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Bob Mann (459 KP) rated Viceroy's House (2017) in Movies
Sep 29, 2021
The 80:20 Rule.
India, 1947. Churchill’s government has sent Lord Grantham – – sorry — Lord Louis Mountbatten of Burma (Hugh Bonneville, “The Monuments Men“) as the new Viceroy. His mission is to make sure he is the last ever Viceroy, for India is to be returned to independence. But racial tensions between the Hindu and minority Muslim populations are brittle and deteriorating fast. Can India survive as a single country, or will Mountbatten be forced to partition the country along religious lines to avoid civil-war and countless deaths?
Of course, there is little tension in this plot line since we know Pakistan was indeed founded by Muhammad Ali Jinnah (played by Denzil Smith) on August 14th 1947. (In reality, Jinnah’s victory was short lived as he died of TB the following year). The rest of India went on to be ruled by Jawaharlal Nehru (played by Tanveer Ghani). What the film does remind this generation of is the extreme cost of that partition, with riots, mass abductions and rapes, over a million estimated deaths and one of the biggest migrations of populations ever seen. (All of this is largely shown through original newsreel footage, which is effectively inter-weaved with the film).
So as an educational documentary it is useful. However, as an entertaining movie night out? Not so much. After coming out of the film we needed to buy some milk at Tesco and I was put on the spot by the checkout lady to sum-up the film: “Worthy but dull” was what I came up with, which with further time to reflect still seems a good summary.
This shouldn’t have been the case, since the film is directed by the well-respected Gurinder Chadha (“Bend it like Beckham) and boasts a stellar cast, with Bonneville supported by Gillian Anderson (“The X Files”) as Lady Mountbatten; Michael Gambon (“Harry Potter”) as General Ismay (Mountbatten’s chief of staff); Simon Callow (“Four Weddings and a Funeral”) as Radcliffe (the drawer of ‘the new map’); and Om Puri (“The Hundred Foot Journey“) as former political prisoner Ali Rahim Noor. Playing Mountbatten’s daughter is Lily Travers (“Kingsman: The Secret Service“): Virginia McKenna’s granddaughter.
But unfortunately, for me at least, the film lumbers from scene to scene, seldom engaging with me. Bonneville’s Mountbatten, whilst perfectly sound, was just a re-tread of Downton with added humidity and curry; Anderson’s (probably extremely accurate) crystal-glass English accent quickly becomes tiresome; and elsewhere a lot of the acting of the broader Indian cast is, I’m sorry to comment, rather sub-par. For me, only Om Puri, who sadly died in January, delivers an effective and moving performance as the blind father (literally) unable to see that the arranged marriage for his daughter Aalia (Huma Qureshi) is heading for trouble thanks to Mountbatten’s man-servant. And no, that isn’t a euphemism…. I’m talking about his real manservant, Jeet Kumar (Manish Dayal)!!
As an aside, the late Puri (probably most famous in western cinema for “East is East”) has made over 270 feature films in his prolific career, over and above his many appearances on Indian TV. And he still has another 6 films to be released! May he rest in peace.
Probably realising that the historical plot is not enough to sustain the film, the screenwriters Paul Mayeda Berges (“Bend it like Beckham”), Moira Buffini (“Tamara Drewe”) and Gurinder Chadha try to add more substance with the illicit romance between the Hindu Jeet and the Muslim Aalia. Unfortunately this is clunky at best, with an incessant 30 minutes-worth of longing looks before anything of substance happens. Even the “Lion“-style denouement (also with a railway train connection) is unconvincing.
After that, the film just tends to peter out, with a ‘real-life photograph’ segue delivering a rather tenuous connection between a character not even featured in the film and the director!
Mrs. Chadha has clearly corralled an army of extras to deliver some of the scenes in the film, in the hope of delivering a historical epic of the scale of Attenborough’s “Gandhi”. For me, she misses by a considerable margin. But that’s just my view….. if you like historical dramas, its a film you might enjoy: as the great man himself said “Honest disagreement is often a good sign of progress”.
Of course, there is little tension in this plot line since we know Pakistan was indeed founded by Muhammad Ali Jinnah (played by Denzil Smith) on August 14th 1947. (In reality, Jinnah’s victory was short lived as he died of TB the following year). The rest of India went on to be ruled by Jawaharlal Nehru (played by Tanveer Ghani). What the film does remind this generation of is the extreme cost of that partition, with riots, mass abductions and rapes, over a million estimated deaths and one of the biggest migrations of populations ever seen. (All of this is largely shown through original newsreel footage, which is effectively inter-weaved with the film).
So as an educational documentary it is useful. However, as an entertaining movie night out? Not so much. After coming out of the film we needed to buy some milk at Tesco and I was put on the spot by the checkout lady to sum-up the film: “Worthy but dull” was what I came up with, which with further time to reflect still seems a good summary.
This shouldn’t have been the case, since the film is directed by the well-respected Gurinder Chadha (“Bend it like Beckham) and boasts a stellar cast, with Bonneville supported by Gillian Anderson (“The X Files”) as Lady Mountbatten; Michael Gambon (“Harry Potter”) as General Ismay (Mountbatten’s chief of staff); Simon Callow (“Four Weddings and a Funeral”) as Radcliffe (the drawer of ‘the new map’); and Om Puri (“The Hundred Foot Journey“) as former political prisoner Ali Rahim Noor. Playing Mountbatten’s daughter is Lily Travers (“Kingsman: The Secret Service“): Virginia McKenna’s granddaughter.
But unfortunately, for me at least, the film lumbers from scene to scene, seldom engaging with me. Bonneville’s Mountbatten, whilst perfectly sound, was just a re-tread of Downton with added humidity and curry; Anderson’s (probably extremely accurate) crystal-glass English accent quickly becomes tiresome; and elsewhere a lot of the acting of the broader Indian cast is, I’m sorry to comment, rather sub-par. For me, only Om Puri, who sadly died in January, delivers an effective and moving performance as the blind father (literally) unable to see that the arranged marriage for his daughter Aalia (Huma Qureshi) is heading for trouble thanks to Mountbatten’s man-servant. And no, that isn’t a euphemism…. I’m talking about his real manservant, Jeet Kumar (Manish Dayal)!!
As an aside, the late Puri (probably most famous in western cinema for “East is East”) has made over 270 feature films in his prolific career, over and above his many appearances on Indian TV. And he still has another 6 films to be released! May he rest in peace.
Probably realising that the historical plot is not enough to sustain the film, the screenwriters Paul Mayeda Berges (“Bend it like Beckham”), Moira Buffini (“Tamara Drewe”) and Gurinder Chadha try to add more substance with the illicit romance between the Hindu Jeet and the Muslim Aalia. Unfortunately this is clunky at best, with an incessant 30 minutes-worth of longing looks before anything of substance happens. Even the “Lion“-style denouement (also with a railway train connection) is unconvincing.
After that, the film just tends to peter out, with a ‘real-life photograph’ segue delivering a rather tenuous connection between a character not even featured in the film and the director!
Mrs. Chadha has clearly corralled an army of extras to deliver some of the scenes in the film, in the hope of delivering a historical epic of the scale of Attenborough’s “Gandhi”. For me, she misses by a considerable margin. But that’s just my view….. if you like historical dramas, its a film you might enjoy: as the great man himself said “Honest disagreement is often a good sign of progress”.
Louise (64 KP) rated The Painted Ocean in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the publisher Corsair in exchange for an honest review*
This is another one of my books that I read for #Beatthebacklist 2017 challenge, most of these books are Netgalley books that I have not managed to get around to reading….sorry Netgalley.
Oh I don’t know where to begin with this book,I was very apprehensive about reading it as the rating on Goodreads is 2.86 which is pretty low and only saw a handful of 5 star reviews. I didn’t read any reviews beforehand as I wanted to go in with an open mind.
This is Gabriel Packards debut novel and is definitely an interesting read but unsure of what genre this would fall under as it’s a story of this Indian girls life and just how awful it is.
‘The Painted Ocean’ is told from the perspective of Shruti, her father has just upped and left, disgracing her mother according to her uncle and the rest of the family. With little money and her mother unable to speak English life becomes difficult for Shruti, especially when her Uncle is arranging for her Mother to return to India to marry. Shruti will not be moving to India with her mother as her existence will ruin her mothers chances of marriage, however when Shruti mentions to the headmistress that her uncle has threatening her she finds herself in the care system and her mother abandons her. Shruti’s life sucks, she is now in the care system and being bullied by other kids at her school as she is the only Indian girl until Meena arrives. Meena is also Indian,but she has this way with words and people and gets everything she wants. Shruti clings to Meena as she has shown her kindness and becomes her friend…but is she really her friend?
The book follows Shruti from eleven years old to when she is an adult but I felt the writing didn’t progress as her age did. There were lots of ‘Like’ and ‘Cos’ in the writing that I felt was overly used and got quite annoying in the end and she would even use this terminology when she was an adult.
All the characters were unlikable, we had her mother that abandoned her though she didn’t leave for India for ages. Her Uncle was horrible and made sure she knew that she was unwanted and then there was Meena who had the gift of the gab but just used Shruti and would only be her friend when it was convenient for her.
I found the plot of this to be really unrealistic especially towards the end, everything just conveniently happened and some parts I thought were too strung out.
The story kept me interested and was easy to read but the writing style was not for me and I just found it to be unrealistic. This is definitely a book that you will love or hate.
I rated this book 2 out of 5 stars.
This is another one of my books that I read for #Beatthebacklist 2017 challenge, most of these books are Netgalley books that I have not managed to get around to reading….sorry Netgalley.
Oh I don’t know where to begin with this book,I was very apprehensive about reading it as the rating on Goodreads is 2.86 which is pretty low and only saw a handful of 5 star reviews. I didn’t read any reviews beforehand as I wanted to go in with an open mind.
This is Gabriel Packards debut novel and is definitely an interesting read but unsure of what genre this would fall under as it’s a story of this Indian girls life and just how awful it is.
‘The Painted Ocean’ is told from the perspective of Shruti, her father has just upped and left, disgracing her mother according to her uncle and the rest of the family. With little money and her mother unable to speak English life becomes difficult for Shruti, especially when her Uncle is arranging for her Mother to return to India to marry. Shruti will not be moving to India with her mother as her existence will ruin her mothers chances of marriage, however when Shruti mentions to the headmistress that her uncle has threatening her she finds herself in the care system and her mother abandons her. Shruti’s life sucks, she is now in the care system and being bullied by other kids at her school as she is the only Indian girl until Meena arrives. Meena is also Indian,but she has this way with words and people and gets everything she wants. Shruti clings to Meena as she has shown her kindness and becomes her friend…but is she really her friend?
The book follows Shruti from eleven years old to when she is an adult but I felt the writing didn’t progress as her age did. There were lots of ‘Like’ and ‘Cos’ in the writing that I felt was overly used and got quite annoying in the end and she would even use this terminology when she was an adult.
All the characters were unlikable, we had her mother that abandoned her though she didn’t leave for India for ages. Her Uncle was horrible and made sure she knew that she was unwanted and then there was Meena who had the gift of the gab but just used Shruti and would only be her friend when it was convenient for her.
I found the plot of this to be really unrealistic especially towards the end, everything just conveniently happened and some parts I thought were too strung out.
The story kept me interested and was easy to read but the writing style was not for me and I just found it to be unrealistic. This is definitely a book that you will love or hate.
I rated this book 2 out of 5 stars.
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Susan (45 KP) rated Eat Pray Love: One Woman's Search for Everything in Books
Jul 4, 2017
A book that inspires you to live while you're alive and to find yourself (2 more)
Easy to get lost in this book, you'll find yourself wandering thru Rome, India and Bali, personally experiencing Elizabeth's journey
Loss, humor, insight and drama and romance, this book has it all
"I used to have this appetite for my life. And now it’s just gone. I want to go someplace where I can MARVEL at something." Elizabeth Gilbert
Contains spoilers, click to show
Elizabeth Gilbert is one of my favorite authors so I knew this would be an amazing book and I was not disappointed! She has this amazing ability to make you forget you're reading a book...suddenly you're in the book, experiencing everything due to the beautiful detail and honesty with which she writes. An inspiration to everyone who has ever felt lost, stuck, hopeless or lost their zest for life. While we can't all take off and travel the world to find ourselves like Elizabeth, we can live vicariously through her writing and gain hope, insight and in the end happiness.
Merissa (12069 KP) rated Sinking (Sinking Trilogy #1) in Books
Dec 17, 2018
This is a Historical Young Adult Fantasy that starts off in Ireland, but travels to China and India. Jocelyn is washed up on the beach with no memories of her own. She is completely naked and clutching a locket. She is found by a lady, who decides that she will take the locket for herself as she orders her servants to take care of the girl.
As the story progresses, you learn more about Jocelyn at the same time as she learns about herself. She has two human men who show interest in her, but the ocean also speaks to her and she feels an amazing pull to return - to what or to whom, she doesn't know.
This story moves smoothly throughout, building to the cliffhanger ending that will leave you wanting to know more. This is a wonderful story of mermaids and magic with a historical twist. Recommended.
* I received this book from the author in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
As the story progresses, you learn more about Jocelyn at the same time as she learns about herself. She has two human men who show interest in her, but the ocean also speaks to her and she feels an amazing pull to return - to what or to whom, she doesn't know.
This story moves smoothly throughout, building to the cliffhanger ending that will leave you wanting to know more. This is a wonderful story of mermaids and magic with a historical twist. Recommended.
* I received this book from the author in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
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