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365Flicks (235 KP) rated The Darkest Universe (2016) in Movies
Nov 20, 2019
Talk about a movie where you just don’t know where to start with!! Co-Directors (Yes Co) Tom Kingsley and Will Sharpe have crafted what I can only describe as my favorite completely surreal yet right down to earth drama I have watched in 2016… Wait no… In years.
As I have said recently I am on a real Indie hidden gem kick right now and the ever amazing Phil Wheat of Nerdly.co.uk asked me to check this movie out suspecting that it would be right up my street. The Darkest Universe is an absolute gem of a movie for more reasons than I can explain, but I will try.
Co-Director and Co-Writer Will Sharpe plays highly strung and highly stressed Zac Pratt. We join Zac on the verge of a complete breakdown following the disappearance of his sister and Break-up with his girlfriend. We follow him on somewhat of a journey of self realization and discovery. Zac starts up a fledging blog making video diaries of his search for his sister due to his frustration with the police coming up short. During this time we have a wonderfully interwoven series of flashbacks showing us what happened and giving us breadcrumbs of information.
A movie like this can live or die in the intricate plot woven style and this one flourishes because there is not one unnecessary moment on screen, it all matters. We find that Zac’s relationship with his girlfriend Eva (Sophia Di Martino, Channel 4s Flowers and Casualty) is strained and fragile which leads to a wonderfully awkward marriage proposal failure. While Zac would like us to believe from the get go that his sister Alice (Tiani Ghosh Co-Writer and first time acting, You couldn’t tell) is unhinged we slowly find she is probably the sanest person in his life, as she meets mis-fit wanderer Toby (Joe Thomas Inbetweeners and Fresh Meat). The relationship between Toby and Alice is almost as captivating as Sharpe’s all round performance and is just such a delicious watch.
Okay lets just get to it Will Sharpe in this movie is bloody outstanding. Think about Ezra Miller in We Need to Talk about Kevin, that is how intense this role can get, but he can also switch-up and be this charming at times funny sincere chap. There were moments I just didn’t know where it was gonna go and his performance was layered as such. Of course the script helps aswell because its to the point, at 90 minutes long the movie gets in, messes with your head a bit and gets out. Also no spoilers from me but this movie is never what you think it is and the ending is just a thing of beauty.
I take nothing away from anyone else in this movie because for her first time acting Tiani Ghosh is well above par and her chemistry with Joe Thomas is undeniable. On that note Joe Thomas of Inbetweeners fame was a surprising delight for me in this. A cheeky little cameo from fellow Inbetweener Simon Bird was received well and rounding off our cream of Brit comedy crop Chris Langham (The Thick of It) does not disappoint as Toby’s dad.
I really don’t think you will disappointed if you give this movie a shot, it has all the ingredients of what I would call an indie classic, people will find this movie and talk about it for years to come. Sharpe and Kingsley are a directing duo you have got to keep an eye on. I myself am pissed I never saw there first effort (did I mention this is just there second directorial outing) Black Pond but I will rectify that. They are miles ahead of there Ages and show a level of film-making maturity that most directors will struggle to get to. Effortless and beautiful I am so glad I will be ending 2016 with this movie.
As I have said recently I am on a real Indie hidden gem kick right now and the ever amazing Phil Wheat of Nerdly.co.uk asked me to check this movie out suspecting that it would be right up my street. The Darkest Universe is an absolute gem of a movie for more reasons than I can explain, but I will try.
Co-Director and Co-Writer Will Sharpe plays highly strung and highly stressed Zac Pratt. We join Zac on the verge of a complete breakdown following the disappearance of his sister and Break-up with his girlfriend. We follow him on somewhat of a journey of self realization and discovery. Zac starts up a fledging blog making video diaries of his search for his sister due to his frustration with the police coming up short. During this time we have a wonderfully interwoven series of flashbacks showing us what happened and giving us breadcrumbs of information.
A movie like this can live or die in the intricate plot woven style and this one flourishes because there is not one unnecessary moment on screen, it all matters. We find that Zac’s relationship with his girlfriend Eva (Sophia Di Martino, Channel 4s Flowers and Casualty) is strained and fragile which leads to a wonderfully awkward marriage proposal failure. While Zac would like us to believe from the get go that his sister Alice (Tiani Ghosh Co-Writer and first time acting, You couldn’t tell) is unhinged we slowly find she is probably the sanest person in his life, as she meets mis-fit wanderer Toby (Joe Thomas Inbetweeners and Fresh Meat). The relationship between Toby and Alice is almost as captivating as Sharpe’s all round performance and is just such a delicious watch.
Okay lets just get to it Will Sharpe in this movie is bloody outstanding. Think about Ezra Miller in We Need to Talk about Kevin, that is how intense this role can get, but he can also switch-up and be this charming at times funny sincere chap. There were moments I just didn’t know where it was gonna go and his performance was layered as such. Of course the script helps aswell because its to the point, at 90 minutes long the movie gets in, messes with your head a bit and gets out. Also no spoilers from me but this movie is never what you think it is and the ending is just a thing of beauty.
I take nothing away from anyone else in this movie because for her first time acting Tiani Ghosh is well above par and her chemistry with Joe Thomas is undeniable. On that note Joe Thomas of Inbetweeners fame was a surprising delight for me in this. A cheeky little cameo from fellow Inbetweener Simon Bird was received well and rounding off our cream of Brit comedy crop Chris Langham (The Thick of It) does not disappoint as Toby’s dad.
I really don’t think you will disappointed if you give this movie a shot, it has all the ingredients of what I would call an indie classic, people will find this movie and talk about it for years to come. Sharpe and Kingsley are a directing duo you have got to keep an eye on. I myself am pissed I never saw there first effort (did I mention this is just there second directorial outing) Black Pond but I will rectify that. They are miles ahead of there Ages and show a level of film-making maturity that most directors will struggle to get to. Effortless and beautiful I am so glad I will be ending 2016 with this movie.
Gareth von Kallenbach (980 KP) rated Green Room (2015) in Movies
Aug 6, 2019
After a fruitless tour, a punk group, The Ain’t Rights, find themselves out of money and stealing gas to get back home. When a recommendation from a fan looking for an interview leads them to play one more show out in the backwoods of Oregon to a crowd of white supremacists, they become witnesses to a murder and barricade themselves in the green room. With no clear escape, they enter into a deadly battle of wills with the owner of the club, and his band of skinheads, and quickly discover that they have no intention of letting them leave alive.
It’s to the point now where if the A24 logo is at the front of a flick, chances are I’m handing over my hard-earned cash. Enemy, Locke, A Most Violent Year, Ex Machina, Slow West – they’ve been distributing some of my favorite films from the last few years and are fast becoming a powerhouse for indie movies, not unlike Focus Features a little more than a decade ago. Unfortunately, this means I set my expectations a little too high on my way into Green Room, which was not hard to do when you combine A24’s track record with the emerging talent of writer/director Jeremy Saulnier. Blue Ruin, his second feature, was the surprise indie hit of 2013. Expertly crafted and deliberately paced, it harkened back to 70’s-style bleak and gritty filmmaking. Green Room also features some of the DNA that made Blue Ruin great, those quite moments of high-tension leading into heart-stopping explosions of extreme violence are present and accounted for, but a thinner plot and characters who are severely underdeveloped show that this story, to its detriment, was in much more of a rush to get where it was going than its predecessor was.
Green Room’s major selling point is of course, Patrick Stewart. Adding one part Cameron Alexander (Stacy Keach’s character from American History X) to one part Walter White/Heisenberg, his performance will undoubtedly go down as one of the greatest departures of our time. Having said that, and believe me when I say I’m loathe to fly in the face of what an exceptional casting choice this was, he is frustratingly underutilized. It does speak to what an unrivaled talent he is when he can build most of his menace from the other side of a locked door, but regardless of how solid the performance is, his presence is merely a set-piece. A role with this little screen time rivals Anthony Hopkins in The Silence of the Lambs (they both had what probably amounted to about 15 minutes of screen time, or less), but I’m certain Stewart’s won’t leave as lasting an impression. To be blunt, if you’re queuing up just for him, you may come away disappointed.
The flip side to this comes about through Imogen Poots as Amber, friend to the murder victim and unfortunate enough to get trapped backstage with the band. Much of the best dialogue, along with some incredible moments of jaw-dropping spontaneity, comes her way and it’s her deadpan delivery that steals the show. Though we are supposed to root for the band, it was her cynical “inside man” that drew me further into their nightmare situation and kept me hoping that she might be the one to survive and give the skinheads the brutal justice they deserved.
For now, I’m sticking to my guns and giving Green Room just half marks, but I look forward to a second viewing at home in a few months, where I’m certain my opinion of it will improve, due to my expectations being more aligned and the foreknowledge that this is simple and standard survival horror fare…that just happens to feature Picard as a neo-Nazi.
It’s to the point now where if the A24 logo is at the front of a flick, chances are I’m handing over my hard-earned cash. Enemy, Locke, A Most Violent Year, Ex Machina, Slow West – they’ve been distributing some of my favorite films from the last few years and are fast becoming a powerhouse for indie movies, not unlike Focus Features a little more than a decade ago. Unfortunately, this means I set my expectations a little too high on my way into Green Room, which was not hard to do when you combine A24’s track record with the emerging talent of writer/director Jeremy Saulnier. Blue Ruin, his second feature, was the surprise indie hit of 2013. Expertly crafted and deliberately paced, it harkened back to 70’s-style bleak and gritty filmmaking. Green Room also features some of the DNA that made Blue Ruin great, those quite moments of high-tension leading into heart-stopping explosions of extreme violence are present and accounted for, but a thinner plot and characters who are severely underdeveloped show that this story, to its detriment, was in much more of a rush to get where it was going than its predecessor was.
Green Room’s major selling point is of course, Patrick Stewart. Adding one part Cameron Alexander (Stacy Keach’s character from American History X) to one part Walter White/Heisenberg, his performance will undoubtedly go down as one of the greatest departures of our time. Having said that, and believe me when I say I’m loathe to fly in the face of what an exceptional casting choice this was, he is frustratingly underutilized. It does speak to what an unrivaled talent he is when he can build most of his menace from the other side of a locked door, but regardless of how solid the performance is, his presence is merely a set-piece. A role with this little screen time rivals Anthony Hopkins in The Silence of the Lambs (they both had what probably amounted to about 15 minutes of screen time, or less), but I’m certain Stewart’s won’t leave as lasting an impression. To be blunt, if you’re queuing up just for him, you may come away disappointed.
The flip side to this comes about through Imogen Poots as Amber, friend to the murder victim and unfortunate enough to get trapped backstage with the band. Much of the best dialogue, along with some incredible moments of jaw-dropping spontaneity, comes her way and it’s her deadpan delivery that steals the show. Though we are supposed to root for the band, it was her cynical “inside man” that drew me further into their nightmare situation and kept me hoping that she might be the one to survive and give the skinheads the brutal justice they deserved.
For now, I’m sticking to my guns and giving Green Room just half marks, but I look forward to a second viewing at home in a few months, where I’m certain my opinion of it will improve, due to my expectations being more aligned and the foreknowledge that this is simple and standard survival horror fare…that just happens to feature Picard as a neo-Nazi.
groundedGeek (4 KP) rated Welcome to Night Vale in Podcasts
Jan 10, 2018 (Updated Jan 10, 2018)
Voice acting (3 more)
Stories
Writing
Music
Welcome to Night Vale is sheer brilliance
Welcome to Night Vale is a brilliant concept for a podcast and has created a world that is so outlandish and weird that every visit is amazing. While it is somewhat difficult to jump in the middle since it's ongoing, after a few episodes you may begin to get the drift, but I highly recommend binging this from the beginning. There are characters that recur and "in-jokes" that long-time listeners will enjoy much more than a new listener, but nothing to take away from the experience of a new listener. We have actually gone to see one of their live shows and they are absolutely entertaining and well worth it. The writing is tight and eerie and often hilarious. Once you find yourself a new citizen of Night Vale, you will find it very difficult to leave. It is hands down my favorite podcast and it only keeps getting better.
Each episode features Cecil, the golden voiced community radio host updating you on the goings on in the desert town of Night Vale where the weird and bizarre are simply the norm. Usually something happens that becomes the central theme of that episode's story arc and Cecil comes back to it from time to time, updating us as he goes... and then it's always time for the "weather:" which is actually an indie artist song. Sometimes the musical guest is amazing, sometimes it is hit or miss, but it's a great way to hear and find new kind of obscure artists to listen to. When the "weather" is over, Cecil usually returns and wraps up the current storyline and the listener is left to fret and dismay as they are thrust back into the real world again and must wait until the next episode to return to their beloved Night Vale.
The writing is actually genius. No lie.
Each episode features Cecil, the golden voiced community radio host updating you on the goings on in the desert town of Night Vale where the weird and bizarre are simply the norm. Usually something happens that becomes the central theme of that episode's story arc and Cecil comes back to it from time to time, updating us as he goes... and then it's always time for the "weather:" which is actually an indie artist song. Sometimes the musical guest is amazing, sometimes it is hit or miss, but it's a great way to hear and find new kind of obscure artists to listen to. When the "weather" is over, Cecil usually returns and wraps up the current storyline and the listener is left to fret and dismay as they are thrust back into the real world again and must wait until the next episode to return to their beloved Night Vale.
The writing is actually genius. No lie.
Michael Packner (32 KP) rated Pyewacket (2017) in Movies
Jun 16, 2019
Pacing (6 more)
Dark tone
Dark and sadistic ending
Fantastic acting from every character
Well thought out story
Moral lesson: Be careful what you wish for, you might get it.
Moral lesson 2: Be careful what you do in anger. You might never be able to take it back.
Somewhat of a rushed ending (1 more)
Some minor loose ends that could've been tied up better.
Pyewacket is definitely a hidden gem. I love indie horror films because they have so much more freedom to be what the filmmaker wants, rather than something with great potential but watered down to appeal to a wider audience. Pyewacket plays to it's audience and it makes the film that much better. I typically do not like supernatural horror because it's just so ridiculous. I know, it's a movie and I should learn to be more forgiving. I'm a slasher fanatic and not too many of them are high on realism. I guess it's just a preference I've developed. Anyway, I do enjoy the occasional supernatural get down, especially if it's dark and done well, ex: Sinister. Pyewacket is both dark and done well. I'm also a sucker for a good slow burn that's not afraid to set itself up and properly build tension. Again, Pyewacket succeeds here. The film is extremely dark and gives us one hell of a dark and twisted gut punch ending. It even teases the ending, convinces you it's going there, pulls back enough to fake you out, then dives right back in and gives it to you with an extra punch. Magnificent! The only real gripe I have is that while the ending is fantastic, it also feels a bit rushed. They could've tacked on an extra 20 minutes and really went for it, but I surmise budget was to blame. I also wish we could've seen more from her friend who went nutty, but that's a smaller issue and definitely forgivable. Definitely worth the rent.
LilyLovesIndie (123 KP) rated Zombified in Books
Nov 5, 2018
This book was a very enjoyable read with an intriguing and promising premise for it's plot, but at times it just simply didn't deliver for me. That being said, I still felt compelled to find how the story ended and follow the characters through to the end, which is a strong point in it's favour.
The characters are a real mixed bunch, especially Henri and Josie. They capture your imagination and make you consider zombies in a completely different way, which was a positive for me as I usually shy away from anything to do with zombies. The other rag tags in the bunch are equally unusual, or perhaps unique is a better word, and they do capture your attention. They all have plenty of secrets, some of which could have been developed in more detail, but all of which give you something interesting about them.
In the main part, the plot is quite logical and develops well as the story progresses. It did stall slightly when it first started, and I don't feel like the pace was ever really capitalised on. It's clear LaCroix has tried hard to provide a good deal of development of characters, back stories and the plot in general, but at times, it didn't quite fit. The story had a rather strange and unexpected ending which was intriguing and works quite well as a cliff hanger.
In conclusion, I have to say I did find this book tough at times but it has something about it that redeems it. I can't quite pinpoint it, but I feel like with a little tweaking it could be a fantastic book, it's just not there yet, I will read the next in the series as I do want to know what happens to the characters, but I have mixed feelings about this book.
This book was reviewed as part of a blog tour (ARC provided for honest review) on Lily Loves Indie - http://lilylovesindie.co.uk/?p=515
The characters are a real mixed bunch, especially Henri and Josie. They capture your imagination and make you consider zombies in a completely different way, which was a positive for me as I usually shy away from anything to do with zombies. The other rag tags in the bunch are equally unusual, or perhaps unique is a better word, and they do capture your attention. They all have plenty of secrets, some of which could have been developed in more detail, but all of which give you something interesting about them.
In the main part, the plot is quite logical and develops well as the story progresses. It did stall slightly when it first started, and I don't feel like the pace was ever really capitalised on. It's clear LaCroix has tried hard to provide a good deal of development of characters, back stories and the plot in general, but at times, it didn't quite fit. The story had a rather strange and unexpected ending which was intriguing and works quite well as a cliff hanger.
In conclusion, I have to say I did find this book tough at times but it has something about it that redeems it. I can't quite pinpoint it, but I feel like with a little tweaking it could be a fantastic book, it's just not there yet, I will read the next in the series as I do want to know what happens to the characters, but I have mixed feelings about this book.
This book was reviewed as part of a blog tour (ARC provided for honest review) on Lily Loves Indie - http://lilylovesindie.co.uk/?p=515
LilyLovesIndie (123 KP) rated To Serve is Divine (The Divine Trilogy, #1) in Books
Nov 5, 2018
This book was read and reviewed as part of an Author Feature Week over on Lily Loves Indie. Here is a snippet of the review, but the whole thing can be viewed here - http://lilylovesindie.co.uk/?p=133
Well, where to start? I'm going to do my best to keep this brief (partly because I still have a few chapters of the next book to read and Jayden is calling me, and partly so that you can go one-click this and get reading yourself!) but I truly do have so many positive things to say about this book that it is going to be very difficult. If you've read my earlier reviews of Hargrave's writing you'll know that I absolutely love her style and ability to weave a story, and the same is true in this book.
I'll make a confession here, I usually avoid BDSM and erotica books because they really don't appeal to me and I have been known to label them with all sorts of names, but right now, in the blogoshpere and beyond, I'd like to rescind all those comments - Hargrave has most definitely opened my eyes to the fact that these books can be more plot than sex, and they can be wonderfully engaging reads, and that they are just as difficult to put down as 'normal' books. I opened the book and thought, 'here goes nothing', fully expecting to find it difficult to get in to, purely because of my own prior opinions, but it was so damn good to be proved wrong! I was hooked from the first page, drawn completely and irreversibly into the webs Hargrave weaves, wanting to find as much as possible about the characters, especially Erin/Catherine, and not even cringing when reading the sex scenes (which is a first for me!) but instead, I thoroughly enjoyed them. I guess what that garbled paragraph is trying to say is that I absolutely flipping LOVED this book!
Well, where to start? I'm going to do my best to keep this brief (partly because I still have a few chapters of the next book to read and Jayden is calling me, and partly so that you can go one-click this and get reading yourself!) but I truly do have so many positive things to say about this book that it is going to be very difficult. If you've read my earlier reviews of Hargrave's writing you'll know that I absolutely love her style and ability to weave a story, and the same is true in this book.
I'll make a confession here, I usually avoid BDSM and erotica books because they really don't appeal to me and I have been known to label them with all sorts of names, but right now, in the blogoshpere and beyond, I'd like to rescind all those comments - Hargrave has most definitely opened my eyes to the fact that these books can be more plot than sex, and they can be wonderfully engaging reads, and that they are just as difficult to put down as 'normal' books. I opened the book and thought, 'here goes nothing', fully expecting to find it difficult to get in to, purely because of my own prior opinions, but it was so damn good to be proved wrong! I was hooked from the first page, drawn completely and irreversibly into the webs Hargrave weaves, wanting to find as much as possible about the characters, especially Erin/Catherine, and not even cringing when reading the sex scenes (which is a first for me!) but instead, I thoroughly enjoyed them. I guess what that garbled paragraph is trying to say is that I absolutely flipping LOVED this book!
LilyLovesIndie (123 KP) rated The Food Critic in Books
Nov 5, 2018
I can't express how excited I was when this delightfully paced little gem arrived in my inbox. I've devoured everything Ms Hargrave has ever offered me and I have to say that this beauty was no different. Characters, plot, sex, it was all spot on. And considering it's a short book, it certainly packs a very sexy punch.
The lead characters are thoroughly engaging and have you rooting for them from the very start of the book. Serena the consumate professional, until that moment on the table. Stuart, a master of so many different trades. Together they sing from the pages. They both hook you into their own separate worlds and you devour the book in a similar way to how you would a very delectable treat.
The sensuality in this book is hinted at throughout, but the food porn is truly out of this world. It was so well written it had my mouth watering for the tastes described with such finesse and details, and Ms Hargrave had my appetite thoroughly whetted for not only food, but a good many other things too! To hook someone into a story so completely, and have them wanting to recreate certain scenes is definitely a sign of skill!
As far as epilogues, this is one of the best I've read. It was a real happily ever after and it left me with a serious case of the warm fuzzies. I love it when a book leaves me with happy feels, and this one certainly didn't disappoint. As I said, for a short book it was fabulous, it had everything I wanted, it was very enjoyable and is a book I would highly recommend for anyone who's looking for a short burst of sexy escapism.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
The lead characters are thoroughly engaging and have you rooting for them from the very start of the book. Serena the consumate professional, until that moment on the table. Stuart, a master of so many different trades. Together they sing from the pages. They both hook you into their own separate worlds and you devour the book in a similar way to how you would a very delectable treat.
The sensuality in this book is hinted at throughout, but the food porn is truly out of this world. It was so well written it had my mouth watering for the tastes described with such finesse and details, and Ms Hargrave had my appetite thoroughly whetted for not only food, but a good many other things too! To hook someone into a story so completely, and have them wanting to recreate certain scenes is definitely a sign of skill!
As far as epilogues, this is one of the best I've read. It was a real happily ever after and it left me with a serious case of the warm fuzzies. I love it when a book leaves me with happy feels, and this one certainly didn't disappoint. As I said, for a short book it was fabulous, it had everything I wanted, it was very enjoyable and is a book I would highly recommend for anyone who's looking for a short burst of sexy escapism.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Bong Mines Entertainment (15 KP) rated Hypocritical - Single by NOA in Music
Jun 17, 2019
NOA is a 22-year-old singer-songwriter from Toronto, Ontario. Not too long ago, she released a music video for her lovely electro-pop tune, entitled, “Hypocritical”.
“As an artist and songwriter, I want to give others a voice through my writing. With my new single, I want people to know that they’re not alone and we’re only human. ‘Hypocritical’ was inspired by my own breakup aftermath. The realization that everything I didn’t want my ex to be doing, I was doing myself. also, in a post-breakup state, it’s so easy to get hung up on wanting your ex back, or at least not wanting him to move on. But in reality, whether you recognize it or not, you’re likely already moving on.” – NOA
‘Hypocritical’ tells a post-breakup tale of a young woman who struggles to let go of her ex-boyfriend.
Apparently, she has moved on with her personal life, but still wants to be with him, even though he no longer belongs to her.
Also, she doesn’t want to see him with another woman, even though she’s romantically involved with another guy.
‘Hypocritical’ is the first single of a series of songs that NOA will be releasing this year.
The likable tune contains a relatable storyline and ear-welcoming vocals. Also, the song possesses playful instrumentation scented with a dancy indie-pop aroma.
“Seeing my ex’s Instagram stories and Snapchats really highlighted these ‘Hypocritical’ feelings for me. Sometimes it’s okay to go through the motions and have these thoughts. But at the end of the day, we have to face ourselves in the mirror and continue to grow from the ups and downs.” – NOA
NOA’s fans have followed her to sold-out shows from Toronto’s Drake Hotel to Los Angeles’s Hotel Cafe.
Her music contains emo-themes from relationships to female empowerment and self-realization.
https://www.bongminesentertainment.com/noa-hypocritical/
“As an artist and songwriter, I want to give others a voice through my writing. With my new single, I want people to know that they’re not alone and we’re only human. ‘Hypocritical’ was inspired by my own breakup aftermath. The realization that everything I didn’t want my ex to be doing, I was doing myself. also, in a post-breakup state, it’s so easy to get hung up on wanting your ex back, or at least not wanting him to move on. But in reality, whether you recognize it or not, you’re likely already moving on.” – NOA
‘Hypocritical’ tells a post-breakup tale of a young woman who struggles to let go of her ex-boyfriend.
Apparently, she has moved on with her personal life, but still wants to be with him, even though he no longer belongs to her.
Also, she doesn’t want to see him with another woman, even though she’s romantically involved with another guy.
‘Hypocritical’ is the first single of a series of songs that NOA will be releasing this year.
The likable tune contains a relatable storyline and ear-welcoming vocals. Also, the song possesses playful instrumentation scented with a dancy indie-pop aroma.
“Seeing my ex’s Instagram stories and Snapchats really highlighted these ‘Hypocritical’ feelings for me. Sometimes it’s okay to go through the motions and have these thoughts. But at the end of the day, we have to face ourselves in the mirror and continue to grow from the ups and downs.” – NOA
NOA’s fans have followed her to sold-out shows from Toronto’s Drake Hotel to Los Angeles’s Hotel Cafe.
Her music contains emo-themes from relationships to female empowerment and self-realization.
https://www.bongminesentertainment.com/noa-hypocritical/
Bong Mines Entertainment (15 KP) rated All My Friends - Single by Col3man in Music
Jun 17, 2019
Armen Paul is an NYC-based singer-songwriter from Boston, Massachusetts. Col3man is an electronic producer who grew up in Heber City, Utah. Not too long ago, they released an introspective dance tune, entitled, “All My Friends”.
“Can’t walk on water, never figured it out. Waves break like me and you. Wade in my worries, but I’m human to doubt, feel you in every mood when I’m angry. I get down on my myself and I get anxious when I need help.” – lyrics
‘All My Friends’ tells an interesting tale of a depressed young man who prays for someone to call his phone.
Apparently, he’s not strong mentality, but somehow he blindly makes it through the day.
‘All My Friends’ contains a relatable storyline, harmonious vocals, and vibey instrumentation flavored with a futuristic blend of indie-pop and electronic elements.
“My friend Col3man and I wrote this song in hopes of helping to erase some of the social stigmas around talking about depression and suicide. It can be challenging to approach friends, family, or professionals and ask for help, but talking about it is often the healthiest way of coping. There is always someone out there willing to listen. We hope this song helps others be the person to reach out and offer help or alternatively, be the person who asks for help. Both efforts take a tremendous amount of courage and they can be life-changing.” – Armen Paul
Armen Paul’s silky falsetto and shimmering vibrato coupled with his subtle grit and soulful melodies create a beautiful musical atmosphere. Not too long ago, the bubbly entertainer appeared on the television show, The X-Factor.
Greggory “Col3man” Ellis has been making a name by creating a unique blend of urban and electronic music.
After touring Africa and Europe as a concert pianist in high school, he found his love for production and dance music.
https://www.bongminesentertainment.com/col3man-armen-paul-all-my-friends/
“Can’t walk on water, never figured it out. Waves break like me and you. Wade in my worries, but I’m human to doubt, feel you in every mood when I’m angry. I get down on my myself and I get anxious when I need help.” – lyrics
‘All My Friends’ tells an interesting tale of a depressed young man who prays for someone to call his phone.
Apparently, he’s not strong mentality, but somehow he blindly makes it through the day.
‘All My Friends’ contains a relatable storyline, harmonious vocals, and vibey instrumentation flavored with a futuristic blend of indie-pop and electronic elements.
“My friend Col3man and I wrote this song in hopes of helping to erase some of the social stigmas around talking about depression and suicide. It can be challenging to approach friends, family, or professionals and ask for help, but talking about it is often the healthiest way of coping. There is always someone out there willing to listen. We hope this song helps others be the person to reach out and offer help or alternatively, be the person who asks for help. Both efforts take a tremendous amount of courage and they can be life-changing.” – Armen Paul
Armen Paul’s silky falsetto and shimmering vibrato coupled with his subtle grit and soulful melodies create a beautiful musical atmosphere. Not too long ago, the bubbly entertainer appeared on the television show, The X-Factor.
Greggory “Col3man” Ellis has been making a name by creating a unique blend of urban and electronic music.
After touring Africa and Europe as a concert pianist in high school, he found his love for production and dance music.
https://www.bongminesentertainment.com/col3man-armen-paul-all-my-friends/