Smashbomb

"The Mirror was the closest cinema came to poetry. Tarkovsky abandoned narrative and mixed up different perspectives, stitching together the personal and the historical in a totally unique way. He made some other powerful films, but for me The Mirror is the one I keep going back to for air and inspiration. Its collage, fractured-mirror approach and refusal of anything literal and linear make sure the film will always keep its power and mystery, not unlike Eliot’s Waste Land. I have a problem these days getting through Tarkovsky’s more linear films, with these long, slow tracking shots that have spawned so many imitators (mainly male directors who love to exercise their power over a captive audience for hours). The other Tarkovsky film I can watch repeatedly and keep discovering anew is Ivan’s Childhood."

Source

Kudos

Laura Doe (1350 KP) rated Godfather Was A Girl: . . . And Blanche Dubois Was A Guy in Books

Jan 15, 2021

A good book to dip in and out of when you just want to spend a quick half an hour reading. Interesting where some of the characters have come from, and others were fairly obvious and well known already. The author is very sarcastic about various films and books, which I feel sometimes spoils the character he is explaining but then other times enhances the story behind the inspiration. Although the chapters do split the characters into some sort of order, the actual chapters themselves don’t have any conceivable order which I feel might make it easier to read (maybe alphabetised or in chronological order of when the character first appeared?).
Overall, it was ok to waste a few hours and I found some of the stories behind famous characters interesting.