"McCarthy are indie icons of ours – we’ve covered at least three of their songs. They showed how you could fuse music and politics. They were one of the great protest bands but it was never the gurning, spittle-in-your-face confrontational stance that some bands take. There was always some kind of sarcasm in there that would cut its subject down to its knees, and this lyric is a perfect example of that. It talks to working-class disaffection and foreshadows New Labour’s obsession with gentrification and trying to drag people into the new culture with Wi-Fi and coffee houses everywhere: “Once there was class war/ But not any longer/ Because, baby, we are all bourgeois now.”"

"That would have come out in 1998 when I was around 17. My record collection at that point was mainly made up of U2, Radiohead, The Beatles, The Smiths. I hadn’t really been an indie kid in that sense of going to see bands and being part of that kind of world, because where we all grew up as a band, there just wasn’t a music scene at all! So we just spent our time making music, we never went to see much. Gomez is one of those total, bonafide, university, indie bands. It’s such an inventive record for a brand new band to burst onto the scene with. I loved the fact there were two singers with such contrasting voices. They’re all great songs, 'Here Comes The Breeze', 'Tijuana Lady'… it chimed in with where I was at the time, just getting out of school, smoking dope for the first time and experimenting with drugs. The album has that sense of youthful abandon. You can tell they were just fearless; maybe that’s what stopped them in the end from going on. I always feel that Gomez should have been a much more important band. I remember being up at University in Edinburgh, I got the National Express down to London one night, it was so uncomfortable, I got off at every stop and was getting smashed on this very strong weed and then going back on, and I had a proper old school Discman, and I was just listening to this Gomez record, up all night. I got to London, full of beans and was like, “We’ve gotta be this inventive!”"