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Terry Crews recommended Aliens (1986) in Movies (curated)
LoganCrews (2861 KP) rated Keane (2005) in Movies
Apr 10, 2021 (Updated Jul 4, 2021)
If this serves as nothing more than a vehicle for Damian Lewis' ticking-time-bomb performance, then in all honesty there are worse ways to go than this I guess. Always engrossing but very much of-its-time, when these sorts of minimalist indie character studies mistook being jittery and off-kilter for being profound (whereas nowadays they mistake being robotic and dull for being profound... I kinda want these ones back lmfao). It seems concerned with shocking in the moment but doesn't leave much left over to chew on. It's not that there's no emotion, there's some - it just feels like there should be more. Though Lewis' Earth-shattering acting brings this character to resounding life amidst the sea of beaten-path elements on display - 99% of the positives I can give to this movie are because of him. Nearly worth it if you're into showy performances like I am, you're free to ditch the rest of it.
Pete Wareham recommended White Chalk by PJ Harvey in Music (curated)
Cat Goddess Freyja (16 KP) rated Dark Wake (2018) in Movies
Dec 5, 2018
A Dark Indie Film
Contains spoilers, click to show
Most likely to the dismay of my friend- who I forced to watch this with me- I had stumbled across this little weird gem of a short film on one of my favorite websites- The 7th Matrix. This is a super easy watch as it is only 17mins long, and, so far, I have only been able to find it on 7th Matrix and www.alldark.net. Dark Wake, directed by Abdul Ali, is about a man who wakes up in his small apartment with no memory of who he is. The odd gets odder in this short film, as a red and black hole appears in the wall. A 'person' on the other side of the hole, of whom we only see a wrinkled and scarred lower half of their face, tells the confused man that they have talked before and that he must remember something in order to save himself, then almost happily says that they have a guest. The creatures of the film- of which there is three, not including the thing in the wall- show up pretty quickly and had pretty cool designs to them, even though you could guess at the practical parts that made them up. The sole purpose of the creatures seemed to be to eat the man over and over again, along with whoever else was in the same oblivion the man was in- which the thing in the wall said was not Hell, despite it's continued use of the words "Down Here." The ending was odd and left much to go, wtf over, as the man was finally able to escape his room, which seemed to upset the thing in the wall. Aside from the ending, the only thing that stood out as an issue was how calm the main character was with everything that was happening to him, except when he was getting eaten. Be sure to give this a watch if you are into the odd indie film.
Bong Mines Entertainment (15 KP) rated Tanners by Tanners in Music
Jun 7, 2019
Tanners is an indie-electro/alternative singer based in Brooklyn, New York. Not too long ago, she released an attractively beautiful self-titled debut EP.
“HOLY WATER“
The video finds Tanners in holy water surrounded by a pink-filtered fog. Also, the following scene shows her in a white revealing outfit alongside two performers.
“Holy Water” is Tanners’ debut single and the first song on her EP. It was produced by Julie Hardy, Mike MacAllister, and Tanners.
“EMPRESS IN REVERSE“
“Empress in Reverse” consists of psychedelic instrumentation, dreamy melodies, and charming vocals that you won’t be able to get out of your head. It’s smooth, delicious, and ear-welcoming.
“THIS CRAZY“
“This Crazy” contains hypnotic instrumentation, attractive vocals, and dreamy and charismatic melodies. Also, its funk and ‘80s elements perfume the atmosphere with audio ecstasy and eargasmic funk.
“WHAT YOU’VE BEEN WAITING FOR“
“What You’ve Been Waiting For” contains lush instrumentation embedded with heavy drums, dreamy melodies, and an engaging storyline.
CONCLUSION
Tanners’ self-titled debut EP is a solid body of work with heavy replay value.
https://www.bongminesentertainment.com/tanners-ep/
“HOLY WATER“
The video finds Tanners in holy water surrounded by a pink-filtered fog. Also, the following scene shows her in a white revealing outfit alongside two performers.
“Holy Water” is Tanners’ debut single and the first song on her EP. It was produced by Julie Hardy, Mike MacAllister, and Tanners.
“EMPRESS IN REVERSE“
“Empress in Reverse” consists of psychedelic instrumentation, dreamy melodies, and charming vocals that you won’t be able to get out of your head. It’s smooth, delicious, and ear-welcoming.
“THIS CRAZY“
“This Crazy” contains hypnotic instrumentation, attractive vocals, and dreamy and charismatic melodies. Also, its funk and ‘80s elements perfume the atmosphere with audio ecstasy and eargasmic funk.
“WHAT YOU’VE BEEN WAITING FOR“
“What You’ve Been Waiting For” contains lush instrumentation embedded with heavy drums, dreamy melodies, and an engaging storyline.
CONCLUSION
Tanners’ self-titled debut EP is a solid body of work with heavy replay value.
https://www.bongminesentertainment.com/tanners-ep/
Erika (17788 KP) rated Nintendo Switch in Tech
Jan 5, 2020
I've played the Switch before, with my bro and my cousins. I was hesitant on buying one myself, since I have limited time to play video games. I was also hesitant because I have a 3DS. For Christmas, my bro bought me a Switch, and I've been making time to play it.
I've owned/played a lot of consoles in my life, starting with the NES. Nintendo, of course, keeps a choke hold on their original characters and games, such as Mario, Kirby, Legends of Zelda, Pokemon, and the list goes on.
The controllers are awkward if you're playing on the TV, but when the console is mobile, they feel natural in your hands. Thus far, I've only played Zelda, which I love.
A major con is that the games are so dang expensive. Zelda is at least 3 years old and is still nearly 60 bucks. I need to do more exploring on the eShop for indie games and whatnot.
Overall, I do like it slightly better than the 3DS and the Wii.
I've owned/played a lot of consoles in my life, starting with the NES. Nintendo, of course, keeps a choke hold on their original characters and games, such as Mario, Kirby, Legends of Zelda, Pokemon, and the list goes on.
The controllers are awkward if you're playing on the TV, but when the console is mobile, they feel natural in your hands. Thus far, I've only played Zelda, which I love.
A major con is that the games are so dang expensive. Zelda is at least 3 years old and is still nearly 60 bucks. I need to do more exploring on the eShop for indie games and whatnot.
Overall, I do like it slightly better than the 3DS and the Wii.
LoganCrews (2861 KP) rated Things You Can Tell Just by Looking at Her (2000) in Movies
Sep 20, 2020
Back when every studio drama wanted to be indie real bad (when we got shit like J-Lo's 𝘈𝘯𝘨𝘦𝘭 𝘌𝘺𝘦𝘴 for example) and when hyperlink movies were king. This really could have been something, but instead it leans way too close into the template for all the movies this is ripping off (one-quirk characters overexplaining the themes to the leads and - by extension - the viewers, long writerly conversations that exist solely for decoration, cloying symbolism, purposefully disappointing non-resolutions, etc.) All but completely throws aside the lives of these unique, incredibly intriguing women in favor of having their stories revolve around some lackluster romance - pretty much defining them all by it in the end. For shame. Not entirely unpleasant, of course the ensemble is stuffed with amazing talent, it has a nice cadence and some decent scenes here and there. But as far as I'm concerned Rodrigo García should be fired for continually swinging and missing by turning these potentially thought-provoking stories into underwritten, tiresome (and borderline offensive) grief exploitation.
Bong Mines Entertainment (15 KP) rated Could - Single by HOAX in Music
Jun 17, 2019
HOAX is an indie pop-rock outfit from Queens, New York. Not too long ago, they released a groovy alternative-rock tune, entitled, “Could”.
“We could be right or we could be wrong, together. When Daffodil Skies, they bloom in the darkest weather. Make up a lie. Tell yourself you’re fine like your mother and father did before. Eat yourself alive. You open up but the words are all tongue-tied.” – lyrics
‘Could’ tells an interesting tale of a young guy who knows that his relationship with his significant other is in survival mode.
Apparently, late one night, his mind is occupied with stimulating thoughts, which question the life that he’s living. While pondering, he realizes that he and his partner are wasting their time on mindless entertainment.
Later, he admits that behind their broken smiles, they struggle to find a reason behind their need to survive.
‘Could’ contains a relatable storyline, ear-welcoming vocals, and lush instrumentation scented with an indie-alternative fragrance.
“‘Could’ is the first snapshot of many narratives told in the forms of songs on the album that opens up a begrudging conversation everyone must eventually come to have with oneself. Questions that highlight the essence of BEING, which if not asked in a timely manner, might result in years and years passing by. Until you finally look backward through a telescope of regret.” – Michael Raj & Frantz Cesar
‘Could’ is an episode in a series of stories exploring the human condition of Being. The likable tune is the first single from HOAX’s upcoming debut album, entitled, “b?”, which took two years to make.
Also, the LP follows the narratives of thirteen different characters, thrown together in the aftermath of an otherworldly series of events.
The intertwined stories are centered around the abstract concepts of: “BEING”. An evident obsession of both the characters in the story and the band members themselves.
The dichotomy of BEING vs. DOING is highlighted through careful lyrical content on the album.
HOAX is the musical brainchild of Michael Raj and Frantz Cesar. They view themselves as “the beautiful sound of sadness”, a description coined by a close friend.
Their modern vintage sound draws from a wide range of influences such as ‘60s pop, ‘70s Motown, and alternative R&B music.
https://www.bongminesentertainment.com/hoax-could/
“We could be right or we could be wrong, together. When Daffodil Skies, they bloom in the darkest weather. Make up a lie. Tell yourself you’re fine like your mother and father did before. Eat yourself alive. You open up but the words are all tongue-tied.” – lyrics
‘Could’ tells an interesting tale of a young guy who knows that his relationship with his significant other is in survival mode.
Apparently, late one night, his mind is occupied with stimulating thoughts, which question the life that he’s living. While pondering, he realizes that he and his partner are wasting their time on mindless entertainment.
Later, he admits that behind their broken smiles, they struggle to find a reason behind their need to survive.
‘Could’ contains a relatable storyline, ear-welcoming vocals, and lush instrumentation scented with an indie-alternative fragrance.
“‘Could’ is the first snapshot of many narratives told in the forms of songs on the album that opens up a begrudging conversation everyone must eventually come to have with oneself. Questions that highlight the essence of BEING, which if not asked in a timely manner, might result in years and years passing by. Until you finally look backward through a telescope of regret.” – Michael Raj & Frantz Cesar
‘Could’ is an episode in a series of stories exploring the human condition of Being. The likable tune is the first single from HOAX’s upcoming debut album, entitled, “b?”, which took two years to make.
Also, the LP follows the narratives of thirteen different characters, thrown together in the aftermath of an otherworldly series of events.
The intertwined stories are centered around the abstract concepts of: “BEING”. An evident obsession of both the characters in the story and the band members themselves.
The dichotomy of BEING vs. DOING is highlighted through careful lyrical content on the album.
HOAX is the musical brainchild of Michael Raj and Frantz Cesar. They view themselves as “the beautiful sound of sadness”, a description coined by a close friend.
Their modern vintage sound draws from a wide range of influences such as ‘60s pop, ‘70s Motown, and alternative R&B music.
https://www.bongminesentertainment.com/hoax-could/
Bong Mines Entertainment (15 KP) rated Talk Talk - Single by Cannons in Music
Jun 17, 2019
Cannons is an electro-pop band from Los Angeles, California. Not too long ago, they released a music video for their “Talk Talk” single.
“You say it felt so nice. That’s when I am near. I’m fighting voices in my mind, voices telling lies about it. ‘Cause it feels so right with your arms around me.” – lyrics
‘Talk Talk’ will be featured on Cannons’ upcoming album, entitled, “Shadows”, available later this summer.
The likable tune contains a relatable storyline, dreamy vocals, and groovy instrumentation seasoned with a chill ‘70s vibe. Also, the song possesses indie-alternative and electro-pop elements.
Cannons formed in 2013 when childhood friends Ryan Clapham and Paul Davis met Michelle Joy.
The two grew up on the same street in Los Angeles and had been trying to start a band for years. But nothing had quite clicked until their paths crossed hers.
Michelle’s effortless vocals melded perfectly with Ryan’s old school, Memphis-style R&B chord progressions and Paul’s densely layered productions.
Since then, their music has been licensed in HBO’s first season of Ballers, and used to soundtrack the rollout for Kendall & Kylie Jenner’s Topshop line.
https://www.bongminesentertainment.com/cannons-talk/
“You say it felt so nice. That’s when I am near. I’m fighting voices in my mind, voices telling lies about it. ‘Cause it feels so right with your arms around me.” – lyrics
‘Talk Talk’ will be featured on Cannons’ upcoming album, entitled, “Shadows”, available later this summer.
The likable tune contains a relatable storyline, dreamy vocals, and groovy instrumentation seasoned with a chill ‘70s vibe. Also, the song possesses indie-alternative and electro-pop elements.
Cannons formed in 2013 when childhood friends Ryan Clapham and Paul Davis met Michelle Joy.
The two grew up on the same street in Los Angeles and had been trying to start a band for years. But nothing had quite clicked until their paths crossed hers.
Michelle’s effortless vocals melded perfectly with Ryan’s old school, Memphis-style R&B chord progressions and Paul’s densely layered productions.
Since then, their music has been licensed in HBO’s first season of Ballers, and used to soundtrack the rollout for Kendall & Kylie Jenner’s Topshop line.
https://www.bongminesentertainment.com/cannons-talk/
Bong Mines Entertainment (15 KP) rated Denial in Paradise by courtship in Music
Jun 18, 2019
courtship. (Eli Hirsch and Micah Gordon) is an indie-pop duo based in Los Angeles, California. Not too long ago, they released a groovy beach tune, entitled, “Guy Stuff”.
“Every single night, such a deep desire just to be inside something. It’s guy stuff. There’s violence in our heart. Soo tough.” – lyrics
‘Guy Stuff’ is a tongue-in-cheek ode to the human nature engrained in men.
The likable tune contains a relatable storyline, pleasing vocals, and light-hearted instrumentation flavored with a punchy piano which plays throughout the track.
Also, the song possesses catchy oohs and aahs which radiates an eclectic, disco feel.
courtship.’s musical inspirations while growing up include ELO, Daft Punk, and Burt Bacharach.
After a year on the road with bands such as Passion Pit, The Wombats, and Weezer, the bubbly duo went back into the studio to create their sophomore album, entitled, “The Art of Breaking Hearts”.
The project follows their highly successful “Denial in Paradise” album, which has amassed over 9M streams thanks to tracks such as “Nice Guy” and “Tell Me Tell Me”.
https://www.bongminesentertainment.com/courtship-guy-stuff/
“Every single night, such a deep desire just to be inside something. It’s guy stuff. There’s violence in our heart. Soo tough.” – lyrics
‘Guy Stuff’ is a tongue-in-cheek ode to the human nature engrained in men.
The likable tune contains a relatable storyline, pleasing vocals, and light-hearted instrumentation flavored with a punchy piano which plays throughout the track.
Also, the song possesses catchy oohs and aahs which radiates an eclectic, disco feel.
courtship.’s musical inspirations while growing up include ELO, Daft Punk, and Burt Bacharach.
After a year on the road with bands such as Passion Pit, The Wombats, and Weezer, the bubbly duo went back into the studio to create their sophomore album, entitled, “The Art of Breaking Hearts”.
The project follows their highly successful “Denial in Paradise” album, which has amassed over 9M streams thanks to tracks such as “Nice Guy” and “Tell Me Tell Me”.
https://www.bongminesentertainment.com/courtship-guy-stuff/