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Ian McCulloch recommended Automatic for the People by REM in Music (curated)

 
Automatic for the People by REM
Automatic for the People by REM
1992 | Rock

"One of the classic albums. Played it to death. I was pissed off when it came out, it was when the Bunnymen had just split up and it would have inspired me with the band. When he gets it right, Michael Stipe, he’s just brilliant. It’s not that kind of American music that makes you feel queasy like The Eagles, it’s more indie. When you go to America and see some of the natural beautiful vastness of the country, it moves you onto your kneecaps, the prairie beauty of it. ‘Find The River’ - when I heard that it was instant choking up. I went up to my missus at the time and didn’t know if I could speak. I wrote ‘Nothing Ever Lasts Forever’ after it. I don’t know if it was inspired by it. It made me like a type of American that I’ve never liked, the Mark Twainy kind. For some reason it connected with me, but the last thing I’d like to do is buy a pair of dungarees and go net fishing in a stagnant pond. But each to their own – Stipey obviously does it. The videos and the bit in ‘Man In The Moon’ where he does the little shuffle and the Elvis “hey baby” - when I saw that I thought, you twat, you’ve got it completely right, and here’s me hacking about with some half-baked solo songs. And they were half-baked, some of them from Mysterio. But after Automatic they did too much and a lot of it wasn’t up to that standard."

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Spiral: From the Book of Saw (2021)
Spiral: From the Book of Saw (2021)
2021 | Horror, Thriller
That final trap is as heart-stopping and clever a piece of political commentary that's been put into any horror film this decade thus far - but the rest (I'm immeasurably disappointed to report) is a bland, run-of-the-mill police procedural which only occasionally resembles a 𝘚𝘢𝘸 movie. Don't know whose idea it was to have less gore and crappier traps but fire them immediately. I think outside of that grievous oversight the other major problem is that this tries to be both a Saw movie as well as a modern movie - way less of the 2000s scary crackhead camerawork + editing, much fewer unnerving layers of overexposed shots, and now a clean frame replaces what was once a grimy sheen of iconic dilapidation. If you want this franchise to stay ahead of the pack in a day in age where even the cheapest indie flicks can have solid gore, you can't be this polished. No cutting away from the action right as it happens, and don't be afraid to cling onto what worked during its inception just because the passage of time may have left those trends behind - with this kind of cleanliness it's too easy to see the inherent seams of these things. Also you'd have to be an idiot not to see this 'twist' coming from a mile away. But Chris Rock is awesome in the last 20 minutes when he's snapping at everybody. Without a shadow of a doubt the worst film in the series.
  
The Racer is an indie-band from New York’s Hudson Valley. Not too long ago, they released their “I’ll Find You in Dreams” single featuring singer Tiphanie Doucet.

“Head down can’t keep from falling over. Eyes blurred with grief, we’ve grown like the trees, now slowly older, and I’ll never be your island king. The city sings her song to me. The only soul alone on these tangled streets.” – lyrics

‘I’ll Find You in Dreams’ tells an emotional tale of an individual who yearns for something or someone who seems completely out of reach.

The likable tune contains a dreamy storyline, heartfelt vocals, and emotional instrumentation flavored with great piano lines, evocative synths, and nostalgic elements.

The Racer consists of Pete Marotta (vocals, keys), Mike Esserman (guitar, keys), Eric Sosler (bass, keys, sax).

One day, while looking for artists in New Jersey to be on a show they were organizing, they came across Tiphanie Doucet’s music and loved it.

Shortly afterward, they performed live with Doucet at their show. Later, while hanging out, they asked her to sing on their “I’ll Find You in Dreams” single.

At the age of 15, Tiphanie Doucet starred in the film Le bébé d’Elsa, and later in the Glee-like TV series Chante!

Those exposures increased her popularity in France, where she grew up studying ballet and harp. After her career in TV ended, she made her way to America for a fresh start.

Since then, she’s been writing songs and testing them out on street corners, cruises, and cafés throughout New York and Jersey City.
  
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    Banner Saga 2

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