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Navitel Navigator Tajikistan
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Navitel Navigator is a precise offline navigation with free geosocial services and detailed map of...
Navitel Navigator
Navigation and Travel
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Navitel Navigator is a precise offline navigation with free geosocial services and detailed maps of...
Daniel Boyd (1066 KP) rated The Beatles: Eight Days A Week - The Touring Years (2016) in Movies
Oct 24, 2017
Four Lads Who Shook The World
Last night the Ron Howard directed Beatles documentary, Eight Days A Week: The Touring Years, premiered in London. As much as I would have loved to attend the premier, I have just started a new year at university and couldn’t afford to go both financially and educationally. Therefore I had to settle for going to see it in my local cinema, but it was still an awesome experience. From six o’clock, the cinema streamed the premier in London, hosted by John Bishop and Edith Bowman and featuring interviews from Ron Howard, Paul and Ringo. Then the cinema auctioned off a poster for the film for charity, (which went for £100 if you are curious,) then finally the film started.
It is a fantastic insight into what went on during the years of Beatlemania while the Beatles were on tour and what they were like as people in those more innocent days. The music is of course fantastic, but even for someone who isn’t a massive Beatles fan I think that this documentary is still relevant and tells of an important piece of recent history in an exciting, stylish way.
There are some gripes I have with the movie though, the first one being a case of some revisionist history. The only talk about the group taking any form of drugs was a blink and you’ll miss it mention of them smoking dope on the set of Help, there was no mention of them smoking a joint in the toilets in Buckingham Palace while waiting to receive their MBE’s, there was also no mention of the fact that John returned his MBE and they didn’t even mention the amount of acid they took whilst in India and in the later days. Also, all of John’s more offensive behaviour has been vastly censored and toned down. There is footage of the Beatles first American concert at the Coliseum in Washington D.C, where Paul introduces the band and asks the audience to ‘clap their hands and stomp their feet,’ as Paul is saying this John appears to be impersonating a handicapped person doing exaggerated clapping and stomping movements, which is something he did repeatedly during their first American tour, but in the film they cut away to the audience during this to avoid showing John being offensive. We also never see the footage from their Royal Variety performance, when John told the people in the poor seats to clap their hands and the rich people, including the Royal family, to just rattle their jewellery. I don’t know why they are trying to make John look like an innocent saint when he was never like that, he was always rebellious and cheeky and was never afraid to say what was on his mind. The second gripe I have is more of a personal one in that us hardcore Beatles fans were promised a story that had never been told and while there was some footage that I hadn’t seen before, I wasn’t exactly mind blown by the story that the footage told as there was very little in the film that I didn’t already know about. However despite these minor gripes the movie is fantastic, an immense story told by a master filmmaker about the greatest band in history, what’s not to love?
It is a fantastic insight into what went on during the years of Beatlemania while the Beatles were on tour and what they were like as people in those more innocent days. The music is of course fantastic, but even for someone who isn’t a massive Beatles fan I think that this documentary is still relevant and tells of an important piece of recent history in an exciting, stylish way.
There are some gripes I have with the movie though, the first one being a case of some revisionist history. The only talk about the group taking any form of drugs was a blink and you’ll miss it mention of them smoking dope on the set of Help, there was no mention of them smoking a joint in the toilets in Buckingham Palace while waiting to receive their MBE’s, there was also no mention of the fact that John returned his MBE and they didn’t even mention the amount of acid they took whilst in India and in the later days. Also, all of John’s more offensive behaviour has been vastly censored and toned down. There is footage of the Beatles first American concert at the Coliseum in Washington D.C, where Paul introduces the band and asks the audience to ‘clap their hands and stomp their feet,’ as Paul is saying this John appears to be impersonating a handicapped person doing exaggerated clapping and stomping movements, which is something he did repeatedly during their first American tour, but in the film they cut away to the audience during this to avoid showing John being offensive. We also never see the footage from their Royal Variety performance, when John told the people in the poor seats to clap their hands and the rich people, including the Royal family, to just rattle their jewellery. I don’t know why they are trying to make John look like an innocent saint when he was never like that, he was always rebellious and cheeky and was never afraid to say what was on his mind. The second gripe I have is more of a personal one in that us hardcore Beatles fans were promised a story that had never been told and while there was some footage that I hadn’t seen before, I wasn’t exactly mind blown by the story that the footage told as there was very little in the film that I didn’t already know about. However despite these minor gripes the movie is fantastic, an immense story told by a master filmmaker about the greatest band in history, what’s not to love?
Night Reader Reviews (683 KP) rated The Suicide Tree in Books
Jan 9, 2020
Honest Review for Free Copy of Book
The Suicide Tree by Shayla Raquel was a surprisingly good book. It was not quite what I expected but after reading it I am honestly not sure what I was expecting. Early on it talks about the Suicide Tree being a real tree and I could not help but look it up. What I found is that the Suicide Tree is actually a tree called Cerbera Odollam and is found in Asia and India. I find it interesting Knox uses this tree’s nickname for his tag because of the specific properties this tree has. I will leave it up to the interested reader to look up those properties for themselves. The story was so good that I am afraid to say too much without the risk of spoilers.
Trigger Warning: Although I don’t usually feel like I need to add these to my reviews I feel this may be an exception. The death of Knox’s parents is a tragedy and a large part of the story and is brought up very frequently.
Knox Kevel’s parents died in an explosion three years before the story begins. Knox, being almost a computer genius becomes a hacker known as The Suicide Tree while his parents are still alive. After their death, he works for people on the black market and attracts the attention of the FBI. The FBI gets ahold of him twice and he is facing prison time when Arlo Jenson pops in. Arlo wants Knox to work for him and if Knox agrees Arlo will call in a favor with the DA and have Knox’s charges dropped.
Knox ends up flying to Italy with Arlo, in hopes of finding the person who hurt Arlo as a child. Knox and Arlo stay with Norah, Arlo’s sister, and her daughter Jessa. The four of them team up and travel to many well-known cities in Italy trying to discover the truth. The truth about what? Well, you will just have to read The Suicide Tree to find out for yourself.
What I liked most about this book was the interwoven stories of Knox, Arlo, and the mysterious person who harmed Arlo. It was actually hard to find something that I didn’t really like about this book. After thinking about it I would say that the reasoning behind Arlo’s childhood assault (for lack of a better term) was a bit on the anti-climatic side. I was hoping for something a little more in-depth than what was offered.
In all honesty, I believe just about anyone could read this book. There is little in the lines on inappropriate material in this book. The book is also relatively short and does not require a lot of dedication making it perfect for the occasional reader. I would rate this book 4 out of 5 because the plot line was well thought out and there was very little that I questioned after finishing the book. The story was strong and extremely entertaining. I would recommend it to anyone who wants a quick read.
Trigger Warning: Although I don’t usually feel like I need to add these to my reviews I feel this may be an exception. The death of Knox’s parents is a tragedy and a large part of the story and is brought up very frequently.
Knox Kevel’s parents died in an explosion three years before the story begins. Knox, being almost a computer genius becomes a hacker known as The Suicide Tree while his parents are still alive. After their death, he works for people on the black market and attracts the attention of the FBI. The FBI gets ahold of him twice and he is facing prison time when Arlo Jenson pops in. Arlo wants Knox to work for him and if Knox agrees Arlo will call in a favor with the DA and have Knox’s charges dropped.
Knox ends up flying to Italy with Arlo, in hopes of finding the person who hurt Arlo as a child. Knox and Arlo stay with Norah, Arlo’s sister, and her daughter Jessa. The four of them team up and travel to many well-known cities in Italy trying to discover the truth. The truth about what? Well, you will just have to read The Suicide Tree to find out for yourself.
What I liked most about this book was the interwoven stories of Knox, Arlo, and the mysterious person who harmed Arlo. It was actually hard to find something that I didn’t really like about this book. After thinking about it I would say that the reasoning behind Arlo’s childhood assault (for lack of a better term) was a bit on the anti-climatic side. I was hoping for something a little more in-depth than what was offered.
In all honesty, I believe just about anyone could read this book. There is little in the lines on inappropriate material in this book. The book is also relatively short and does not require a lot of dedication making it perfect for the occasional reader. I would rate this book 4 out of 5 because the plot line was well thought out and there was very little that I questioned after finishing the book. The story was strong and extremely entertaining. I would recommend it to anyone who wants a quick read.
Gareth von Kallenbach (980 KP) rated The Man Who Knew Infinity (2016) in Movies
Aug 6, 2019
In 1914, Srinivasa Ramanujan (Dev Patel) traveled from his poverty-stricken existence in Madras, India to Trinity College, Cambridge in the hope that he would have his theories published and be recognized for the mathematical genius he was. While there, despite facing racism, hostility and severe illness, he formed an important relationship with G.H. Hardy (Jeremy Irons) that would lead to breakthroughs in mathematics that are still relevant today.
It would be easy to prattle on about the tremendous talent onscreen in The Man Who Knew Infinity and with a supporting cast that features some of Britain’s best; we get exactly what we’d expect from the likes of Jeremy Irons, Toby Jones and Kevin McNally. All at the top of their game, they serve the story well with nuanced and well-rounded performances, and I’m certainly not going to take anything away from the exceptional jobs they’ve all done here. All the praise this film deserves however, needs to be directed at Dev Patel. In his role as Ramanujan, he’s completely stepped out of the shadow of his big-screen debut in Slumdog Millionaire and has proved his worth as a leading man capable of carrying the weight of an entire feature. Distancing himself also from the lovable, bumbling hotel owner in The Best Exotic Marigold movies, with Ramanujan he is allowed the room to display an incredible range, from quiet intensity to outspoken, unbridled passion and determination. Kudos also to the writers for not going The Big Short route (e.g. talking down to the uninitiated with ridiculous cutaways), but by using simple logic and examples to help convey complex information relevant to the plot.
For the performances alone, this is a solid entry in the biopic genre, but structurally speaking, it’s the editing that lets the film down. This very easily could have emerged as the next A Beautiful Mind, but between a bloated first act, a middling and wandering second act and a truncated final third, The Man Who Knew Infinity falls just short of greatness. Not only is no attention paid to Ramanujan’s achievements as a child, but too much time is given to details and subplots that are arguably inconsequential to the main narrative. This is especially evident in the inclusion of Bertrand Russell (who lived such a rich and fascinating life himself, it would take several films to do that story justice) and his being here feels like just a hollow excuse to include a cameo from another figure of historical importance. The biggest disservice though comes with the ending where we are denied a much needed catharsis and are left to suffer through a slap-dash, halfhearted montage. A restructuring from a more seasoned hand would have undoubtedly led to stronger word-of-mouth and perhaps a wider release. I also wouldn’t be surprised to learn that this is a case of “too many cooks” as the film has a staggering 43 credited producers. I get that independent features can be forced to source their funding from many places, but you can’t tell me that with all those opinions flying about that some of the original intent didn’t get lost in the noise.
As an aside, what Stephen Fry is doing here is beyond me. He’s given two scenes with perhaps a half a dozen lines, leaving his incomparable persona entirely wasted on a completely throwaway character. It’s a pity he wasn’t given a meatier role as one of Ramanujan’s antagonists.
It would be easy to prattle on about the tremendous talent onscreen in The Man Who Knew Infinity and with a supporting cast that features some of Britain’s best; we get exactly what we’d expect from the likes of Jeremy Irons, Toby Jones and Kevin McNally. All at the top of their game, they serve the story well with nuanced and well-rounded performances, and I’m certainly not going to take anything away from the exceptional jobs they’ve all done here. All the praise this film deserves however, needs to be directed at Dev Patel. In his role as Ramanujan, he’s completely stepped out of the shadow of his big-screen debut in Slumdog Millionaire and has proved his worth as a leading man capable of carrying the weight of an entire feature. Distancing himself also from the lovable, bumbling hotel owner in The Best Exotic Marigold movies, with Ramanujan he is allowed the room to display an incredible range, from quiet intensity to outspoken, unbridled passion and determination. Kudos also to the writers for not going The Big Short route (e.g. talking down to the uninitiated with ridiculous cutaways), but by using simple logic and examples to help convey complex information relevant to the plot.
For the performances alone, this is a solid entry in the biopic genre, but structurally speaking, it’s the editing that lets the film down. This very easily could have emerged as the next A Beautiful Mind, but between a bloated first act, a middling and wandering second act and a truncated final third, The Man Who Knew Infinity falls just short of greatness. Not only is no attention paid to Ramanujan’s achievements as a child, but too much time is given to details and subplots that are arguably inconsequential to the main narrative. This is especially evident in the inclusion of Bertrand Russell (who lived such a rich and fascinating life himself, it would take several films to do that story justice) and his being here feels like just a hollow excuse to include a cameo from another figure of historical importance. The biggest disservice though comes with the ending where we are denied a much needed catharsis and are left to suffer through a slap-dash, halfhearted montage. A restructuring from a more seasoned hand would have undoubtedly led to stronger word-of-mouth and perhaps a wider release. I also wouldn’t be surprised to learn that this is a case of “too many cooks” as the film has a staggering 43 credited producers. I get that independent features can be forced to source their funding from many places, but you can’t tell me that with all those opinions flying about that some of the original intent didn’t get lost in the noise.
As an aside, what Stephen Fry is doing here is beyond me. He’s given two scenes with perhaps a half a dozen lines, leaving his incomparable persona entirely wasted on a completely throwaway character. It’s a pity he wasn’t given a meatier role as one of Ramanujan’s antagonists.
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