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    Beyond the Bench

    Beyond the Bench

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    Podcast

    "Beyond the Bench" is a podcast about the legal system produced by the North Carolina Judicial...

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Ari Aster recommended Ugetsu (1953) in Movies (curated)

 
Ugetsu (1953)
Ugetsu (1953)
1953 | Drama, Fantasy, Romance
(0 Ratings)
Movie Favorite

"Mizoguchi is a filmmaker I discovered pretty early. When I was younger, I watched anything Scorsese recommended, and I saw an interview with him where he referenced Ugetsu. I just fell in love with Mizoguchi’s work. He called the Academy ratio the “painterly ratio,” and I feel like there are very few filmmakers who did as much with that frame. Sansho the Bailiff is just one of the most devastating melodramas I’ve ever seen, and Ugetsu is a beautiful, ethereal ghost story. His films are quiet while also being extremely harsh and brutal. There’s a clinical, distant quality to his films, but there’s also this aching humanity at the heart of everything he did."

Source
  
40x40

Ari Aster recommended Sansho the Bailiff (1954) in Movies (curated)

 
Sansho the Bailiff (1954)
Sansho the Bailiff (1954)
1954 | Drama
(0 Ratings)
Movie Favorite

"Mizoguchi is a filmmaker I discovered pretty early. When I was younger, I watched anything Scorsese recommended, and I saw an interview with him where he referenced Ugetsu. I just fell in love with Mizoguchi’s work. He called the Academy ratio the “painterly ratio,” and I feel like there are very few filmmakers who did as much with that frame. Sansho the Bailiff is just one of the most devastating melodramas I’ve ever seen, and Ugetsu is a beautiful, ethereal ghost story. His films are quiet while also being extremely harsh and brutal. There’s a clinical, distant quality to his films, but there’s also this aching humanity at the heart of everything he did."

Source
  
40x40

Ari Aster recommended The Life of Oharu (1952) in Movies (curated)

 
The Life of Oharu (1952)
The Life of Oharu (1952)
1952 | Drama
(0 Ratings)
Movie Favorite

"Mizoguchi is a filmmaker I discovered pretty early. When I was younger, I watched anything Scorsese recommended, and I saw an interview with him where he referenced Ugetsu. I just fell in love with Mizoguchi’s work. He called the Academy ratio the “painterly ratio,” and I feel like there are very few filmmakers who did as much with that frame. Sansho the Bailiff is just one of the most devastating melodramas I’ve ever seen, and Ugetsu is a beautiful, ethereal ghost story. His films are quiet while also being extremely harsh and brutal. There’s a clinical, distant quality to his films, but there’s also this aching humanity at the heart of everything he did."

Source