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40x40

Gene Simmons recommended Mellow Gold by Beck in Music (curated)

 
Mellow Gold by Beck
Mellow Gold by Beck
1994 | Indie, Rock, Singer-Songwriter
8.5 (13 Ratings)
Album Favorite Watch

"So he started off as an indie guy. 'Loser' was just a song he released on an indie label, but it caught fire. MTV picked it, blah blah blah. And it was later put on a proper album on Geffen. He is an eclectic artist and a Scientologist to boot. The irony is that Beck's father [David Campbell] actually arranged the symphony orchestra that backed us up at the Melbourne stadium when we played there. Mellow Gold has got this eclectic sense to it in terms of, like, he uses drum loops, which I hate, but it sounds cool to me! He uses different kinds of instruments and seems to play them all, and the songwriting is all over the place. But at the core of it, what he doesn't do that other singers do is show off. He just gets the personality going and sings the song. So when you think of Brian Johnson and Robert Plant and Paul Rodgers, they're showing off with their vocals, singing way up on the high end of their range. I don't care if it's Steven Tyler or anybody else, you show off! Beck doesn't show off. He's just midrange or low-down. His attitude comes not from what he does vocally but it's laid back, kind of matter-of-fact, as if he's just thinking to himself. It's a unique thing. In that way, even though it doesn't have a wall of guitars or any of that, it's very rock. That sensibility he's got, although I'm sure he would consider himself an indie artist, but his sensibility is very rock."

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    Podcast

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    Radio Cherry Bombe

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    Soundcheck from WNYC

    Soundcheck from WNYC

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    Podcast

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40x40

Michael Atkinson recommended The Discreet Charm of the Bourgeoisie (1972) in Movies (curated)

 
The Discreet Charm of the Bourgeoisie (1972)
The Discreet Charm of the Bourgeoisie (1972)
1972 | Comedy
6.0 (2 Ratings)
Movie Favorite

"Living proof that masterpieces can be virtually defined by their imperfections, their rangy, headlong energy, their unwillingness to be defined by preexisting codes and preexisting experiences. Gus Van Sant isn’t likely to bump his head on the ceiling of this delirious odyssey anytime soon, and no other American indie-maker will either, even with its Shakespearean absurdities, quasi-doc ramblings, and dreamish non sequiturs. It’s a film that should’ve defined a generation, but strangely it seems to have been semiforgotten in the years since it came out."

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