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One Flew Over the Cuckoo's Nest (1975)
One Flew Over the Cuckoo's Nest (1975)
1975 | Comedy, Drama

"What’s to say about One Flew Over the Cuckoo’s Nest that someone else hasn’t already said? It’s perfect. Milos Forman, wow. It’s the most soulful, most heartfelt movie ever made. It’s hilarious. The most dynamic performances — Jack Nicholson’s just robust persistent optimism in that movie is so infectious. His complete lack of sympathy or empathy for anyone who wants to reject life. That character is something so unique. I don’t know if it’s ever existed in the way that it did in that. Not to mention the whole ensemble of Danny DeVito, Brad [Dourif], everyone in that movie is incredible. I find that it’s got such a sense of humor and such a light touch, but it’s also got such a deep, patient eye. I love it. I absolutely love it. I saw it in theaters the other day and just sobbed. I saw it with my dad, and we were both weeping. It’s such a nice uniting film between many generations. It’s got a universal, timeless quality. In terms of directing, what he does in that movie is kind of impossible. He has no real scope. He’s in that asylum, and yet it’s this delicious, not bleak movie to watch. All the greens and whites, everything is so pretty. Just the cigarette smoke, and the way he navigates the camera around that area and all the color palette and his choice of shot, it’s really a feat. Only once you’ve made a movie do you see how much you rely on your surroundings and your environment and how I was spoiled because I was shooting in New York on these rooftops. It’s not even fair. I’ve got all these buildings and these lights and these streets and the homeless people and all this crazy, vivid environment. To shoot a movie in one location essentially and make it that lush and interesting; to be fascinating the entire way through without it feeling like a play on wheels. I can’t understand it. I’ve seen it a billion times, and I can’t understand it. Like how is that possible?"

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The Host (Gwoemul) (2007)
The Host (Gwoemul) (2007)
2007 | Action, Horror, International
Darn formaldehyde!
Guess what happens when a scientist orders a large amount of formaldehyde dumped down the drain? It makes its way through the sewer system and into the Han River in Korea. Several years later, it is revealed the substance has caused the mutated formation of a large sea monster creature which reveals itself when it emerges and begins an onslaught of carnage.

A local family which runs a food stand near the location of the attack races to get to safety, but, unfortunately a man grabs the hand of the wrong child instead of his daughter by mistake. The creature procures the young child and escapes with her back into the water. Further chaos ensues when it is revealed the creature is not only a menace, but also the source of a horrible infectious disease now rampant among the population.

Somehow, the child survives her journey back in the sewers with the creature who deposits her in a secluded location. Her father now has to get past government quarantine and survive battling the creature in order to try and save his child.



Director Bong Joon-ho, who has also given us the fantastic Snowpiercer and the current critic favorite Parasite, crafts a well made film which has many exciting elements.

For a movie like this it is only as good as its creature and this one does the job. Despite having a modest budget, the sea creature is well developed, has an interesting personality and does not look like bad CGI. As the audience, you are trying to figure out what the creature wants, what it is doing with the children it kidnaps and stores away while also rooting for the title family to not only survive the disease and run ins with the police to eventually attempt a rescue.

There is a good amount of action including a few intense scenes with the creature and also with one of the family members who also happens to be a famed archer. There is some comedy as well which rounds out the action and provides some down time between scenes.

I really enjoyed The Host much more than I thought I would since I hadn't heard much about it beforehand. Please check it out.

  
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LoganCrews (2861 KP) rated Dane Cook: Vicious Circle (2006) in Movies

Dec 5, 2020 (Updated Dec 6, 2020)  
Dane Cook: Vicious Circle (2006)
Dane Cook: Vicious Circle (2006)
2006 | Comedy
DANEgerous Edition

Less a stand-up show and more an event where you get to watch a manic cokehead scream at the top of his lungs and convulse around a small circular stage in front of a packed, sports-arena-esque crowd for nearly 2 hours and 15 minutes - one of the most breathless and impossible-to-look-away-from things I've ever seen. Say what you will about him, but he'll die before he loses your attention - it felt like *I* burned calories after watching him writhe, sweat, and shriek about for this long. Before Chappelle's similarly hit-or-miss 𝘚𝘵𝘪𝘤𝘬𝘴 & 𝘚𝘵𝘰𝘯𝘦𝘴, this was arguably the most divisive stand-up special out there - most people either swore by it as one of the greats, or lambasted it as a stain on the legacy of comedy itself. It's hard to remember, but there was a time Cook was a megastar - the same year this special aired he was listed in TIME Magazine's "Top 100 Most Influential People In the World" alongside industry titans Meryl Streep and George Clooney. Outside of maybe Bam Margera I don't think any other sole entertainer represented the crass ode to reckless debauchery that was the mid-2000s quite like this guy; it's beguilingly bizarre almost solely as a piece of a pop culture time capsule alone. Though on its own merits this shockingly holds up a lot more than expected, not always funny (does some cringe 2006 shit like having two women make out on stage while Dane watches for no reason and a rather uncomfortable segment where he seemingly makes a young lady flash her breasts onstage) but home to a satiable amount of hearty chuckles and an exuberant energy that can't be denied even well past the two hour mark. Laden with dead-on observations, colossal vulgarity, intense (and super idiosyncratic) physicality, oddly cerebral camerawork + editing, and guttural cries unlike any other set I've seen... then after all that he comes back on the stage with an acoustic guitar to fucking *sing* - this is the human body being put to its endurance test as a comedic performer. A great time even if some of the jokes get drawn out way past the point of repair - what I can only describe as unforgettable, often really fucking funny, spastically aroused hyperspecificity. Nearly top-to-bottom infectious in spite of its whiffs.