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Directing for the Screen: Succeeding as a Creative Professional
Book
Directing for the Screen is a collection of essays and interviews exploring the business of...
Orson Welles: v. 3: One-Man Band
Book
In One-Man Band, the third volume in his epic survey of Orson Welles' life and work, Simon Callow...
Bread Beauty Revolution: Khwaja Ahmad Abbas 1914-1987
Khwaja Ahmad Abbas, Iffat Fatima and Syeda Hameed
Book
Khwaja Ahmad Abbas distinguished himself by his ceaseless passion for revolutionary politics, which...
MI
Metro Issue 193
Book
Metro is Australia's premier film and media quarterly journal. It is independent, outspoken and...
Chris Sawin (602 KP) rated Lars and the Real Girl (2007) in Movies
Jun 18, 2019
Writer Nancy Oliver (Six Feet Under, True Blood) wrote the script for Lars and the Real Girl in 2002 after stumbling onto the website RealDoll.com. Directed by Craig Gillespie (the 2011 Fright Night remake, I, Tonya), Lars and the Real Girl is a much more tender and thoughtful comedic drama than you may be expecting. Ryan Gosling portrays Lars Lindstrom; a socially awkward yet decent guy. His brother, Gus (Paul Schneider, The Flowers of War), and his wife, Karen (Emily Mortimer, Transsiberian), worry about him since he spends so much time alone.
Lars not only has a shy and stand-offish demeanor he also tends to avoid people and social interactions altogether. If a woman happens to speak to him, Lars is incapable of responding. Physical contact from anyone seems to physically hurt Lars, but that doesn’t stop his friends and family from encouraging him to get a girlfriend. One fateful day, Lars is shown a peculiar website by a co-worker that sells love dolls. Although Lars is reluctant at first, he eventually warms up to the idea of a love doll as his companion. Bianca soon becomes an especially important part of Lars’ life and her presence not only changes Lars, but the town that he lives in for the better.
It took nearly a year to finally see Lars and the Real Girl after its theatrical release; a statistic that seems like a luxury ten years later when seeing and promoting new releases seems to lose steam after its opening weekend. The concept for Lars and the Real Girl is a strange one. A sex doll tagging along with an extreme introvert doesn’t sound all that appealing at first, but Lars is easy to understand as a character especially if you’re an introvert yourself or have had trouble with the opposite sex at some point in your life. Dating was always this massive hurdle that only seemed to expand and grow with each failed first date or cancellation. With those experiences and that mentality where you find yourself retreating into your own constructed sanctuary, Lars is strangely easy to relate to.
It’s not that Ryan Gosling hasn’t been a part of big budget films, but Lars and the Real Girl was released at a time in his career when he was catering more towards the independent side of things. This is pre-Drive yet post-Notebook Ryan Gosling here; films like Half Nelson and Blue Valentine solidified how talented Gosling is as an actor without all the bells and whistles of a huge cast or blockbuster film. Lars and the Real Girl is the film that made a lot of people realize that Gosling was more than a teenage heartthrob and former Mouseketeer.
Gosling fits the Lars Lindstrom role perfectly as he’s capable of portraying quirks that are as awkward as they are charming. How he’s able to talk to a doll for over an hour and not only make it believable, but also entertaining is incredibly impressive. Part of that is attributed to Bianca being treated like an actual person with her own trailer, getting dressed in private, and only being on set when she was in the scene, but Gosling also contributed quite a bit as well. Gosling improvised the CPR on Margo’s teddy bear sequence and the scene before he and Bianca enter the party.
The film fits that independent film mold a bit too well as it has humor that’s funny but not laugh out loud funny and is dramatic and heartfelt enough to make you invested in something you likely never would without the context of the film. The film shares elements from films like Her, The Perks of Being a Wallflower, and Lost in Translation; that sensation of being lost in what is considered to be normal society but finding something unorthodox that makes you belong and feel comfortable and whole. There’s this overwhelming sense of charm and sentimentality that can only be found in films like this.
Lars and the Real Girl is a comedic drama that relies on awkward situations or even one rare occurrence that triggers unusual peculiarities as it focuses on people’s reactions to these situations that occur. It’s worth seeing if you’ve ever felt like an outcast and to witness Lars’ odd behavior and the snowball effect that it causes. Introverts will likely enjoy it more than the average film lover, but Lars and the Real Girl takes something that seems taboo on the surface and molds it into this genuine motion picture experience that is strangely beautiful.
Lars and the Real Girl is currently available to stream on Amazon Prime, YouTube, Google Play, and Vudu for $2.99 and iTunes for $3.99. It’s also available to stream for free on Amazon Prime if you have Starz with Prime Video channels. The DVD is $8.51 and the Multi-Format Blu-ray is $7.68 on Amazon. On eBay, the DVD is $7.98 and the Blu-ray is $7.95 (or best offer) while both are in brand new condition and both have free shipping.
Lars not only has a shy and stand-offish demeanor he also tends to avoid people and social interactions altogether. If a woman happens to speak to him, Lars is incapable of responding. Physical contact from anyone seems to physically hurt Lars, but that doesn’t stop his friends and family from encouraging him to get a girlfriend. One fateful day, Lars is shown a peculiar website by a co-worker that sells love dolls. Although Lars is reluctant at first, he eventually warms up to the idea of a love doll as his companion. Bianca soon becomes an especially important part of Lars’ life and her presence not only changes Lars, but the town that he lives in for the better.
It took nearly a year to finally see Lars and the Real Girl after its theatrical release; a statistic that seems like a luxury ten years later when seeing and promoting new releases seems to lose steam after its opening weekend. The concept for Lars and the Real Girl is a strange one. A sex doll tagging along with an extreme introvert doesn’t sound all that appealing at first, but Lars is easy to understand as a character especially if you’re an introvert yourself or have had trouble with the opposite sex at some point in your life. Dating was always this massive hurdle that only seemed to expand and grow with each failed first date or cancellation. With those experiences and that mentality where you find yourself retreating into your own constructed sanctuary, Lars is strangely easy to relate to.
It’s not that Ryan Gosling hasn’t been a part of big budget films, but Lars and the Real Girl was released at a time in his career when he was catering more towards the independent side of things. This is pre-Drive yet post-Notebook Ryan Gosling here; films like Half Nelson and Blue Valentine solidified how talented Gosling is as an actor without all the bells and whistles of a huge cast or blockbuster film. Lars and the Real Girl is the film that made a lot of people realize that Gosling was more than a teenage heartthrob and former Mouseketeer.
Gosling fits the Lars Lindstrom role perfectly as he’s capable of portraying quirks that are as awkward as they are charming. How he’s able to talk to a doll for over an hour and not only make it believable, but also entertaining is incredibly impressive. Part of that is attributed to Bianca being treated like an actual person with her own trailer, getting dressed in private, and only being on set when she was in the scene, but Gosling also contributed quite a bit as well. Gosling improvised the CPR on Margo’s teddy bear sequence and the scene before he and Bianca enter the party.
The film fits that independent film mold a bit too well as it has humor that’s funny but not laugh out loud funny and is dramatic and heartfelt enough to make you invested in something you likely never would without the context of the film. The film shares elements from films like Her, The Perks of Being a Wallflower, and Lost in Translation; that sensation of being lost in what is considered to be normal society but finding something unorthodox that makes you belong and feel comfortable and whole. There’s this overwhelming sense of charm and sentimentality that can only be found in films like this.
Lars and the Real Girl is a comedic drama that relies on awkward situations or even one rare occurrence that triggers unusual peculiarities as it focuses on people’s reactions to these situations that occur. It’s worth seeing if you’ve ever felt like an outcast and to witness Lars’ odd behavior and the snowball effect that it causes. Introverts will likely enjoy it more than the average film lover, but Lars and the Real Girl takes something that seems taboo on the surface and molds it into this genuine motion picture experience that is strangely beautiful.
Lars and the Real Girl is currently available to stream on Amazon Prime, YouTube, Google Play, and Vudu for $2.99 and iTunes for $3.99. It’s also available to stream for free on Amazon Prime if you have Starz with Prime Video channels. The DVD is $8.51 and the Multi-Format Blu-ray is $7.68 on Amazon. On eBay, the DVD is $7.98 and the Blu-ray is $7.95 (or best offer) while both are in brand new condition and both have free shipping.
Gareth von Kallenbach (965 KP) rated Frayed (2007) in Movies
Aug 14, 2019
Many aspiring filmmakers spend years looking for their big break, a chance to show their talents to the world and to be given an opportunity to make a living doing the work that they love.
Sadly in such a competitive field, many struggle to be given that shot, and never get a chance to see their dreams reach fruition. Thanks to Screamfest, (www.screamfest.com) independent horror film makers are given their chance to submit their works to be included in an annual competition.
The competition screens films for fans and judges, and awards prizes to the top films of the competition. This is ideal for filmmakers as not only do they get publicity and an audience for their work, but a chance at a distribution deal and future work.
This year a local Washington State based company (lock It Entertainment) called has seen the culmination of years of work realized as their film “Frayed” has been accepted into the competition and stands out as one of the most promising films of the competition.
The film is set in a small town in Washington State where a small boy named Kurt brutally kills his mother and is confined to a mental institution. It is learned that Kurt is trapped in his mind and that he may not ever be able to return to normalcy.
The film then moves to the present day where Kurt is scheduled to be transferred to a facility that is better suited to his condition, as he has grown beyond any help. His father, the local Sheriff, Pat Baker, (Tony Doupe’), is struggling with the decision as he knows that it is the right thing to do, but finds it hard to sign his son away to the care of another institution.
At home, Sheriff Baker returns to find his daughter Sara (Alena Dashiell), on her way to a camping trip and his new wife Jolene (Kellee Bradley) frustrated over the boundaries that Sara and her friends have.
As if his day could not get any worse, Sheriff Baker learns that Kurt has escaped during his move, and is leaving a trail of carnage in his wake.
Torn between his loyalty to his son and his duty to protect the community, Sheriff Baker mounts a manhunt to capture Kurt unaware that a security officer from the hospital named Gary (Aaron Blakely), is in hot pursuit of Kurt and is witness to his deadly brutality firsthand.
What follows is a tension filled race against time where all of the central characters are caught up in an intertwining web of terror.
The film is surprisingly effective as at first I thought I was in for a “Halloween” style film of the psycho killer on the loose. Instead the film cleverly mixes the slasher film genre with ample amounts of drama and psychological drama.
Norb Caoili and Rob Portmann who co-wrote, co-directed, and co-produced the film along with Executive Producer and co-writer KurtSvennungsen, have made an entertaining film that packs plenty of horror staples along with some effective twists and turns that makes “Frayed” a surprisingly original and effective thriller.
Sadly in such a competitive field, many struggle to be given that shot, and never get a chance to see their dreams reach fruition. Thanks to Screamfest, (www.screamfest.com) independent horror film makers are given their chance to submit their works to be included in an annual competition.
The competition screens films for fans and judges, and awards prizes to the top films of the competition. This is ideal for filmmakers as not only do they get publicity and an audience for their work, but a chance at a distribution deal and future work.
This year a local Washington State based company (lock It Entertainment) called has seen the culmination of years of work realized as their film “Frayed” has been accepted into the competition and stands out as one of the most promising films of the competition.
The film is set in a small town in Washington State where a small boy named Kurt brutally kills his mother and is confined to a mental institution. It is learned that Kurt is trapped in his mind and that he may not ever be able to return to normalcy.
The film then moves to the present day where Kurt is scheduled to be transferred to a facility that is better suited to his condition, as he has grown beyond any help. His father, the local Sheriff, Pat Baker, (Tony Doupe’), is struggling with the decision as he knows that it is the right thing to do, but finds it hard to sign his son away to the care of another institution.
At home, Sheriff Baker returns to find his daughter Sara (Alena Dashiell), on her way to a camping trip and his new wife Jolene (Kellee Bradley) frustrated over the boundaries that Sara and her friends have.
As if his day could not get any worse, Sheriff Baker learns that Kurt has escaped during his move, and is leaving a trail of carnage in his wake.
Torn between his loyalty to his son and his duty to protect the community, Sheriff Baker mounts a manhunt to capture Kurt unaware that a security officer from the hospital named Gary (Aaron Blakely), is in hot pursuit of Kurt and is witness to his deadly brutality firsthand.
What follows is a tension filled race against time where all of the central characters are caught up in an intertwining web of terror.
The film is surprisingly effective as at first I thought I was in for a “Halloween” style film of the psycho killer on the loose. Instead the film cleverly mixes the slasher film genre with ample amounts of drama and psychological drama.
Norb Caoili and Rob Portmann who co-wrote, co-directed, and co-produced the film along with Executive Producer and co-writer KurtSvennungsen, have made an entertaining film that packs plenty of horror staples along with some effective twists and turns that makes “Frayed” a surprisingly original and effective thriller.
Scott Tostik (389 KP) rated The Movie Crypt in Podcasts
Jan 8, 2018
Adam Green and Joe Lynch (3 more)
Different guest each week
Heartfelt stories
It's pretty damned funny
Awesome Pod for anyone who wants to make movies
Adam and Joe are two of the best "indie" film makers out there. Adam brought one of the horror genres newest icons to life in the form of Victor Crowley and Joe has been responsible for a pair of my favorite independent films with the births of Mayhem and Everly. But did you ever wonder how they got their starts in the film industry? Or what it takes to make a horror film? Or how some of your favorite actors writers directors and people involved in the industry got to be where they are today?
This pod brings it all to light. They hold nothing back and tell all things. Both good and bad.
With awesome guests such as horror icons Kane Hodder, Sid Haig, Bill Moseley and Ray Wise as well as fellow filmmakers the likes of Darren Lynn Boussman, Adam Wingard and Ti West. The boys leave no stone unturned as they bring everything to the table.
The pod is also welcome to subscription through Patreon with some cool little gifts to those who want to donate. Including Film commentaries once a month, first come basis viewer mail questions and Hollywood tell all answers to industry questions in a segment called Ask Dr. Arwen, named after Green's Yorkie and fellow show host.
I would recommend this Podcast to anyone who wants to learn the ins and outs of the film world told from a perspective that is understandable to anyone. And it's good for a few laughs as well. I've been a devoted listener since 2013. And the vast library of webisodes is available to anyone via iTunes and other podcast generators.
Listen and enjoy folks. You won't be disappointed.
This pod brings it all to light. They hold nothing back and tell all things. Both good and bad.
With awesome guests such as horror icons Kane Hodder, Sid Haig, Bill Moseley and Ray Wise as well as fellow filmmakers the likes of Darren Lynn Boussman, Adam Wingard and Ti West. The boys leave no stone unturned as they bring everything to the table.
The pod is also welcome to subscription through Patreon with some cool little gifts to those who want to donate. Including Film commentaries once a month, first come basis viewer mail questions and Hollywood tell all answers to industry questions in a segment called Ask Dr. Arwen, named after Green's Yorkie and fellow show host.
I would recommend this Podcast to anyone who wants to learn the ins and outs of the film world told from a perspective that is understandable to anyone. And it's good for a few laughs as well. I've been a devoted listener since 2013. And the vast library of webisodes is available to anyone via iTunes and other podcast generators.
Listen and enjoy folks. You won't be disappointed.
Gareth von Kallenbach (965 KP) rated The Hundred-Foot Journey (2014) in Movies
Aug 6, 2019
When it comes to food, opinions on colors, flavors, and textures are dynamic. No two foodies are the same. Throughout the world culinary differences abound; even ideas of what constitutes a food can be disparate. Blurring the line between history and the future, favorite dishes get modern twists and contemporary chefs discover innovation by studying the foods of yesteryear.
Films always have a location, but while “The 100 Foot Journey” is set in small town France, the story really exists at the crossroads of two fiercely independent culinary traditions. Throughout the film, Indian and French cuisines feed the visual storytelling and nourish the scenes.
As the leading man, Hassan, actor Manish Dayal plays a convincing chef struggling between two cultural and culinary worlds. But it is the support of Papa, Hassan’s can-do attitude driven father, played by actor Om Puri, and Michelin star obsessed know-it-all neighbor Madame Mallory (Helen Mirren) that invigorate the screen.
Simple yet engaging, plot is not where “The 100 Foot Journey” excels. Opting to focus on subtle interpersonal scenes, the film lacks twists, suspense, and grand surprises. Instead “The 100 Foot Journey” explores the joys, sorrows, and revelations that happen when two culinary histories and lifestyles meet. The journey highlights the challenges faced with preserving tradition while also carving a new path.
Consumables garnish almost every moment of character interaction; food plays a role in careers, conflicts, and mutual understanding. It could be easy, and not entirely wrong, to write-off this picture as a feel good foodie flick. However, just like a good croissant, “The 100 Foot Journey” is worth more than a deceptively uncomplicated a first glance; it contains flavorful and complex layers upon further examination. Be it a story of coincidence, lucky, or fate, “The 100 Foot Journey” is worth a taste if not a feast.
Films always have a location, but while “The 100 Foot Journey” is set in small town France, the story really exists at the crossroads of two fiercely independent culinary traditions. Throughout the film, Indian and French cuisines feed the visual storytelling and nourish the scenes.
As the leading man, Hassan, actor Manish Dayal plays a convincing chef struggling between two cultural and culinary worlds. But it is the support of Papa, Hassan’s can-do attitude driven father, played by actor Om Puri, and Michelin star obsessed know-it-all neighbor Madame Mallory (Helen Mirren) that invigorate the screen.
Simple yet engaging, plot is not where “The 100 Foot Journey” excels. Opting to focus on subtle interpersonal scenes, the film lacks twists, suspense, and grand surprises. Instead “The 100 Foot Journey” explores the joys, sorrows, and revelations that happen when two culinary histories and lifestyles meet. The journey highlights the challenges faced with preserving tradition while also carving a new path.
Consumables garnish almost every moment of character interaction; food plays a role in careers, conflicts, and mutual understanding. It could be easy, and not entirely wrong, to write-off this picture as a feel good foodie flick. However, just like a good croissant, “The 100 Foot Journey” is worth more than a deceptively uncomplicated a first glance; it contains flavorful and complex layers upon further examination. Be it a story of coincidence, lucky, or fate, “The 100 Foot Journey” is worth a taste if not a feast.
Sikh History
Podcast
Welcome to the Sikh History podcast. This podcast series provides a fascinating look into the...
Mayflies is a book of two halves, and I really enjoyed both.
The first half, set in 1986, follows a group of friends who travel down to Manchester from their small Scottish town. Manchester is the epicentre of everything they believe to be cool. Best friends James and Tully decide that weekend to make something of their lives, and not to compromise. This part of the novel is full of nostalgia - even for me, and I was 13 in 1986, so nowhere near as independent as Tully, Jimmy and their friends. But I could empathise with their new-found freedom, their enthusiasm of good music, films and books, and their feelings about politics.
2017, and Jimmy gets a phone call from Tully asking him to come home from London and see him. Tully has terminal cancer and needs Jimmy to help him - this is the true test of their friendship.
I loved how this was written, and how it really brought home the power of friendship and the memories that you share with those friends. Tully and Jimmy are more brothers than friends, and this felt like a really genuine relationship. So much so, that I was close to tears on several occasions. This is NOT a book to read in your lunch break (I did - but just the once!), because once I started reading it, half an hour wasn’t enough. And walking in to a room full of three year olds after a particularly emotional part wasn’t my finest moment!
So would I recommend this? Yes, I most certainly would. And I listened to parts of this on Audible, read so well by the author, so I’d recommend this too!
The first half, set in 1986, follows a group of friends who travel down to Manchester from their small Scottish town. Manchester is the epicentre of everything they believe to be cool. Best friends James and Tully decide that weekend to make something of their lives, and not to compromise. This part of the novel is full of nostalgia - even for me, and I was 13 in 1986, so nowhere near as independent as Tully, Jimmy and their friends. But I could empathise with their new-found freedom, their enthusiasm of good music, films and books, and their feelings about politics.
2017, and Jimmy gets a phone call from Tully asking him to come home from London and see him. Tully has terminal cancer and needs Jimmy to help him - this is the true test of their friendship.
I loved how this was written, and how it really brought home the power of friendship and the memories that you share with those friends. Tully and Jimmy are more brothers than friends, and this felt like a really genuine relationship. So much so, that I was close to tears on several occasions. This is NOT a book to read in your lunch break (I did - but just the once!), because once I started reading it, half an hour wasn’t enough. And walking in to a room full of three year olds after a particularly emotional part wasn’t my finest moment!
So would I recommend this? Yes, I most certainly would. And I listened to parts of this on Audible, read so well by the author, so I’d recommend this too!