books, 6 years and 3 years and it took me a little bit of time to get back into this group, their dynamics and what they do, and what they are, but once I did, I thoroughly enjoyed it!
It gets a bit complicated, when they are talking about the endosymbiont and what it does and what it was meant for, but I kinda glazed over that bit. In all honesty, my mind wasn't comprehending it, so I didn't try to hard to understand the technical stuff!
The story flips from various times in the past, 1929/1940s and now, giving you a picture of things that have happened to get to this point, at the bottom of the ocean where they are fighting for their lives and I loved that. It gives us Kai and Ori in all their glory, who (but feel free to correct, it has been YEARS!) are a new introduction to the Guard (in terms of these books) and some Sohpia and Porter too, along with Jonas, Lucas, Declan and Blair.
It's quite violent, but dealing with mutated beings would be. And again, it's clean and I'm finding I like that about these books. There is love and feelings, cos you get that through the various bonded pairings as things move along but no actual smexy times and its not needed at all.
There is an epilogue. Said epilogue ends rather abruptly. Leading me to believe that not only will there be another book, but the endosymbiont will pop up again.
A thoroughly enjoyable read, a great catch up with these guys.
4 stars
*same worded review will appear elsewhere
Starboard (Voyagers #2)
10.0
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Dylan: I’ve lived my adult life under the Hollywood spotlight, but no one really sees who I am....
Contemporary MM Romance
The Cockpit (Voyagers #3)
8.0
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Rafe: I’ve given up my modeling career to work on the other side of the lens. And touring the...
Contemporary MM Romance
Debbiereadsbook (1777 KP) rated Engine in the Sky (Dyson Bridge #3) in Books
Jul 15, 2026
Merida and her people are dying.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in the Dyson Bridge series, and I do recommend you read the other two books: Abandon Station, book 1 and Among Us, book 2, before you read this one. It will give you the full story of how Merida and her people came to be on this New Earth. Not all is full recapped here and you really do need to know what happened before.
Finally, the politicians and the military of this world are beginning to see that the Bridgeway's deteriorating orbit might be disastrous for the New Earth. They just can't decide on how to fix it. Merida knows, along with her people but they won't let the technology on the Bridgeway fall into wrong hands and are fighting amongst themselves, while Merida and her people are dying.
So, people, again cliffhanger of sorts but at least Merida and her people are one step closer to going home. They are safer now, on the station than they were on Earth.
I found this one HEAVY on the technical details required to send the escape pods and on what happened on the station when they got there. Far too technical for me to fully understand, although I got some of it. The technology of Merida and the Bridgeway is far superior to ours, and to the New Earth and I fall in the New Earth category in my understanding!
Again, though, only Merida has a voice.
That said, I did enjoy the build up to getting back on the station and now look forward to Merida and those of her crew that are left, along with some tag alongs, getting home, if they can!
I am still invested in these people and I only want them to all be happy, and home. Also, I didn't have to wait 18 months for this book, like I did book 2, so maybe Harrison can get them home quicker, huh??
4 very good stars
*same worded review will appear elsewhere
This is book 3 in the Dyson Bridge series, and I do recommend you read the other two books: Abandon Station, book 1 and Among Us, book 2, before you read this one. It will give you the full story of how Merida and her people came to be on this New Earth. Not all is full recapped here and you really do need to know what happened before.
Finally, the politicians and the military of this world are beginning to see that the Bridgeway's deteriorating orbit might be disastrous for the New Earth. They just can't decide on how to fix it. Merida knows, along with her people but they won't let the technology on the Bridgeway fall into wrong hands and are fighting amongst themselves, while Merida and her people are dying.
So, people, again cliffhanger of sorts but at least Merida and her people are one step closer to going home. They are safer now, on the station than they were on Earth.
I found this one HEAVY on the technical details required to send the escape pods and on what happened on the station when they got there. Far too technical for me to fully understand, although I got some of it. The technology of Merida and the Bridgeway is far superior to ours, and to the New Earth and I fall in the New Earth category in my understanding!
Again, though, only Merida has a voice.
That said, I did enjoy the build up to getting back on the station and now look forward to Merida and those of her crew that are left, along with some tag alongs, getting home, if they can!
I am still invested in these people and I only want them to all be happy, and home. Also, I didn't have to wait 18 months for this book, like I did book 2, so maybe Harrison can get them home quicker, huh??
4 very good stars
*same worded review will appear elsewhere
Bob Mann (459 KP) rated Little Women (2019) in Movies
Jan 3, 2020 (Updated Jan 3, 2020)
Saoirse Ronan - just mesmeric. What screen presence! (2 more)
Great supporting cast.
Alexandre Desplat soundtrack.
"God hasn't met my will yet"
Greta Gerwig's follow up to her Oscar-praised "Lady Bird" from 2017 looks set to repeat the job this year. For it's nothing short of a masterpiece of cinema.
Louisa M. Alcott's semi-autobiographical novel has been filmed before (in 1949 and 1994, together with a number of other TV versions). I've not seen any of these previous versions and (as a literary philistine) I've never read the book either. So the story was new to me and drew me in perfectly.
The March sisters - Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh) and the youngest Beth (Eliza Scanlen) - are being brought up by their mother (Laura Dern) and Aunt (Meryl Streep) while their father (Bob Odenkirk) is away fighting in the Civil War. Also providing a helping hand is the rich neighbour Mr Lawrence (Chris Cooper), whose good-looking but indolent son 'Laurie' (Timothée Chalamet) has had the hots for tom-boy Jo for many years.
Each of the girls has a talent: for Jo it's writing, with her struggling to get her work past the grumpy publisher Mr Dashwood (Tracy Letts, from "Le Mans '66"); for Meg it's acting; for Amy it's painting; and for Beth it's music.
The film follows the lives, loves, successes and misfortunes of the sisters over two periods, split 7 years apart. It's a bumpy ride for some.
It struck me, as the big green BBFC certificate flashed onto the screen, how rare it is to find a "U - Suitable for all" (UK) certificate on a film these days. This is a film that the whole family *could* go and see. My only reservation here would be the way the film zips in and out of the two time periods at will. This might confuse the hell out of younger children. The subject matter of one part of the story may also disturb sensitive kids.
It's a really old-fashioned film - full of melodrama, love, unrequited love, death, charity, ambition and kindness - that builds to a feel-good ending that was totally corny but felt perfect in every way. We need more of this in our lives.
Wow. Just wow. The Oscar Best Actress categories are going to be a bloodied battlefield this year! There have been some GREAT roles for women on screen in the last year, and the Academy will have a job on their hands to narrow the long-list to the short-list this year. I would have tentatively forecast that Renée Zellweger might have had the Best Actor Oscar wrapped up for "Judy". But then here comes Saoirse Ronan. With phenomenal screen presence, she lights up every single scene she's in. Emma Watson and Florence Pugh are great actresses (and both here stand a stab at the Supporting Actress category), but your gaze always falls straight back to Ronan's reaction.
It's also a wonderful performance for newcomer Eliza Scanlen as the youngster Beth: I heard director Greta Gerwig comment (on Edith Bowman's excellent Soundtracking podcast) that Eliza needed less lighting than anyone else on set as she was "naturally luminous"!
Again lodging a cracking performance is the versatile Timothée Chalomet.... does the young chap make a bad film?
When you get to the end of the "cast bit", and you haven't mentioned Meryl Streep and Laura Dern yet, that says a lot!
What comes across more than anything else is just how apt this story is today to the 'girl power' times that we are currently living through. Jo in particular is the rebel of her day, fighting against the conformity of what it was in the time to be an independent woman, and specifically an independent working woman. Some of Alcott's words from the book could even today act as a rallying cry to those looking for greater change.
My reviewing year has certainly got off to a bang with this one. It's a glorious movie, utterly absorbing with ravishing cinematography by Yorick Le Saux and a brilliant soundtrack by Alexandre Desplat: both I suspect likely to feature in Oscar nominations. It's also likely to be nominated in other technical categories including Production Design, Costume and Hair & Makeup.
And I predict that this is inevitably going to be a Christmas favourite to match "The Sound of Music" and "It's a Wonderful Life" in future years.
Comes with a highly recommended tag from me.
(For the full graphical review, please visit the One Mann's Movies site here - https://bob-the-movie-man.com/2019/01/03/one-manns-movies-film-review-little-women-2019/. Thanks.)
Louisa M. Alcott's semi-autobiographical novel has been filmed before (in 1949 and 1994, together with a number of other TV versions). I've not seen any of these previous versions and (as a literary philistine) I've never read the book either. So the story was new to me and drew me in perfectly.
The March sisters - Jo (Saoirse Ronan), Meg (Emma Watson), Amy (Florence Pugh) and the youngest Beth (Eliza Scanlen) - are being brought up by their mother (Laura Dern) and Aunt (Meryl Streep) while their father (Bob Odenkirk) is away fighting in the Civil War. Also providing a helping hand is the rich neighbour Mr Lawrence (Chris Cooper), whose good-looking but indolent son 'Laurie' (Timothée Chalamet) has had the hots for tom-boy Jo for many years.
Each of the girls has a talent: for Jo it's writing, with her struggling to get her work past the grumpy publisher Mr Dashwood (Tracy Letts, from "Le Mans '66"); for Meg it's acting; for Amy it's painting; and for Beth it's music.
The film follows the lives, loves, successes and misfortunes of the sisters over two periods, split 7 years apart. It's a bumpy ride for some.
It struck me, as the big green BBFC certificate flashed onto the screen, how rare it is to find a "U - Suitable for all" (UK) certificate on a film these days. This is a film that the whole family *could* go and see. My only reservation here would be the way the film zips in and out of the two time periods at will. This might confuse the hell out of younger children. The subject matter of one part of the story may also disturb sensitive kids.
It's a really old-fashioned film - full of melodrama, love, unrequited love, death, charity, ambition and kindness - that builds to a feel-good ending that was totally corny but felt perfect in every way. We need more of this in our lives.
Wow. Just wow. The Oscar Best Actress categories are going to be a bloodied battlefield this year! There have been some GREAT roles for women on screen in the last year, and the Academy will have a job on their hands to narrow the long-list to the short-list this year. I would have tentatively forecast that Renée Zellweger might have had the Best Actor Oscar wrapped up for "Judy". But then here comes Saoirse Ronan. With phenomenal screen presence, she lights up every single scene she's in. Emma Watson and Florence Pugh are great actresses (and both here stand a stab at the Supporting Actress category), but your gaze always falls straight back to Ronan's reaction.
It's also a wonderful performance for newcomer Eliza Scanlen as the youngster Beth: I heard director Greta Gerwig comment (on Edith Bowman's excellent Soundtracking podcast) that Eliza needed less lighting than anyone else on set as she was "naturally luminous"!
Again lodging a cracking performance is the versatile Timothée Chalomet.... does the young chap make a bad film?
When you get to the end of the "cast bit", and you haven't mentioned Meryl Streep and Laura Dern yet, that says a lot!
What comes across more than anything else is just how apt this story is today to the 'girl power' times that we are currently living through. Jo in particular is the rebel of her day, fighting against the conformity of what it was in the time to be an independent woman, and specifically an independent working woman. Some of Alcott's words from the book could even today act as a rallying cry to those looking for greater change.
My reviewing year has certainly got off to a bang with this one. It's a glorious movie, utterly absorbing with ravishing cinematography by Yorick Le Saux and a brilliant soundtrack by Alexandre Desplat: both I suspect likely to feature in Oscar nominations. It's also likely to be nominated in other technical categories including Production Design, Costume and Hair & Makeup.
And I predict that this is inevitably going to be a Christmas favourite to match "The Sound of Music" and "It's a Wonderful Life" in future years.
Comes with a highly recommended tag from me.
(For the full graphical review, please visit the One Mann's Movies site here - https://bob-the-movie-man.com/2019/01/03/one-manns-movies-film-review-little-women-2019/. Thanks.)
Gareth von Kallenbach (980 KP) rated Elle (2016) in Movies
Jul 12, 2019
The end of 2016 is just a few short weeks away. That being said, studios and filmmakers across the world are rolling out the few remaining big budget blockbusters and potential breakout independent masterpieces before year’s end. Among them is today’s film for your consideration. A film that has already received international acclaim when it premiered in competition for the Palme d’Or at the 2016 Cannes Film Festival as well as several awards including the Gotham Independent Film Award For Best Actress, the Los Angeles Film Critics Association Award for Best Actress, a New York Film Critics Association Award for Best Actress, and a Golden Globe Award Nomination for Best Actress for the film’s star, celebrated French film and stage actress Isabelle Huppert. The film would later go on to be selected as the French entry for Best Foreign Language Film at the 89th Academy Awards.
‘Elle’ ( meaning ‘her’ or ‘she’ in French) is an internationally co-produced psychological thriller directed by Paul Verhoeven. Yes, THAT Paul Verhoeven of ‘RoboCop’ , ‘Basic Instinct’, ‘Starship Troopers’, ‘Showgirls’, and ‘Total Recall’ fame. Hold on a second. Before you take his track record of recent works into account just hear me out. The film is based on the 2012 novel “Oh …. ” by French/Armenian author Philippe Djian which won the prix Interallie literary award for a novel written by journalist. ‘Elle’ is Verhoeven’s first French language film and his first film since 2006’s ‘Black Book’.
The film stars Isabelle Huppert as business woman Michele Leblanc. Mother, divorce, and head of a video game company who is viciously attacked and raped in her home late one night by an unknown assailant wearing a ski mask. Rather than report this to the police, she quickly ‘cleans up the mess’ and carries on with life as usual. The film also features several subplots that intricately weave into the film’s main storyline. Michele has a son Vincent (Jonas Bloquet) who is engaged to his unfaithful and domineering girlfriend Josie (Alice Isaac). Their relationship is strained due to Vincent’s lack of direction and his refusal to break off the relationship with Josie who is pregnant by the man she cheated on Vincent with. Michele’s relationship with her mother is also strained due to her mother’s narcissism and preference for younger men. A point of increasing animosity between Michelle and her mother is the fact that Michelle refuses her mother’s request to visit Michelle’s father, a convicted cereal killer, in prison. Meanwhile, Michele is carrying on an affair with Robert (Christian Berkele). The husband of her business partner and best friend Anna (Anne Consigny) while at the same time developing a fixation with Patrick (Laurent Lafitte). A banker and husband of Michele’s religiously devout neighbor Rebecca (Virginie Efira). All this, combined with the turmoil going on within Michele’s company make her reluctant to involve the police in anyway.
Soon Michele grows suspicious of all the men in her life and begins to ‘stalk in reverse’ those in particular might have the strongest motivation to do her harm. At first she suspects Kurt (Lucas Prisor). A particularly resentful employee of her company and even her ex-husband Richard (Charles Berling) who Michele inadvertently pepper-sprays while he was hiding outside her home checking on her safety. Despite pleas from Richard, her friends, and fearing another media frenzy similar to the one that occurred during her childhood when her father was arrested Michele continues with life as usual on the surface. In secret though, Michele is arming herself and using her company’s resources in an attempt to find her attacker and exact her own vision of retribution in this twisted cat and mouse game.
This film is by far one of the best thrillers I’ve seen in the last few years. In my opinion, we here in America don’t partake in enough of the films our neighbors in other countries have to offer. This film doesn’t ‘play it safe’. The story plays out in a realistic and believable manner. This is another one of those rare stories where there are really no ‘happy endings’ in the situation such as depicted in the film. It’s harsh, it’s in your face, it’s plausible, the innocent unfortunately suffer along with the guilty. Punishing the guilty is never enough and sometimes harms the victim(s) even more over the course of time. The film is rated R for depictions of physical and sexual violence and clocks in just past 2 hours. If you’re searching for a well written, well directed, and even better acted film. This psychological thriller is definitely for you. I expect this film will continue to garner more acclaim and even more awards. I’m giving this one 4 out of 5 stars.
‘Elle’ ( meaning ‘her’ or ‘she’ in French) is an internationally co-produced psychological thriller directed by Paul Verhoeven. Yes, THAT Paul Verhoeven of ‘RoboCop’ , ‘Basic Instinct’, ‘Starship Troopers’, ‘Showgirls’, and ‘Total Recall’ fame. Hold on a second. Before you take his track record of recent works into account just hear me out. The film is based on the 2012 novel “Oh …. ” by French/Armenian author Philippe Djian which won the prix Interallie literary award for a novel written by journalist. ‘Elle’ is Verhoeven’s first French language film and his first film since 2006’s ‘Black Book’.
The film stars Isabelle Huppert as business woman Michele Leblanc. Mother, divorce, and head of a video game company who is viciously attacked and raped in her home late one night by an unknown assailant wearing a ski mask. Rather than report this to the police, she quickly ‘cleans up the mess’ and carries on with life as usual. The film also features several subplots that intricately weave into the film’s main storyline. Michele has a son Vincent (Jonas Bloquet) who is engaged to his unfaithful and domineering girlfriend Josie (Alice Isaac). Their relationship is strained due to Vincent’s lack of direction and his refusal to break off the relationship with Josie who is pregnant by the man she cheated on Vincent with. Michele’s relationship with her mother is also strained due to her mother’s narcissism and preference for younger men. A point of increasing animosity between Michelle and her mother is the fact that Michelle refuses her mother’s request to visit Michelle’s father, a convicted cereal killer, in prison. Meanwhile, Michele is carrying on an affair with Robert (Christian Berkele). The husband of her business partner and best friend Anna (Anne Consigny) while at the same time developing a fixation with Patrick (Laurent Lafitte). A banker and husband of Michele’s religiously devout neighbor Rebecca (Virginie Efira). All this, combined with the turmoil going on within Michele’s company make her reluctant to involve the police in anyway.
Soon Michele grows suspicious of all the men in her life and begins to ‘stalk in reverse’ those in particular might have the strongest motivation to do her harm. At first she suspects Kurt (Lucas Prisor). A particularly resentful employee of her company and even her ex-husband Richard (Charles Berling) who Michele inadvertently pepper-sprays while he was hiding outside her home checking on her safety. Despite pleas from Richard, her friends, and fearing another media frenzy similar to the one that occurred during her childhood when her father was arrested Michele continues with life as usual on the surface. In secret though, Michele is arming herself and using her company’s resources in an attempt to find her attacker and exact her own vision of retribution in this twisted cat and mouse game.
This film is by far one of the best thrillers I’ve seen in the last few years. In my opinion, we here in America don’t partake in enough of the films our neighbors in other countries have to offer. This film doesn’t ‘play it safe’. The story plays out in a realistic and believable manner. This is another one of those rare stories where there are really no ‘happy endings’ in the situation such as depicted in the film. It’s harsh, it’s in your face, it’s plausible, the innocent unfortunately suffer along with the guilty. Punishing the guilty is never enough and sometimes harms the victim(s) even more over the course of time. The film is rated R for depictions of physical and sexual violence and clocks in just past 2 hours. If you’re searching for a well written, well directed, and even better acted film. This psychological thriller is definitely for you. I expect this film will continue to garner more acclaim and even more awards. I’m giving this one 4 out of 5 stars.
Debbiereadsbook (1777 KP) rated On The Ice ( Stick Side '#1) in Books
May 14, 2018
kinda creeps up on ya!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Mitch is working two jobs to put himself through college, and get himself in the NHL league. He puts on a front for everyone and anyone who pays him any attention. But Alex sees Mitch, like SEES him, as he really is and Alex wants more. But both young men are fully aware that coming out might jeopardize both the positions in the league.
I made a new shelf, just for books like this! It's title?? Kinda-creeps-up-on-ya!
Because that is just what this book did! It creeps along, slow, slow, fast, fast, slow. The emotions build along the same, and then, THEN?? I ran out of book!
You get sucked in so far, you can't see a way out, except to keep on going and see how it all turns out!
I loved Mitch, with all his fronts and faces he presents to everyone else. I loved that Alex saw, immediately, past those fronts and faces. Loved that Alex makes it clear to Mitch, while he finds him attractive, there can be nothing between them without the EMOTIONAL connection. And Mitch would rather take the nothing, and have Alex in his life, than just the sex, and lose Alex along the way.
I find myself: me, a middle aged English woman, connecting with Alex on a much deeper level than I expected to. Alex is demisexual: he loves people, not genders. But he won't have sex with just anyone, he needs that emotion connection that Mitch is chasing with Alex. And I think THATS what I connected to, the fact he needs that emotional connection.
I did love the epilogue! Loved that, even though these guys could have lost their league places, they followed their hearts!
There is a little bit in the front of this book, that tells you Mitch and Alex pop up in another book by Aislin. They are already married for 6 years in that book, and this is the story of how they got together. I'd like to read that one too.
From what I can see, the first I have read of Aislin, another new to me author who blew me away.
5 stars, that creep up ya!!
**same worded review will appear elsewhere**
Mitch is working two jobs to put himself through college, and get himself in the NHL league. He puts on a front for everyone and anyone who pays him any attention. But Alex sees Mitch, like SEES him, as he really is and Alex wants more. But both young men are fully aware that coming out might jeopardize both the positions in the league.
I made a new shelf, just for books like this! It's title?? Kinda-creeps-up-on-ya!
Because that is just what this book did! It creeps along, slow, slow, fast, fast, slow. The emotions build along the same, and then, THEN?? I ran out of book!
You get sucked in so far, you can't see a way out, except to keep on going and see how it all turns out!
I loved Mitch, with all his fronts and faces he presents to everyone else. I loved that Alex saw, immediately, past those fronts and faces. Loved that Alex makes it clear to Mitch, while he finds him attractive, there can be nothing between them without the EMOTIONAL connection. And Mitch would rather take the nothing, and have Alex in his life, than just the sex, and lose Alex along the way.
I find myself: me, a middle aged English woman, connecting with Alex on a much deeper level than I expected to. Alex is demisexual: he loves people, not genders. But he won't have sex with just anyone, he needs that emotion connection that Mitch is chasing with Alex. And I think THATS what I connected to, the fact he needs that emotional connection.
I did love the epilogue! Loved that, even though these guys could have lost their league places, they followed their hearts!
There is a little bit in the front of this book, that tells you Mitch and Alex pop up in another book by Aislin. They are already married for 6 years in that book, and this is the story of how they got together. I'd like to read that one too.
From what I can see, the first I have read of Aislin, another new to me author who blew me away.
5 stars, that creep up ya!!
**same worded review will appear elsewhere**
Debbiereadsbook (1777 KP) rated Unlikely Hero (AUDIO) in Books
May 14, 2018
excellent narration of a great book!
Independent reviewer for Divine Magazine, I was gifted the audio version of this book.
Brock never got over Eric leaving him, but he understood why Eric needed to go. When Eric calls, 9 years later, Brock drops everything and calls upon his considerable resources to find Eric's 3 year old daughter , who has been kidnapped. But having Eric and Josie under his roof, to keep them safe, has Brock thinking about all the things he missed out on.
I loved this!!
Brock loved Eric, never stopped so of course he's gonna help him find his daughter! I loved that, right from Eric turning up at his office, Brock is calling him baby. I don;'t usually, so it surprised me here that I did love it! I think it surprised Brock too, the first time he did it!
Brock makes no apologies for his wealth and power and he pulls no punches in using both to keep Eric and Josie safe, and in finding out who is doing this.
But we don't get Eric, at all. This is told entirely from Brock's POV in the third person. And I really REALLY needed to hear from Eric at key points along the way: when Josie is first discovered gone; when he walks into Brock's office and when he finds out just who is behind it all. This is the only reason I gave the book 4 stars, because Eric is not given a voice, and he needed one.
I loved the supporting cast, especially Max and Gordon. They have a tale to tell, not least because of what goes down here!
Jeff Gelder narrates. This is the first, as far as I can see, that I have listened to of his work and I was very impressed. His reading voice is deep and even, and his voices consistent and easily identifiable in multi person conversations. Loved his voice for Josie, who sounded just like a 3 year old should, with all the funny things they say. Gelder gets over all of Brock's emotions in all the right places.
I cannot fault the narration. Gelder is firmly on my to listen list!
4 stars for the book
5 stars for the narration.
4.5 (rounded down to 4) overall.
**same worded review will appear elsewhere**
Brock never got over Eric leaving him, but he understood why Eric needed to go. When Eric calls, 9 years later, Brock drops everything and calls upon his considerable resources to find Eric's 3 year old daughter , who has been kidnapped. But having Eric and Josie under his roof, to keep them safe, has Brock thinking about all the things he missed out on.
I loved this!!
Brock loved Eric, never stopped so of course he's gonna help him find his daughter! I loved that, right from Eric turning up at his office, Brock is calling him baby. I don;'t usually, so it surprised me here that I did love it! I think it surprised Brock too, the first time he did it!
Brock makes no apologies for his wealth and power and he pulls no punches in using both to keep Eric and Josie safe, and in finding out who is doing this.
But we don't get Eric, at all. This is told entirely from Brock's POV in the third person. And I really REALLY needed to hear from Eric at key points along the way: when Josie is first discovered gone; when he walks into Brock's office and when he finds out just who is behind it all. This is the only reason I gave the book 4 stars, because Eric is not given a voice, and he needed one.
I loved the supporting cast, especially Max and Gordon. They have a tale to tell, not least because of what goes down here!
Jeff Gelder narrates. This is the first, as far as I can see, that I have listened to of his work and I was very impressed. His reading voice is deep and even, and his voices consistent and easily identifiable in multi person conversations. Loved his voice for Josie, who sounded just like a 3 year old should, with all the funny things they say. Gelder gets over all of Brock's emotions in all the right places.
I cannot fault the narration. Gelder is firmly on my to listen list!
4 stars for the book
5 stars for the narration.
4.5 (rounded down to 4) overall.
**same worded review will appear elsewhere**