"The thing about this band is that it came out of a grunge background, obviously Dave [Grohl] came out of Nirvana. But he can play guitar just as well or better than Kurt, sings great. The most interesting thing I find about Foo Fighters, and songs like 'My Hero', is that they are based in pop melodies. Not based in the blues. Which is really interesting, having that big wall of sound guitar thing with pop melodies and interesting lyrics. Just an interesting band. This album just has the songs and it has the attitude. You can have good songs on an album but... well I remember getting the Blur record [Blur] after hearing that 'Song 2' and I was shocked to find the rest of the record was just synths and stuff. What the fuck? You hear 'Song 2' and you think, 'Wow, that's great!' and then you hear the rest of the album and it's like REEEEOOW REEEOW. It's like The Communards or something. Almost disco electronica or something. So, you know, consistency is not just a big word like gymnasium, you want an album to make a statement song after song. Maybe the most consistent band is AC/DC. Song after song could almost be the same song. There is a great interview with Angus where a critic says, 'I don't want to insult you, but I think your new record sounded just like your last record', and Angus said: 'I don't agree. I think our new record sounds like every record we've ever made.' Sometimes the biggest criticism you can make can be the biggest compliment you can give. Colour is a consistent record. It makes one statement. So what that means is that they can take that music and play it live and it should sound similar to that record, consistent. I would include more if I could, but when you pick an album, it's not just a standalone item. It's about what's happening in your life, where you are and so on."

"Pacino in Scarface. That’s another one, just because it was where I was from. I am half Cuban American. That wasn’t the story necessarily of Cuban Americans but I know a lot of the guys that I grew up with and a lot of the people I grew up with felt that way. Being first generation — you know people had a lot to prove. And God, I feel that movie is so sleek, and very much what Miami is. It was really cool. It was a really interesting time when the Mariel boatlift happened and Castro emptying out his prisons and insane asylums. It was a crazy time. I think crime went up by 200 percent in Miami. I mean, literally we had killers on the street and it was a f—ing nutty time. I remember somebody saying that it’s funny that I ended up doing comedy, and I was so into all these other super hardcore dramatic films. But I just remember Al Pacino doing an interview once and him saying that he was — while he was doing that — he kinda really dropped into the role and became this really kind of vicious guy to play Tony Montana. And he said he was coming out of his house one day, and I guess some guy’s doberman had gotten loose and he was kind of “in it” on his way to work — and this doberman came up to him and he realized the doberman was going to attack. And he just kind of planted himself — you know, all Tony Montana — and just f—ing was like “Hey!” And the dog kinda turned around and whimpered and ran away [laughing]. And he was like, “Me, Al Pacino — I would have freaked out but I was just in this thing and I was really in — and this dog comes in… ‘This guy’s f—ing danger, you know? Stay away.'”"