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ClareR (6106 KP) rated Kololo Hill in Books
Apr 20, 2021
Kololo Hill is a moving story that centres around a family and their lives before, during and after the rise of Idi Amin in Uganda.
Asha is newly married to Pran, and lives with his parents, Jaya and Motichand, and his brother Vijay. The family don’t take Idi Amin’s threats seriously when he initially says that all Ugandan Asians must leave Uganda within ninety days, with nothing except for what they can carry, or face the consequences. But when the soldiers arrive and the violence starts, there can be no denying what they must do. Except they all have different passports. Motichand and Pran have Indian passports, Asha, Jaya and Vijay’s are British. And the British won’t allow them to stay together.
It isn’t just Asians whose lives are in danger. December, the family’s houseboy, is in hiding in their house, as the area he comes from is exterminated by the military.
The danger and fear were tangible when I was reading this book. It’s dangerous to even leave their houses or open their doors, and there is an ever present fear of violence and rape. Even when leaving for the airport, soldiers set up checkpoints so that they can extort as much money as possible form people before they leave.
And then there is the stark contrast between their lives in Uganda and England. Jaya, Asha and Vijay are initially given accommodation in an army barracks before they are placed in houses in (in their case) London.
They go from sunshine, warmth, comfort and colour, to cold, dreary, grey England, where the locals are hostile and accuse them of taking their jobs, or in the case of Vijay, who has part of his arm missing, won’t give him a job because of disability, even though he wants to work.
I was riveted to this book and really didn’t want to put it down. It poses the questions: what is home? Is it the place where you were born? The place where you live? Is home the people who you are with?
There were so many gasp out loud moments in this book. It deserves all the hype around it - and more.
Many thanks to Picador for providing me with an e-copy through NetGalley.
Asha is newly married to Pran, and lives with his parents, Jaya and Motichand, and his brother Vijay. The family don’t take Idi Amin’s threats seriously when he initially says that all Ugandan Asians must leave Uganda within ninety days, with nothing except for what they can carry, or face the consequences. But when the soldiers arrive and the violence starts, there can be no denying what they must do. Except they all have different passports. Motichand and Pran have Indian passports, Asha, Jaya and Vijay’s are British. And the British won’t allow them to stay together.
It isn’t just Asians whose lives are in danger. December, the family’s houseboy, is in hiding in their house, as the area he comes from is exterminated by the military.
The danger and fear were tangible when I was reading this book. It’s dangerous to even leave their houses or open their doors, and there is an ever present fear of violence and rape. Even when leaving for the airport, soldiers set up checkpoints so that they can extort as much money as possible form people before they leave.
And then there is the stark contrast between their lives in Uganda and England. Jaya, Asha and Vijay are initially given accommodation in an army barracks before they are placed in houses in (in their case) London.
They go from sunshine, warmth, comfort and colour, to cold, dreary, grey England, where the locals are hostile and accuse them of taking their jobs, or in the case of Vijay, who has part of his arm missing, won’t give him a job because of disability, even though he wants to work.
I was riveted to this book and really didn’t want to put it down. It poses the questions: what is home? Is it the place where you were born? The place where you live? Is home the people who you are with?
There were so many gasp out loud moments in this book. It deserves all the hype around it - and more.
Many thanks to Picador for providing me with an e-copy through NetGalley.
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Bob Mann (459 KP) rated Wind River (2017) in Movies
Sep 29, 2021
Survive or Surrender.
Of all of the movie released I missed during 2016 (typically due to work commitments) this one was one near the top of my list. I’m a fan of both Jeremy Renner and Elizabeth Olsen, and the setting and story to this one really appealed.
And now I’ve caught up with it, I am not disappointed… certainly one that would have muscled its way well into my top 20 of last year.
Wind River is an Indian reservation in Wyoming (although its filmed in Utah). Natalie (Kelsey Asbille), a young Indian teen, is found in the snow raped and murdered by local tracker Cory Lambert (Jeremy Renner, “Arrival“, “Mission Impossible: Rogue Nation“). The local police, led by Ben (Graham Greene), are surprised when a passionate but naive young FBI officer – Jane Banner (Elizabeth Olsen, “Avengers: Age of Ultron“) – arrives out of a blizzard without remotely sensible clothing. So begins an investigation into who committed the crime, where local knowledge and skills are more applicable than all the CSI-knowhow in the world.
Banner (Elizabeth Olsen) and Ben (Graham Greene) get to work.
This film is everything “The Snowman” should have been and wasn’t. At its heart, there are some memorable relationships established. Gil Birmingham (so good as Jeff Bridges’ right-hand man in “Hell or High Water“) plays Natalie’s dad, grieving and railing against all outsiders other than Cory, who he has a deep and close relationship with. For Cory has a back-story that goes beyond just him marrying into (and now separated from) Wilma (Julia Jones), a woman from the reservation.
Cowboys and Indians. Cory (Jeremy Renner) and Martin (Gil Birmingham) having a deep and moving discussion.
Cory himself has a role that is deep and multi-layered, and Renner is the perfect choice for it (although many scenes could have been cut and spliced into this from his – I thought really strong – Bourne spin-off “The Bourne Legacy”!). Here he has both action scenes and raw emotional scenes to tackle, and although perhaps he doesn’t quite pull off the latter to perfection, he comes pretty close.
“Do you wanna build a snowman?”. Cory is about to make a grim discovery.
Elizabeth Olsen – who seriously deserves more meaty roles like this – plays a ‘flibbertigibbet’ girl (there’s an old word that needs more airtime!) who turns out to have real internal steel. Yet another admirable female role model. #She-do!
The film also paints a vivid and intolerable picture of the dead-end nature of reservation life for many, with poor decisions as a teen (and we’ve all made those) here not being forgiven for the rest of your life.
Written and directed by Taylor Sheridan, who also wrote “Sicario“, “Hell or High Water” and the soon to appear Sicario sequel, “Soldado”, pens some fine and memorable dialogue. “Shouldn’t we wait for some backup?” asks Banner. Ben replies “This isn’t the land of backup. This is the land of you’re on your own”. It’s a film with useful tips as well, like NEVER, EVER go for a run in seriously sub-zero temperatures! (As I’m penning this review in sub-zero Canada at the moment, this is timely advice. #skiptheruntoday.) Sheridan won a Cannes Film Festival award as director for this, but arguably it’s a shame the script has been largely overlooked for the major awards so far.
And that land is one of the stars of the film as well. Filmed around the town of Park City in Utah, it’s gloriously snowy countryside with impressive mountain scenery.
Bleak but impressive, Utah is one of the stars.
My only quibble with the movie is that there are some elements of the plot that don’t quite gel properly. At various times, the heavens open and it buckets down – and I mean buckets down – with snow that must add inches to the landscape in minutes. And yet Cory can still point out tracks in the snow that were made days before? Huh? Also (without spoilers) some elements of communications are also conveniently unreliable when they need to be.
Will this be for everyone? While I commented that the excellent “Three Billboards Outside Ebbing.Missouri” (which shares similar background subject matter) did NOT have flashback scenes to the rape, this film does go there, and so might be upsetting for some viewers.
Girl in Trouble. Kelsey Asbille plays the victim Natalie.
But it’s a high-class, intelligent crime thriller that takes “Mexican standoff” to a whole new level. Recommended.
And now I’ve caught up with it, I am not disappointed… certainly one that would have muscled its way well into my top 20 of last year.
Wind River is an Indian reservation in Wyoming (although its filmed in Utah). Natalie (Kelsey Asbille), a young Indian teen, is found in the snow raped and murdered by local tracker Cory Lambert (Jeremy Renner, “Arrival“, “Mission Impossible: Rogue Nation“). The local police, led by Ben (Graham Greene), are surprised when a passionate but naive young FBI officer – Jane Banner (Elizabeth Olsen, “Avengers: Age of Ultron“) – arrives out of a blizzard without remotely sensible clothing. So begins an investigation into who committed the crime, where local knowledge and skills are more applicable than all the CSI-knowhow in the world.
Banner (Elizabeth Olsen) and Ben (Graham Greene) get to work.
This film is everything “The Snowman” should have been and wasn’t. At its heart, there are some memorable relationships established. Gil Birmingham (so good as Jeff Bridges’ right-hand man in “Hell or High Water“) plays Natalie’s dad, grieving and railing against all outsiders other than Cory, who he has a deep and close relationship with. For Cory has a back-story that goes beyond just him marrying into (and now separated from) Wilma (Julia Jones), a woman from the reservation.
Cowboys and Indians. Cory (Jeremy Renner) and Martin (Gil Birmingham) having a deep and moving discussion.
Cory himself has a role that is deep and multi-layered, and Renner is the perfect choice for it (although many scenes could have been cut and spliced into this from his – I thought really strong – Bourne spin-off “The Bourne Legacy”!). Here he has both action scenes and raw emotional scenes to tackle, and although perhaps he doesn’t quite pull off the latter to perfection, he comes pretty close.
“Do you wanna build a snowman?”. Cory is about to make a grim discovery.
Elizabeth Olsen – who seriously deserves more meaty roles like this – plays a ‘flibbertigibbet’ girl (there’s an old word that needs more airtime!) who turns out to have real internal steel. Yet another admirable female role model. #She-do!
The film also paints a vivid and intolerable picture of the dead-end nature of reservation life for many, with poor decisions as a teen (and we’ve all made those) here not being forgiven for the rest of your life.
Written and directed by Taylor Sheridan, who also wrote “Sicario“, “Hell or High Water” and the soon to appear Sicario sequel, “Soldado”, pens some fine and memorable dialogue. “Shouldn’t we wait for some backup?” asks Banner. Ben replies “This isn’t the land of backup. This is the land of you’re on your own”. It’s a film with useful tips as well, like NEVER, EVER go for a run in seriously sub-zero temperatures! (As I’m penning this review in sub-zero Canada at the moment, this is timely advice. #skiptheruntoday.) Sheridan won a Cannes Film Festival award as director for this, but arguably it’s a shame the script has been largely overlooked for the major awards so far.
And that land is one of the stars of the film as well. Filmed around the town of Park City in Utah, it’s gloriously snowy countryside with impressive mountain scenery.
Bleak but impressive, Utah is one of the stars.
My only quibble with the movie is that there are some elements of the plot that don’t quite gel properly. At various times, the heavens open and it buckets down – and I mean buckets down – with snow that must add inches to the landscape in minutes. And yet Cory can still point out tracks in the snow that were made days before? Huh? Also (without spoilers) some elements of communications are also conveniently unreliable when they need to be.
Will this be for everyone? While I commented that the excellent “Three Billboards Outside Ebbing.Missouri” (which shares similar background subject matter) did NOT have flashback scenes to the rape, this film does go there, and so might be upsetting for some viewers.
Girl in Trouble. Kelsey Asbille plays the victim Natalie.
But it’s a high-class, intelligent crime thriller that takes “Mexican standoff” to a whole new level. Recommended.
graveyardgremlin (7194 KP) rated Trio of Sorcery (Diana Tregarde, #0.5) (Jennifer Talldeer, #2) in Books
Feb 15, 2019
<u>Arcanum 101</u>
Even though this came out decades after the first Diana Tregarde novel, it's a prequel so I read this first. Having just finished [b:Children of the Night|14012|Children of the Night (Diana Tregarde, #1)|Mercedes Lackey|https://d.gr-assets.com/books/1385445746s/14012.jpg|16102], I see a big difference in both Lackey's writing (it's definitely better) and in some continuity holes. Mostly minor, but for one thing, in this she calls her grandmother "Memaw" and in CotN, "Granny." She goes to college in Boston, at Harvard no less, in the short story and Connecticut is the only place mentioned in CotN. With the exception for a minor mention of Itzaak in the full-length book, none of the others featured in Arcanum 101 are in it, so apparently they were just created for the short story, which is a major bummer because I liked them better than the ones in CotN.
Okay onto an actual review...
While there's a bit of a slower start, introducing Diana and the others, I quite liked the pace. It felt natural and didn't bore me, which is a surprise in itself. Diana is much more likable here and has a strength of character and practical nature that appeals to me. The characters and plot kept the momentum going and if this wasn't a series that had already been written, I would have liked to see the universe expanded upon. Some of the characters didn't get fully fleshed out but just enough to make they feel like they were needed in some way. The plot was interesting, though the ending hasty but serviceable. A good story and introduction that also works fine as a standalone.
<i>3.5 stars</i>
<u>Drums</u>
A decent short story with some interesting ideas, especially the American Indian beliefs and mythology. I doubt I'll remember it much in a week, but it was overall enjoyable.
<i>3 stars</i>
<u>Ghost in the Machine</u>
I loved the idea of this story and it was very well-paced and plotted. While this could be dated with computers and gaming, I believe most of it stands up well. In a way Ellen seems to be Diana Tregarde 2.0, she's more believeable and interesting; she doesn't seem perfect. this would be a very cool series, too bad it probably won't happen.
<i>4.25 stars</i>
Even though this came out decades after the first Diana Tregarde novel, it's a prequel so I read this first. Having just finished [b:Children of the Night|14012|Children of the Night (Diana Tregarde, #1)|Mercedes Lackey|https://d.gr-assets.com/books/1385445746s/14012.jpg|16102], I see a big difference in both Lackey's writing (it's definitely better) and in some continuity holes. Mostly minor, but for one thing, in this she calls her grandmother "Memaw" and in CotN, "Granny." She goes to college in Boston, at Harvard no less, in the short story and Connecticut is the only place mentioned in CotN. With the exception for a minor mention of Itzaak in the full-length book, none of the others featured in Arcanum 101 are in it, so apparently they were just created for the short story, which is a major bummer because I liked them better than the ones in CotN.
Okay onto an actual review...
While there's a bit of a slower start, introducing Diana and the others, I quite liked the pace. It felt natural and didn't bore me, which is a surprise in itself. Diana is much more likable here and has a strength of character and practical nature that appeals to me. The characters and plot kept the momentum going and if this wasn't a series that had already been written, I would have liked to see the universe expanded upon. Some of the characters didn't get fully fleshed out but just enough to make they feel like they were needed in some way. The plot was interesting, though the ending hasty but serviceable. A good story and introduction that also works fine as a standalone.
<i>3.5 stars</i>
<u>Drums</u>
A decent short story with some interesting ideas, especially the American Indian beliefs and mythology. I doubt I'll remember it much in a week, but it was overall enjoyable.
<i>3 stars</i>
<u>Ghost in the Machine</u>
I loved the idea of this story and it was very well-paced and plotted. While this could be dated with computers and gaming, I believe most of it stands up well. In a way Ellen seems to be Diana Tregarde 2.0, she's more believeable and interesting; she doesn't seem perfect. this would be a very cool series, too bad it probably won't happen.
<i>4.25 stars</i>