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Hadley (567 KP) rated Chosen Ones in Books
Jul 21, 2021
Writing (3 more)
Inconsistencies
Constantly stopping the story
Stereo-typical character
What usually draws readers into a hero versus villain story is to see the hero's fight to victory. The struggle, the refusal to back down - - - we usually put ourselves into this character and root for them to win at any cost. But the Chosen Ones starts us off after our heroes are victorious in the battle against the villain. The heroes are trying to cope with every day life after achieving the most important thing they would ever accomplish, but memories of the war against the Dark One keep them from returning to that normal life.
Sloane is our main character - - - one of the five heroes that was picked by a prophecy years ago to take down the Dark One. One of the effects of battling the villain for her is she now endures PTSD-induced nightmares. We meet her in the midst of one of these nightmares, where she nearly stabs her boyfriend, Matt (also one of the five heroes), with a kitchen knife. And this isn't the first time this has happened: it happens enough that Sloane was put on medication to help with her PTSD, as well as going to therapy.
But with the ten year anniversary of the Dark One's defeat looming ahead, life seems to be getting even harder for the heroes. All the heroes want is to move on and forget the war had ever happened - - - but then something happens that causes them to relive the Dark One's fight all over again.
The heroes end up on a magic-using world called Genetrix where a man going by the name the Resurrectionist is causing the same destruction as the Dark One did on their world. Disoriented and curious, the heroes have no choice but to believe the two main magic users who brought them there, Aelia and Nero. The two seem to be the ones in charge of finding the chosen one to take down the Resurrectionist. But soon after the heroes agree to take down this world's Dark One, they begin to believe that Aelia and Nero are hiding information from them.
The heroes decide to focus on learning to use magic, so they can defend themselves on this world. With the help of siphons, the heroes are able to begin practicing magic for their fight with the Resurrectionist. . . but for Sloane, she is unable to get her siphon to work, instead, she contains an ability that came from a cursed object from their world, a cursed object that wants her back.
This book contains a lot of the problems that went on during 2020, possibly too many of them. Unlike most books released last year, Chosen Ones didn't do a well enough job of hiding reality in plain sight. Chosen Ones also made the mistake of cutting up the story with intermissions of newspaper articles and government reports. Divergent author Veronica Roth disrupted the flow of the story by doing such that it felt like the story continuously came to a stand still.
Chosen Ones also plays up the Young Adult genre tropes. The relationship between Sloane and Mox happens so quickly that it isn't believable to the reader, and the result is awkward to the point of embarrassing. Also, the friendship between the heroes is very flat, so much so that when conflict arises, I was left believing that no one cared if the other one died.
But it was the idea of the story that hooked me as a reader - - - movies, television shows, and other novels normally focus on the heroes during the great fight with the villain, allowing readers to live the war and pick the fighter they want to win. In this novel, the connection with the heroes is severely lacking, especially when the only character development happens to Sloane. Very reminiscent of Mira Grant's 'Feed,' I couldn't bring myself to like the main character. Sloane tries too hard to be a strong and independent woman, she comes off as a teenager trapped in an adult woman's body, even Ines, one of the other female heroes, is a more well-put together character than Sloane is. This is the trope that is killing lead female characters in the Young Adult genre, but I suppose it's better than having the stereo-typical ditzy female lead characters most adult novels have.
Although the synopsis caused me to buy this book, I was really disappointed with the path in which Roth took it down. The biggest issue was how much of 2020's problems were shoved into one book because it took away from what this story could have been. The heroes are blatantly fighting Donald Trump aka the Dark One, and this subject has been done to-death so much that I couldn't get fully immersed into the story. They also fight against people who can do magic, including people who are apparently Wiccans - - - but Roth labels them as 'evil. ' Having known actually Wiccans in my life, I know that they believe in harming none. Roth's stereo-typing of anyone who is not her heroes shows a shallowness that is becoming more prevalent, unfortunately, in female writers.
Chosen Ones could have been so much more than what it was because it just ends up being another empty story that takes on today's problems just to sell a book. With inconsistencies and bad writing throughout, I can't recommend this book to anyone, but if you love YA tropes, then you'll love this one.
Sloane is our main character - - - one of the five heroes that was picked by a prophecy years ago to take down the Dark One. One of the effects of battling the villain for her is she now endures PTSD-induced nightmares. We meet her in the midst of one of these nightmares, where she nearly stabs her boyfriend, Matt (also one of the five heroes), with a kitchen knife. And this isn't the first time this has happened: it happens enough that Sloane was put on medication to help with her PTSD, as well as going to therapy.
But with the ten year anniversary of the Dark One's defeat looming ahead, life seems to be getting even harder for the heroes. All the heroes want is to move on and forget the war had ever happened - - - but then something happens that causes them to relive the Dark One's fight all over again.
The heroes end up on a magic-using world called Genetrix where a man going by the name the Resurrectionist is causing the same destruction as the Dark One did on their world. Disoriented and curious, the heroes have no choice but to believe the two main magic users who brought them there, Aelia and Nero. The two seem to be the ones in charge of finding the chosen one to take down the Resurrectionist. But soon after the heroes agree to take down this world's Dark One, they begin to believe that Aelia and Nero are hiding information from them.
The heroes decide to focus on learning to use magic, so they can defend themselves on this world. With the help of siphons, the heroes are able to begin practicing magic for their fight with the Resurrectionist. . . but for Sloane, she is unable to get her siphon to work, instead, she contains an ability that came from a cursed object from their world, a cursed object that wants her back.
This book contains a lot of the problems that went on during 2020, possibly too many of them. Unlike most books released last year, Chosen Ones didn't do a well enough job of hiding reality in plain sight. Chosen Ones also made the mistake of cutting up the story with intermissions of newspaper articles and government reports. Divergent author Veronica Roth disrupted the flow of the story by doing such that it felt like the story continuously came to a stand still.
Chosen Ones also plays up the Young Adult genre tropes. The relationship between Sloane and Mox happens so quickly that it isn't believable to the reader, and the result is awkward to the point of embarrassing. Also, the friendship between the heroes is very flat, so much so that when conflict arises, I was left believing that no one cared if the other one died.
But it was the idea of the story that hooked me as a reader - - - movies, television shows, and other novels normally focus on the heroes during the great fight with the villain, allowing readers to live the war and pick the fighter they want to win. In this novel, the connection with the heroes is severely lacking, especially when the only character development happens to Sloane. Very reminiscent of Mira Grant's 'Feed,' I couldn't bring myself to like the main character. Sloane tries too hard to be a strong and independent woman, she comes off as a teenager trapped in an adult woman's body, even Ines, one of the other female heroes, is a more well-put together character than Sloane is. This is the trope that is killing lead female characters in the Young Adult genre, but I suppose it's better than having the stereo-typical ditzy female lead characters most adult novels have.
Although the synopsis caused me to buy this book, I was really disappointed with the path in which Roth took it down. The biggest issue was how much of 2020's problems were shoved into one book because it took away from what this story could have been. The heroes are blatantly fighting Donald Trump aka the Dark One, and this subject has been done to-death so much that I couldn't get fully immersed into the story. They also fight against people who can do magic, including people who are apparently Wiccans - - - but Roth labels them as 'evil. ' Having known actually Wiccans in my life, I know that they believe in harming none. Roth's stereo-typing of anyone who is not her heroes shows a shallowness that is becoming more prevalent, unfortunately, in female writers.
Chosen Ones could have been so much more than what it was because it just ends up being another empty story that takes on today's problems just to sell a book. With inconsistencies and bad writing throughout, I can't recommend this book to anyone, but if you love YA tropes, then you'll love this one.
Eilidh G Clark (177 KP) rated The Panopticon in Books
May 13, 2017
This is my all time favouurite book.
Jenny Fagan stated in an interview in 2013 that prior to writing the novel The Panopticon (2012) she had one question, ‘is it possible to achieve autonomy?’ Fagan explores this question throughout her novel with the character of Anais Hendrix. I would also suggest that the author is metaphorically exploring whether Scotland can achieve autonomy as an independent nation. Autonomy, in relation to the individual, is self-governance- or being able to decide for oneself
At the beginning of the novel, the fifteen-year old Anais is governed by the state. In contemporary British society, a child under the age of sixteen, regardless of her social situation is, by law, governed by an adult/s. Anais has lived her life in the care system with the exception of a short period in which she lived with an adopted mother. It is for this reason that she is able to see society from outside of the family unit. By creating the motherless child, Fagan presents Anais as the ‘other’ from both a societal perspective- ‘communities dinnae like no-ones,’ and from the viewpoint of the protagonist, ‘What they really want is me dead,’ (TP, p.23). Without a family, and through a lack of legitimate information regarding her birth mother, Anais believes that she was created in a lab:
I’M AN experiment. I always have been, It’s a given, a liberty, a fact. They watch me. Not just in school or social-work reviews, courts or police cells – they watch everywhere. […] They’re there when I stare too long or too clearly, without flinching. […] They watch me, I know it, and I can’t find anywhere any more – where they can’t see, (TP, Prologue).
Note that in the above quotation, the protagonist describes her assumed identity as a ‘liberty’. Liberty, in this case, means freedom from the oppressive nature of the family. Although Anais desires the nurturing aspect of the family, ‘I just want my mum,’ (Tp, p.269), her lack of family exposes her to the nature of contemporary society as a constant monitoring of civilians. In the above quotation, the repetition of ‘they’ suggests that she feels outside of the norm. The most important aspect of the above quote however, is that it is told from the protagonist’s thoughts. While Fagan gives Anais a certain amount of autonomy through both the first-person narrator, and the vernacular, the reliability of the narrator is increased by presenting the characters inner thoughts. While this limited autonomy is important, full autonomy is restricted by age. Bever suggests that ‘the capacity for individuals to become autonomous seems radically dependent on the contingent historical circumstances and societies into which they are born. Anais’ awareness of herself as the ‘other’ allows her an insight into the oppressive role of society, which is normally hindered in childhood due to the role of the family and it’s teaching of norms and values.
The sense of otherness can also be looked at in regard to Scotland and its role within the UK. The UK is a family of four countries under one state. Regardless of Scotland’s devolution, it has still to comply with a large amount of UK policies. Scotland has different values and goals to that of the UK making it ‘other’. With a different cultural identity to its neighbours, many Scottish citizens are seeking independence to protect its dwindling identity, whilst for others, independence is political.
Anais’ awareness of social control causes her a feeling of shrinking. This, according to her social workers is an identity problem:
Fifty odd moves, three different names, born in a nuthouse to a nobody that was never seen again. Identity problem? I dinnae have an identity problem – I dinnae have an identity, (TP, p.99).
Anais’ reaction in the above statement describes her lack of knowledge of her ancestry. I would argue that her identity is forced upon her from the fifty-one times that she has moved home, the care system, the solitary time in which she was adopted, the relationships she has had - both female and male, her friends but more importantly, from the unreliable account of her birth from the monk in the metal institution. The lack of family does not alter the fact that she is alive, and that all the fragments of her past make up an identity. For Anais, ‘Families are overrated […] ‘I umnay fooled. Not by families,’(TP, p.63-64). Like Anais, Scotland’s identity is ambiguous. Independence will allow Scotland political autonomy, however, within a global economy, Scotland still has limited autonomy. As culturally ‘other’ however, Scotland has already achieved autonomy with or without a state through its language, its people and its traditions.
Fagan demonstrates the difficulty of total autonomy though Anais and the birthday game, a game in which she creates her own identity. When she turns sixteen years of age, Anais is free from societal care and flees from her imprisonment, ‘I am Frances Jones from Paris. I am not a face on a missing-person poster, I am not a number or a statistic in a file. I have no-one watching me, […] I−begin today,’ (TP, p.323-324). ‘I’ suggests singularity and is still opposite to ‘them’ or ‘we’. Autonomy is therefore, ambiguous; Anais is still living within the same system under a false identity, she is therefore, segregated from everyone that she knows. Moreover, by changing Anais’ name to a name that ‘means freedom.’ (TP, p.323), Fagan is pointing out the difference between freedom and autonomy. Freedom is an emotive word, and there are two concepts of freedom – freedom from, which in Anais’ situation means freedom from the system of observation. Freedom to, however, is more problematic as Anais can never be free from the neoliberal system of rules and law – as Scotland would see in the case of independence. I would therefore conclude that Anais/Scotland has always has limited autonomy through cultural identity and history. I believe autonomy can only reside within the system through cultural and individual imagination and not out with it.
What does this mean for Scotland? If Scotland is part of the global community, can it become an autonomous nation? Is there a solution or should Anais/Scotland accept that cultural autonomy is imagined or self-contained. Can a collective identity and imagination change the political system? Finally, can culture survive without independence?
Bibliography
Crupp, Tyler, ‘Autonomy and Contemporary Political Theory’, in Encyclopaedia of Political Theory, ed. Mark Bevor (London: Sage Publications, 2010)
Fagan, Jenni, The Panopticon (London: Windmill Books, 2013), p.6.
Windmill Books. (2013). Granta Best Young British Novelist Jenni Fagan, . accessed 22 November 2015. Published on Apr 16, 2013
At the beginning of the novel, the fifteen-year old Anais is governed by the state. In contemporary British society, a child under the age of sixteen, regardless of her social situation is, by law, governed by an adult/s. Anais has lived her life in the care system with the exception of a short period in which she lived with an adopted mother. It is for this reason that she is able to see society from outside of the family unit. By creating the motherless child, Fagan presents Anais as the ‘other’ from both a societal perspective- ‘communities dinnae like no-ones,’ and from the viewpoint of the protagonist, ‘What they really want is me dead,’ (TP, p.23). Without a family, and through a lack of legitimate information regarding her birth mother, Anais believes that she was created in a lab:
I’M AN experiment. I always have been, It’s a given, a liberty, a fact. They watch me. Not just in school or social-work reviews, courts or police cells – they watch everywhere. […] They’re there when I stare too long or too clearly, without flinching. […] They watch me, I know it, and I can’t find anywhere any more – where they can’t see, (TP, Prologue).
Note that in the above quotation, the protagonist describes her assumed identity as a ‘liberty’. Liberty, in this case, means freedom from the oppressive nature of the family. Although Anais desires the nurturing aspect of the family, ‘I just want my mum,’ (Tp, p.269), her lack of family exposes her to the nature of contemporary society as a constant monitoring of civilians. In the above quotation, the repetition of ‘they’ suggests that she feels outside of the norm. The most important aspect of the above quote however, is that it is told from the protagonist’s thoughts. While Fagan gives Anais a certain amount of autonomy through both the first-person narrator, and the vernacular, the reliability of the narrator is increased by presenting the characters inner thoughts. While this limited autonomy is important, full autonomy is restricted by age. Bever suggests that ‘the capacity for individuals to become autonomous seems radically dependent on the contingent historical circumstances and societies into which they are born. Anais’ awareness of herself as the ‘other’ allows her an insight into the oppressive role of society, which is normally hindered in childhood due to the role of the family and it’s teaching of norms and values.
The sense of otherness can also be looked at in regard to Scotland and its role within the UK. The UK is a family of four countries under one state. Regardless of Scotland’s devolution, it has still to comply with a large amount of UK policies. Scotland has different values and goals to that of the UK making it ‘other’. With a different cultural identity to its neighbours, many Scottish citizens are seeking independence to protect its dwindling identity, whilst for others, independence is political.
Anais’ awareness of social control causes her a feeling of shrinking. This, according to her social workers is an identity problem:
Fifty odd moves, three different names, born in a nuthouse to a nobody that was never seen again. Identity problem? I dinnae have an identity problem – I dinnae have an identity, (TP, p.99).
Anais’ reaction in the above statement describes her lack of knowledge of her ancestry. I would argue that her identity is forced upon her from the fifty-one times that she has moved home, the care system, the solitary time in which she was adopted, the relationships she has had - both female and male, her friends but more importantly, from the unreliable account of her birth from the monk in the metal institution. The lack of family does not alter the fact that she is alive, and that all the fragments of her past make up an identity. For Anais, ‘Families are overrated […] ‘I umnay fooled. Not by families,’(TP, p.63-64). Like Anais, Scotland’s identity is ambiguous. Independence will allow Scotland political autonomy, however, within a global economy, Scotland still has limited autonomy. As culturally ‘other’ however, Scotland has already achieved autonomy with or without a state through its language, its people and its traditions.
Fagan demonstrates the difficulty of total autonomy though Anais and the birthday game, a game in which she creates her own identity. When she turns sixteen years of age, Anais is free from societal care and flees from her imprisonment, ‘I am Frances Jones from Paris. I am not a face on a missing-person poster, I am not a number or a statistic in a file. I have no-one watching me, […] I−begin today,’ (TP, p.323-324). ‘I’ suggests singularity and is still opposite to ‘them’ or ‘we’. Autonomy is therefore, ambiguous; Anais is still living within the same system under a false identity, she is therefore, segregated from everyone that she knows. Moreover, by changing Anais’ name to a name that ‘means freedom.’ (TP, p.323), Fagan is pointing out the difference between freedom and autonomy. Freedom is an emotive word, and there are two concepts of freedom – freedom from, which in Anais’ situation means freedom from the system of observation. Freedom to, however, is more problematic as Anais can never be free from the neoliberal system of rules and law – as Scotland would see in the case of independence. I would therefore conclude that Anais/Scotland has always has limited autonomy through cultural identity and history. I believe autonomy can only reside within the system through cultural and individual imagination and not out with it.
What does this mean for Scotland? If Scotland is part of the global community, can it become an autonomous nation? Is there a solution or should Anais/Scotland accept that cultural autonomy is imagined or self-contained. Can a collective identity and imagination change the political system? Finally, can culture survive without independence?
Bibliography
Crupp, Tyler, ‘Autonomy and Contemporary Political Theory’, in Encyclopaedia of Political Theory, ed. Mark Bevor (London: Sage Publications, 2010)
Fagan, Jenni, The Panopticon (London: Windmill Books, 2013), p.6.
Windmill Books. (2013). Granta Best Young British Novelist Jenni Fagan, . accessed 22 November 2015. Published on Apr 16, 2013
Becs (244 KP) rated Where Creatures Hide in Books
May 17, 2019
Mysterious and tons of twists that will make you want more of this story!
My rating: ☆☆☆☆☆
Review:
I was sent Where Rogues Hide to read and review for my honest opinion but I only got about 20 pages in when I realized that I needed to read Where Creatures Hide (which is book 1 of the series) and Where Puppets Hide (book 2 of the series). So I rented them off of Amazon so I can give them a quick read through and review. Here is everything that I have felt throughout my read through of Where Creatures Hide.
The story starts by introducing the "Chant of Creatures." This then leads to the opening of the story where there are a bunch of lab technicians doing tests on a girl that is frozen in a tomb of ice. They decide to melt the ice so they can carry out other tests that would lead to the girl's puppet soul being released.
A note on puppet souls:
Puppet souls are the darkest part of a creature's mind. The part of the mind that tells you you're not good enough. That voice that can break you down until you're nothing. They are extremely dangerous because they are numb beings that enjoy killing for pleasure, even if it costs them their own life. "Now what I mean here is that when you give into your dark thoughts, you forget about everything around you. Your family, your friends, the people who love you, the people who matter most. You don't see them, all you see is a shadowy haze of darkness, nothing else. The sun doesn't shine, rain pours thicker than it ever has before but you don't care because you're falling. Falling into that endless bottomless pit of ebony nights. You're not scared because everything you see means nothing. Everything you hear means nothing. The people who call your name, mean nothing... Falling into your puppet soul is like ecstasy. You crave for silence, bliss, happiness and you think the only way you're going to get it is if you truly allow it to overcome you. Even if it means hurting the people around you, and yourself."
The girl's puppet soul ends up releasing for only a short moment before she passes out. This is where Alex comes into the story as he was the only one to survive the release of the girl's puppet soul. Where Creatures Hide follows that girl's story. Her name is Dawn, she is a creature with a puppet soul and has no recollection of who she really is but she's determined to figure that out, even if it means hurting others around her.
"Because love thrives so much more than fear and darkness. Loyalty lies so much deeper with family than it does an army."
Characters:
Alex - the leader of Europha and one of Titan's sons. He is light in a dark and cruel world.
Dawn - the main character with a puppet soul. There is a twist that I can't reveal about her because it's a spoiler, but it was amazing!
Xavior - my baby, my smol cinnamonroll, my love. Xavior is by far my favorite character. He's just so innocent and loves to eat - I can get down with that!
Aziel - a god sent from higher up gods to find and protect the princess, eventually he must... wait, I can't tell you that cause it's a spoiler!
Luna - this little girl right here has my heart wrenched into a million pieces. I want to smother her into my arms and protect her from the world but at the same time, she's strong and independent and doesn't need any protection as long as she has her violin.
Titan - Alex's father. A gruesome man who wants to control all
Inaya - the princess that is to save her people from Titan's grasp
Tremayne - a phoenix lady who is cursed with not being able to touch anybody. Raised Alex after he lost his mother.
Ava - a vampire who doesn't come in until roughly the halfway mark of the book. She ends up standing close with Uma and Susi to protect them.
Uma - a bad ass little cat girl who I just wanted to cuddle in my arms!
Susi - wolf sidekick and protective of Uma
Reasons why I rated it 5 stars:
1. The plot:
I've never read anything by PJ Sheperd and I honestly have no idea why. PJ is an amazing human being with great storytelling skills. Where Creatures Hide packed a punch that I was not ready at all for. I bawled my eyes out, I fell in love, my heart raced at the twists and turns that littered throughout this breathtaking novel. There was an aura of mystery across the entirety of the novel and it honestly added such an appeal to the plot that left me craving more.
2. My enjoyment:
I absolutely 100% enjoyed reading Where Creatures Hide. The execution of the writing was amazing and the amount of background, development, and story that was packed into this little novel was a whirlwind of a roller coaster ride that I will gladly take over and over again.
3. Character and story development:
Guys! The character development within Where Creatures Hide is some of the best I've seen. PJ Sheperd does an amazing job and it was honestly a lot better than quite a few popular authors that have great editors. The story development was a little slow at first but with how the story ended up laying out, it made total sense the way that it was written.
4. Grammar and spelling:
PJ Sheperd has had a lot of hardships finding a good editor as each one has screwed her over. So I am not rating her on grammar and spelling as she is a new-ish indie author. There weren't many grammatical and spelling errors, just a few that could be overlooked but I happened to notice. She knows all about them already.
5. The overall story:
I absolutely am in love. I cannot express how much I've come to love this story-line just know that it's a lot. I can't wait to get my hands on some physical copies so I can reread the story. I'm already ready to do it!
"When you have strength, you fear nothing, and when you fear nothing you overcome the darkness with a blazing beacon of light."
There are three (3) different covers for each book in the Where Creatures Hide series. Each cover has a bit of extra stuff added to either the story or at the end of the book.
OG paperback cover - original PG-13 storyline
Special Edition paperback cover - smut filled storyline
Hardback cover - smut filled storyline + artwork
Review:
I was sent Where Rogues Hide to read and review for my honest opinion but I only got about 20 pages in when I realized that I needed to read Where Creatures Hide (which is book 1 of the series) and Where Puppets Hide (book 2 of the series). So I rented them off of Amazon so I can give them a quick read through and review. Here is everything that I have felt throughout my read through of Where Creatures Hide.
The story starts by introducing the "Chant of Creatures." This then leads to the opening of the story where there are a bunch of lab technicians doing tests on a girl that is frozen in a tomb of ice. They decide to melt the ice so they can carry out other tests that would lead to the girl's puppet soul being released.
A note on puppet souls:
Puppet souls are the darkest part of a creature's mind. The part of the mind that tells you you're not good enough. That voice that can break you down until you're nothing. They are extremely dangerous because they are numb beings that enjoy killing for pleasure, even if it costs them their own life. "Now what I mean here is that when you give into your dark thoughts, you forget about everything around you. Your family, your friends, the people who love you, the people who matter most. You don't see them, all you see is a shadowy haze of darkness, nothing else. The sun doesn't shine, rain pours thicker than it ever has before but you don't care because you're falling. Falling into that endless bottomless pit of ebony nights. You're not scared because everything you see means nothing. Everything you hear means nothing. The people who call your name, mean nothing... Falling into your puppet soul is like ecstasy. You crave for silence, bliss, happiness and you think the only way you're going to get it is if you truly allow it to overcome you. Even if it means hurting the people around you, and yourself."
The girl's puppet soul ends up releasing for only a short moment before she passes out. This is where Alex comes into the story as he was the only one to survive the release of the girl's puppet soul. Where Creatures Hide follows that girl's story. Her name is Dawn, she is a creature with a puppet soul and has no recollection of who she really is but she's determined to figure that out, even if it means hurting others around her.
"Because love thrives so much more than fear and darkness. Loyalty lies so much deeper with family than it does an army."
Characters:
Alex - the leader of Europha and one of Titan's sons. He is light in a dark and cruel world.
Dawn - the main character with a puppet soul. There is a twist that I can't reveal about her because it's a spoiler, but it was amazing!
Xavior - my baby, my smol cinnamonroll, my love. Xavior is by far my favorite character. He's just so innocent and loves to eat - I can get down with that!
Aziel - a god sent from higher up gods to find and protect the princess, eventually he must... wait, I can't tell you that cause it's a spoiler!
Luna - this little girl right here has my heart wrenched into a million pieces. I want to smother her into my arms and protect her from the world but at the same time, she's strong and independent and doesn't need any protection as long as she has her violin.
Titan - Alex's father. A gruesome man who wants to control all
Inaya - the princess that is to save her people from Titan's grasp
Tremayne - a phoenix lady who is cursed with not being able to touch anybody. Raised Alex after he lost his mother.
Ava - a vampire who doesn't come in until roughly the halfway mark of the book. She ends up standing close with Uma and Susi to protect them.
Uma - a bad ass little cat girl who I just wanted to cuddle in my arms!
Susi - wolf sidekick and protective of Uma
Reasons why I rated it 5 stars:
1. The plot:
I've never read anything by PJ Sheperd and I honestly have no idea why. PJ is an amazing human being with great storytelling skills. Where Creatures Hide packed a punch that I was not ready at all for. I bawled my eyes out, I fell in love, my heart raced at the twists and turns that littered throughout this breathtaking novel. There was an aura of mystery across the entirety of the novel and it honestly added such an appeal to the plot that left me craving more.
2. My enjoyment:
I absolutely 100% enjoyed reading Where Creatures Hide. The execution of the writing was amazing and the amount of background, development, and story that was packed into this little novel was a whirlwind of a roller coaster ride that I will gladly take over and over again.
3. Character and story development:
Guys! The character development within Where Creatures Hide is some of the best I've seen. PJ Sheperd does an amazing job and it was honestly a lot better than quite a few popular authors that have great editors. The story development was a little slow at first but with how the story ended up laying out, it made total sense the way that it was written.
4. Grammar and spelling:
PJ Sheperd has had a lot of hardships finding a good editor as each one has screwed her over. So I am not rating her on grammar and spelling as she is a new-ish indie author. There weren't many grammatical and spelling errors, just a few that could be overlooked but I happened to notice. She knows all about them already.
5. The overall story:
I absolutely am in love. I cannot express how much I've come to love this story-line just know that it's a lot. I can't wait to get my hands on some physical copies so I can reread the story. I'm already ready to do it!
"When you have strength, you fear nothing, and when you fear nothing you overcome the darkness with a blazing beacon of light."
There are three (3) different covers for each book in the Where Creatures Hide series. Each cover has a bit of extra stuff added to either the story or at the end of the book.
OG paperback cover - original PG-13 storyline
Special Edition paperback cover - smut filled storyline
Hardback cover - smut filled storyline + artwork
Breathtaking Historical Fiction; Must Read!
You can also find this review on my blog: bookingwayreads.wordpress.com
TRIGGER WARNINGS: rape, domestic violence, death, affairs, miscarriage
"You can only go so long pretending, acting as if you're someone you're not. Eventually you must return to who you are, who you were born to be. You can stray from it, try on other roles, other personalities, other beliefs, other lives, but eventually it will catch up with you and you have to return to the only person you can be."
Main Characters:
Beatrice Bordeaux - the main character, married to Harry Bordeaux. A bit of a feminist but it doesn't start showing until the middle to end of the novel. She's got a strong, compassionate, sweet personality. Her development was major and not at all what I was expecting.
Thomas - the lighthouse keeper. He's a simple man, compassionate and patient. Also unbelievably kind to all, no matter ethnicity, class, or gender.
Harry Bordeaux - cocky, self-conceded. Honestly, the most horrible person ever.
Dolly - hat maker who befriends Bea. She's sweet, independent, and an all around feminist.
Elizabeth - laundress for the Montauk Manor, befriends Bea. She's down-to-earth and a loving mother and wife.
"I felt rage and a hot determination side by side and that was something. That alone gave me hope. Something was better than numbness. Something was better than not caring, not dreaming, not daring."
Review:
**Possible spoilers ahead**
The story starts off in the year of 1938. The wealthy from New York City always head to the East Coast to an up and coming town called Montauk for the summer. Here, the wives stay in the luxurious Montauk Manor during the weekdays with their children and nannies, planning social events and relaxing, while the men head back to the city to work - only coming back to visit on the weekends.
Beatrice Bordeaux is one of the wives who ends up staying in Montauk for the summer. But she soon learns that her husband, Harry, would actually be leaving with the rest of the men during the week. Beatrice is taken aback, as the main reason why the couple took this vacation was to rekindle their cracking marriage. She was also hoping that the vacation would allow her and Harry to have alone time as she craved being a mother but has been eluded by pregnancy for the past five years.
Beatrice is forced to socialize with the other wives, even though she just wants to relax and read, so that Harry can gain a foothold for his investment interests. He thinks that if Beatrice can become buddy buddy with some of the more known in society women, that he can sizzle his way up to their husbands to get some funds to invest into Montauk. But, Beatrice quickly grows bored of the woman's talk of events that are more self-serving than they are generous. This is where Elizabeth, the Manor's laundress enters.
Elizabeth's down-to-earth nature gives Beatrice nostalgia of her life prior to meeting Harry. The two women befriend each other, even though it would be looked down upon if the other wives of the Manor found out. This doesn't stop Beatrice though.
As the novel progresses, Beatrice becomes disillusioned with her marriage and even finds out that Harry was not being the faithful husband he promised in his vows. The reader can see Harry's regression of interest towards Beatrice throughout the novel, and how he only seems to care about her when she is beside him at social gatherings. This causes Beatrice to start doing the things that she wants. Enter the handsome yet sensitive lighthouse keeper, Thomas.
Thomas is the complete opposite of Harry and as Beatrice's marriage drifts more and more apart, she takes her life into her own hands where she follows what her heart wants. But with the risk she's taking, major consequences that could take lives and ruin social standings follow. This is when Beatrice must decide whether to follow her heart or do what is right according to society.
Montauk is an interesting and beautifully written look back into history when women were expected to do what society told her to do. Questions were not asked, and one must be "happy" that she's being cared for by her husband, because "good wives" waited for orders from their husbands and always did what they wished. The author, Nicola Harrison, does an excellent job with captivating the history and superficial feel of society back in the late 30's. Even the descriptions of the lighthouse, manor, and fishing village created vivid images that circulated within my mind as I read.
Usually, when it comes to Historical Fiction novels, I've found that they can be very predictable. Montauk was not your average Historical Fiction novel, that's for sure. There were twists and turns that I was not expecting and the ending twist threw me for a major loop. The one problem that I do have with the overall story, was the last chapter and epilogue. It lacked the depth and detail that was interwoven throughout the rest of the story. But overall, I was fascinated and enthralled in the story of Montauk.
Character/ Story background and development -
It's there, one hundred percent there. The main character's and the side characters all have the development and background interwoven into the story, waiting to be dug out as you read. All of the development and background that took place within Montauk, actually made this novel great!
Plot -
At first, the plot and story was slow. It could have just been my skewed perspective of not liking Historical Fiction novels, but it eventually picked up; allowing the like/dislike scales to flip. I was really worried that I would DNF Montauk, but once the story started to get more in depth with the characters and background, I was taken on an emotional roller coaster of feels. And I will happily take that ride over and over again.
Spelling/ Grammatical errors -
I did not notice any spelling or grammatical errors that took away from the overall story. There were a slight few littered throughout, but they were so minor and hardly noticeable that it did no harm to count it against the author or publisher.
Enjoyment -
I can for sure say, that I 100% enjoyed every second I spent on Montauk. I don't typically like Historical Fiction novels, but Nicola Harrison does an amazing job not only making sure the information is correct, but the writing is well-thought out.
Overall -
This novel is a sucker punch to the emotions; it's honestly one of those novels that will be cherished forever because the story, the development, the plot, the background, the heartache and pain, it was all there. And it made this a breathtaking novel to read.
Do I recommend? -
159% yes! I highly recommend Montauk by Nicola Harrison.
"With the ocean surrounding me, I feel free and at peace with the world."
TRIGGER WARNINGS: rape, domestic violence, death, affairs, miscarriage
"You can only go so long pretending, acting as if you're someone you're not. Eventually you must return to who you are, who you were born to be. You can stray from it, try on other roles, other personalities, other beliefs, other lives, but eventually it will catch up with you and you have to return to the only person you can be."
Main Characters:
Beatrice Bordeaux - the main character, married to Harry Bordeaux. A bit of a feminist but it doesn't start showing until the middle to end of the novel. She's got a strong, compassionate, sweet personality. Her development was major and not at all what I was expecting.
Thomas - the lighthouse keeper. He's a simple man, compassionate and patient. Also unbelievably kind to all, no matter ethnicity, class, or gender.
Harry Bordeaux - cocky, self-conceded. Honestly, the most horrible person ever.
Dolly - hat maker who befriends Bea. She's sweet, independent, and an all around feminist.
Elizabeth - laundress for the Montauk Manor, befriends Bea. She's down-to-earth and a loving mother and wife.
"I felt rage and a hot determination side by side and that was something. That alone gave me hope. Something was better than numbness. Something was better than not caring, not dreaming, not daring."
Review:
**Possible spoilers ahead**
The story starts off in the year of 1938. The wealthy from New York City always head to the East Coast to an up and coming town called Montauk for the summer. Here, the wives stay in the luxurious Montauk Manor during the weekdays with their children and nannies, planning social events and relaxing, while the men head back to the city to work - only coming back to visit on the weekends.
Beatrice Bordeaux is one of the wives who ends up staying in Montauk for the summer. But she soon learns that her husband, Harry, would actually be leaving with the rest of the men during the week. Beatrice is taken aback, as the main reason why the couple took this vacation was to rekindle their cracking marriage. She was also hoping that the vacation would allow her and Harry to have alone time as she craved being a mother but has been eluded by pregnancy for the past five years.
Beatrice is forced to socialize with the other wives, even though she just wants to relax and read, so that Harry can gain a foothold for his investment interests. He thinks that if Beatrice can become buddy buddy with some of the more known in society women, that he can sizzle his way up to their husbands to get some funds to invest into Montauk. But, Beatrice quickly grows bored of the woman's talk of events that are more self-serving than they are generous. This is where Elizabeth, the Manor's laundress enters.
Elizabeth's down-to-earth nature gives Beatrice nostalgia of her life prior to meeting Harry. The two women befriend each other, even though it would be looked down upon if the other wives of the Manor found out. This doesn't stop Beatrice though.
As the novel progresses, Beatrice becomes disillusioned with her marriage and even finds out that Harry was not being the faithful husband he promised in his vows. The reader can see Harry's regression of interest towards Beatrice throughout the novel, and how he only seems to care about her when she is beside him at social gatherings. This causes Beatrice to start doing the things that she wants. Enter the handsome yet sensitive lighthouse keeper, Thomas.
Thomas is the complete opposite of Harry and as Beatrice's marriage drifts more and more apart, she takes her life into her own hands where she follows what her heart wants. But with the risk she's taking, major consequences that could take lives and ruin social standings follow. This is when Beatrice must decide whether to follow her heart or do what is right according to society.
Montauk is an interesting and beautifully written look back into history when women were expected to do what society told her to do. Questions were not asked, and one must be "happy" that she's being cared for by her husband, because "good wives" waited for orders from their husbands and always did what they wished. The author, Nicola Harrison, does an excellent job with captivating the history and superficial feel of society back in the late 30's. Even the descriptions of the lighthouse, manor, and fishing village created vivid images that circulated within my mind as I read.
Usually, when it comes to Historical Fiction novels, I've found that they can be very predictable. Montauk was not your average Historical Fiction novel, that's for sure. There were twists and turns that I was not expecting and the ending twist threw me for a major loop. The one problem that I do have with the overall story, was the last chapter and epilogue. It lacked the depth and detail that was interwoven throughout the rest of the story. But overall, I was fascinated and enthralled in the story of Montauk.
Character/ Story background and development -
It's there, one hundred percent there. The main character's and the side characters all have the development and background interwoven into the story, waiting to be dug out as you read. All of the development and background that took place within Montauk, actually made this novel great!
Plot -
At first, the plot and story was slow. It could have just been my skewed perspective of not liking Historical Fiction novels, but it eventually picked up; allowing the like/dislike scales to flip. I was really worried that I would DNF Montauk, but once the story started to get more in depth with the characters and background, I was taken on an emotional roller coaster of feels. And I will happily take that ride over and over again.
Spelling/ Grammatical errors -
I did not notice any spelling or grammatical errors that took away from the overall story. There were a slight few littered throughout, but they were so minor and hardly noticeable that it did no harm to count it against the author or publisher.
Enjoyment -
I can for sure say, that I 100% enjoyed every second I spent on Montauk. I don't typically like Historical Fiction novels, but Nicola Harrison does an amazing job not only making sure the information is correct, but the writing is well-thought out.
Overall -
This novel is a sucker punch to the emotions; it's honestly one of those novels that will be cherished forever because the story, the development, the plot, the background, the heartache and pain, it was all there. And it made this a breathtaking novel to read.
Do I recommend? -
159% yes! I highly recommend Montauk by Nicola Harrison.
"With the ocean surrounding me, I feel free and at peace with the world."
Becs (244 KP) rated Where Creatures Hide in Books
Jan 2, 2020
<a href="https://bookingwayreads.wordpress.com">Blog</a>; | <a href="https://https://www.instagram.com/ernest.bookingway/">Bookstagram</a>; | <a href="https://https://twitter.com/bookingwayreads">Twitter</a>;
My rating: ?????
Review:
I was sent Where Rogues Hide to read and review for my honest opinion but I only got about 20 pages in when I realized that I needed to read Where Creatures Hide (which is book 1 of the series) and Where Puppets Hide (book 2 of the series). So I rented them off of Amazon so I can give them a quick read through and review. Here is everything that I have felt throughout my read through of Where Creatures Hide.
The story starts by introducing the "Chant of Creatures." This then leads to the opening of the story where there are a bunch of lab technicians doing tests on a girl that is frozen in a tomb of ice. They decide to melt the ice so they can carry out other tests that would lead to the girl's puppet soul being released.
A note on puppet souls:
Puppet souls are the darkest part of a creature's mind. The part of the mind that tells you you're not good enough. That voice that can break you down until you're nothing. They are extremely dangerous because they are numb beings that enjoy killing for pleasure, even if it costs them their own life. <i>"Now what I mean here is that when you give into your dark thoughts, you forget about everything around you. Your family, your friends, the people who love you, the people who matter most. You don't see them, all you see is a shadowy haze of darkness, nothing else. The sun doesn't shine, rain pours thicker than it ever has before but you don't care because you're falling. Falling into that endless bottomless pit of ebony nights. You're not scared because everything you see means nothing. Everything you hear means nothing. The people who call your name, mean nothing... Falling into your puppet soul is like ecstasy. You crave for silence, bliss, happiness and you think the only way you're going to get it is if you truly allow it to overcome you. Even if it means hurting the people around you, and yourself."</i>
The girl's puppet soul ends up releasing for only a short moment before she passes out. This is where Alex comes into the story as he was the only one to survive the release of the girl's puppet soul. Where Creatures Hide follows that girl's story. Her name is Dawn, she is a creature with a puppet soul and has no recollection of who she really is but she's determined to figure that out, even if it means hurting others around her.
"Because love thrives so much more than fear and darkness. Loyalty lies so much deeper with family than it does an army."
Characters:
Alex - the leader of Europha and one of Titan's sons. He is light in a dark and cruel world.
Dawn - the main character with a puppet soul. There is a twist that I can't reveal about her because it's a spoiler, but it was amazing!
Xavior - my baby, my smol cinnamonroll, my love. Xavior is by far my favorite character. He's just so innocent and loves to eat - I can get down with that!
Aziel - a god sent from higher up gods to find and protect the princess, eventually he must... wait, I can't tell you that cause it's a spoiler!
Luna - this little girl right here has my heart wrenched into a million pieces. I want to smother her into my arms and protect her from the world but at the same time, she's strong and independent and doesn't need any protection as long as she has her violin.
Titan - Alex's father. A gruesome man who wants to control all
Inaya - the princess that is to save her people from Titan's grasp
Tremayne - a phoenix lady who is cursed with not being able to touch anybody. Raised Alex after he lost his mother.
Ava - a vampire who doesn't come in until roughly the halfway mark of the book. She ends up standing close with Uma and Susi to protect them.
Uma - a bad ass little cat girl who I just wanted to cuddle in my arms!
Susi - wolf sidekick and protective of Uma
Reasons why I rated it 5 stars:
1. The plot:
I've never read anything by PJ Sheperd and I honestly have no idea why. PJ is an amazing human being with great storytelling skills. Where Creatures Hide packed a punch that I was not ready at all for. I bawled my eyes out, I fell in love, my heart raced at the twists and turns that littered throughout this breathtaking novel. There was an aura of mystery across the entirety of the novel and it honestly added such an appeal to the plot that left me craving more.
2. My enjoyment:
I absolutely 100% enjoyed reading Where Creatures Hide. The execution of the writing was amazing and the amount of background, development, and story that was packed into this little novel was a whirlwind of a roller coaster ride that I will gladly take over and over again.
3. Character and story development:
Guys! The character development within Where Creatures Hide is some of the best I've seen. PJ Sheperd does an amazing job and it was honestly a lot better than quite a few popular authors that have great editors. The story development was a little slow at first but with how the story ended up laying out, it made total sense the way that it was written.
4. Grammar and spelling:
PJ Sheperd has had a lot of hardships finding a good editor as each one has screwed her over. So I am not rating her on grammar and spelling as she is a new-ish indie author. There weren't many grammatical and spelling errors, just a few that could be overlooked but I happened to notice. She knows all about them already.
5. The overall story:
I absolutely am in love. I cannot express how much I've come to love this story-line just know that it's a lot. I can't wait to get my hands on some physical copies so I can reread the story. I'm already ready to do it!
"When you have strength, you fear nothing, and when you fear nothing you overcome the darkness with a blazing beacon of light."
There are three (3) different covers for each book in the Where Creatures Hide series. Each cover has a bit of extra stuff added to either the story or at the end of the book.
OG paperback cover - original PG-13 storyline
Special Edition paperback cover - smut filled storyline
Hardback cover - smut filled storyline + artwork
My rating: ?????
Review:
I was sent Where Rogues Hide to read and review for my honest opinion but I only got about 20 pages in when I realized that I needed to read Where Creatures Hide (which is book 1 of the series) and Where Puppets Hide (book 2 of the series). So I rented them off of Amazon so I can give them a quick read through and review. Here is everything that I have felt throughout my read through of Where Creatures Hide.
The story starts by introducing the "Chant of Creatures." This then leads to the opening of the story where there are a bunch of lab technicians doing tests on a girl that is frozen in a tomb of ice. They decide to melt the ice so they can carry out other tests that would lead to the girl's puppet soul being released.
A note on puppet souls:
Puppet souls are the darkest part of a creature's mind. The part of the mind that tells you you're not good enough. That voice that can break you down until you're nothing. They are extremely dangerous because they are numb beings that enjoy killing for pleasure, even if it costs them their own life. <i>"Now what I mean here is that when you give into your dark thoughts, you forget about everything around you. Your family, your friends, the people who love you, the people who matter most. You don't see them, all you see is a shadowy haze of darkness, nothing else. The sun doesn't shine, rain pours thicker than it ever has before but you don't care because you're falling. Falling into that endless bottomless pit of ebony nights. You're not scared because everything you see means nothing. Everything you hear means nothing. The people who call your name, mean nothing... Falling into your puppet soul is like ecstasy. You crave for silence, bliss, happiness and you think the only way you're going to get it is if you truly allow it to overcome you. Even if it means hurting the people around you, and yourself."</i>
The girl's puppet soul ends up releasing for only a short moment before she passes out. This is where Alex comes into the story as he was the only one to survive the release of the girl's puppet soul. Where Creatures Hide follows that girl's story. Her name is Dawn, she is a creature with a puppet soul and has no recollection of who she really is but she's determined to figure that out, even if it means hurting others around her.
"Because love thrives so much more than fear and darkness. Loyalty lies so much deeper with family than it does an army."
Characters:
Alex - the leader of Europha and one of Titan's sons. He is light in a dark and cruel world.
Dawn - the main character with a puppet soul. There is a twist that I can't reveal about her because it's a spoiler, but it was amazing!
Xavior - my baby, my smol cinnamonroll, my love. Xavior is by far my favorite character. He's just so innocent and loves to eat - I can get down with that!
Aziel - a god sent from higher up gods to find and protect the princess, eventually he must... wait, I can't tell you that cause it's a spoiler!
Luna - this little girl right here has my heart wrenched into a million pieces. I want to smother her into my arms and protect her from the world but at the same time, she's strong and independent and doesn't need any protection as long as she has her violin.
Titan - Alex's father. A gruesome man who wants to control all
Inaya - the princess that is to save her people from Titan's grasp
Tremayne - a phoenix lady who is cursed with not being able to touch anybody. Raised Alex after he lost his mother.
Ava - a vampire who doesn't come in until roughly the halfway mark of the book. She ends up standing close with Uma and Susi to protect them.
Uma - a bad ass little cat girl who I just wanted to cuddle in my arms!
Susi - wolf sidekick and protective of Uma
Reasons why I rated it 5 stars:
1. The plot:
I've never read anything by PJ Sheperd and I honestly have no idea why. PJ is an amazing human being with great storytelling skills. Where Creatures Hide packed a punch that I was not ready at all for. I bawled my eyes out, I fell in love, my heart raced at the twists and turns that littered throughout this breathtaking novel. There was an aura of mystery across the entirety of the novel and it honestly added such an appeal to the plot that left me craving more.
2. My enjoyment:
I absolutely 100% enjoyed reading Where Creatures Hide. The execution of the writing was amazing and the amount of background, development, and story that was packed into this little novel was a whirlwind of a roller coaster ride that I will gladly take over and over again.
3. Character and story development:
Guys! The character development within Where Creatures Hide is some of the best I've seen. PJ Sheperd does an amazing job and it was honestly a lot better than quite a few popular authors that have great editors. The story development was a little slow at first but with how the story ended up laying out, it made total sense the way that it was written.
4. Grammar and spelling:
PJ Sheperd has had a lot of hardships finding a good editor as each one has screwed her over. So I am not rating her on grammar and spelling as she is a new-ish indie author. There weren't many grammatical and spelling errors, just a few that could be overlooked but I happened to notice. She knows all about them already.
5. The overall story:
I absolutely am in love. I cannot express how much I've come to love this story-line just know that it's a lot. I can't wait to get my hands on some physical copies so I can reread the story. I'm already ready to do it!
"When you have strength, you fear nothing, and when you fear nothing you overcome the darkness with a blazing beacon of light."
There are three (3) different covers for each book in the Where Creatures Hide series. Each cover has a bit of extra stuff added to either the story or at the end of the book.
OG paperback cover - original PG-13 storyline
Special Edition paperback cover - smut filled storyline
Hardback cover - smut filled storyline + artwork
Purple Phoenix Games (2266 KP) rated Niche in Tabletop Games
Mar 3, 2021
I have a gamer confession to make and I am not sure how it will be received. Perhaps it isn’t a gamer confession at all. I will let you be the judge. I am not a fan of Sudoku. There! I said it, and I stand by it. I find it tedious and far too intelligent a game for me. However, if someone would just dumb it down enough for me to get it, I may actually enjoy it. Oh wait, Andy Hopwood did that for me already? Hot dog!
Niche is a puzzly abstracty Sudoku-y card sheddy game for two to seven players that can be played in as few as 10 minutes. In it players attempt to shed their hand and score the most points by adding cards to established lines of cards. As with most of Andy Hopwood’s games, though, there is a twist.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup the dealer will shuffle the deck and, well, deal out seven cards to each player. The cards not dealt form a deck and from this deck a starter card is flipped to the table. Setup is complete and the game may now begin!
On a turn each player will need to perform three steps: Select, Place, Score. When Selecting a card from their hand the player will need to observe the last played card. This card will essentially inform the player of what CANNOT be played. For example (per the photo above), if a yellow triangle was just played, then the next card played can be NEITHER yellow nor a triangle. So from their hand the active player will select a group of cards that can be played this turn and choose one to add adjacently to the most recently played card.
The player then must Place their card such that they do not add the same card to the line that already exists within the line. For an example here (per the photo below), the most recently played card is a blue circle. In hand are two blue squares, a yellow square, and a red square. As the previous card is blue the only choices left are the yellow and red square. However, the card played previous to the blue circle was a yellow square, so that leaves our player with only one choice: the red square connected to the blue circle. Now, the player could actually use the yellow square, but would need to place it below the blue circle forming the beginning of a new line. I will explain why that is a less strategic play.
When players perform the third step in a turn, Scoring, they will count up all cards in the lines extended by their card, both vertically and horizontally. In our previous example the red square continues a line of two cards so their score for that placement is three. Should they place the yellow square below they will only score two as they have added onto only one card. Fans of Azul will be familiar with this scoring system. Players are expected to keep track of their own scores each turn.
Should a player not have any legal plays using cards in their hand they must pass, and await their next turn. Play continues in this manner of players performing these three steps in a turn until a player sheds their entire hand of cards. All other players will have one more chance to play one card to score points. Players add up all the points they have scored throughout the game and the player with the most points is the winner!
Components. This is a deck of cards in a tuckbox. The cards are all fine quality, and the iconography could not be much clearer. I have zero qualms with the components here.
Gameplay is super quick and puzzly, with a great weight for its type of game. This will not be a centerpiece title of the game night, but will offer filler style gameplay for gamers mulling about or waiting for the next game to begin. I enjoy the simplicity of the rules coupled with the puzzly and thinky nature of each turn. Obviously the name of the game is scoring points, so you want to add to an already-long line instead of having to begin a new off-shoot somewhere, but it is near impossible to anticipate what other players will place on their turns. Therefore, more strategic players will find either solace or frustration from the more tactical style of play here.
I do want to mention that this game was originally designed for an event benefiting The Foundation for Conductive Education in the UK. Quote taken from the BGG profile for Niche: “The game aims to promote and support The Foundation for Conductive Education. This method works with children and adults who have conditions such as Cerebral Palsy, Stroke, M.S. or Parkinsons, helping them to lead more independent lives.” I know this organization holds a special place in the designer’s heart and I just wanted to take a moment to give a shout-out to this amazing organization and this amazing person who created a game for the benefit of others. I applaud both entities, and hope for much success.
That said, Niche is a game that can be played with any type of gamer in almost any situation. It takes up little table space (at most nine cards in a line) and is rules-light. Purple Phoenix Games gives this one an extended 8 / 12. If you are a fan of Sudoku and would like to explore a little card game that gives this reviewer the same vibe (but infinitely more fun) then I urge you to grab a copy of Niche. Not only will you be purchasing a good little game, but your purchase also goes toward furthering an organization that is doing very important work in the UK. And if you would like to feel very smart, play Niche with me sometime and watch me struggle to play the right card.
Niche is a puzzly abstracty Sudoku-y card sheddy game for two to seven players that can be played in as few as 10 minutes. In it players attempt to shed their hand and score the most points by adding cards to established lines of cards. As with most of Andy Hopwood’s games, though, there is a twist.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup the dealer will shuffle the deck and, well, deal out seven cards to each player. The cards not dealt form a deck and from this deck a starter card is flipped to the table. Setup is complete and the game may now begin!
On a turn each player will need to perform three steps: Select, Place, Score. When Selecting a card from their hand the player will need to observe the last played card. This card will essentially inform the player of what CANNOT be played. For example (per the photo above), if a yellow triangle was just played, then the next card played can be NEITHER yellow nor a triangle. So from their hand the active player will select a group of cards that can be played this turn and choose one to add adjacently to the most recently played card.
The player then must Place their card such that they do not add the same card to the line that already exists within the line. For an example here (per the photo below), the most recently played card is a blue circle. In hand are two blue squares, a yellow square, and a red square. As the previous card is blue the only choices left are the yellow and red square. However, the card played previous to the blue circle was a yellow square, so that leaves our player with only one choice: the red square connected to the blue circle. Now, the player could actually use the yellow square, but would need to place it below the blue circle forming the beginning of a new line. I will explain why that is a less strategic play.
When players perform the third step in a turn, Scoring, they will count up all cards in the lines extended by their card, both vertically and horizontally. In our previous example the red square continues a line of two cards so their score for that placement is three. Should they place the yellow square below they will only score two as they have added onto only one card. Fans of Azul will be familiar with this scoring system. Players are expected to keep track of their own scores each turn.
Should a player not have any legal plays using cards in their hand they must pass, and await their next turn. Play continues in this manner of players performing these three steps in a turn until a player sheds their entire hand of cards. All other players will have one more chance to play one card to score points. Players add up all the points they have scored throughout the game and the player with the most points is the winner!
Components. This is a deck of cards in a tuckbox. The cards are all fine quality, and the iconography could not be much clearer. I have zero qualms with the components here.
Gameplay is super quick and puzzly, with a great weight for its type of game. This will not be a centerpiece title of the game night, but will offer filler style gameplay for gamers mulling about or waiting for the next game to begin. I enjoy the simplicity of the rules coupled with the puzzly and thinky nature of each turn. Obviously the name of the game is scoring points, so you want to add to an already-long line instead of having to begin a new off-shoot somewhere, but it is near impossible to anticipate what other players will place on their turns. Therefore, more strategic players will find either solace or frustration from the more tactical style of play here.
I do want to mention that this game was originally designed for an event benefiting The Foundation for Conductive Education in the UK. Quote taken from the BGG profile for Niche: “The game aims to promote and support The Foundation for Conductive Education. This method works with children and adults who have conditions such as Cerebral Palsy, Stroke, M.S. or Parkinsons, helping them to lead more independent lives.” I know this organization holds a special place in the designer’s heart and I just wanted to take a moment to give a shout-out to this amazing organization and this amazing person who created a game for the benefit of others. I applaud both entities, and hope for much success.
That said, Niche is a game that can be played with any type of gamer in almost any situation. It takes up little table space (at most nine cards in a line) and is rules-light. Purple Phoenix Games gives this one an extended 8 / 12. If you are a fan of Sudoku and would like to explore a little card game that gives this reviewer the same vibe (but infinitely more fun) then I urge you to grab a copy of Niche. Not only will you be purchasing a good little game, but your purchase also goes toward furthering an organization that is doing very important work in the UK. And if you would like to feel very smart, play Niche with me sometime and watch me struggle to play the right card.
Debbiereadsbook (1053 KP) rated Half Blood: The Complete Collection: Books 1-5 in Books
Oct 6, 2020 (Updated Apr 13, 2021)
Thank you, Ms Dawes, for writing these books, I've thoroughly enjoyed delving into this world.
Independent reviewer for Archaeolibrarian, I was gifted all these books.
Book1, Half Blood
I enjoyed this, a lot. I didn't love for a couple of reasons.
CLIFFHANGER! It finishes on a cliffhanger, and if I KNOW is finishes as such, I'm usually ok, but I did NOT see this one coming at and I was somewhat annoyed about that!
I'm still not entirely sure whats going on, what the bigger picture is. It might just be me, but my brain didn't put everything together yet, and I was somewhat annoyed by that, too. I am certain that it will all become clear in the next few books, though! (or at least I hope so!)
There is some scene setting, for multiple characters who are side players. For a long while I wasn't sure why they even had a say, but all does become clear why they are there. Eventually. It took far too long for me though, to love that fact. I like hearing from everyone, I really do, but this reminded me a little of several series that take a long way round to get across the road.
I liked Indigo. She is a force of nature and when she fully becomes aware of what she is and what she can do, she will be invincible. Rhett, too, isn't fully aware of himself, I don't think yet. Some secrets he hasn't told us, and some I don't think have been revealed to him either.
I liked the twists to usual vampire/werewolf lore. Some major twists thrown up there!
I have to wait now, to get ahold of book 2. If you are reading this review, I recommend you wait til you at least have book 2 to hand, so you don't throw the hissy fit I did when I ran out of book!
Because of the cliff hanger and because of the not seeing the bigger picture (yet) . . .
4 stars
Book 2, Half Truths
This is book 2 in the Helheim Wolf Pak=ck series, and you really MUST read book one, HAlf Blood, first. This is a continuous story line and not everything is recapped.
And again, I really ENJOYED this, but I didn't quite love, and it's mostly ME that is the reason, not the book. (I think!)
I still cannot see the bigger picture, I really can't! It's driving me nuts that I can't even make one up, as I am prone to do, and I can't see where this is all going. AT. ALL!
Vaile is the focus of this book, and his new, human, FEMALE poilce partner. Dealing with the murders at the nightclub brings many questions for Larissa, and Vaile is hiding something. Something big. It's pissing her off and she will get to the bottom of it! Rhett and Indi's relationship begins to move at a much faster pace, especially once they sort out her food problem. I'm not sure I like the final solution, and I think Rhett might struggle with it too.
The search for Alpha's mate intensifies, throwing up some major spanners in the works, some twists I really didn't see coming.
It's dark and deadly. Bloody and emotional. Sexy and sweet. The violence is graphic and the sex explicit, and I loved that they were!
Lots of people again have a say, and I was ready for that this time, so I really enjoyed the stage setting in this book.
And another bloody (quite LITERALLY!) cliffhanger! *throws toys out the pram and spits dummy out*
Creeping up to 4.5 stars though!
Book 3, Half Life
This is book 3 in the Helheim Wolf Pack series, and I STRONGLY recommend you read book one, Half Blood and two, Half Truths before you read this one. There is an underlaying story line that isn't fully recapped here.
Sabel, The Butcher of the Helheim pack, needs to find who killed a pack member. A non-pack female wolf wasn't supposed in the woods. When Sabel finds out who Ivy is, and what her visit means to her, he helps. But Ivy's past follows her, and there is something killing not just Helheim wolves, but other packs, and shifters, are suffering too.
So!
Now I have an idea of who/what is causing all this mayhem that the Helheim pack is suffering from, the picture is becoming clearer and so I'm starting to enjoy this series a little bit more!
Everyone gets a say again, Sabel and Ivy mostly, but many others too. This book also sets the scene for book four, so pay attention!
Sabel and Ivy are explosive together. They butt heads, right from the start and it's a great deal of fun watching them fall hard, and fall HARD for each other. Ivy brings some tension to Sabel's life and it is also fun watching him deal with that.
There is the amount of violence that is in the other books, but it really is needed more so here, I think. Sabel has a particular skill set and he puts it to use here. It is graphic, and dark and deadly. It's heartbreaking in places too, as the pack deals with not only the loss from the previous book, but a shocking, more painful one here.
I loved how things are starting to make (some) sense, and the picture is becoming clearer. Where it's going, though?? No bloody idea and I LOVED that!
Hit the top marks with this one, please keep it up!
5 full stars
Book 4, Half Cast
This is book 4 in the Helheim Wolf Pack Tale, and you really SHOULD read all three previous books before this one. There is MUCH that is referenced, but not fully covered here from those books. MUCH. So, don't say I didn't warn you!
We met both Alex and Saskia in book 3, and they met too. They fell in love over a single kiss and now Saskia is mated to another, and Alex is now Bitten.
So, in my review for the third book, I said things were beginning to make sense, and I could kinda see where this was all going. You read that, right? I said it?? Well, now? I lost it all again! I still got an inkling, but I've lost something in the couple of months since I read book three, I really did and I didn't pick it back up here, not fully.
To that end, I didn't enjoy this as much as book 3.
However, I don't think that me losing whatever I did is the full reason. There is more, and it revolves around what Alex and Saskia did, to Ezekiel, in their home. They both felt guilty about that, and well they should but it didn't sit well with me! I would like to see Ezekiel happy in a later book, he needs some happiness now.
Saxon (Saskia's brother) meets HIS mate, but this book ends on a cliffhanger about that. Brax is smitten by someone he meets but not sure where thats going.
As usual, everyone important has a say. And you really do need that here, more so than in the other books.
Like I said, I lost something, and didn't quite get it back and whatever it is, I missed it!
Books one and two got 4 and 4.5 stars respectively. Book 3 is by far my favourite of them all so far and got 5 stars. We've slipped a bit here, and so....
4 solid stars
Book 5, Half Bound.
This is book 5 in the Helheim Wolf Pack series, the last book and you do NEED to have read the other books before this one. This one pulls everything together but not everything important is recapped.
I found this one a much darker read than the others. The others are graphic and explicit but I thought this one was so much MORE. The violence Vivian expends to get what she wants is described in great detail, what she does and what she has others do. This is the only reason I gave it. . .oh . . no. . .wait, there is ANOTHER reason. Let me try that again! This is ONE of the reasons I gave it 4 stars. Oh but she does get her comeuppance, she really does!
Saxon is captured and Casey allows herself to be taken, on the condition Saxon is freed. Yeah, right, we did not see that one being double-crossed by Vivian! Vivian breaks Casey, she really does, physically and emotionally. It's painful reading, not just the physical stuff, but when Casey comes to terms with what Vivian does to her, what it means for her future, what it means she can never be. And then. . .not yet. . .I'll say soon.
Across the other side of the story, Brax, who left Rhett a while ago because he was addicted to Indi's bite, has to fetch a new pack member who affects him, and his wolf, deeply. But Andrea is damaged, both inside and out, and she doesn't think anyone will want her now her abusive ex has marked her as he did. Besides, all men are gonna hurt her, so she steers clear. When said ex gets too close, Brax and Drae bond, and when they do? Oh it's so beautiful, their bonding, it really is. Said ex also gets his comeuppance, but not quite how I thought he would!
Back to what Vivian does to break Casey emotionally. This is the other reason I gave it 4 stars. Casey loves Saxon and he loves her. But they never really got to tell each other that. After Casey gets free, I'm not surprised she has the thoughts she does. And then there was that "Besides. . . ." when Vivian was gloating! So now my mind is racing and I want answers! At least I know the questions this time!
A very fitting end, and one that spawns another series about Casey and her brothers. I hope to get my hands on them too.
Thank you, Ms Dawes, for writing these books, I've thoroughly enjoyed delving into this world.
4 stars
**same worded review will appear elsewhere, on individual listing**
Book1, Half Blood
I enjoyed this, a lot. I didn't love for a couple of reasons.
CLIFFHANGER! It finishes on a cliffhanger, and if I KNOW is finishes as such, I'm usually ok, but I did NOT see this one coming at and I was somewhat annoyed about that!
I'm still not entirely sure whats going on, what the bigger picture is. It might just be me, but my brain didn't put everything together yet, and I was somewhat annoyed by that, too. I am certain that it will all become clear in the next few books, though! (or at least I hope so!)
There is some scene setting, for multiple characters who are side players. For a long while I wasn't sure why they even had a say, but all does become clear why they are there. Eventually. It took far too long for me though, to love that fact. I like hearing from everyone, I really do, but this reminded me a little of several series that take a long way round to get across the road.
I liked Indigo. She is a force of nature and when she fully becomes aware of what she is and what she can do, she will be invincible. Rhett, too, isn't fully aware of himself, I don't think yet. Some secrets he hasn't told us, and some I don't think have been revealed to him either.
I liked the twists to usual vampire/werewolf lore. Some major twists thrown up there!
I have to wait now, to get ahold of book 2. If you are reading this review, I recommend you wait til you at least have book 2 to hand, so you don't throw the hissy fit I did when I ran out of book!
Because of the cliff hanger and because of the not seeing the bigger picture (yet) . . .
4 stars
Book 2, Half Truths
This is book 2 in the Helheim Wolf Pak=ck series, and you really MUST read book one, HAlf Blood, first. This is a continuous story line and not everything is recapped.
And again, I really ENJOYED this, but I didn't quite love, and it's mostly ME that is the reason, not the book. (I think!)
I still cannot see the bigger picture, I really can't! It's driving me nuts that I can't even make one up, as I am prone to do, and I can't see where this is all going. AT. ALL!
Vaile is the focus of this book, and his new, human, FEMALE poilce partner. Dealing with the murders at the nightclub brings many questions for Larissa, and Vaile is hiding something. Something big. It's pissing her off and she will get to the bottom of it! Rhett and Indi's relationship begins to move at a much faster pace, especially once they sort out her food problem. I'm not sure I like the final solution, and I think Rhett might struggle with it too.
The search for Alpha's mate intensifies, throwing up some major spanners in the works, some twists I really didn't see coming.
It's dark and deadly. Bloody and emotional. Sexy and sweet. The violence is graphic and the sex explicit, and I loved that they were!
Lots of people again have a say, and I was ready for that this time, so I really enjoyed the stage setting in this book.
And another bloody (quite LITERALLY!) cliffhanger! *throws toys out the pram and spits dummy out*
Creeping up to 4.5 stars though!
Book 3, Half Life
This is book 3 in the Helheim Wolf Pack series, and I STRONGLY recommend you read book one, Half Blood and two, Half Truths before you read this one. There is an underlaying story line that isn't fully recapped here.
Sabel, The Butcher of the Helheim pack, needs to find who killed a pack member. A non-pack female wolf wasn't supposed in the woods. When Sabel finds out who Ivy is, and what her visit means to her, he helps. But Ivy's past follows her, and there is something killing not just Helheim wolves, but other packs, and shifters, are suffering too.
So!
Now I have an idea of who/what is causing all this mayhem that the Helheim pack is suffering from, the picture is becoming clearer and so I'm starting to enjoy this series a little bit more!
Everyone gets a say again, Sabel and Ivy mostly, but many others too. This book also sets the scene for book four, so pay attention!
Sabel and Ivy are explosive together. They butt heads, right from the start and it's a great deal of fun watching them fall hard, and fall HARD for each other. Ivy brings some tension to Sabel's life and it is also fun watching him deal with that.
There is the amount of violence that is in the other books, but it really is needed more so here, I think. Sabel has a particular skill set and he puts it to use here. It is graphic, and dark and deadly. It's heartbreaking in places too, as the pack deals with not only the loss from the previous book, but a shocking, more painful one here.
I loved how things are starting to make (some) sense, and the picture is becoming clearer. Where it's going, though?? No bloody idea and I LOVED that!
Hit the top marks with this one, please keep it up!
5 full stars
Book 4, Half Cast
This is book 4 in the Helheim Wolf Pack Tale, and you really SHOULD read all three previous books before this one. There is MUCH that is referenced, but not fully covered here from those books. MUCH. So, don't say I didn't warn you!
We met both Alex and Saskia in book 3, and they met too. They fell in love over a single kiss and now Saskia is mated to another, and Alex is now Bitten.
So, in my review for the third book, I said things were beginning to make sense, and I could kinda see where this was all going. You read that, right? I said it?? Well, now? I lost it all again! I still got an inkling, but I've lost something in the couple of months since I read book three, I really did and I didn't pick it back up here, not fully.
To that end, I didn't enjoy this as much as book 3.
However, I don't think that me losing whatever I did is the full reason. There is more, and it revolves around what Alex and Saskia did, to Ezekiel, in their home. They both felt guilty about that, and well they should but it didn't sit well with me! I would like to see Ezekiel happy in a later book, he needs some happiness now.
Saxon (Saskia's brother) meets HIS mate, but this book ends on a cliffhanger about that. Brax is smitten by someone he meets but not sure where thats going.
As usual, everyone important has a say. And you really do need that here, more so than in the other books.
Like I said, I lost something, and didn't quite get it back and whatever it is, I missed it!
Books one and two got 4 and 4.5 stars respectively. Book 3 is by far my favourite of them all so far and got 5 stars. We've slipped a bit here, and so....
4 solid stars
Book 5, Half Bound.
This is book 5 in the Helheim Wolf Pack series, the last book and you do NEED to have read the other books before this one. This one pulls everything together but not everything important is recapped.
I found this one a much darker read than the others. The others are graphic and explicit but I thought this one was so much MORE. The violence Vivian expends to get what she wants is described in great detail, what she does and what she has others do. This is the only reason I gave it. . .oh . . no. . .wait, there is ANOTHER reason. Let me try that again! This is ONE of the reasons I gave it 4 stars. Oh but she does get her comeuppance, she really does!
Saxon is captured and Casey allows herself to be taken, on the condition Saxon is freed. Yeah, right, we did not see that one being double-crossed by Vivian! Vivian breaks Casey, she really does, physically and emotionally. It's painful reading, not just the physical stuff, but when Casey comes to terms with what Vivian does to her, what it means for her future, what it means she can never be. And then. . .not yet. . .I'll say soon.
Across the other side of the story, Brax, who left Rhett a while ago because he was addicted to Indi's bite, has to fetch a new pack member who affects him, and his wolf, deeply. But Andrea is damaged, both inside and out, and she doesn't think anyone will want her now her abusive ex has marked her as he did. Besides, all men are gonna hurt her, so she steers clear. When said ex gets too close, Brax and Drae bond, and when they do? Oh it's so beautiful, their bonding, it really is. Said ex also gets his comeuppance, but not quite how I thought he would!
Back to what Vivian does to break Casey emotionally. This is the other reason I gave it 4 stars. Casey loves Saxon and he loves her. But they never really got to tell each other that. After Casey gets free, I'm not surprised she has the thoughts she does. And then there was that "Besides. . . ." when Vivian was gloating! So now my mind is racing and I want answers! At least I know the questions this time!
A very fitting end, and one that spawns another series about Casey and her brothers. I hope to get my hands on them too.
Thank you, Ms Dawes, for writing these books, I've thoroughly enjoyed delving into this world.
4 stars
**same worded review will appear elsewhere, on individual listing**