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For their 10th album – and follow-up to the cheery Murder Ballads – Nick Cave & The Bad Seeds...
Bob Mann (459 KP) rated Colossal (2016) in Movies
Sep 29, 2021
A Marvel-ous Indie Movie
Well!! I’ve been really surprised (in a good way) by two films this year, and both have involved monsters (the first being “A Monster Calls” back in January).
It’s really difficult to categorise “Colossal” – imdb classes it as a “Comedy, Action, Drama”. Comedy? Yes, but it’s a very dark comedy indeed. Action? Hmm, not really… if you go to this expecting ‘Godzilla 2’ or some polished Marvel-style film (not that I was!) you will be sorely disappointed. Drama? This is probably the nearest match, since at its heart this is a clever study on the people and relationships at the heart of a bizarre Sci-Fi event.
Anne Hathaway (“Les Miserables”) stars as Gloria, a borderline alcoholic-waster sponging off the good-natured but controlling Tim (Dan Stevens, “Beauty and the Beast”) in his New York apartment. When Tim’s patience finally runs out, Gloria returns to her hometown to an empty house and the attentions of a former school friend, bar owner Oscar (Jason Sudeikis), who clearly holds an unhealthy fascination with her. Borrowing an idea from “A Monster Calls”, at a specific time in the US morning a huge monster appears from thin air in Seoul, South Korea, killing people and smashing buildings in a seemingly uncoordinated and random way. Bizarrely, this only happens when Gloria is standing at a particular spot in a particular kid’s playground. Could the two events possibly be related?
I always like to categorize films in my head as being “like” others, but this one’s really difficult to pin down. It borrows its main premise from a famous scene in “E.T.” (indeed one also involving alcohol) but the film’s fantasy elements and dark undertones have more similarities in style to “Jumanji”. Then again, there are elements of the Kaufman about it in that it is as weird in some places as “Being John Malkovich”.
The film stays on ‘Whimsical Street’ for the first half of the film, but then takes a sharp left turn into ‘Dark Avenue’ (and for “dark” read “extremely black and sinister”). It then becomes a far more uncomfortable watch for the viewer. The metaphor of the monster for Gloria’s growing addiction is clear, but emerging themes of control, jealousy, violent bullying and small-town social entrapment also emerge.
Here the acting talents of Hathaway and Sudeikis really come to the fore: heavyweight Hollywood talent adding some significant ‘oomph’ to what is a fairly modest indie project. Hathaway is in kooky mode here, gurning to great comic effect, and this adds warmth to a not particularly likeable character. And Sudeikis (more commonly seen in lighter and frothier comedies like “We’re the Millers” and “Horrible Bosses”) is a surprise in the role delivering some real acting grit.
The writer and director is Spaniard Nacho Vigalondo. No, me neither. But he seems to have come from nowhere to deliver this high profile cinema release, and it would not be a surprise for me to see this nominated as an original screenplay come the awards season. His quirky style is refreshing. (Hell, delivering ANY novel new summer movie that is not part of a franchise or TV re-boot is refreshing!)
The film’s not perfect, and its disjointed style can be unsettling. While the lead characters are quite well defined, others are less so. Joel in particular, played by Austin Stowell (“Whiplash“, “Bridge of Spies“), is such an irritating doormat of a character that you just want to thump him yelling “Do Something you wimp” to his face!
I am normally the first to pick scientific holes in a story, but here the story is so “out there” that the details become irrelevant, and – like “Guardians of the Galaxy Vol 2” – the film revels in its absurdity. (There is however a jumbo jet sized hole in the plot if you think about it!) But some of the moments of revelation (particularly one set in a wood) are brilliantly done and you are never quite sure where the film is going to go next. I was concerned that the ending would not live up to the promise of the film, but I was not disappointed.
Like “A Monster Calls” the film will probably suffer at the box office by its marketing confusing the audience. People will assume it’s possibly a “monster movie” or maybe a piece of comedy fluff (particularly with Sudeikis in the cast), but in reality it’s neither of these. It won’t be to everyone’s tastes for sure, but in the bland desert of mainstream movie releases, here is an oasis of something interesting and novel and in my book definitely worthy of your movie dollar. Recommended.
It’s really difficult to categorise “Colossal” – imdb classes it as a “Comedy, Action, Drama”. Comedy? Yes, but it’s a very dark comedy indeed. Action? Hmm, not really… if you go to this expecting ‘Godzilla 2’ or some polished Marvel-style film (not that I was!) you will be sorely disappointed. Drama? This is probably the nearest match, since at its heart this is a clever study on the people and relationships at the heart of a bizarre Sci-Fi event.
Anne Hathaway (“Les Miserables”) stars as Gloria, a borderline alcoholic-waster sponging off the good-natured but controlling Tim (Dan Stevens, “Beauty and the Beast”) in his New York apartment. When Tim’s patience finally runs out, Gloria returns to her hometown to an empty house and the attentions of a former school friend, bar owner Oscar (Jason Sudeikis), who clearly holds an unhealthy fascination with her. Borrowing an idea from “A Monster Calls”, at a specific time in the US morning a huge monster appears from thin air in Seoul, South Korea, killing people and smashing buildings in a seemingly uncoordinated and random way. Bizarrely, this only happens when Gloria is standing at a particular spot in a particular kid’s playground. Could the two events possibly be related?
I always like to categorize films in my head as being “like” others, but this one’s really difficult to pin down. It borrows its main premise from a famous scene in “E.T.” (indeed one also involving alcohol) but the film’s fantasy elements and dark undertones have more similarities in style to “Jumanji”. Then again, there are elements of the Kaufman about it in that it is as weird in some places as “Being John Malkovich”.
The film stays on ‘Whimsical Street’ for the first half of the film, but then takes a sharp left turn into ‘Dark Avenue’ (and for “dark” read “extremely black and sinister”). It then becomes a far more uncomfortable watch for the viewer. The metaphor of the monster for Gloria’s growing addiction is clear, but emerging themes of control, jealousy, violent bullying and small-town social entrapment also emerge.
Here the acting talents of Hathaway and Sudeikis really come to the fore: heavyweight Hollywood talent adding some significant ‘oomph’ to what is a fairly modest indie project. Hathaway is in kooky mode here, gurning to great comic effect, and this adds warmth to a not particularly likeable character. And Sudeikis (more commonly seen in lighter and frothier comedies like “We’re the Millers” and “Horrible Bosses”) is a surprise in the role delivering some real acting grit.
The writer and director is Spaniard Nacho Vigalondo. No, me neither. But he seems to have come from nowhere to deliver this high profile cinema release, and it would not be a surprise for me to see this nominated as an original screenplay come the awards season. His quirky style is refreshing. (Hell, delivering ANY novel new summer movie that is not part of a franchise or TV re-boot is refreshing!)
The film’s not perfect, and its disjointed style can be unsettling. While the lead characters are quite well defined, others are less so. Joel in particular, played by Austin Stowell (“Whiplash“, “Bridge of Spies“), is such an irritating doormat of a character that you just want to thump him yelling “Do Something you wimp” to his face!
I am normally the first to pick scientific holes in a story, but here the story is so “out there” that the details become irrelevant, and – like “Guardians of the Galaxy Vol 2” – the film revels in its absurdity. (There is however a jumbo jet sized hole in the plot if you think about it!) But some of the moments of revelation (particularly one set in a wood) are brilliantly done and you are never quite sure where the film is going to go next. I was concerned that the ending would not live up to the promise of the film, but I was not disappointed.
Like “A Monster Calls” the film will probably suffer at the box office by its marketing confusing the audience. People will assume it’s possibly a “monster movie” or maybe a piece of comedy fluff (particularly with Sudeikis in the cast), but in reality it’s neither of these. It won’t be to everyone’s tastes for sure, but in the bland desert of mainstream movie releases, here is an oasis of something interesting and novel and in my book definitely worthy of your movie dollar. Recommended.
RəX Regent (349 KP) rated Night of the Living Dead (1968) in Movies
Feb 19, 2019
Iconic, influential and ground-breaking. All words to describe George A. Romero’s inaugural zombie horror, but what sets this apart from its contemporaries and the endless variations in the genre in which this Indie movie helped spawn?
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
I didn't just love this book. I loved this book. It's moving. This book isn't just a biography of Rory Feek's life. It's the story of a true love, that will last beyond death. A love that is strong and unbreakable no matter the circumstance. It is a book that left me smiling, and left me with tears. This is a book that will be with me forever and I will turn to it many times over.
As a woman who is married to her best friend, I couldn't imagine going through what Rory did with Joey. I wouldn't be able to stay strong and move on. It would be too heart shattering, in my opinion. But, through reading Rory's story, I know I can do it. I know I can remember the good things, the fun times, the inspiring moments that my best friend left me with. Rory's story is filled with hope and faith. The way he talks about Joey is incredibly moving and I loved feeling a part of his life, if just for a little bit.
Reading this book, however, opened new feelings for me! I followed this story closely, especially since my husband knew Joey and Rory somewhat for a time, having bounced at the Longbranch in Raleigh, NC where a lot of country singers got their start. I followed the singers' story, how Joey was battling her cancer but determined to live life a certain way. I followed the pictures of their beautiful family and sweet baby girl! I was utterly devastated when I read of Joey's death, and sweet little Indie with out a mama! Oh how my heart ached for them all. But, the words that Rory penned in this book truly helped me to see life in a new way. Truly inspiring!
I highly recommend this book to all with 5 stars and nothing less. It's a story of one man's journey with the love of his life and their struggles with battling her terminal cancer. It's a story of one man's faith in God. It's a story that is truly amazing and you will definitely need a few tissues as you read through these beautifully written pages. <a href="http://cafinatedreads.com/booklookblogger-review-this-life-i-live-by-rory-feek/"; target="_blank">This review was originally posted on Cafinated Reads</a>
As a woman who is married to her best friend, I couldn't imagine going through what Rory did with Joey. I wouldn't be able to stay strong and move on. It would be too heart shattering, in my opinion. But, through reading Rory's story, I know I can do it. I know I can remember the good things, the fun times, the inspiring moments that my best friend left me with. Rory's story is filled with hope and faith. The way he talks about Joey is incredibly moving and I loved feeling a part of his life, if just for a little bit.
Reading this book, however, opened new feelings for me! I followed this story closely, especially since my husband knew Joey and Rory somewhat for a time, having bounced at the Longbranch in Raleigh, NC where a lot of country singers got their start. I followed the singers' story, how Joey was battling her cancer but determined to live life a certain way. I followed the pictures of their beautiful family and sweet baby girl! I was utterly devastated when I read of Joey's death, and sweet little Indie with out a mama! Oh how my heart ached for them all. But, the words that Rory penned in this book truly helped me to see life in a new way. Truly inspiring!
I highly recommend this book to all with 5 stars and nothing less. It's a story of one man's journey with the love of his life and their struggles with battling her terminal cancer. It's a story of one man's faith in God. It's a story that is truly amazing and you will definitely need a few tissues as you read through these beautifully written pages. <a href="http://cafinatedreads.com/booklookblogger-review-this-life-i-live-by-rory-feek/"; target="_blank">This review was originally posted on Cafinated Reads</a>
LilyLovesIndie (123 KP) rated Breeder (Breeder, #1) in Books
Nov 5, 2018
A dystopian future where mankind is bred in special facilities and everyone has a specific place in the world order, Breeder immediately grabbed my attention from the moment I saw the summary. It's an interesting, yet familiar premise, for fiction, but Hoyle develops and delivers her world in a unique and fresh kind of way. Her civilisation is well developed and built up slowly, which in turn encourages the reader to associate with Pria as she also learns about the real world outside of Sanctuary.
Pria is a great character who you immediately associate with. She's cautious, timid yet there's an innate curiosity in her that signposts her from the off as a character you'll be wanting to watch. Pax on the other hand is gritty, harsh and well versed in the reality of the world. He shouldn't be alive, but he is and the mystery that surrounds that fact is a superb piece of writing to filter alongside the main story. He's enigmatic and a real pleasure to read, a source of great enjoyment as you try to figure him out.
The asylum is a truly intriguing place and it draws you right into the alternative world that is presented to Pria. the new characters we meet there are great to read, each of them different and interesting in their own right. Friendly, dangerous, powerful and power hungry, there is a real mixed bag that keep you on your toes as you read and make this book even better than you might imagine.
As you get drawn further and further into Pria's turmoil, the plot moves faster and faster, just like a proverbial snowball downhill and it pulls you right into the story. The ending, as you'd expect for the first in a series, is swift and unexpected, leaving you satisfied yet needing more. It's a superb start to this new dystopian universe, and one I cannot wait to read more of. I devoured this book, ignoring family and friends when it was open in front of me and I am very excited to see where Hoyle will take this series. It's one I've added to my favourites list, and a book I am sure I am going to be recommending to friends and fans of this genre.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Pria is a great character who you immediately associate with. She's cautious, timid yet there's an innate curiosity in her that signposts her from the off as a character you'll be wanting to watch. Pax on the other hand is gritty, harsh and well versed in the reality of the world. He shouldn't be alive, but he is and the mystery that surrounds that fact is a superb piece of writing to filter alongside the main story. He's enigmatic and a real pleasure to read, a source of great enjoyment as you try to figure him out.
The asylum is a truly intriguing place and it draws you right into the alternative world that is presented to Pria. the new characters we meet there are great to read, each of them different and interesting in their own right. Friendly, dangerous, powerful and power hungry, there is a real mixed bag that keep you on your toes as you read and make this book even better than you might imagine.
As you get drawn further and further into Pria's turmoil, the plot moves faster and faster, just like a proverbial snowball downhill and it pulls you right into the story. The ending, as you'd expect for the first in a series, is swift and unexpected, leaving you satisfied yet needing more. It's a superb start to this new dystopian universe, and one I cannot wait to read more of. I devoured this book, ignoring family and friends when it was open in front of me and I am very excited to see where Hoyle will take this series. It's one I've added to my favourites list, and a book I am sure I am going to be recommending to friends and fans of this genre.
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
LilyLovesIndie (123 KP) rated Red Sky in Morning in Books
Nov 5, 2018
Check out the review on my blog, Lily Loves Indie, here http://lilylovesindie.co.uk/?p=27
I received this book through NetGalley in return for an honest review, and that I am very grateful for this opportunity to broaden my reading experience. This is a very different book to what I would usually read, with a different style of writing and plot development. Nevertheless, I did find it somewhat enjoyable, even if it was lacking in a couple of places.
The story follows the harsh life of Coll Coyle, a young Irish man struggling to keep his home for his family from a vile landlord. It seems things can only get worse as the saga progresses, with John Faller, a formidable gentleman, following him all the way around the world. Although he meets a good friend, his heart never truly leaves the loved ones left behind in Ireland.
Initially, this story is rather tough to get into, and that isn't something that changes much over the course of the book. Written in a strong Irish brogue, at times it can be quite difficult to read, however this becomes easier as you go further through the book. It does help you feel more immersed in the story though as it strangely flows quite naturally when you're reading.
The plot is something that, if I'm totally honest, needs a little work. It's just rather plodding and slow at times, and even after finishing it, I don't feel like the story really went anywhere and was never aiming for a conclusion. In addition, at times it was very depressing to read, and I had to put it down in favour of something a little more light-hearted.
All that as it was, there is one major redeeming feature in this book that had me reading to the end. The imagery is truly exquisite - Lynch really does have great skill at weaving the description through the story. This was a delight to read as the images just appeared with minimal effort from myself straight into my head.
Overall, I enjoyed this book, but it probably wouldn't be one I'd read over and over again. The description is by far it's greatest feature but it is, on the whole, something I'm glad I've read.
I received this book through NetGalley in return for an honest review, and that I am very grateful for this opportunity to broaden my reading experience. This is a very different book to what I would usually read, with a different style of writing and plot development. Nevertheless, I did find it somewhat enjoyable, even if it was lacking in a couple of places.
The story follows the harsh life of Coll Coyle, a young Irish man struggling to keep his home for his family from a vile landlord. It seems things can only get worse as the saga progresses, with John Faller, a formidable gentleman, following him all the way around the world. Although he meets a good friend, his heart never truly leaves the loved ones left behind in Ireland.
Initially, this story is rather tough to get into, and that isn't something that changes much over the course of the book. Written in a strong Irish brogue, at times it can be quite difficult to read, however this becomes easier as you go further through the book. It does help you feel more immersed in the story though as it strangely flows quite naturally when you're reading.
The plot is something that, if I'm totally honest, needs a little work. It's just rather plodding and slow at times, and even after finishing it, I don't feel like the story really went anywhere and was never aiming for a conclusion. In addition, at times it was very depressing to read, and I had to put it down in favour of something a little more light-hearted.
All that as it was, there is one major redeeming feature in this book that had me reading to the end. The imagery is truly exquisite - Lynch really does have great skill at weaving the description through the story. This was a delight to read as the images just appeared with minimal effort from myself straight into my head.
Overall, I enjoyed this book, but it probably wouldn't be one I'd read over and over again. The description is by far it's greatest feature but it is, on the whole, something I'm glad I've read.
LilyLovesIndie (123 KP) rated More (The MORE Trilogy, #1) in Books
Nov 5, 2018
Well yes, you know I am very open with my star ratings and IÕm quite liberal with them at times, but before we go any further, I really want you all to know that this book deserves every damn star a hundred times over. It was, quite frankly, PHENOMENAL and an amazing way to start a series (capitals are totally necessary).
To start, there is a brilliant mythos to the story and the development is this is excellent. I believe this is, in part, due to the fact Franklin builds the story very slowly to begin with, without losing pace. What IÕm trying to say, thereÕs that feeling that you never truly know the full story, but thatÕs a total plus because the characters and the plot keep you truly hooked from the very first page.
Ava, as a lead character is absolutely brilliant. SheÕs a very strong lead, charismatic yet still slightly vulnerable, a different and unique kind of female lead. This all adds up to one truly amazing character to read. Caleb, well, he has starred in many a dream since first reading himÉ.. HeÕs a very brooding kind of guy, with many inner secrets that he tries so desperately to hold close but Ava just chips away. The dynamic between them both is brilliant and makes for very interesting reading, with a great foundation for the rest of the series.
The drama, tension and mystery throughout all build at the perfect pace, pulling you unwittingly towards a truly stunning ending that leaves you needing (IÕm serious, the need was so intense I actually abandoned sleep to carry on reading) the next book ready loaded on your kindle to move straight on. This is a completely fantastic book from start to finish.
Gripping, exciting, amazing, phenomenal, something more than the others of itÕs kind on the market. This is a wonderful start to a series which has firmly wedged itself in my list of favourites. All I can say is that if this is my hangover after finishing book one, with the next one ready to move on to, I dread to think how debilitating it will be when I finish the third installment!
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
To start, there is a brilliant mythos to the story and the development is this is excellent. I believe this is, in part, due to the fact Franklin builds the story very slowly to begin with, without losing pace. What IÕm trying to say, thereÕs that feeling that you never truly know the full story, but thatÕs a total plus because the characters and the plot keep you truly hooked from the very first page.
Ava, as a lead character is absolutely brilliant. SheÕs a very strong lead, charismatic yet still slightly vulnerable, a different and unique kind of female lead. This all adds up to one truly amazing character to read. Caleb, well, he has starred in many a dream since first reading himÉ.. HeÕs a very brooding kind of guy, with many inner secrets that he tries so desperately to hold close but Ava just chips away. The dynamic between them both is brilliant and makes for very interesting reading, with a great foundation for the rest of the series.
The drama, tension and mystery throughout all build at the perfect pace, pulling you unwittingly towards a truly stunning ending that leaves you needing (IÕm serious, the need was so intense I actually abandoned sleep to carry on reading) the next book ready loaded on your kindle to move straight on. This is a completely fantastic book from start to finish.
Gripping, exciting, amazing, phenomenal, something more than the others of itÕs kind on the market. This is a wonderful start to a series which has firmly wedged itself in my list of favourites. All I can say is that if this is my hangover after finishing book one, with the next one ready to move on to, I dread to think how debilitating it will be when I finish the third installment!
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*