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Phil Leader (619 KP) rated The Written (Emaneska #1) in Books
Nov 29, 2019
Ben Galley is a fantasy author and staunch defender of independent publishing. The Written is his first book, and the first in The Emaneska trilogy.
I have to say I was expecting some fairly standard sword and sorcery tale here, a bit of magic, a few fabulous beasts slain, the usual wise grey beards and prophecies. As a first book that would have definitely been the safe option, and would still have been a good read.
Needless to say this isn't what you get. You get a slew of mythical creatures - dragons (I suspect only the Pern novels exceed the sheer number in this book), werewolves and more besides. You get heroes and villains. You get magic. You get sword fights. But all of these are put together in a way that's different from the norm. Rather than trying to subvert all the fantasy tropes it is as if Galley dropped them and they smashed and in putting them back together they aren't quite the same as they were before.
The basic story concerns the theft of a spell book which, in the wrong hands, can be used to summon a mighty and powerful evil. Farden, one of the Written (a sort of magic user that has spells tattooed onto his back) has to try to prevent this happening. I won't give any more details as there are many twists and turns as the story unfolds.
Farden is a powerful mage and a tough fighter and although he is heoric he also has personal demons that could cause his mission to fail. He is a loner with little patience for others. He doubts his own abilities and judgement. As the reader you feel you want to give him a good shaking sometimes to get him to act. This makes him a very complex character, realistic and interesting to follow. The other main characters are also fully realised with their own mannerisms and momentum.
Galley takes his time describing the world and there is a feeling of real depth and history, perhaps not on the same scale as Tolkien but the comparison is apt. Clearly Galley has spent considerable time putting this world together and is rightly proud of the results.
He takes his time with descriptions, each of the many locations vividly worded and memorable. The action scenes (of which there are a fair number) crack along at a breathless pace although possibly a little overwritten at times (allowable when there is so much to try to convey to the reader I think).
As the first of a trilogy of books this obviously leaves the story open for the sequel at the end, but it is a satisfying conclusion and there is no doubt that the first part of Farden's journey is complete but that there is much more - and probably harder - to come.
Really the only criticism I have is that occasionally - at the start and then a small part about half way through - the writing perhaps isn't up to the standard of the rest, which I think is because this is a first novel. And the standard of the rest of the writing to so high this really is a niggle.
I highly recommend this book to anyone who likes their fantasy fast and interesting. It's a long book and a good book. And even better, it's free to download so what is stopping you?
I have to say I was expecting some fairly standard sword and sorcery tale here, a bit of magic, a few fabulous beasts slain, the usual wise grey beards and prophecies. As a first book that would have definitely been the safe option, and would still have been a good read.
Needless to say this isn't what you get. You get a slew of mythical creatures - dragons (I suspect only the Pern novels exceed the sheer number in this book), werewolves and more besides. You get heroes and villains. You get magic. You get sword fights. But all of these are put together in a way that's different from the norm. Rather than trying to subvert all the fantasy tropes it is as if Galley dropped them and they smashed and in putting them back together they aren't quite the same as they were before.
The basic story concerns the theft of a spell book which, in the wrong hands, can be used to summon a mighty and powerful evil. Farden, one of the Written (a sort of magic user that has spells tattooed onto his back) has to try to prevent this happening. I won't give any more details as there are many twists and turns as the story unfolds.
Farden is a powerful mage and a tough fighter and although he is heoric he also has personal demons that could cause his mission to fail. He is a loner with little patience for others. He doubts his own abilities and judgement. As the reader you feel you want to give him a good shaking sometimes to get him to act. This makes him a very complex character, realistic and interesting to follow. The other main characters are also fully realised with their own mannerisms and momentum.
Galley takes his time describing the world and there is a feeling of real depth and history, perhaps not on the same scale as Tolkien but the comparison is apt. Clearly Galley has spent considerable time putting this world together and is rightly proud of the results.
He takes his time with descriptions, each of the many locations vividly worded and memorable. The action scenes (of which there are a fair number) crack along at a breathless pace although possibly a little overwritten at times (allowable when there is so much to try to convey to the reader I think).
As the first of a trilogy of books this obviously leaves the story open for the sequel at the end, but it is a satisfying conclusion and there is no doubt that the first part of Farden's journey is complete but that there is much more - and probably harder - to come.
Really the only criticism I have is that occasionally - at the start and then a small part about half way through - the writing perhaps isn't up to the standard of the rest, which I think is because this is a first novel. And the standard of the rest of the writing to so high this really is a niggle.
I highly recommend this book to anyone who likes their fantasy fast and interesting. It's a long book and a good book. And even better, it's free to download so what is stopping you?
Sophia (Bookwyrming Thoughts) (530 KP) rated Fire and Bone (Otherborn, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Xpresso Book Tours in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<strong>I can't tell if I'm <em>actually</em> disappointed with <em>Fire and Bone</em> or if I <em>feel</em> disappointed with the book.</strong>
I started Rachel A. Marks's new book right after I finished <a href="http://theartsstl.com/rin-chupeco-the-heart-forger-sourcebooks-fire/"><em>The Heart Forger</em></a>, and I was very much ruined for other books at the moment in time because Rin Chupeco's book was <em>that</em> good.
<strong><em>Fire and Bone</em> is the first novel in Marks's <em>Otherborn</em> series, which is based on Celtic mythology and set in modern-day Los Angeles.</strong> The story follows Sage, who struggles to live on her own in the streets and has the urge to burn things until she finds out she is the daughter of a Celtic goddess.
Sage is very independent - we've got the kid goes through a rough childhood and gets shifted around from foster home to foster home until they say, "Screw it!" and go off on their own (because who has time for rough homes?) trope. The one friend in her life is Ziggy, at least until she is plucked into the Otherworld where she eventually has to pledge her allegiance to one of the five main deities, known as houses.
I'm a huge fan of books that focus on character, plot and action, so <em>Fire and Bone</em>, being the first in a series, won't be a novel that I will enjoy as much compared to my reactions when (and if because so many books) I read the sequels. <strong>This novel is more of a setup - there is a lot of information about the world</strong> (though certainly not an information overload) that is revealed as Sage navigates the Otherworld and is getting attention from her bodyguard and a prince. She also tries to uncover the past that is revealed to her through dreams.
There's no surprise that <strong>there seems to be a love triangle of sorts that will most likely reveal itself</strong> in future novels. The interactions between Kieran, Faelan and Sage are telltale signs that there is probably going to be one, though I could be wrong. Assuming this <em>will</em> be a love triangle though, I'm not shipping any of them and feel it is out of place to the overall plot of the story.
<strong>I love the side characters Marks introduces to us</strong> in <em>Fire and Bone</em>. It was hard to like the characters early on, but as I continued reading the book, some of the characters had hilarious lines. I'm curious how the characters will develop in book two, so <strong>character development will be one of the things I'll be looking forward to.</strong>
Along with character development, I'm looking forward to how the plot will unfold. While a major plot point was predictable, I did <em>not</em> guess the ending of the story, and <strong>I want to KNOW what happens next</strong>. If anything, <em>Otherborn #2</em> will tear my heart to pieces and ruin me for whatever book is read next like <em>The Heart Forger</em> did.
<a href="https://bookwyrmingthoughts.com/fire-and-bone-by-rachel-a-marks-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<strong>I can't tell if I'm <em>actually</em> disappointed with <em>Fire and Bone</em> or if I <em>feel</em> disappointed with the book.</strong>
I started Rachel A. Marks's new book right after I finished <a href="http://theartsstl.com/rin-chupeco-the-heart-forger-sourcebooks-fire/"><em>The Heart Forger</em></a>, and I was very much ruined for other books at the moment in time because Rin Chupeco's book was <em>that</em> good.
<strong><em>Fire and Bone</em> is the first novel in Marks's <em>Otherborn</em> series, which is based on Celtic mythology and set in modern-day Los Angeles.</strong> The story follows Sage, who struggles to live on her own in the streets and has the urge to burn things until she finds out she is the daughter of a Celtic goddess.
Sage is very independent - we've got the kid goes through a rough childhood and gets shifted around from foster home to foster home until they say, "Screw it!" and go off on their own (because who has time for rough homes?) trope. The one friend in her life is Ziggy, at least until she is plucked into the Otherworld where she eventually has to pledge her allegiance to one of the five main deities, known as houses.
I'm a huge fan of books that focus on character, plot and action, so <em>Fire and Bone</em>, being the first in a series, won't be a novel that I will enjoy as much compared to my reactions when (and if because so many books) I read the sequels. <strong>This novel is more of a setup - there is a lot of information about the world</strong> (though certainly not an information overload) that is revealed as Sage navigates the Otherworld and is getting attention from her bodyguard and a prince. She also tries to uncover the past that is revealed to her through dreams.
There's no surprise that <strong>there seems to be a love triangle of sorts that will most likely reveal itself</strong> in future novels. The interactions between Kieran, Faelan and Sage are telltale signs that there is probably going to be one, though I could be wrong. Assuming this <em>will</em> be a love triangle though, I'm not shipping any of them and feel it is out of place to the overall plot of the story.
<strong>I love the side characters Marks introduces to us</strong> in <em>Fire and Bone</em>. It was hard to like the characters early on, but as I continued reading the book, some of the characters had hilarious lines. I'm curious how the characters will develop in book two, so <strong>character development will be one of the things I'll be looking forward to.</strong>
Along with character development, I'm looking forward to how the plot will unfold. While a major plot point was predictable, I did <em>not</em> guess the ending of the story, and <strong>I want to KNOW what happens next</strong>. If anything, <em>Otherborn #2</em> will tear my heart to pieces and ruin me for whatever book is read next like <em>The Heart Forger</em> did.
<a href="https://bookwyrmingthoughts.com/fire-and-bone-by-rachel-a-marks-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Ali A (82 KP) rated Deathless Divide in Books
Mar 3, 2020
Epic Feminist Western with Zombies
After the fall of Kansas survivalist town Summerland, Jane McKeene, Katherine Deveraux, and their group set off to what they hope is a better opportunity at life. But of course, life is never easy, especially while surviving in 1880's America with the restless dead. On the road to a protected village called Nicodermus, the group suffers a loss. Then, what appears at first to be a safe haven, Nicodermus becomes filled with lies and mystery.
The group becomes separated and Jane soon finds herself on a path filled with darkness and blood while Katherine does everything she can to continue on. Katherine never expected to be friends with Jane McKeene, but after everything she's been through, she knows friends are hard to come by; her best friend, Jane, needs her now more than ever. When the duo reach a critical point, Katherine is the one who must keep hope alive so they can survive.
I enjoyed this book so much. My heart broke for Jane and all the hardship she had to go through, but I loved the badass fighter she became. The story arc she has through this novel kept me intrigued to see it to the end. Katherine however, really stole the show for me. Just having her be there as an ace character doing her thing and surviving - all while wearing a corset - is amazing. Also her love for stubborn and sometimes unflinching Jane is heartwarming; she's loyal to Jane no matter what, even when Jane tries to push her away. I respected Jane but I admired Katherine. Both girls are such badass characters for me and I love them both so much.
I'll try not to mention anything major about the story line, but it's pretty good to say the book splits between "Nicodermus" and "After Nicodermus." "After Nicodermus" leads in directions I would have never guessed and it had me turning page after page. It's intense. New, interesting characters are also introduced, many of whom were just as interesting as Jane and Katherine (I would have loved to see more of Carolina and Katherine's friendship).
Even with the back and forth between each chapter of Jane and Katherine's POVs in Deathless Divide, it has, just like Dread Nation, such an incredible, strong narrative. The way that Justina Ireland writes blows me away. Both characters give the reader so much to connect and hold onto.
I absolutely loved the ending of this book as well. I was so concerned in the last 75 pages or so that it wouldn't end well - not because I didn't want another one (at this point, I will read anything Justina Ireland writes I just love her writing so much), but because I was worried I was going to have to wait another two years before I found out after being left with a cliff hanger. Ireland was able to write the end perfectly that I was happy with the wrap-up of Jane's story.
Deathless Divide is a book I will now always recommend (of course after one reads Dread Nation). It has strong, independent, black, female, queer characters. It addresses issues of racism, sexism, mental health, and the meaning of surviving. The story is an easy and fast-paced read with characters that, as a reader, one can fall in love with.
The group becomes separated and Jane soon finds herself on a path filled with darkness and blood while Katherine does everything she can to continue on. Katherine never expected to be friends with Jane McKeene, but after everything she's been through, she knows friends are hard to come by; her best friend, Jane, needs her now more than ever. When the duo reach a critical point, Katherine is the one who must keep hope alive so they can survive.
I enjoyed this book so much. My heart broke for Jane and all the hardship she had to go through, but I loved the badass fighter she became. The story arc she has through this novel kept me intrigued to see it to the end. Katherine however, really stole the show for me. Just having her be there as an ace character doing her thing and surviving - all while wearing a corset - is amazing. Also her love for stubborn and sometimes unflinching Jane is heartwarming; she's loyal to Jane no matter what, even when Jane tries to push her away. I respected Jane but I admired Katherine. Both girls are such badass characters for me and I love them both so much.
I'll try not to mention anything major about the story line, but it's pretty good to say the book splits between "Nicodermus" and "After Nicodermus." "After Nicodermus" leads in directions I would have never guessed and it had me turning page after page. It's intense. New, interesting characters are also introduced, many of whom were just as interesting as Jane and Katherine (I would have loved to see more of Carolina and Katherine's friendship).
Even with the back and forth between each chapter of Jane and Katherine's POVs in Deathless Divide, it has, just like Dread Nation, such an incredible, strong narrative. The way that Justina Ireland writes blows me away. Both characters give the reader so much to connect and hold onto.
I absolutely loved the ending of this book as well. I was so concerned in the last 75 pages or so that it wouldn't end well - not because I didn't want another one (at this point, I will read anything Justina Ireland writes I just love her writing so much), but because I was worried I was going to have to wait another two years before I found out after being left with a cliff hanger. Ireland was able to write the end perfectly that I was happy with the wrap-up of Jane's story.
Deathless Divide is a book I will now always recommend (of course after one reads Dread Nation). It has strong, independent, black, female, queer characters. It addresses issues of racism, sexism, mental health, and the meaning of surviving. The story is an easy and fast-paced read with characters that, as a reader, one can fall in love with.
Gareth von Kallenbach (980 KP) rated The Man Who Knew Infinity (2016) in Movies
Aug 6, 2019
In 1914, Srinivasa Ramanujan (Dev Patel) traveled from his poverty-stricken existence in Madras, India to Trinity College, Cambridge in the hope that he would have his theories published and be recognized for the mathematical genius he was. While there, despite facing racism, hostility and severe illness, he formed an important relationship with G.H. Hardy (Jeremy Irons) that would lead to breakthroughs in mathematics that are still relevant today.
It would be easy to prattle on about the tremendous talent onscreen in The Man Who Knew Infinity and with a supporting cast that features some of Britain’s best; we get exactly what we’d expect from the likes of Jeremy Irons, Toby Jones and Kevin McNally. All at the top of their game, they serve the story well with nuanced and well-rounded performances, and I’m certainly not going to take anything away from the exceptional jobs they’ve all done here. All the praise this film deserves however, needs to be directed at Dev Patel. In his role as Ramanujan, he’s completely stepped out of the shadow of his big-screen debut in Slumdog Millionaire and has proved his worth as a leading man capable of carrying the weight of an entire feature. Distancing himself also from the lovable, bumbling hotel owner in The Best Exotic Marigold movies, with Ramanujan he is allowed the room to display an incredible range, from quiet intensity to outspoken, unbridled passion and determination. Kudos also to the writers for not going The Big Short route (e.g. talking down to the uninitiated with ridiculous cutaways), but by using simple logic and examples to help convey complex information relevant to the plot.
For the performances alone, this is a solid entry in the biopic genre, but structurally speaking, it’s the editing that lets the film down. This very easily could have emerged as the next A Beautiful Mind, but between a bloated first act, a middling and wandering second act and a truncated final third, The Man Who Knew Infinity falls just short of greatness. Not only is no attention paid to Ramanujan’s achievements as a child, but too much time is given to details and subplots that are arguably inconsequential to the main narrative. This is especially evident in the inclusion of Bertrand Russell (who lived such a rich and fascinating life himself, it would take several films to do that story justice) and his being here feels like just a hollow excuse to include a cameo from another figure of historical importance. The biggest disservice though comes with the ending where we are denied a much needed catharsis and are left to suffer through a slap-dash, halfhearted montage. A restructuring from a more seasoned hand would have undoubtedly led to stronger word-of-mouth and perhaps a wider release. I also wouldn’t be surprised to learn that this is a case of “too many cooks” as the film has a staggering 43 credited producers. I get that independent features can be forced to source their funding from many places, but you can’t tell me that with all those opinions flying about that some of the original intent didn’t get lost in the noise.
As an aside, what Stephen Fry is doing here is beyond me. He’s given two scenes with perhaps a half a dozen lines, leaving his incomparable persona entirely wasted on a completely throwaway character. It’s a pity he wasn’t given a meatier role as one of Ramanujan’s antagonists.
It would be easy to prattle on about the tremendous talent onscreen in The Man Who Knew Infinity and with a supporting cast that features some of Britain’s best; we get exactly what we’d expect from the likes of Jeremy Irons, Toby Jones and Kevin McNally. All at the top of their game, they serve the story well with nuanced and well-rounded performances, and I’m certainly not going to take anything away from the exceptional jobs they’ve all done here. All the praise this film deserves however, needs to be directed at Dev Patel. In his role as Ramanujan, he’s completely stepped out of the shadow of his big-screen debut in Slumdog Millionaire and has proved his worth as a leading man capable of carrying the weight of an entire feature. Distancing himself also from the lovable, bumbling hotel owner in The Best Exotic Marigold movies, with Ramanujan he is allowed the room to display an incredible range, from quiet intensity to outspoken, unbridled passion and determination. Kudos also to the writers for not going The Big Short route (e.g. talking down to the uninitiated with ridiculous cutaways), but by using simple logic and examples to help convey complex information relevant to the plot.
For the performances alone, this is a solid entry in the biopic genre, but structurally speaking, it’s the editing that lets the film down. This very easily could have emerged as the next A Beautiful Mind, but between a bloated first act, a middling and wandering second act and a truncated final third, The Man Who Knew Infinity falls just short of greatness. Not only is no attention paid to Ramanujan’s achievements as a child, but too much time is given to details and subplots that are arguably inconsequential to the main narrative. This is especially evident in the inclusion of Bertrand Russell (who lived such a rich and fascinating life himself, it would take several films to do that story justice) and his being here feels like just a hollow excuse to include a cameo from another figure of historical importance. The biggest disservice though comes with the ending where we are denied a much needed catharsis and are left to suffer through a slap-dash, halfhearted montage. A restructuring from a more seasoned hand would have undoubtedly led to stronger word-of-mouth and perhaps a wider release. I also wouldn’t be surprised to learn that this is a case of “too many cooks” as the film has a staggering 43 credited producers. I get that independent features can be forced to source their funding from many places, but you can’t tell me that with all those opinions flying about that some of the original intent didn’t get lost in the noise.
As an aside, what Stephen Fry is doing here is beyond me. He’s given two scenes with perhaps a half a dozen lines, leaving his incomparable persona entirely wasted on a completely throwaway character. It’s a pity he wasn’t given a meatier role as one of Ramanujan’s antagonists.
Debbiereadsbook (1202 KP) rated Alpha's Embrace (Omega Misfits #3) in Books
Apr 19, 2020
a needed addition but falls far flat of the other two books
Independent reviewer for Gay Romance Reviews, I was gifted my copy of this book.
This is book 3 in the Omega Misfits series, but you don't need to have read Trust No Alpha (book 1) or The Alpha's Fake Mate (book 2) before you read this one. They all take place in the same world, but can totally be read as a stand alone read. I HAVE read them, although I did not write reviews for them as I read them via the Unlimited programme.
And I found THIS one the weakest of the three.
Alphas are supposed to mate with Omegas and ONLY with Omegas. However when 2 Omegas mate, and produce a child, that child is a Sylph. Sylph children are removed from society and kept locked up for their own good. They live with a constant Burn, unlike Alphas who get them regularly, and most do not live into adulthood for going insane.
Misha is such a child. Well, not a child, he is well into adulthood and a bit of an anomoly. He can control his Burn, and be a productive member of society, BUT for the fact he is Sylph. Geo is an Alpha and the new general manager at the facility where Misha lives. When Geo touches Misha without gloves, a bond begins. A bond that is as illegal as it is dangerous. To BOTH of them.
Both Misha and Geo know this is different, whatever they are feeling, but Geo is best able to voice it and rationalise what is happening between them. Misha is, for want of a better explanation, away with the fairies most of the time, but then again, being locked up all the time would make anyone so. Misha KNOWS he is Sylph, he KNOWS he cannot bond, so he doesn't know what this is between him and Geo. He KNOWS he wants Geo, in a way that is different to his usual want (Sylphs want everyone) he just doesn't know what to do. Geo makes the decision, but Misha is given a choice. I liked that it took time for them to act on the bond, to consummate it. They both have thoughts about the other, it just takes time for them to act on it. I've filed it as m-preg, cos it is talked about and does appear in other books in the series, but there isn't any here.
Both guys have a say, in the first person. Misha's voice is a little airy-fairy, like I said and Geo's is very much an Alpha, but he does go a little off the rails, and that comes out of nowhere, to be honest. I found Geo the least liked of the three Alphas in these books and I cannot pinpoint exactly why.
I liked how it all sorted out, but I would have liked a bit of an epilogue, a some-time-later type thing, to catch up on them, and how things pan out after what they did, and whether things had changed for Misha with a fully formed bond.
A nice read, a GOOD addition to the series though and I think it really was needed, a story about the Slyph children, who are talked about in the other books. This book just didn't push my buttons as the other two did, I'm afraid.
3 good solid stars
**same worded review will appear elsewhere**
This is book 3 in the Omega Misfits series, but you don't need to have read Trust No Alpha (book 1) or The Alpha's Fake Mate (book 2) before you read this one. They all take place in the same world, but can totally be read as a stand alone read. I HAVE read them, although I did not write reviews for them as I read them via the Unlimited programme.
And I found THIS one the weakest of the three.
Alphas are supposed to mate with Omegas and ONLY with Omegas. However when 2 Omegas mate, and produce a child, that child is a Sylph. Sylph children are removed from society and kept locked up for their own good. They live with a constant Burn, unlike Alphas who get them regularly, and most do not live into adulthood for going insane.
Misha is such a child. Well, not a child, he is well into adulthood and a bit of an anomoly. He can control his Burn, and be a productive member of society, BUT for the fact he is Sylph. Geo is an Alpha and the new general manager at the facility where Misha lives. When Geo touches Misha without gloves, a bond begins. A bond that is as illegal as it is dangerous. To BOTH of them.
Both Misha and Geo know this is different, whatever they are feeling, but Geo is best able to voice it and rationalise what is happening between them. Misha is, for want of a better explanation, away with the fairies most of the time, but then again, being locked up all the time would make anyone so. Misha KNOWS he is Sylph, he KNOWS he cannot bond, so he doesn't know what this is between him and Geo. He KNOWS he wants Geo, in a way that is different to his usual want (Sylphs want everyone) he just doesn't know what to do. Geo makes the decision, but Misha is given a choice. I liked that it took time for them to act on the bond, to consummate it. They both have thoughts about the other, it just takes time for them to act on it. I've filed it as m-preg, cos it is talked about and does appear in other books in the series, but there isn't any here.
Both guys have a say, in the first person. Misha's voice is a little airy-fairy, like I said and Geo's is very much an Alpha, but he does go a little off the rails, and that comes out of nowhere, to be honest. I found Geo the least liked of the three Alphas in these books and I cannot pinpoint exactly why.
I liked how it all sorted out, but I would have liked a bit of an epilogue, a some-time-later type thing, to catch up on them, and how things pan out after what they did, and whether things had changed for Misha with a fully formed bond.
A nice read, a GOOD addition to the series though and I think it really was needed, a story about the Slyph children, who are talked about in the other books. This book just didn't push my buttons as the other two did, I'm afraid.
3 good solid stars
**same worded review will appear elsewhere**
ClareR (5726 KP) rated The Mercies in Books
Feb 25, 2020 (Updated Feb 25, 2020)
The Mercies is a slow burn of a novel, set in the Arctic town of Vardø in 1617 (Norway, the part that was called Finnmark). On Christmas Eve, whilst all of the men are out fishing, a storm blows in and kills them all. The women are left without their husbands, brothers and fathers, and must learn to fend for themselves. Maren Magnusdatter is one of these women. She watches as her father, brothers and future husband are drowned.
Three years later, a Scot, Absalom Cornet and his young Norwegian wife, Ursa, arrive. Absalom has been appointed Commissioner of Vardø, and is adamant that witchcraft was the cause of the storm three years ago. The fact that the women are surviving and taking on the roles of their dead menfolk doesn’t help their case. Absalom only sees evil, and women who have forgotten their place as servants of God. He is a witch finder, and has been responsible for the prosecution and death of women at home in Scotland. Unsurprisingly, he’s not a very nice character, and I liked NOT liking him, although I couldn’t help but feel sorry for Ursa. She is shy and inexperienced in the ways of the world. She has been shut away, caring for her sick younger sister. She knows nothing of what is expected of her as a wife - in every sphere. She doesn’t know how to keep a house at all. This is where Maren steps in as an advisor. They become good friends, and there is the beginnings of something more than just a simple friendship. I loved the interactions between these two women. Maren, strongly independent, competent and lonely, and Ursa, inexperienced, unhappy and lonely. In other circumstances, theirs could have been a good friendship - but unlikely because of social status, I should think.
The writing in this is gorgeous. The descriptions of the landscape and the sea made me feel as though I was standing there with them (warmer though!), and I loved getting to know the women, even the ultra-religious women who were only too keen to give up their fellow towns-women as witches. This part doesn’t happen for quite a while, so we’re given the chance to become emotionally invested in these characters. So when we read of their treatment at the hands of Absalom and his fellow witch hunters, it makes it all the more appalling. If it wasn’t bad enough already.
I love historical fiction, and I really liked how this was written in such a way that these didn’t really seem to be women separated from us by 400 years. They were normal women, working hard to survive and make lives for the,selves. Which made it all the more sad. There’s no way I could detach myself and NOT read this with a modern woman’s eye. These women were punished for something that we take for granted: independence.
Despite the terrible things that happen, it’s a beautifully written, very enjoyable book that I would easily recommend to anyone, even though it’s just like I would imagine the landscape around Finnmark is: bleak, yet beautiful.
Many thanks to NetGalley and the publisher for my copy of this book to read and review.
Three years later, a Scot, Absalom Cornet and his young Norwegian wife, Ursa, arrive. Absalom has been appointed Commissioner of Vardø, and is adamant that witchcraft was the cause of the storm three years ago. The fact that the women are surviving and taking on the roles of their dead menfolk doesn’t help their case. Absalom only sees evil, and women who have forgotten their place as servants of God. He is a witch finder, and has been responsible for the prosecution and death of women at home in Scotland. Unsurprisingly, he’s not a very nice character, and I liked NOT liking him, although I couldn’t help but feel sorry for Ursa. She is shy and inexperienced in the ways of the world. She has been shut away, caring for her sick younger sister. She knows nothing of what is expected of her as a wife - in every sphere. She doesn’t know how to keep a house at all. This is where Maren steps in as an advisor. They become good friends, and there is the beginnings of something more than just a simple friendship. I loved the interactions between these two women. Maren, strongly independent, competent and lonely, and Ursa, inexperienced, unhappy and lonely. In other circumstances, theirs could have been a good friendship - but unlikely because of social status, I should think.
The writing in this is gorgeous. The descriptions of the landscape and the sea made me feel as though I was standing there with them (warmer though!), and I loved getting to know the women, even the ultra-religious women who were only too keen to give up their fellow towns-women as witches. This part doesn’t happen for quite a while, so we’re given the chance to become emotionally invested in these characters. So when we read of their treatment at the hands of Absalom and his fellow witch hunters, it makes it all the more appalling. If it wasn’t bad enough already.
I love historical fiction, and I really liked how this was written in such a way that these didn’t really seem to be women separated from us by 400 years. They were normal women, working hard to survive and make lives for the,selves. Which made it all the more sad. There’s no way I could detach myself and NOT read this with a modern woman’s eye. These women were punished for something that we take for granted: independence.
Despite the terrible things that happen, it’s a beautifully written, very enjoyable book that I would easily recommend to anyone, even though it’s just like I would imagine the landscape around Finnmark is: bleak, yet beautiful.
Many thanks to NetGalley and the publisher for my copy of this book to read and review.
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