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Goddess in the Stacks (553 KP) rated Alanna: The First Adventure in Books
Apr 16, 2018
The Song of the Lioness quartet is Tamora Pierce's first set of books. I read her latest trilogy (the Beka Cooper trilogy) first, which didn't exactly prepare me for The Song of the Lioness. It's obvious, going from the latest trilogy to her first writing, how much her writing has matured since the 80s. My first thought upon completing Alanna: the First Adventure was "I'm very glad she's gotten better at writing!" The story itself is still interesting and worth reading, but the style is a little difficult to read when I KNOW how well she writes now. The characters are mostly one-dimensional; few of the side characters seem to have plots going or events happening to them when they're not with Alanna. Characters pop up, have a significant interaction with Alanna, and are gone again, with no indication they exist outside of their usefulness to the main character. This is in stark contrast to her latest work, where every character that has a significant role to play has a history of their own, and thoughts and feelings of their own. They're much more fleshed out in her recent books.
That complaint aside, the Alanna books are really the foundation that the rest of Tortall was built upon. It's interesting to see how Pierce has fleshed out some of the concepts she touched on in the Alanna saga, and it's fun to see where some of the things from the Beka Cooper trilogy originated. It also pays to keep in mind that though the Alanna books were written first, the Beka Cooper trilogy is based two hundred years earlier. We learn a lot more about the office of The Rogue in the Beka Cooper trilogy, something that isn't explained very well in the Alanna quartet, even though one of Alanna's main romantic interests is George Cooper (yes, a descendant of Beka!), the Rogue. Pierce also never explains the origins of Alanna's cat, Faithful, in the actual Alanna books. That explanation lies in the Beka Cooper books as well.
The Song of the Lioness quartet is the story of a girl who decides to rebel against tradition and follow her heart to become a knight. In her time, ladies simply do NOT become knights. They learn to organize households and marry well. Alanna, however, is lucky enough to have a twin brother who does not want to become a knight; instead Thom wants to be a mage. So when they're sent off to face their futures, they switch places, with Alanna becoming "Alan", the younger twin. (Thom stays Thom; the school that ladies are sent to is the same school mages start at.)
Alan/Alanna begins as a page, then moves to squire, and eventually a knight. Her secret is discovered, but due to her influential friends, most of whom knew she was a girl by then, she is able to keep her status. Her adventures take her from uncovering a plot against the royal family, to being adopted by a desert tribe, to recovering a magic jewel of prosperity, with many small adventures in between.
I love reading Pierce's heroines; both Alanna and Beka have problems reconciling their feminine natures with the work they've chosen. The scenes where Alanna's love interests see her in a dress for the first time, instead of her normal boy-garb and armor, is heart-warming in one case, and sad in another. In both womens' lives it's the man who can accept all of their aspects who ultimately wins their heart, which is a wonderful message.
Ultimately, the technical flaws in the writing of the Alanna saga faded as I became absorbed in the story. I'll be requesting more Tortall books from the library in the near future!
You can find all my reviews at http://goddessinthestacks.wordpress.com
That complaint aside, the Alanna books are really the foundation that the rest of Tortall was built upon. It's interesting to see how Pierce has fleshed out some of the concepts she touched on in the Alanna saga, and it's fun to see where some of the things from the Beka Cooper trilogy originated. It also pays to keep in mind that though the Alanna books were written first, the Beka Cooper trilogy is based two hundred years earlier. We learn a lot more about the office of The Rogue in the Beka Cooper trilogy, something that isn't explained very well in the Alanna quartet, even though one of Alanna's main romantic interests is George Cooper (yes, a descendant of Beka!), the Rogue. Pierce also never explains the origins of Alanna's cat, Faithful, in the actual Alanna books. That explanation lies in the Beka Cooper books as well.
The Song of the Lioness quartet is the story of a girl who decides to rebel against tradition and follow her heart to become a knight. In her time, ladies simply do NOT become knights. They learn to organize households and marry well. Alanna, however, is lucky enough to have a twin brother who does not want to become a knight; instead Thom wants to be a mage. So when they're sent off to face their futures, they switch places, with Alanna becoming "Alan", the younger twin. (Thom stays Thom; the school that ladies are sent to is the same school mages start at.)
Alan/Alanna begins as a page, then moves to squire, and eventually a knight. Her secret is discovered, but due to her influential friends, most of whom knew she was a girl by then, she is able to keep her status. Her adventures take her from uncovering a plot against the royal family, to being adopted by a desert tribe, to recovering a magic jewel of prosperity, with many small adventures in between.
I love reading Pierce's heroines; both Alanna and Beka have problems reconciling their feminine natures with the work they've chosen. The scenes where Alanna's love interests see her in a dress for the first time, instead of her normal boy-garb and armor, is heart-warming in one case, and sad in another. In both womens' lives it's the man who can accept all of their aspects who ultimately wins their heart, which is a wonderful message.
Ultimately, the technical flaws in the writing of the Alanna saga faded as I became absorbed in the story. I'll be requesting more Tortall books from the library in the near future!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Hornet, The Gay Social Network
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Meet new people all over the world…chat and send photos! **As seen on ABCNews, BusinessInsider,...
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London Travel Guide Premium by BeetleTrip is your ultimate oversea travel buddy. Offline GPS locates...
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Includes a free download of all 15 GB National Parks, normally £9.99 (Ordnance Survey 1:50k). ***...
Acanthea Grimscythe (300 KP) rated Throne of Glass in Books
May 15, 2018
Throne of Glass is the first book of Sarah J. Maas’s debut series, and that much is obvious when reading it. In a way, opening its pages has enlightened me to her growth as a writer. And while Throne of Glass is far more difficult to get into than Maas’s A Court of Thorns and Roses, I can definitely see where its fandom comes from – now if only my library had book two!
One of the things I was most excited to learn by reading this book is that Maas isn’t one of those authors that fall victim to making all their characters the same. In fact, I was thrilled to learn that Celaena is nothing like Feyre from A Court of Thorns and Roses (or should it be the other way around since this was published first?). Her love interests are vastly different, and so realistic that I couldn’t decide who I wanted to cheer for. Usually I’m pretty decided on what characters I like/don’t like, but even this early work from Maas shows she makes it difficult to simply pick and choose.
The plot of Throne of Glass is a bit Hunger Games-ish, what with a competition to find out who will be the King’s assassin meaning that it gets narrowed down to one. I will admit that I wish I’d read this book before I read Mask of Shadows by Linsey Miller, as this one was published first and the plot is a bit too similar for my taste. Both books center around a competition to become the ruler’s assassin, so I couldn’t help but think of Miller’s book the entire time I was reading this one. That, and Sal and Celaena have similar attitudes. It makes me wonder if this book inspired Miller. I do like the idea of magic only just returning to the world of Throne of Glass, though – if you can call it that.
That said, I really, truly cannot wait for the opportunity to read the next book.
One of the things I was most excited to learn by reading this book is that Maas isn’t one of those authors that fall victim to making all their characters the same. In fact, I was thrilled to learn that Celaena is nothing like Feyre from A Court of Thorns and Roses (or should it be the other way around since this was published first?). Her love interests are vastly different, and so realistic that I couldn’t decide who I wanted to cheer for. Usually I’m pretty decided on what characters I like/don’t like, but even this early work from Maas shows she makes it difficult to simply pick and choose.
The plot of Throne of Glass is a bit Hunger Games-ish, what with a competition to find out who will be the King’s assassin meaning that it gets narrowed down to one. I will admit that I wish I’d read this book before I read Mask of Shadows by Linsey Miller, as this one was published first and the plot is a bit too similar for my taste. Both books center around a competition to become the ruler’s assassin, so I couldn’t help but think of Miller’s book the entire time I was reading this one. That, and Sal and Celaena have similar attitudes. It makes me wonder if this book inspired Miller. I do like the idea of magic only just returning to the world of Throne of Glass, though – if you can call it that.
That said, I really, truly cannot wait for the opportunity to read the next book.
graveyardgremlin (7194 KP) rated Betrayed (House of Night, #2) in Books
Feb 15, 2019
Maybe once upon a time I wouldn't be as picky about this book, but this was a disappointment compared to the first. The little things that bothered me in the first book magnified and expanded in this one. The 'Aww, shucks. Little ol' me?' routine and attitude of Zoey is wearing, to say the least. C'mon, give her some flaws or something, nobody is perfect and the false modesty is cloying.
Now the bane of the book (and series thus far)... the 'Twins.' Ugh, need I go on? The authors repeatedly bash the reader over the head with how alike they are but how different they look and how they grew up. Almost every sentence they utter contains the word twin. Such as, 'Twin, I get what you're saying.' 'Twin' this, 'twin' that! WTF? No one speaks like that. Which brings up a whole different issue with the unrealistic dialogue, but I won't get into that. I think the 'Twins' are supposed to add comedic value, but they don't, they're just annoying and I wish they'd die in the vampire transition (horrible of me I know). They're one-dimensional, don't have any depth, and are pointless to the story except for being part of the elements, which they can be replaced I'm sure. We get that they're twins, but not, we get it! We don't have to be hit over the head time and again!!
Now for the basic plot. Not as interesting as the last, but okay. Hated what happened nearer the end and I don't really get why it was done. I could have offered two other alternatives. ;P The three love interests? Overkill to the nth degree. Are we supposed to like Zoey, or hate her? I think it'll be a while until I pick up the next book, if I even do that, but I do wonder what'll happen to you-know-who. (Don't want to give anything away for those who want to read it.)
Now the bane of the book (and series thus far)... the 'Twins.' Ugh, need I go on? The authors repeatedly bash the reader over the head with how alike they are but how different they look and how they grew up. Almost every sentence they utter contains the word twin. Such as, 'Twin, I get what you're saying.' 'Twin' this, 'twin' that! WTF? No one speaks like that. Which brings up a whole different issue with the unrealistic dialogue, but I won't get into that. I think the 'Twins' are supposed to add comedic value, but they don't, they're just annoying and I wish they'd die in the vampire transition (horrible of me I know). They're one-dimensional, don't have any depth, and are pointless to the story except for being part of the elements, which they can be replaced I'm sure. We get that they're twins, but not, we get it! We don't have to be hit over the head time and again!!
Now for the basic plot. Not as interesting as the last, but okay. Hated what happened nearer the end and I don't really get why it was done. I could have offered two other alternatives. ;P The three love interests? Overkill to the nth degree. Are we supposed to like Zoey, or hate her? I think it'll be a while until I pick up the next book, if I even do that, but I do wonder what'll happen to you-know-who. (Don't want to give anything away for those who want to read it.)
graveyardgremlin (7194 KP) rated Vampire Close in Books
Feb 15, 2019
I really hate to give negative reviews, but I'm sorry, this book needed a lot of work before it was published. Descriptions were over-the-top, the characters weren't fleshed out, and overall, the story should have been more filled out.
When I started this book, I felt like I missed the first fifteen minutes of a movie and I'm right in the middle of a scene, a bit lost; it was quite discombobulating. The main love interests, Fiona and Rory, are both Scottish and that's how it's written, so there's dinna, och, cannae, ken, etc., which really distracted from the story. Maybe if only one character spoke like that, it might have been bearable, but with two of them, it was just too much. Fiona herself was unlikeable, prejudiced, oblivious to her "sexpot" looks, and way to innocent to be believable for her age, while Rory's forceful, generally undesirable, and doesn't even seem like a vampire other than his fangs. What's really missing from the book is emotion. I felt nothing, other than mild dislike, for anyone or anything -- I just didn't care about these people. Joan, an American demon hunter and Euan, a Highland-born Brit (or "Sassenach" as Fiona disdainfully calls him) deacon, were slightly better at first, but there still was not enough shown for me to have a personal interest in them. The plot was vaguely described, and frankly, not very interesting. Nothing was shown, it was just told, mainly through an abundance of gabbing, so I never got the sense of urgency and the book just meandered into its finale.
I had a few other problems, but nothing that wouldn't give certain events away. Maybe die-hard paranormal romance fans will like this, but it became a chore to complete and I ended up disliking it the more I read, so it just wasn't for me.
Received for review through the Goodreads First Reads program.
When I started this book, I felt like I missed the first fifteen minutes of a movie and I'm right in the middle of a scene, a bit lost; it was quite discombobulating. The main love interests, Fiona and Rory, are both Scottish and that's how it's written, so there's dinna, och, cannae, ken, etc., which really distracted from the story. Maybe if only one character spoke like that, it might have been bearable, but with two of them, it was just too much. Fiona herself was unlikeable, prejudiced, oblivious to her "sexpot" looks, and way to innocent to be believable for her age, while Rory's forceful, generally undesirable, and doesn't even seem like a vampire other than his fangs. What's really missing from the book is emotion. I felt nothing, other than mild dislike, for anyone or anything -- I just didn't care about these people. Joan, an American demon hunter and Euan, a Highland-born Brit (or "Sassenach" as Fiona disdainfully calls him) deacon, were slightly better at first, but there still was not enough shown for me to have a personal interest in them. The plot was vaguely described, and frankly, not very interesting. Nothing was shown, it was just told, mainly through an abundance of gabbing, so I never got the sense of urgency and the book just meandered into its finale.
I had a few other problems, but nothing that wouldn't give certain events away. Maybe die-hard paranormal romance fans will like this, but it became a chore to complete and I ended up disliking it the more I read, so it just wasn't for me.
Received for review through the Goodreads First Reads program.
Kristy H (1252 KP) rated Winter Street in Books
Apr 4, 2019
I've been on an Elin Hilderbrand kick lately, especially after reading WINTER IN PARADISE, the first book in her new Paradise series. I loved that one immensely. I didn't love this one quite as much, but still found it a really easy, quick, and enjoyable read. I read it in one day--half while I was at the hospital with my daughter and half when I got home that evening. Because it's so enjoyable with such great characters, I found it a great diversion.
The characters are classic Hilderbrand: a messed up family that immediately pulls you in. I love how easy it is to get entangled in her tales. There's Kelley, of course, who is completely befuddled as his second marriage is falling apart. Ava, a music teacher, lives at the inn, and is struggling with her current relationship. Kevin, works at a bar, isn't living up to the family's high standards, and is in love with the housekeeper. Patrick, the eldest, is a very successful hedge fund manager with a secret (or two). Bart comes across as spoiled in the past but is now worrying the entire family as they haven't heard from him since his deployment. And then there's Margaret: the eldest three kids' mother. She's a successful newswoman and tv anchor and Kelley's first wife. I really liked her.
Somehow the book seamlessly weaves these characters together, along with their various love interests, spouses, and, yes, George the Santa. It's funny, heartbreaking, and well, completely intriguing. I love Hilderbrand's series because they suck me in and transport me to another place for a few hours (2 hours and 38 minutes, per my Bookly app).
I nabbed all the books in this series from Paperbackswap.com, and I've been hoarding the next three for when I go on vacation in April -- I'm looking forward to seeing what is next in store for the Quinns. Especially since, in true Hilderbrand fashion, this one ended in a cliffhanger!
Overall, I enjoyed this one. It's a quick, dramatic read with interesting characters. 3.5 stars.
The characters are classic Hilderbrand: a messed up family that immediately pulls you in. I love how easy it is to get entangled in her tales. There's Kelley, of course, who is completely befuddled as his second marriage is falling apart. Ava, a music teacher, lives at the inn, and is struggling with her current relationship. Kevin, works at a bar, isn't living up to the family's high standards, and is in love with the housekeeper. Patrick, the eldest, is a very successful hedge fund manager with a secret (or two). Bart comes across as spoiled in the past but is now worrying the entire family as they haven't heard from him since his deployment. And then there's Margaret: the eldest three kids' mother. She's a successful newswoman and tv anchor and Kelley's first wife. I really liked her.
Somehow the book seamlessly weaves these characters together, along with their various love interests, spouses, and, yes, George the Santa. It's funny, heartbreaking, and well, completely intriguing. I love Hilderbrand's series because they suck me in and transport me to another place for a few hours (2 hours and 38 minutes, per my Bookly app).
I nabbed all the books in this series from Paperbackswap.com, and I've been hoarding the next three for when I go on vacation in April -- I'm looking forward to seeing what is next in store for the Quinns. Especially since, in true Hilderbrand fashion, this one ended in a cliffhanger!
Overall, I enjoyed this one. It's a quick, dramatic read with interesting characters. 3.5 stars.