Smashbomb

"That was one of the 50 albums my mum played all the time when I was a little kid - that is just so deep in my subconscious that I can't even describe what it is I feel when I hear her singing. I remember coming back from college and playing some Laura Branigan for Chris Keating or some friend and them just thinking it was second rate Donna Summer, which it probably is. But I'm like, "Don't you hear the emotion in her voice - it sounds like she's crying!" That was the kind of over the top but still sincere genuine passion I wanted to get on 'Hold You Tight' from the musical. All the reviews of the musical are very critical of this one song, which is probably one of my favourite songs, because it actually sounds like it could be from a musical. It's very Broadway and not very indie rock at all, and I kind of wish we'd been a little less conservative in just going for it. 'Self control' is a timeless theme. Keep it under control in the day and let loose at night."

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LoganCrews (2861 KP) rated Antebellum (2020) in Movies

Mar 7, 2021

Antebellum (2020)

2020 | Thriller

6.1

(10 Ratings)

Movie Rating

A Jordan Peele movie wouldn't have made the third act gore so tame, just sayin'. In fact there's a lot wrong with this movie, including but not limited to tacky dialogue and the fact that there's not really an actual plot that happens. But it's definitely weird, ambitious, attractive, and intriguing enough to suffice. Jack Huston and - in particular - Gabourey Sidibe are great in it too, and honestly listening to her talk about what the film represents and how much it means to her (https://youtu.be/qDDBc1eD0P8 [8:07]) was very powerful and sort of solidified my positive rating for it in the end. Because on the one hand I think what this movie tried to convey is both admirable and depressingly timely - just muddled a ton by its scattershot approach. Though on the other hand I kind of feel as though its bizarre narrative structure gives it some nuance that it otherwise would have missed out on in the age of slow-burn horror indie clones. It's impossible to talk about this comprehensively without blowing its twist - and it's a good one - but just know this is a vastly better Janelle Monáe slave movie than 𝘏𝘢𝘳𝘳𝘪𝘦𝘵.

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John Krasinski recommended Kramer vs. Kramer (1979) in Movies (curated)

"I was one of those kids who had never seen an indie film before I got to college. If it wasn’t a big, huge tentpole movie, or if it wasn’t on the radio, I hadn’t experienced it. Then in college I started getting into independent movies, which led me to classic movies, which led me to all this different stuff. The 1970s movies, for me, were only discovered, unfortunately, as little as six or seven years ago. So Kramer vs. Kramer. Some of the greatest writing I’ve ever seen, some of the gutsiest performances. It’s just so quintessential of what the 1970s were for me. There’s just this unfiltered, raw energy, and despite how beautiful that movie is — and obviously, it’s a well done movie — the fact [is] that they’re not making movies like that anymore. [Kramer vs. Kramer is about] a horrible relationship. It’s a really tough situation for the father to be in, and yet [for] everyone who went and saw the movie, there was this weird understanding or commiseration with anger. I think people might have been angrier, or willing to see angry movies."

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iHorse GO offline: Horse Racing Game

Games and Sports

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* The most downloaded horse racing simulation series on mobile! * ** With a total mobile device...

Matthew Krueger (10051 KP) rated Indiana Jones and the Temple of Doom (1984) in Movies

May 11, 2020

The Introducing of The PG-13 Rating

Temple of Doom- is it my favorite no. The third one is the best one in my opinion. It goes 3, 1 and 2. Their is action and suspense but not as much as 1 and 3. Its slow and builds up its action and suspense which again can be good. But in this, i fell like falling asleep and i think i did cause it was boring. Other than that, it was a decent movie.

The plot: Adventure sequel. Intrepid archaeologist Indiana Jones, on the trail of fortune and glory in Old Shanghai, is ricocheted into a dangerous adventure in India. With his faithful companion Short Round and nightclub singer Willie Scott, Indie goes in search of the magical Sankara stone, and uncovers an ancient evil which threatens all who come into contact with it.

In response to some of the more violent sequences in the film, and with similar complaints about Gremlins, Spielberg suggested that the Motion Picture Association of America (MPAA) alter its rating system, which it did within two months of the film's release, creating a new PG-13 rating.