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Heather Cranmer (2721 KP) created a post
Dec 9, 2022
Heather Cranmer (2721 KP) created a post
Apr 27, 2022
Murder in Morningside Heights
9.0
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In the latest from the bestselling author of Murder on St. Nicholas Avenue, former police sergeant...
Overlap: The Lives of a Former Time Jumper
Book
This unexpected journey full of secrets, heartache, and hope, considers the consequences of time...
Bob Mann (459 KP) rated Jackie (2016) in Movies
Sep 29, 2021
Spoiler! Her husband gets shot.
“Jackie” tells the story of the spiralling grief, loss and anger of Jackie Kennedy driven by the assassination of JFK in Dallas in November 1963. Hopping backwards and forwards in flashback, the film centres on the first interview given by Jackie (Natalie Portman, “Black Swan”) to a ‘Time’ journalist (Billy Crudup, “Watchmen”, “Spotlight”).
Through this interview we flashback to see Jackie as the young First Lady engaged in recording a TV special for a tour of the White House: nervous, unsure of herself and with a ‘baby girl’ voice. This contrasts with her demeanour in the interview which – although subject to emotional outburst and grief – is assured, confident and above all extremely assertive. We live the film through Jackie’s eyes as she experiences the arrival in Dallas, the traumatic events of November 22nd in Dealey Plaza, the return home to Washington and the complicated arrangement of the President’s funeral.
This is an acting tour de force for Natalie Portman, who is astonishingly emotional as the grief-stricken ex-first lady. She nails this role utterly and completely. Having already won the Golden Globe for an actress in a dramatic role, you would be a foolish man to bet against her not taking the Oscar. (I know I said just the other week that I though Emma Stone should get it for “La La Land” – as another Golden Globe winner, for the Comedy/Musical category – and a large part of my heart would still really like to see Stone win it…. But excellent as that performance was, this is a far more challenging role.)
In a key supporting role is Peter Sarsgaard (“The Magnificent Seven”) as Bobby Kennedy (although his lookalike is not one of the best: that accolade I would give to Gaspard Koenig, in an un-speaking role, as the young Ted Kennedy).
Also providing interesting support as Jackie’s priest is John Hurt (“Alien”, “Dr Who”) and, as Jackie’s close friend, the artist Bill Walton, is Richard E Grant (“Withnail and I”, who as he grows older is looking more and more like Geoffrey Rush – I was sure it was him!).
Director Pablo Larraín (whose previous work I am not familiar with) automatically assumes that EVERYONE has the background history to understand the narrative without further explanation: perhaps as this happened 54 years ago, this is a bit of a presumption for younger viewers? Naturally for people of my advanced years, these events are as burned into our collective psyches as the images in the Zapruder film.
While the film focuses predominantly, and brilliantly, on Jackie’s mental state, the film does gently question (via an outburst from Bobby) as to what JFK actually achieved in his all too short presidency – ‘Will he be remembered for resolving the Cuban missile crisis: something he originally created?’ rants Bobby. In reality, JFK is remembered in history for this assassination and the lost potential for what he might have done. I would have liked the script to have delved a little bit further into that collective soul-searching.
This is a very sombre movie in tone, from the bleak opening, with a soundtrack of sonorous strings, to the bleak weather-swept scenes at Arlington cemetery. The cinematography (by Stéphane Fontaine, “Rust and Bone”) cleverly contrasts between the vibrant hues of Jackie’s “Camelot” to the washed-out blueish tones of the post-assassination events. If you don’t feel depressed going into this film, you probably will be coming out! But the journey is a satisfying one nonetheless, and the script by Noah Oppenheim – in a SIGNIFICANT departure from his previous teen-flick screenplays for “Allegiant” and “The Maze Runner” – is both tight and thought-provoking.
Overall, a recommended watch which comes with a prediction: “And the Oscar goes to… Natalie Portman”.
Finally, note that for those of a squeamish disposition, there is a very graphic depiction of the assassination from Jackie’s point-of-view…. but this is not until nearly the end of the film, so you are reasonably safe until then!
Also as a final general whinge, could directors PLEASE place an embargo on the logos of more than two production companies coming up at the start of a film? This has about six of them and is farcical, aping the (very amusing) parody in “Family Guy” (as shown here).
Through this interview we flashback to see Jackie as the young First Lady engaged in recording a TV special for a tour of the White House: nervous, unsure of herself and with a ‘baby girl’ voice. This contrasts with her demeanour in the interview which – although subject to emotional outburst and grief – is assured, confident and above all extremely assertive. We live the film through Jackie’s eyes as she experiences the arrival in Dallas, the traumatic events of November 22nd in Dealey Plaza, the return home to Washington and the complicated arrangement of the President’s funeral.
This is an acting tour de force for Natalie Portman, who is astonishingly emotional as the grief-stricken ex-first lady. She nails this role utterly and completely. Having already won the Golden Globe for an actress in a dramatic role, you would be a foolish man to bet against her not taking the Oscar. (I know I said just the other week that I though Emma Stone should get it for “La La Land” – as another Golden Globe winner, for the Comedy/Musical category – and a large part of my heart would still really like to see Stone win it…. But excellent as that performance was, this is a far more challenging role.)
In a key supporting role is Peter Sarsgaard (“The Magnificent Seven”) as Bobby Kennedy (although his lookalike is not one of the best: that accolade I would give to Gaspard Koenig, in an un-speaking role, as the young Ted Kennedy).
Also providing interesting support as Jackie’s priest is John Hurt (“Alien”, “Dr Who”) and, as Jackie’s close friend, the artist Bill Walton, is Richard E Grant (“Withnail and I”, who as he grows older is looking more and more like Geoffrey Rush – I was sure it was him!).
Director Pablo Larraín (whose previous work I am not familiar with) automatically assumes that EVERYONE has the background history to understand the narrative without further explanation: perhaps as this happened 54 years ago, this is a bit of a presumption for younger viewers? Naturally for people of my advanced years, these events are as burned into our collective psyches as the images in the Zapruder film.
While the film focuses predominantly, and brilliantly, on Jackie’s mental state, the film does gently question (via an outburst from Bobby) as to what JFK actually achieved in his all too short presidency – ‘Will he be remembered for resolving the Cuban missile crisis: something he originally created?’ rants Bobby. In reality, JFK is remembered in history for this assassination and the lost potential for what he might have done. I would have liked the script to have delved a little bit further into that collective soul-searching.
This is a very sombre movie in tone, from the bleak opening, with a soundtrack of sonorous strings, to the bleak weather-swept scenes at Arlington cemetery. The cinematography (by Stéphane Fontaine, “Rust and Bone”) cleverly contrasts between the vibrant hues of Jackie’s “Camelot” to the washed-out blueish tones of the post-assassination events. If you don’t feel depressed going into this film, you probably will be coming out! But the journey is a satisfying one nonetheless, and the script by Noah Oppenheim – in a SIGNIFICANT departure from his previous teen-flick screenplays for “Allegiant” and “The Maze Runner” – is both tight and thought-provoking.
Overall, a recommended watch which comes with a prediction: “And the Oscar goes to… Natalie Portman”.
Finally, note that for those of a squeamish disposition, there is a very graphic depiction of the assassination from Jackie’s point-of-view…. but this is not until nearly the end of the film, so you are reasonably safe until then!
Also as a final general whinge, could directors PLEASE place an embargo on the logos of more than two production companies coming up at the start of a film? This has about six of them and is farcical, aping the (very amusing) parody in “Family Guy” (as shown here).
Whatchareadin (174 KP) rated Beautiful Bad in Books
Apr 3, 2019
Maddie is a wife and a mother who would do anything to protect her family and those she loves. After college Maddie decides she is going to to go Bulgaria to write and tutor. She isn't quite alone as her friend Joanna, is not too far away in Macedonia. When she visits Joanna it's always a good time, even though they are in a war-torn country. When Maddie meets Ian, there is an instant connection, but time and opportunity are never on their side, so they see each other when they can, and are friends for a very long time. Eventually, they are able to get together and build a life and start a family. But everything isn't as it seems. Ian is suffering from PTSD from his many years serving as protection in Iraq, Bosnia, and other countries. And Maddie has anxiety about it all. Will their relationship last, or will the events of their pasts be too much for their future to handle.
Thank you to NetGalley and Harlequin-Park Row for the opportunity to read and review this book.
The story starts with a call to 911 and you can hear a woman and child in distress. The book takes you back and forth from Maddie's time in Bulgaria, to the days and weeks leading up to this 911 call. I will admit the very beginning drew me in, but then all the in between felt very unnecessary. Until you get to the end and you see everything unfold. I definitely did not see the end coming and I was pleasantly surprised.
Beautiful Bad drew me in from the beginning with the 911 call. I was disappointed a few chapters in when it seems as though the whole incident was forgotten. Then when it popped back up, I didn't even remember the characters from that time. So that is why I gave the book the lower rating. I would like to see the finished book to see if there were any differences. I read an interview with the author that said that this book started off as a memoir, but her editor convinced her to change it into fiction. I think the middle parts where the memoir that got thrown out.
Overall, I enjoyed the book and I stayed up way past my bedtime once I reached the 60% mark to finish it. The ending was really good and it made up for the slow middle. I look forward to reading more by Annie Ward.
Here is an interview that Shelf Awareness did with Annie Ward. It gives you insight on the book that I believe is valuable.
https://www.shelf-awareness.com/readers-issue.html?issue=796#m13960
Thank you to NetGalley and Harlequin-Park Row for the opportunity to read and review this book.
The story starts with a call to 911 and you can hear a woman and child in distress. The book takes you back and forth from Maddie's time in Bulgaria, to the days and weeks leading up to this 911 call. I will admit the very beginning drew me in, but then all the in between felt very unnecessary. Until you get to the end and you see everything unfold. I definitely did not see the end coming and I was pleasantly surprised.
Beautiful Bad drew me in from the beginning with the 911 call. I was disappointed a few chapters in when it seems as though the whole incident was forgotten. Then when it popped back up, I didn't even remember the characters from that time. So that is why I gave the book the lower rating. I would like to see the finished book to see if there were any differences. I read an interview with the author that said that this book started off as a memoir, but her editor convinced her to change it into fiction. I think the middle parts where the memoir that got thrown out.
Overall, I enjoyed the book and I stayed up way past my bedtime once I reached the 60% mark to finish it. The ending was really good and it made up for the slow middle. I look forward to reading more by Annie Ward.
Here is an interview that Shelf Awareness did with Annie Ward. It gives you insight on the book that I believe is valuable.
https://www.shelf-awareness.com/readers-issue.html?issue=796#m13960
Faris Badwan recommended track Mass Production by Iggy Pop in Idiot by Iggy Pop in Music (curated)
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Suswatibasu (1703 KP) rated Creepy (Kuripi: Itsuwari no rinjin) (2016) in Movies
Nov 29, 2017 (Updated Nov 29, 2017)
The title spells it out to a tee
This absolutely stomach-wrenching film from the masters of Japanese cinema, literally blows your socks off. It is understatedly creepy, no dramatic background music and a deeply horrifying body count. For fans of psychological thrillers such as @Sympathy for Lady Vengeance (2014) and @Oldboy (2013) (Korean version) this is another expertly crafted movie that leaves you in knots.
It begins with a detective interviewing a psychopathic suspect, who then manages to escape the police interview room and hold a woman hostage. In the process, the detective is badly injured and as a result leaves the force to pursue an academic career in criminal psychology. Shaken by his time as a detective, he and his wife move to a leafy suburb of Japan with incredibly unsocial neighbours. Soon after moving, he is approached by a former colleague asking for help in a particular case, in which three members of a family mysteriously disappeared six years ago, leaving only a daughter behind. The case was never solved as the daughter's constantly changing statements were seen as inadmissible evidence. And soon after he realises that the case is much closer to home than expected.
Sharp storytelling despite a few plot holes which is left to your imagination. Totally recommended for followers of Eastern cinema.
It begins with a detective interviewing a psychopathic suspect, who then manages to escape the police interview room and hold a woman hostage. In the process, the detective is badly injured and as a result leaves the force to pursue an academic career in criminal psychology. Shaken by his time as a detective, he and his wife move to a leafy suburb of Japan with incredibly unsocial neighbours. Soon after moving, he is approached by a former colleague asking for help in a particular case, in which three members of a family mysteriously disappeared six years ago, leaving only a daughter behind. The case was never solved as the daughter's constantly changing statements were seen as inadmissible evidence. And soon after he realises that the case is much closer to home than expected.
Sharp storytelling despite a few plot holes which is left to your imagination. Totally recommended for followers of Eastern cinema.
Alison Pink (7 KP) rated Delirium in Books
Jan 15, 2018
I have to admit that I'd heard so many good things about this book that I was thrilled to finally get started on it. I have to say though, that I was not hooked right from page one like I thought I'd be. It took me several chapters to really get into the story & the characters. BUT once I did, I was hooked! I can't wait to see what happens to Lena & Alex!!!!!
Delirium tells the story of love being a sickness, a disease, something that the US government has found a cure for. Society cures people at the age of 18 after they've gone through an interview process & then been matched with their mate & told what they will do & how many children they can have.
Lena's mother was infected & the cure was adminstered to her with no effect. Lena lives terrfied that she will be like her mother & therefore counts down the days until she can be cured. And then,quite by accident, she meets Alex. And as they say the rest is history!
There isn't much more I can say without giving too much away. The story sucks you in & sweeps you away. I was laughing & crying & hoping against hope that Lena would somehow avoid the cure. Did she? I don't know & that's the part that SUCKS! Gotta wait til the next book is released. ARGH!!!
Delirium tells the story of love being a sickness, a disease, something that the US government has found a cure for. Society cures people at the age of 18 after they've gone through an interview process & then been matched with their mate & told what they will do & how many children they can have.
Lena's mother was infected & the cure was adminstered to her with no effect. Lena lives terrfied that she will be like her mother & therefore counts down the days until she can be cured. And then,quite by accident, she meets Alex. And as they say the rest is history!
There isn't much more I can say without giving too much away. The story sucks you in & sweeps you away. I was laughing & crying & hoping against hope that Lena would somehow avoid the cure. Did she? I don't know & that's the part that SUCKS! Gotta wait til the next book is released. ARGH!!!
Whatchareadin (174 KP) rated The Fixer in Books
May 10, 2018
3.5 Stars
Rick Hoffman is down on his luck. He's just lost his high paying job and along with it, is long term girlfriend. Forced to move back into his childhood home, a place that has been abandoned for many years, he makes a startling discovery that will change his life forever. But will it change it for better or for worse. Will Rick be able to stay alive long enough to get to the bottom of who his father was and ultimately who he is?
This is the first book I have read by Joseph Finder. I have had a number of his books on my TBR list for a while and after seeing him on an interview on my Facebook feed, I decided to give it a try. <u>The Fixer</u> was the only book that I was able to find at the time. I was hooked from the start. At about 50%-75% through the book my interest dwindled a little bit, but that last part of the book was hard to put down. I had to know who was at the end of the mystery. Was it who I was suspecting, or a character you would never guess? Overall this was a very enjoyable book and I look forward to reading more Joseph Finder titles.
Rick Hoffman is down on his luck. He's just lost his high paying job and along with it, is long term girlfriend. Forced to move back into his childhood home, a place that has been abandoned for many years, he makes a startling discovery that will change his life forever. But will it change it for better or for worse. Will Rick be able to stay alive long enough to get to the bottom of who his father was and ultimately who he is?
This is the first book I have read by Joseph Finder. I have had a number of his books on my TBR list for a while and after seeing him on an interview on my Facebook feed, I decided to give it a try. <u>The Fixer</u> was the only book that I was able to find at the time. I was hooked from the start. At about 50%-75% through the book my interest dwindled a little bit, but that last part of the book was hard to put down. I had to know who was at the end of the mystery. Was it who I was suspecting, or a character you would never guess? Overall this was a very enjoyable book and I look forward to reading more Joseph Finder titles.