"Man on Fire, I think what Tony Scott did was ahead of his time, revolutionary. I mean, as far as how he shot it and how he used and maximized his ability to shape a film with sound. He would loop in, like, tiger, animal noises with Lupita Ramos’ scream. He put in a foreshadowing scene, like when we first see Creasy in the cab with the beard, and he flashes to the end when he dies, and then he flashes back to the cab scene, and we didn’t even know. It took me like four times to realize, “Oh, that was at the end!” And just getting introduced to Mexico in that way, how he captured it. How he captured the performances of Christopher Walken and Mr. Washington. It was like an indie film, and then it turned into this beautiful action film in the same movie. To me it was the perfect film. It was the perfect balance of art and commerce. You could sell this thing, but again, like Dances with Wolves, he didn’t compromise anything for the sake of story. Again, how he used language, too., When they’re speaking Spanish, but how he kind of had it where you can read the subtitles — how he did that, and how he mixed sounds and mixed music. I think it’s a perfect film. I love that film. I really do."

"One of the classic albums. Played it to death. I was pissed off when it came out, it was when the Bunnymen had just split up and it would have inspired me with the band. When he gets it right, Michael Stipe, he’s just brilliant. It’s not that kind of American music that makes you feel queasy like The Eagles, it’s more indie. When you go to America and see some of the natural beautiful vastness of the country, it moves you onto your kneecaps, the prairie beauty of it. ‘Find The River’ - when I heard that it was instant choking up. I went up to my missus at the time and didn’t know if I could speak. I wrote ‘Nothing Ever Lasts Forever’ after it. I don’t know if it was inspired by it. It made me like a type of American that I’ve never liked, the Mark Twainy kind. For some reason it connected with me, but the last thing I’d like to do is buy a pair of dungarees and go net fishing in a stagnant pond. But each to their own – Stipey obviously does it. The videos and the bit in ‘Man In The Moon’ where he does the little shuffle and the Elvis “hey baby” - when I saw that I thought, you twat, you’ve got it completely right, and here’s me hacking about with some half-baked solo songs. And they were half-baked, some of them from Mysterio. But after Automatic they did too much and a lot of it wasn’t up to that standard."