Search
Journey: Memoirs of an Air Force Chief of Staff
Norty Schwartz and Ron Levinson
Book
The General's dysfunctional home life drove him to apply to the Air Force Academy almost 40 years...
Old Man on a Bike
Book
A Septuagenarian Odyssey Simon Gandolfi has never been one to grow old gracefully and following two...
Henry Rollins recommended Apocalypse Now (1979) in Movies (curated)
James P. Sumner (65 KP) rated Official Secrets (2019) in Movies
Oct 16, 2019
Should this tense, dramatic thriller remain a Secret?
I was lucky enough to be invited to an advanced screening of this film, ahead of it's general release.
"Official Secrets (2019)" is a tense and clever thriller based on real events that occurred during the beginning of the Iraq War in 2003. Keira Knightley plays Katherine Gun, a British spy-turned-whistleblower who worked for GCHQ at the time. She leaked confidential information to the press, exposing illegal activities at the highest levels of government intended to falsely justify the invasion of Iraq. Backed by a high-calibre support cast, which includes Matt Smith and Ralph Fiennes, this film serves to show you the true story of what happened during this shadowy and questionable chapter in our history.
The film uses actual news footage from the time to great effect, making you feel as if you're watching a biographical documentary on the History Channel. Knightley is captivating as the Robin Hood-esque lead, delivering a truly believable and heartfelt performance throughout. It wasn't until the credits began to roll and they showed you footage of the real Katherine Gun from news reels at the time that you realise just how good Knightley's performance really was. From the way she dressed to the tone in which she spoke and the small mannerisms of her personality, it was a very, very good portrayal.
As with most films like this, I imagine certain events and aspects of the story were dramatised or exaggerated for the purposes of cinema, but at no point did it ever feel like it. Any changes to real events were subtle enough that you couldn't spot them without detailed knowledge of what really happened at the time - something, it turns out, very few people actually had.
Matt Smith is both charming and uncompromising as the stubborn reporter who champions Gun's crusade for the truth, giving her support and a platform to get her message out to the world. Similarly, Ralph Fiennes looks right at home as the lawyer who defends her in the public eye.
I admit that certain aspects and legalities within the plot felt, at times, a little far-fetched, but honestly, the film did such a good job of telling this story, I'm inclined to think that's still how things actually happened.
Spoilers aren't as much of an issue for films like this, as you already know the outcome. But this film isn't about the destination, it's about the journey. It shines a spotlight on the down-and-dirty world of global politics, as well as how difficult it can sometimes be to choose to do the right thing.
The film moves along at a slow yet perfect pace. It doesn't look or feel like a Hollywood movie, which I think is a very good thing. Instead, it feels like a BBC drama, similar to Line of Duty or Luther or Spooks, and that's exactly the kind of approach this film needed to work.
I went into this admittedly understanding very little of what went on back in 2003. I was much younger and wasn't interested in geopolitics, or even the news in general. But seeing this film piqued my interest, and after a few hours of Googling the events depicted in the film, I'm even more in awe of just how well made this was. Kudos to everyone involved.
My only criticism, if I had to give one, would be the number of times people had to say "Official Secrets Act"... I get that's what the film is about, but it seemed like every character had a quota for the number of times they had to mention it! But that's just nit-picking for nit-picking's sake. This truly is a cracking film. One of the gems of the year that's not to be missed!
"Official Secrets (2019)" is a tense and clever thriller based on real events that occurred during the beginning of the Iraq War in 2003. Keira Knightley plays Katherine Gun, a British spy-turned-whistleblower who worked for GCHQ at the time. She leaked confidential information to the press, exposing illegal activities at the highest levels of government intended to falsely justify the invasion of Iraq. Backed by a high-calibre support cast, which includes Matt Smith and Ralph Fiennes, this film serves to show you the true story of what happened during this shadowy and questionable chapter in our history.
The film uses actual news footage from the time to great effect, making you feel as if you're watching a biographical documentary on the History Channel. Knightley is captivating as the Robin Hood-esque lead, delivering a truly believable and heartfelt performance throughout. It wasn't until the credits began to roll and they showed you footage of the real Katherine Gun from news reels at the time that you realise just how good Knightley's performance really was. From the way she dressed to the tone in which she spoke and the small mannerisms of her personality, it was a very, very good portrayal.
As with most films like this, I imagine certain events and aspects of the story were dramatised or exaggerated for the purposes of cinema, but at no point did it ever feel like it. Any changes to real events were subtle enough that you couldn't spot them without detailed knowledge of what really happened at the time - something, it turns out, very few people actually had.
Matt Smith is both charming and uncompromising as the stubborn reporter who champions Gun's crusade for the truth, giving her support and a platform to get her message out to the world. Similarly, Ralph Fiennes looks right at home as the lawyer who defends her in the public eye.
I admit that certain aspects and legalities within the plot felt, at times, a little far-fetched, but honestly, the film did such a good job of telling this story, I'm inclined to think that's still how things actually happened.
Spoilers aren't as much of an issue for films like this, as you already know the outcome. But this film isn't about the destination, it's about the journey. It shines a spotlight on the down-and-dirty world of global politics, as well as how difficult it can sometimes be to choose to do the right thing.
The film moves along at a slow yet perfect pace. It doesn't look or feel like a Hollywood movie, which I think is a very good thing. Instead, it feels like a BBC drama, similar to Line of Duty or Luther or Spooks, and that's exactly the kind of approach this film needed to work.
I went into this admittedly understanding very little of what went on back in 2003. I was much younger and wasn't interested in geopolitics, or even the news in general. But seeing this film piqued my interest, and after a few hours of Googling the events depicted in the film, I'm even more in awe of just how well made this was. Kudos to everyone involved.
My only criticism, if I had to give one, would be the number of times people had to say "Official Secrets Act"... I get that's what the film is about, but it seemed like every character had a quota for the number of times they had to mention it! But that's just nit-picking for nit-picking's sake. This truly is a cracking film. One of the gems of the year that's not to be missed!
JT (287 KP) rated Escape Room (2019) in Movies
Mar 10, 2020
Escape rooms are all the rage at the moment. The premise is simple, a group of people are trapped inside a confined space full of clues and puzzles in order to find a way out – so it was only a matter of time before the horror genre got hold of it.
There have been a few incantations of this new age idea already; Escape Room (2017) & No Escape Room, but this one is probably the best of a bad bunch.
Six strangers each receive a cryptic puzzle box, which once opened invites them to compete for a $10,000 prize – if they can get through a series of deviously constructed rooms. The group comes from all walks of life, a gifted maths student, an Iraq War vet a blue collar trucker to name a few, each with a seemingly interconnected past.
After a frantic flash-forward where we see someone coming unstuck in one of the rooms, we are introduced to each of the characters one by one. There isn’t enough time to go into massive details, so it feels like we only scratch the surface as to what makes them tick.
Meeting in a plush reception area the game begins – although none of them realise it at first. The room starts to get hot and they soon discover that they are about to get burnt alive – unless they can work out the clues to escape.
The group quickly realise that they will have to work together in order to survive.
Aside from getting burnt alive they also face a winter themed room where the ice cracks beneath them, an upside down bar where the floor drops away and a hallucinogenic trip fest which is extremely freaky to watch.
During proceedings, in which there is a lot of infighting and panic, you half expect Billy the Puppet to come peddling out on his tricycle and explain the next part of the game. There are definite similarities to Saw, people are in a race against time before they ultimately meet a grizzly end, but because many people have experienced this style of entertainment before the reality is unnerving.
While the gore doesn’t reach Saw levels it provides enough tension, but it then starts to tail off a little towards the end. The conclusion is far too predictable although there is just enough intrigue to see what they will conjure up next.
There have been a few incantations of this new age idea already; Escape Room (2017) & No Escape Room, but this one is probably the best of a bad bunch.
Six strangers each receive a cryptic puzzle box, which once opened invites them to compete for a $10,000 prize – if they can get through a series of deviously constructed rooms. The group comes from all walks of life, a gifted maths student, an Iraq War vet a blue collar trucker to name a few, each with a seemingly interconnected past.
After a frantic flash-forward where we see someone coming unstuck in one of the rooms, we are introduced to each of the characters one by one. There isn’t enough time to go into massive details, so it feels like we only scratch the surface as to what makes them tick.
Meeting in a plush reception area the game begins – although none of them realise it at first. The room starts to get hot and they soon discover that they are about to get burnt alive – unless they can work out the clues to escape.
The group quickly realise that they will have to work together in order to survive.
Aside from getting burnt alive they also face a winter themed room where the ice cracks beneath them, an upside down bar where the floor drops away and a hallucinogenic trip fest which is extremely freaky to watch.
During proceedings, in which there is a lot of infighting and panic, you half expect Billy the Puppet to come peddling out on his tricycle and explain the next part of the game. There are definite similarities to Saw, people are in a race against time before they ultimately meet a grizzly end, but because many people have experienced this style of entertainment before the reality is unnerving.
While the gore doesn’t reach Saw levels it provides enough tension, but it then starts to tail off a little towards the end. The conclusion is far too predictable although there is just enough intrigue to see what they will conjure up next.
A House in the Sky: A Memoir of a Kidnapping That Changed Everything
Amanda Lindhout and Sara Corbett
Book
A House in the Sky is the dramatic and redemptive memoir of Amanda Lindhout, a woman whose curiosity...
Darkness Falling (Light Up the Dark, #1)
10.0
Rate It
Book
When the world goes dark, can true love light the way? Lex I seem like the luckiest witch in...
Paranormal Post-Apocalyptic MM Romance
Movie Metropolis (309 KP) rated American Sniper (2015) in Movies
Jun 10, 2019
Incredibly Harrowing
There’s something about Clint Eastwood’s varied directing career that puts him among the greats of the craft. Along with Spielberg, Scott and Fincher, Eastwood has created some of cinema’s greatest films – yet he goes about it in a completely different fashion to his peers, he doesn’t shout about it.
Here, Eastwood directs Bradley Cooper and Sienna Miller in his latest offering, American Sniper, but does it stand as one of the better films on his resume?
American Sniper follows the story of Chris Kyle, a decorated marksman in the US military at a time when the war against terror strikes fear into the hearts of practically everyone across the globe.
An Oscar-nominated Bradley Cooper plays the lead role beautifully, in what is the best performance of his career, while Sienna Miller makes a welcome return to the big screen as his loyal wife Taya.
As the film plays out, we see the duo go about their lives – apart and together as they come to terms with raising a family, despite Kyle’s constant deployment to Iraq and the many troubles that brings as he tries to resume normal life.
Eastwood really hits hard with the imagery, never glamorising the war on terror or conflict itself and this is perhaps the strongest part of the picture. Many films in the genre almost feel like military propaganda, but here, the brutality is raw in the emotions of the lead characters and squalid locations.
The surroundings themselves are beautifully shot with Eastwood’s trademark flair for long, sweeping camera angles being used in abundance. Thankfully he lets the stunning locations speak for themselves throughout the majority of the film, not tampering with them despite that becoming a norm recently.
These scenery shots are juxtaposed with the damp, dirty conditions the soldiers must deal with frequently, with sunset-flooded vistas giving way to crumbling buildings and claustrophobic rooms.
However, the very nature of the movie, following Cooper’s character on his various Tours, does get repetitive at times and there are certain moments that feel like you’re watching someone playing a video game like Resident Evil or Call of Duty as one minor set piece leads to a larger one – though the tense final act makes up for this somewhat.
American Sniper also makes you increasingly aware of the human cost that comes with conflict. This is a bleak film, make no mistake and it’s especially harrowing seeing how Taya (Sienna Miller) copes with being away from her husband for long periods of time, especially with the job of raising a family.
Despite a running time of over two hours, Sniper never feels long, a testament to the snappy pacing and wonderful performances Sienna+Miller+Sienna+Miller+Films+American+dQWprK3Evu6lthroughout, and despite a lack of backstory for some of the other characters, Eastwood delves into the lifestyle of Chris and his wife beautifully.
Overall, Eastwood has another memorable film to add to his CV, and whilst it would be insulting to call it ‘fun’, American Sniper is enjoyable to watch in a whole different way. Bradley Cooper and Sienna Miller are both excellent and when the whole cinema leaves the screen in complete silence, you know that the message has got across.
https://moviemetropolis.net/2015/01/23/incredibly-harrowing-american-sniper-review/
Here, Eastwood directs Bradley Cooper and Sienna Miller in his latest offering, American Sniper, but does it stand as one of the better films on his resume?
American Sniper follows the story of Chris Kyle, a decorated marksman in the US military at a time when the war against terror strikes fear into the hearts of practically everyone across the globe.
An Oscar-nominated Bradley Cooper plays the lead role beautifully, in what is the best performance of his career, while Sienna Miller makes a welcome return to the big screen as his loyal wife Taya.
As the film plays out, we see the duo go about their lives – apart and together as they come to terms with raising a family, despite Kyle’s constant deployment to Iraq and the many troubles that brings as he tries to resume normal life.
Eastwood really hits hard with the imagery, never glamorising the war on terror or conflict itself and this is perhaps the strongest part of the picture. Many films in the genre almost feel like military propaganda, but here, the brutality is raw in the emotions of the lead characters and squalid locations.
The surroundings themselves are beautifully shot with Eastwood’s trademark flair for long, sweeping camera angles being used in abundance. Thankfully he lets the stunning locations speak for themselves throughout the majority of the film, not tampering with them despite that becoming a norm recently.
These scenery shots are juxtaposed with the damp, dirty conditions the soldiers must deal with frequently, with sunset-flooded vistas giving way to crumbling buildings and claustrophobic rooms.
However, the very nature of the movie, following Cooper’s character on his various Tours, does get repetitive at times and there are certain moments that feel like you’re watching someone playing a video game like Resident Evil or Call of Duty as one minor set piece leads to a larger one – though the tense final act makes up for this somewhat.
American Sniper also makes you increasingly aware of the human cost that comes with conflict. This is a bleak film, make no mistake and it’s especially harrowing seeing how Taya (Sienna Miller) copes with being away from her husband for long periods of time, especially with the job of raising a family.
Despite a running time of over two hours, Sniper never feels long, a testament to the snappy pacing and wonderful performances Sienna+Miller+Sienna+Miller+Films+American+dQWprK3Evu6lthroughout, and despite a lack of backstory for some of the other characters, Eastwood delves into the lifestyle of Chris and his wife beautifully.
Overall, Eastwood has another memorable film to add to his CV, and whilst it would be insulting to call it ‘fun’, American Sniper is enjoyable to watch in a whole different way. Bradley Cooper and Sienna Miller are both excellent and when the whole cinema leaves the screen in complete silence, you know that the message has got across.
https://moviemetropolis.net/2015/01/23/incredibly-harrowing-american-sniper-review/
Charles Kennedy: A Tragic Flaw
Book
Charles Kennedy was found dead on 1 June 2015. He was only 55 years of age. His death was due to...
Whatchareadin (174 KP) rated Beautiful Bad in Books
Apr 3, 2019
Maddie is a wife and a mother who would do anything to protect her family and those she loves. After college Maddie decides she is going to to go Bulgaria to write and tutor. She isn't quite alone as her friend Joanna, is not too far away in Macedonia. When she visits Joanna it's always a good time, even though they are in a war-torn country. When Maddie meets Ian, there is an instant connection, but time and opportunity are never on their side, so they see each other when they can, and are friends for a very long time. Eventually, they are able to get together and build a life and start a family. But everything isn't as it seems. Ian is suffering from PTSD from his many years serving as protection in Iraq, Bosnia, and other countries. And Maddie has anxiety about it all. Will their relationship last, or will the events of their pasts be too much for their future to handle.
Thank you to NetGalley and Harlequin-Park Row for the opportunity to read and review this book.
The story starts with a call to 911 and you can hear a woman and child in distress. The book takes you back and forth from Maddie's time in Bulgaria, to the days and weeks leading up to this 911 call. I will admit the very beginning drew me in, but then all the in between felt very unnecessary. Until you get to the end and you see everything unfold. I definitely did not see the end coming and I was pleasantly surprised.
Beautiful Bad drew me in from the beginning with the 911 call. I was disappointed a few chapters in when it seems as though the whole incident was forgotten. Then when it popped back up, I didn't even remember the characters from that time. So that is why I gave the book the lower rating. I would like to see the finished book to see if there were any differences. I read an interview with the author that said that this book started off as a memoir, but her editor convinced her to change it into fiction. I think the middle parts where the memoir that got thrown out.
Overall, I enjoyed the book and I stayed up way past my bedtime once I reached the 60% mark to finish it. The ending was really good and it made up for the slow middle. I look forward to reading more by Annie Ward.
Here is an interview that Shelf Awareness did with Annie Ward. It gives you insight on the book that I believe is valuable.
https://www.shelf-awareness.com/readers-issue.html?issue=796#m13960
Thank you to NetGalley and Harlequin-Park Row for the opportunity to read and review this book.
The story starts with a call to 911 and you can hear a woman and child in distress. The book takes you back and forth from Maddie's time in Bulgaria, to the days and weeks leading up to this 911 call. I will admit the very beginning drew me in, but then all the in between felt very unnecessary. Until you get to the end and you see everything unfold. I definitely did not see the end coming and I was pleasantly surprised.
Beautiful Bad drew me in from the beginning with the 911 call. I was disappointed a few chapters in when it seems as though the whole incident was forgotten. Then when it popped back up, I didn't even remember the characters from that time. So that is why I gave the book the lower rating. I would like to see the finished book to see if there were any differences. I read an interview with the author that said that this book started off as a memoir, but her editor convinced her to change it into fiction. I think the middle parts where the memoir that got thrown out.
Overall, I enjoyed the book and I stayed up way past my bedtime once I reached the 60% mark to finish it. The ending was really good and it made up for the slow middle. I look forward to reading more by Annie Ward.
Here is an interview that Shelf Awareness did with Annie Ward. It gives you insight on the book that I believe is valuable.
https://www.shelf-awareness.com/readers-issue.html?issue=796#m13960