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Sassy Brit (97 KP) rated Miller's Mid-Century Modern in Books
Jun 5, 2019
Miller’s Mid-Century Modern: Living with Mid-Century Modern Design is a collection of photos of modern designs of yesteryear, collated by Judith Miller.
This large, hardcover book is sets out to share with you the best styles of interior, and furniture design history from the 1940s to the 1970s. Included within are also selective pieces of ceramics, glass, metalware and textiles .
It’s a beauty of a book, and alongside being an arty one full of great designers and their precious designs, I think the most interesting part of this, (that many people will be buying this for) are the price codes to see how much everything is worth – should they have one of these (sometimes extravagant) items in their own collections. Although, this is not a Millers Antique guide and more of a coffee table book with lots of large pictures. Plus, many of these pieces featured are way out of most people’s budget. Well, in my circles, anyway!
Having said this if you love interior design, famous designers and do like collecting antique furniture and bits and bobs, this will make a lovely edition to your coffee table book collection.
This large, hardcover book is sets out to share with you the best styles of interior, and furniture design history from the 1940s to the 1970s. Included within are also selective pieces of ceramics, glass, metalware and textiles .
It’s a beauty of a book, and alongside being an arty one full of great designers and their precious designs, I think the most interesting part of this, (that many people will be buying this for) are the price codes to see how much everything is worth – should they have one of these (sometimes extravagant) items in their own collections. Although, this is not a Millers Antique guide and more of a coffee table book with lots of large pictures. Plus, many of these pieces featured are way out of most people’s budget. Well, in my circles, anyway!
Having said this if you love interior design, famous designers and do like collecting antique furniture and bits and bobs, this will make a lovely edition to your coffee table book collection.
Crystal (148 KP) rated Design Home in Apps
Jun 3, 2018 (Updated Jun 3, 2018)
Pretend you're an interior decorator (2 more)
Design with real furniture
Clear graphics
Takes up space (1 more)
Have to earn money to "buy" furniture
I'm addicted
I can't stop playing this game. It's fun because you can choose furniture and decorations to make a nice living space. You win some items based on voting from other players. You can even purchase the real furniture for your own home if you were so inclined. The only disappointing features are that you have to earn the game money to purchase things for your next room so sometimes your design might not be exactly how you'd want. Also it really hogs memory. Otherwise, I really enjoy the creativity and the challenge.
Entertainment Editor (1988 KP) rated The Sims™ Mobile in Apps
Jan 29, 2018 (Updated Jan 29, 2018)
The Sims is probably a household name synonymous with electrical fires and random pool murders.
Some might even mistake the game for an interior design simulator but let's not kid ourselves here. Well, recently, we got to try out the new Sims Mobile which was released for the iOS and the Android, and early looks proved to be deceiving.
Critic - Nicolas See Tho
Read the Full Review here: https://gamehubs.com/article.php?id=[review]-the-sims-mobile-provides-little-to-stay-with
Critic - Nicolas See Tho
Read the Full Review here: https://gamehubs.com/article.php?id=[review]-the-sims-mobile-provides-little-to-stay-with
Merissa (11765 KP) rated Hidden Design, the Prophecy in Books
Dec 17, 2018
Hidden Design, the Prophecy is about an interior designer who finds out exactly what her customers want in a 'slightly' unorthodox manner. She gets called by her friend, Paul, who works at the FBI, to see if she can help with a missing child. This unlocks the door to more than she can possibly realise, and she tumbles headfirst into the rabbit hole.
This story is well written, with a smooth and flowing pace that builds up nicely to the climatic ending. With a series of shocks and twists to go through, there is something here for everyone. Funnily enough, the main male (who also has hints as the 'romance' lead) is the one person that she DOESN'T sleep with immediately. That would be the one thing for me - Mikki starts off by having sex with a couple or so 'special' clients. Then she is basically sleeping with anyone and everyone, with no willpower or inclination to say no; and still being surprised by her actions the following morning. Surely once she's found herself in this situation once or twice, she can realise and stop it from happening again?
Apart from that, I thoroughly enjoyed the book. The ending wraps everything up for this story, whilst keeping things open for the next. Certainly an interesting read, and definitely recommended by me.
* I received this book from the author in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
This story is well written, with a smooth and flowing pace that builds up nicely to the climatic ending. With a series of shocks and twists to go through, there is something here for everyone. Funnily enough, the main male (who also has hints as the 'romance' lead) is the one person that she DOESN'T sleep with immediately. That would be the one thing for me - Mikki starts off by having sex with a couple or so 'special' clients. Then she is basically sleeping with anyone and everyone, with no willpower or inclination to say no; and still being surprised by her actions the following morning. Surely once she's found herself in this situation once or twice, she can realise and stop it from happening again?
Apart from that, I thoroughly enjoyed the book. The ending wraps everything up for this story, whilst keeping things open for the next. Certainly an interesting read, and definitely recommended by me.
* I received this book from the author in return for a fair and honest review. *
Merissa
Archaeolibrarian - I Dig Good Books!
Whatchareadin (174 KP) rated Falling in Books
May 10, 2018
Emma Montague has just left the hustle and bustle of life and work in New York City and has moved to Westport, CT. She has left her job as a banker, to slow down a bit and try her hand at interior design. It's something she has always been passionate about and has a great eye for it as well. She finds a house that has a lot of potential, on the beach and the landlord, Dominic is willing to compromise on the changes she has in mind for the cute cottage. Emma sees something in Dominic that she has never seen in any man before. But, they come from two totally different worlds. Emma is from England and left there to pursue a life in the United States and Dominic has barely left Westport. A relationship between these two would never work. Would it?
I love Jane Green books. They are always so emotional and I can always find a way to connect the story and characters to something that is going on in my life. This book was no exception. It was very emotional and the last few chapters had me crying like a baby.
Emma and Dominic have the type of relationship we all wish we could have. They met and had an instant connection Their love for each other and for Dominic's son, Jesse is almost instantaneous. When an unexpected visitor comes to town, Emma thinks that her relationship with Dominic will be over just as quickly as it started. But Dominic is firm in his feelings for Emma and nothing will change that.
Another book for me that was impossible to put down. I may get in trouble from the library for the tear-soaked pages I left behind, but it would be well worth it. If you have never read a book by [a:Jane Green|12915|Jane Green|https://images.gr-assets.com/authors/1392141074p2/12915.jpg], you don't know what you're missing and I suggest you pick one up right away.
I love Jane Green books. They are always so emotional and I can always find a way to connect the story and characters to something that is going on in my life. This book was no exception. It was very emotional and the last few chapters had me crying like a baby.
Emma and Dominic have the type of relationship we all wish we could have. They met and had an instant connection Their love for each other and for Dominic's son, Jesse is almost instantaneous. When an unexpected visitor comes to town, Emma thinks that her relationship with Dominic will be over just as quickly as it started. But Dominic is firm in his feelings for Emma and nothing will change that.
Another book for me that was impossible to put down. I may get in trouble from the library for the tear-soaked pages I left behind, but it would be well worth it. If you have never read a book by [a:Jane Green|12915|Jane Green|https://images.gr-assets.com/authors/1392141074p2/12915.jpg], you don't know what you're missing and I suggest you pick one up right away.
Daniel Boyd (1066 KP) rated The Favourite (2018) in Movies
Jan 18, 2019 (Updated Jan 18, 2019)
Fantastic script (3 more)
Brilliant performances
Clever cinematography
Insanely detailed set design
Strange But Brilliant
To be honest, I am not a huge fan of Yorgos Lanthimos' other movies, I also have a hatred for most period pieces. I am however a huge fan of Olivia Colman and it was her that swayed me to go and see this movie and I am very glad that I did.
Colman absolutely nails her role as a grief stricken, overly dramatic, short tempered Queen Anne. Her acting ability is diverse enough that she can take you from a side splitting remark one moment to a genuinely saddening comment the next and do it flawlessly and convincingly. Rachel Weisz is also pretty good here as Queen Anne's original favourite lady, Anne may be the Queen, but it is Lady Marlborough who is really running the show.
The biggest surpise for me was Emma Stone's performance. I don't hate Emma Stone, but I do feel like she plays the same goofy studenty American girl in everything that she is in, but here she is actually acting and her English accent was brilliant throughout the whole movie. It proves how much a good director is able to get out of their actors performance-wise.
The other main star here is the script. It is jam packed with brilliantly crass lines that are fired out so quickly and with such venom from the respective characters that you really feel the words being said. It is one of the best written scripts I have seen in a film in a while.
I'm not normally one to gush about set design, but my God... This movie goes all out with it's backdrops. I know that for the exterior shots, they shot on location at real palaces and castles and used mostly natural lighting at least for the daytime scenes. While these scenes are impressive, it is the interior scenes that are really mesmerising. The level of detail on the background elements in this movie is insane and anywhere that you look onscreen, there is something new and interesting to catch your eye.
The other great thing about this movie, is that even if you don't care about the competition for favour that is at the centre of the movie's plot, there is enough going on with the filmmaking itself to keep your attention throughout. The odd looking fish eye lenses that Lanthimos uses and the bizarre shot compositions looking up from waist-height at the actors is as fascinating to look at as it is weird. It gives the movie a unique feel that sets it apart from any other period piece I have seen.
Overall, I got way more out of The Favourite than I expected to going in. The movie is funny, witty and pretty unique. The attention to detail is impressive and the performances are great, with Olivia Colman's alone making the film worth the price of admission. The script is great and the direction is oddly interesting. Do be warned though; this movie is very weird and definitely not your typical period piece movie.
Colman absolutely nails her role as a grief stricken, overly dramatic, short tempered Queen Anne. Her acting ability is diverse enough that she can take you from a side splitting remark one moment to a genuinely saddening comment the next and do it flawlessly and convincingly. Rachel Weisz is also pretty good here as Queen Anne's original favourite lady, Anne may be the Queen, but it is Lady Marlborough who is really running the show.
The biggest surpise for me was Emma Stone's performance. I don't hate Emma Stone, but I do feel like she plays the same goofy studenty American girl in everything that she is in, but here she is actually acting and her English accent was brilliant throughout the whole movie. It proves how much a good director is able to get out of their actors performance-wise.
The other main star here is the script. It is jam packed with brilliantly crass lines that are fired out so quickly and with such venom from the respective characters that you really feel the words being said. It is one of the best written scripts I have seen in a film in a while.
I'm not normally one to gush about set design, but my God... This movie goes all out with it's backdrops. I know that for the exterior shots, they shot on location at real palaces and castles and used mostly natural lighting at least for the daytime scenes. While these scenes are impressive, it is the interior scenes that are really mesmerising. The level of detail on the background elements in this movie is insane and anywhere that you look onscreen, there is something new and interesting to catch your eye.
The other great thing about this movie, is that even if you don't care about the competition for favour that is at the centre of the movie's plot, there is enough going on with the filmmaking itself to keep your attention throughout. The odd looking fish eye lenses that Lanthimos uses and the bizarre shot compositions looking up from waist-height at the actors is as fascinating to look at as it is weird. It gives the movie a unique feel that sets it apart from any other period piece I have seen.
Overall, I got way more out of The Favourite than I expected to going in. The movie is funny, witty and pretty unique. The attention to detail is impressive and the performances are great, with Olivia Colman's alone making the film worth the price of admission. The script is great and the direction is oddly interesting. Do be warned though; this movie is very weird and definitely not your typical period piece movie.
Lucy Buglass (45 KP) rated Mad To Be Normal (2018) in Movies
Jun 20, 2019
Mental Health in the 60s
I’ll admit, whenever I see David Tennant’s name on a cast list I get excited. As a long time fan, I’ve watched him play a variety of roles brilliantly. So when I was given the opportunity to review Mad To Be Normal and I learned what the plot was, how could I refuse? Set in the 60s, the film follows Scottish psychiatrist R.D. Laing and his unconventional approach to mental health treatment, causing controversy within the psychiatry field.
Although I don’t know much about Laing, Tennant really shone in the central role and delivered a truly captivating character who was riddled with his own underlying issues. He’s a tricky one because sometimes you really sympathise and agree with him, but other times he’s so utterly frustrating. The film showed us many different sides to him, and created a well-rounded exploration of the man in question. He’s compassionate but also terribly naive, and that’s a dangerous combination indeed. Tennant is joined by Elisabeth Moss, Michael Gambon and Gabriel Byrne which is an excellent line up.
One of the best things about this film is the characters, because everyone does such an amazing job of portraying complex characters with equally as complex relationships. Moss plays student Angie who quickly becomes a love interest of Laing’s, and joins him in his work. Much like Laing, she is also well-rounded and has good traits and bad ones, the latter resulting in rather turbulent moments throughout the film.
I especially enjoyed the way mental health was portrayed by characters, as you could tell they were struggling and trying so hard to deal with their illnesses. It was dealt with respectfully and honestly, whilst still showing the risks of untreated mental health conditions. Gabriel Byrne in particular stands out in his portrayal of Jim, going from someone friendly and sentimental to someone violent and dangerous very quickly. It would have been good to learn more about each character and their individual backgrounds for context’s sake, replacing the unnecessary scenes with this. Nevertheless, the insight into mental health in this era was fascinating, particularly scenes involving the inhumane treatment known as electroshock therapy. It shows we have come a long way since then, but we still have a long way to go.
The stellar performances are accompanied with some great set design, which I imagine would provide some welcome nostalgia for those familiar with the era. I loved Laing’s quirky style both in his interior design, behaviour and clothing choices, making him stand out even more. He’s flamboyant in every sense of the word, but not always for the right reasons. For his time, Laing was clearly very open minded, caring and in favour of self-expression, further conflicting with the beliefs of wider society. Although open mindedness is a good thing, his goes too far which ultimately would lead to his eventual downfall.
Robert Mullan has done a great job bringing this important figure to life on screen, putting together a cast that perfectly delivered this story. Whilst I would have liked more context around both the patients and Laing himself, the film still delivered a powerful message in its 1 hour 45 minute run time. It’s definitely worth a watch.
https://lucygoestohollywood.com/2018/08/04/mental-health-in-the-60s-mad-to-be-normal-review/
Although I don’t know much about Laing, Tennant really shone in the central role and delivered a truly captivating character who was riddled with his own underlying issues. He’s a tricky one because sometimes you really sympathise and agree with him, but other times he’s so utterly frustrating. The film showed us many different sides to him, and created a well-rounded exploration of the man in question. He’s compassionate but also terribly naive, and that’s a dangerous combination indeed. Tennant is joined by Elisabeth Moss, Michael Gambon and Gabriel Byrne which is an excellent line up.
One of the best things about this film is the characters, because everyone does such an amazing job of portraying complex characters with equally as complex relationships. Moss plays student Angie who quickly becomes a love interest of Laing’s, and joins him in his work. Much like Laing, she is also well-rounded and has good traits and bad ones, the latter resulting in rather turbulent moments throughout the film.
I especially enjoyed the way mental health was portrayed by characters, as you could tell they were struggling and trying so hard to deal with their illnesses. It was dealt with respectfully and honestly, whilst still showing the risks of untreated mental health conditions. Gabriel Byrne in particular stands out in his portrayal of Jim, going from someone friendly and sentimental to someone violent and dangerous very quickly. It would have been good to learn more about each character and their individual backgrounds for context’s sake, replacing the unnecessary scenes with this. Nevertheless, the insight into mental health in this era was fascinating, particularly scenes involving the inhumane treatment known as electroshock therapy. It shows we have come a long way since then, but we still have a long way to go.
The stellar performances are accompanied with some great set design, which I imagine would provide some welcome nostalgia for those familiar with the era. I loved Laing’s quirky style both in his interior design, behaviour and clothing choices, making him stand out even more. He’s flamboyant in every sense of the word, but not always for the right reasons. For his time, Laing was clearly very open minded, caring and in favour of self-expression, further conflicting with the beliefs of wider society. Although open mindedness is a good thing, his goes too far which ultimately would lead to his eventual downfall.
Robert Mullan has done a great job bringing this important figure to life on screen, putting together a cast that perfectly delivered this story. Whilst I would have liked more context around both the patients and Laing himself, the film still delivered a powerful message in its 1 hour 45 minute run time. It’s definitely worth a watch.
https://lucygoestohollywood.com/2018/08/04/mental-health-in-the-60s-mad-to-be-normal-review/
Bookapotamus (289 KP) rated Baby Teeth in Books
Jun 8, 2018
CREEP AF and FANTASTIC!
This book is CREEPY AF! And I gobbled up every deliciously freaky disturbing morsel of it.
Hanna is Looney Tunes - she's like the Poltergeist girl, Firestarter and The Shining twins all wrapped into one with a hearty dash of Chucky. I loved every minute. What is creepier than a cute little kid who wants to kill her mom? I dare you to find something more disturbingly fantastic. Serious anxiety and massive doses of weird are peppered throughout in just the right amounts. I didn't want it to end, but I thought it was flawless from start to finish.
Suzette and Alex seem to be super cool modern parents. I picture them as hipster artists, living in a gorgeous modern home designed by Swedish green architect Alex. Suzette's incredible drawings hung on the walls and her beautiful interior design skills evident throughout. They are so in love and seem to have a perfect little beautiful girl named Hanna. She's adorable and so smart and oh, maybe just a smidge of BAT SH*T CRAZY.
Her "quirks" start pretty tame - she doesn't speak. And 6 years old - not a peep. Cue the creepy child music... soon, she's writing weird, angry messages to her mom, and getting kicked out of schools. Her mom has taken her to endless doctor appointments and had her development skills tested to no avail, but is still convinced there is something wrong with her child. And slowly, with every act of rebellion towards her, Hanna is beginning to scare her. Like, a lot.
The fact that Hanna ADORES Alex, and will do anything for him, is Suzette's biggest struggle. How does she get it through to her husband that the child he thinks as a sweet loving little girl, is trying to kill her? Everything Hanna does is when it's just the two of them. She is calculated, and devious. Is she a witch? Possessed by the devil? Psychopathic? Suzette is losing the battle trying to figure out what is wrong with her child. It's only a matter of time before she plunges a knife through her mother's heart!
There's a lot of talk about this book. I think if you don't like creepy murderous kids, it's probably not the book for you. But this books takes risks, and for us thriller/horror fans, they are applauded. Zoje Stage is at the top of my list of new favorite writers. The marketing campaign behind this book is smart and you can even follow one of the 'characters' adventures on Zoje's Instagram - which is hysterical!
I loved every minute of this book. I will be first in line when Zoje Stage writes the next one.
Hanna is Looney Tunes - she's like the Poltergeist girl, Firestarter and The Shining twins all wrapped into one with a hearty dash of Chucky. I loved every minute. What is creepier than a cute little kid who wants to kill her mom? I dare you to find something more disturbingly fantastic. Serious anxiety and massive doses of weird are peppered throughout in just the right amounts. I didn't want it to end, but I thought it was flawless from start to finish.
Suzette and Alex seem to be super cool modern parents. I picture them as hipster artists, living in a gorgeous modern home designed by Swedish green architect Alex. Suzette's incredible drawings hung on the walls and her beautiful interior design skills evident throughout. They are so in love and seem to have a perfect little beautiful girl named Hanna. She's adorable and so smart and oh, maybe just a smidge of BAT SH*T CRAZY.
Her "quirks" start pretty tame - she doesn't speak. And 6 years old - not a peep. Cue the creepy child music... soon, she's writing weird, angry messages to her mom, and getting kicked out of schools. Her mom has taken her to endless doctor appointments and had her development skills tested to no avail, but is still convinced there is something wrong with her child. And slowly, with every act of rebellion towards her, Hanna is beginning to scare her. Like, a lot.
The fact that Hanna ADORES Alex, and will do anything for him, is Suzette's biggest struggle. How does she get it through to her husband that the child he thinks as a sweet loving little girl, is trying to kill her? Everything Hanna does is when it's just the two of them. She is calculated, and devious. Is she a witch? Possessed by the devil? Psychopathic? Suzette is losing the battle trying to figure out what is wrong with her child. It's only a matter of time before she plunges a knife through her mother's heart!
There's a lot of talk about this book. I think if you don't like creepy murderous kids, it's probably not the book for you. But this books takes risks, and for us thriller/horror fans, they are applauded. Zoje Stage is at the top of my list of new favorite writers. The marketing campaign behind this book is smart and you can even follow one of the 'characters' adventures on Zoje's Instagram - which is hysterical!
I loved every minute of this book. I will be first in line when Zoje Stage writes the next one.
BankofMarquis (1832 KP) rated Gosford Park (2001) in Movies
Mar 24, 2020
Underneath it all...and Altman film
Do you like DOWNTON ABBEY? Do you like Agatha Christie Murder Mysteries? Do you like the 1970's British television series UPSTAIRS DOWNSTAIRS? If your answer to any of these questions is yes, then do I have a film for you.
GOSFORD PARK is an English Murder Mystery, set in the 1920's, featuring an All Star Cast, Directed by a 7 time Oscar nominee. It received critical acclaim in the year it was released (2001), earned 7 Oscar nominations (including Best Picture) and won the Oscar for Best Original Screenplay (Julian Fellowes...who would go on to create/write DOWNTON ABBEY).
Set in an English Country Manor, overseen by overbearing Lord William McCordle (Michael Gambon, the 2nd Albus Dumbledore in the Harry Potter films), GOSFORD PARK tells of the trials, tribulations, loves and death (yes, there's a murder) of a host of characters both Upstairs (the wealthy) and Downstairs (the servants).
And what a cast it is! Kristin Scott Thomas, Maggie Smith, Charles Dance, Jeremy Northam, Tom Hollander and Bob Balaban lead the group of the wealthy, while Helen Mirren, Alan Bates, Clive Owen, Kelly MacDonald, Eileen Atkins and Emily Watson head up the cast of servants below the stairs.
Both Maggie Smith and Helen Mirren were nominated for an Oscar for Best Supporting Actress for their work in this film (both losing to Jennifer Connelly for A BEAUTIFUL MIND).
Directed by Robert Altman (M*A*S*H, NASHVILLE), GOSFORD PARK is much of what you would expect from an Altman film...many, many people living their lives, sometimes intersecting with others, often times just going off on their own, tied together by the circumstances of being in this giant manor house on a weekend of a murder.
It is an ambitious, "Oscar bait" film that succeeds for the most part. And, if you are into the costumes, sets, Interior Design and intimate scenes of people talking, then you will be richly rewarded by this film.
I loved this film when it first came out and was anxiously looking forward to re-visiting it.
While I still liked it during this viewing, I did find the pacing to be languid and I started finding myself being frustrated by threads and character direction that just sort of petered out or ended all together with no real resolution. I know this was on purpose, for Altman would argue that this is what happens in real life, but I found this frustrating.
But this film has much, much going for it and if you haven't seen this - or haven't seen this in awhile - and are a fan of these types of films, then GOSFORD PARK will be a very rewarding 2 hours and 11 minutes of a movie going experience.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
GOSFORD PARK is an English Murder Mystery, set in the 1920's, featuring an All Star Cast, Directed by a 7 time Oscar nominee. It received critical acclaim in the year it was released (2001), earned 7 Oscar nominations (including Best Picture) and won the Oscar for Best Original Screenplay (Julian Fellowes...who would go on to create/write DOWNTON ABBEY).
Set in an English Country Manor, overseen by overbearing Lord William McCordle (Michael Gambon, the 2nd Albus Dumbledore in the Harry Potter films), GOSFORD PARK tells of the trials, tribulations, loves and death (yes, there's a murder) of a host of characters both Upstairs (the wealthy) and Downstairs (the servants).
And what a cast it is! Kristin Scott Thomas, Maggie Smith, Charles Dance, Jeremy Northam, Tom Hollander and Bob Balaban lead the group of the wealthy, while Helen Mirren, Alan Bates, Clive Owen, Kelly MacDonald, Eileen Atkins and Emily Watson head up the cast of servants below the stairs.
Both Maggie Smith and Helen Mirren were nominated for an Oscar for Best Supporting Actress for their work in this film (both losing to Jennifer Connelly for A BEAUTIFUL MIND).
Directed by Robert Altman (M*A*S*H, NASHVILLE), GOSFORD PARK is much of what you would expect from an Altman film...many, many people living their lives, sometimes intersecting with others, often times just going off on their own, tied together by the circumstances of being in this giant manor house on a weekend of a murder.
It is an ambitious, "Oscar bait" film that succeeds for the most part. And, if you are into the costumes, sets, Interior Design and intimate scenes of people talking, then you will be richly rewarded by this film.
I loved this film when it first came out and was anxiously looking forward to re-visiting it.
While I still liked it during this viewing, I did find the pacing to be languid and I started finding myself being frustrated by threads and character direction that just sort of petered out or ended all together with no real resolution. I know this was on purpose, for Altman would argue that this is what happens in real life, but I found this frustrating.
But this film has much, much going for it and if you haven't seen this - or haven't seen this in awhile - and are a fan of these types of films, then GOSFORD PARK will be a very rewarding 2 hours and 11 minutes of a movie going experience.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)