Search
Search results
The Gospel According to Water by Joe Henry
4.0
Rate It
Album
Recording artist, songwriter and 4 time grammy winning producer Joe Henry returns with his 15th...
Destroy All Human Life by Country Teasers
Album
Released on LP for the first time. In 1999 'Edinburgh's least favourite sons' the Country Teasers...
Samorost 3
Games
App
!!!!! IMPORTANT: Samorost 3 requires at least iPad 3, iPad mini 2, iPhone 5 or iPod touch 6, or...
The Location Shoot
Book
Controversial filmmaker Jean Mercier is shooting a film on location in Sweden. While spending the...
Romance
JT (287 KP) rated Easy A (2010) in Movies
Mar 10, 2020
Flat, dull and lacking in any laughs. Harsh this verdict might be, but I’m afraid it is about the long and the short of it. As Indie films go this does little to highlight those credentials bestowed on other greats such as Clueless or Sixteen Candles. The lovely Emma Stone whose turn in Superbad put her on the road to stardom is short of her best, and at times is cringe worthily bad.
Olive (Stone) is a well liked pupil at high school, but when a little white lie about losing her virginity gets the rumour mill going she is singled out as, well, quite simply a slut.
Drawing on comparisons to The Scarlet Letter, which happens to be one of the books she is studying she takes it upon herself to brandish her attire with the letter A, for adulterer, as well as using her new found status to milk a little money from desperate males keen to move a level or two up the social ladder.
As Indie films go this does little to highlight those credentials bestowed on other greats such as Clueless or Sixteen Candles
Some have compared this to the best teen comedy since Clueless, well forget it, Director Will Gluck does little to inject this film with any laughs whatsoever, and any dramatic interludes seem bland. If anything the characters are somewhat annoying, ranging from Amanda Bynes’s devout Christian who is not really a good advert for all things religious to Olive’s best bud Rhiannon (Aly Michalka) by far and away one of the worst acting performances I have seen for some time.
Even the inclusion of Friends star (yes she’ll always have that tag) Lisa Kudrow as the school councillor or Thomas Haden Church as her teacher husband do little to offer the overall outcome of the plot. Perhaps one of the few shinning lights are Olive’s parents Dill and Rosemary (aptly named), Stanley Tucci and Patricia Clarkson respectively, whose care free guide to parenting should be noted for today’s modern age.
If Gluck thinks he can walk in the same footsteps of a John Hughes master class he is going to have to come up with something better than this. Hughes himself was the Godfather of the teenage comedy for the likes of The Breakfast Club and not forgetting for a second Ferris Bueller’s Day Off.
Easy A tries to hard to follow in the footsteps of the above and even Olive herself references them during the film, with an ending that hardly screams of originality, unless they are paying homage to 80s teen comedies.
Openly, its not good, confused and lost for long periods Stone does her utmost to pull anything back but it ain’t working for her or Gluck here.
Olive (Stone) is a well liked pupil at high school, but when a little white lie about losing her virginity gets the rumour mill going she is singled out as, well, quite simply a slut.
Drawing on comparisons to The Scarlet Letter, which happens to be one of the books she is studying she takes it upon herself to brandish her attire with the letter A, for adulterer, as well as using her new found status to milk a little money from desperate males keen to move a level or two up the social ladder.
As Indie films go this does little to highlight those credentials bestowed on other greats such as Clueless or Sixteen Candles
Some have compared this to the best teen comedy since Clueless, well forget it, Director Will Gluck does little to inject this film with any laughs whatsoever, and any dramatic interludes seem bland. If anything the characters are somewhat annoying, ranging from Amanda Bynes’s devout Christian who is not really a good advert for all things religious to Olive’s best bud Rhiannon (Aly Michalka) by far and away one of the worst acting performances I have seen for some time.
Even the inclusion of Friends star (yes she’ll always have that tag) Lisa Kudrow as the school councillor or Thomas Haden Church as her teacher husband do little to offer the overall outcome of the plot. Perhaps one of the few shinning lights are Olive’s parents Dill and Rosemary (aptly named), Stanley Tucci and Patricia Clarkson respectively, whose care free guide to parenting should be noted for today’s modern age.
If Gluck thinks he can walk in the same footsteps of a John Hughes master class he is going to have to come up with something better than this. Hughes himself was the Godfather of the teenage comedy for the likes of The Breakfast Club and not forgetting for a second Ferris Bueller’s Day Off.
Easy A tries to hard to follow in the footsteps of the above and even Olive herself references them during the film, with an ending that hardly screams of originality, unless they are paying homage to 80s teen comedies.
Openly, its not good, confused and lost for long periods Stone does her utmost to pull anything back but it ain’t working for her or Gluck here.
Go Film Magazine - Art House Cinema & Award Winning Movies On The Go
Entertainment and Magazines & Newspapers
7.0
Rate It
App
Go Film Magazine Brings You The Best Short Films From Around The World Straight To Your iPad and...
Connor Sheffield (293 KP) rated The Crow in Books
May 25, 2017
Emotionally written (2 more)
Poetic
Brilliantly drawn
My All Time Favourite
This graphic novel is my all time favourite. I have read it countless times, sometimes in a row. This is where it all began, and the author's tragic backstory, really helps bring forth the emotion from the pages.
This is a story of love and loss, but mostly of vengeance and a sense of mental torment that no one, dead or alive, should suffer.
There's a belief that when someone dies, their soul is carried to heaven, hell or some form of afterlife, and then there's this graphic novel that suggests that if the soul was wronged in their life, they may return as an avenging angel, to seek vengeance on those who wronged them.
Eric and his Fiancé where murdered for no good reason, and so his soul is brought back from the dead, with some additional abilities, such as a healing factor, meaning that he cannot be killed (again) by mortals.
This book also contains poetry among its pages. Beautiful poems that really add to the emotion of the book and the story. I love comics, graphic novels etc. Anything Marvel or DC, and of course indie comics, but The Crow will forever remain my favourite one among them all, because it is poetic justice written beautifully and emotionally, unlike anything I have ever read before or after it.
This is a story of love and loss, but mostly of vengeance and a sense of mental torment that no one, dead or alive, should suffer.
There's a belief that when someone dies, their soul is carried to heaven, hell or some form of afterlife, and then there's this graphic novel that suggests that if the soul was wronged in their life, they may return as an avenging angel, to seek vengeance on those who wronged them.
Eric and his Fiancé where murdered for no good reason, and so his soul is brought back from the dead, with some additional abilities, such as a healing factor, meaning that he cannot be killed (again) by mortals.
This book also contains poetry among its pages. Beautiful poems that really add to the emotion of the book and the story. I love comics, graphic novels etc. Anything Marvel or DC, and of course indie comics, but The Crow will forever remain my favourite one among them all, because it is poetic justice written beautifully and emotionally, unlike anything I have ever read before or after it.
John Garrett (27 KP) rated Sing Street (2016) in Movies
Jul 11, 2017
Great music (1 more)
Great acting
The new commitments
This unashamedly small but brilliant movie set in 80s Ireland was the film of 2016 for me. Due to the size and marketing of this movie it sadly didn't receive the audience in cinema it deserved. Thank God for Netflix.
This follows the tale of Connor who's struggling working class parents pull him from private school and into the harsh reality of 80s public school run by a hard nosed priest and bullys. He meets a young beauty Raphina and convinces her he has a band to try and win her over.
This movie does not try and be something it's not and almost having a small budget and unknown cast helps make everything seem real. the acting is fantastic which is something indie films usually lack performances are great especially from Brendon the older brother.
the real star of this film however is the original music used by the titular band. It is 2 parts 80s nostalgia and 1 part genius. I truly belive the song Drive it like you stole it is Oscar worthy and deserves a nod in the least.
I would recommend this film to anyone and suggest people of all ages to watch this film with lots of heart and lots of great music.
This follows the tale of Connor who's struggling working class parents pull him from private school and into the harsh reality of 80s public school run by a hard nosed priest and bullys. He meets a young beauty Raphina and convinces her he has a band to try and win her over.
This movie does not try and be something it's not and almost having a small budget and unknown cast helps make everything seem real. the acting is fantastic which is something indie films usually lack performances are great especially from Brendon the older brother.
the real star of this film however is the original music used by the titular band. It is 2 parts 80s nostalgia and 1 part genius. I truly belive the song Drive it like you stole it is Oscar worthy and deserves a nod in the least.
I would recommend this film to anyone and suggest people of all ages to watch this film with lots of heart and lots of great music.
Andi Lutz (3 KP) rated Welcome to Night Vale in Podcasts
Apr 15, 2018
Voices (2 more)
Writing
Sound effects
Amusing Yarn With Lovecraftean Spin
Night Vale was the first podcast I ever listened to. It had me hooked from the start. I did binge listen to catch up from episode one, but after that, I found it a bit annoying to try to listen to more than 5 or so episodes at a time. They're fairly short, but can start to feel repetitive if you get too far behind and have to catch up that way.
Fans of Lovecraft, Call of Cthluhu RPG, and other classic horror, as well as conspiracy theory fans (I'm sure this will fit, but I'm not one to know for a fact), will love Night Vale. It is aired with a serious tone but still somehow light-hearted. The voice acting is superb and the writing top-notch.
Some of my favorite segments are the music breaks. Some episodes have wonderful indie artists on them for one song and they will give out some information about the bands and songs so you can locate them on the internet and find their music. I think this is a terrific idea, using their listener base to help give exposure to working musicians.
Serial stories involve romance, disappearances, aliens, and anything else you could ever dream up. If you're a writer yourself, it might even spark your imagination!
Fans of Lovecraft, Call of Cthluhu RPG, and other classic horror, as well as conspiracy theory fans (I'm sure this will fit, but I'm not one to know for a fact), will love Night Vale. It is aired with a serious tone but still somehow light-hearted. The voice acting is superb and the writing top-notch.
Some of my favorite segments are the music breaks. Some episodes have wonderful indie artists on them for one song and they will give out some information about the bands and songs so you can locate them on the internet and find their music. I think this is a terrific idea, using their listener base to help give exposure to working musicians.
Serial stories involve romance, disappearances, aliens, and anything else you could ever dream up. If you're a writer yourself, it might even spark your imagination!
SunnyD (6 KP) rated Lady Bird (2017) in Movies
Jun 19, 2018
Not extraordinary
If you love the starting actress, Saoirse Ronan, and indie films, then this is a fairly good watch. Lady Bird's relationship with her mother is the main theme here. The two continuously butt heads. At first, Lady Bird says that her mother is hard on her because she loves her so much, but it later gets harder for Lady Bird to accept their rough relationship as she questions whether her mother loves her because she has to or if she actually likes Lady Bird as a person. Her mother struggles to maintain their relationship while keeping their household afloat financially, especially after her father is laid off from his job.
I liked that, in addition to the mother-daughter theme, Lady Bird goes through a journey of selfdiscovery that starts when she dates her first crush at her Catholic high school. Lady Bird learns more about herself and those closest to her with every decision that she makes.
The quality of the ending might be up for some debate. If you're looking for real closure here, you won't be getting one. Ultimately, what happens after Lady Bird gets to college is up to your interpretation. The only thing that leaves your mind at some peace is that Lady Bird seems to learn to be grateful for what she has been given in life.
I liked that, in addition to the mother-daughter theme, Lady Bird goes through a journey of selfdiscovery that starts when she dates her first crush at her Catholic high school. Lady Bird learns more about herself and those closest to her with every decision that she makes.
The quality of the ending might be up for some debate. If you're looking for real closure here, you won't be getting one. Ultimately, what happens after Lady Bird gets to college is up to your interpretation. The only thing that leaves your mind at some peace is that Lady Bird seems to learn to be grateful for what she has been given in life.