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The Bandersnatch (199 KP) rated Dracula in Books
Nov 7, 2019
Dracula was written by author Bram Stoker during the late 1890's and is set around the character of Dracula and his attempt to move from Transylvania to England so he can spread the curse of the undead (I.e. the creation of more vampires). English solicitor Jonathan Harker who'd originally gone to Transylvania to be legal aide for Dracula stops him with the help of Van Helsing and others which ends the life of one of them – Quincey-, the book ends with a note from Jonathan Harker that several people lived happily married and Jonathan has a son nicknamed for Quincey.
Dracula was published in London in May 1897 by Archibald Constable & Company and was later copyrighted in the U.S in 1899 and published by Doubleday & McClure of New York. Despite having decent praise form reviewers it wasn't an immediate bestseller. Although the English newspaper the Daily Mail ranked Stoker's writing prowess in Dracula above that of Mary Shelly, Edgar Allen Poe and Emily Bronte's Wuthering heights. Unfortunately it didn't make Stoker that much money and he'd had to petition for a compassionate grant from the royal literary fund. When he died his widow was forced to sell his notes and outlines of the book at an auction in 1913. It was the unauthorised adaption of Nosferatu by F. W. Murnau in 1922 and the resulting legal battle made when Stokers widow took affront that the novels popularity began to grow.
Before writing Dracula Bram Stoker had been researching European folklore and stories of vampires having been most influenced by Emily Gerard's “Transylvania Superstitions” 1885 essay...which included content about the vampire myth. Some historians insist that Vlad iii Dracula (More commonly known as Vlad the impaler) was the model for Stokers count but there's been no supporting evidence to make that true. According to one expert Stoker only borrowed the barest minimum of information of the Wallachian tyrant and he's not even mentioned in Stokers notes. Stoker was a member of the London library during the 1890's where books by Sabine Baring-Gould, Thomas Browne, AF Crosse and Charles Boner are attributed to Stokers research. Stoker would later claim he'd had a nightmare caused by over-eating crab meat about a “Vampire king” rising from his grave. Whitby on the Yorkshire coast contributed its landscape since Bram Stoker often holidayed there during the summer.
Dracula wasn't Stokers first choice as title for the story since he cycled through The Dead Un-Dead then simply the Un-Dead the count wasn't even supposed to be Count Dracula having had the name Count Wampyr for several drafts before Stoker became intrigued by the name Dracula. After reading “An account of the principles of Wallachia and Moldavia with political observations relative to them” written by author William Wilkinson (Published in 1820). the descendants of Vlad ii of Wallachia took the name Dracula or Dracul after being invested in the Order of the Dragon in 1431. In the old Romanian language the word Dracul mean “the Dragon” and Dracula meant “Son of the Dragon”. Nowadays however Dracul means “the Devil”
Whilst Dracula is known as THE Vampire novel its not the first. Johan Wolfgang Von Goethe had his book the Bride of Corinth published in 1797, 1871's Carmilla (a story about a lesbian vampire) was written by Sheridan Le Frau and James Malcolm Rymer's penny dreadful series Venny the Vampire was a product from the mid Victorian period. Even John Polidori created an image of a vampyric aristocrat in his 1819 story The Vampyre when he spent a summer with Merry Shelly (creator of Frankenstein) and her poet husband Percy Bysshe Shelly and Lord Bryon in 1816.
I really love Dracula. It showed the madness, the ethereal quality and the ultimate danger of what a vampire could do. Like many other goth inclined teenagers trying to find their feet in the world Dracula definitely added its two cents to my self worth and love of all things macabre. The fact it was written by a Victorian writer has added a unusual depth to the story as only a Victorian writer could. The culture of the Vampire has become deep rooted and wide spread in its acceptance and Dracula has definitely spearheaded such a phenomenon.
Abraham “Bram” Stoker was Born in Dublin, Ireland on the 8th of November 1847, He was the third of seven children born to Abraham and Charlotte Stoker and was bedridden with an unknown illness until he recovered at seven. He started schooling at a private school run by the Reverend William Woods and grew up without serious illness. Stoker excelled at sports at Trinity College Dublin having graduated in 1870 with a BA (Bachelor of Arts). He was an Auditor of the College Historical Society and the president of the University Philosophical Society where his first paper was on Sensationalism in fiction and society.
Thanks to his friend Dr. Maunsell, Stoker became interested in the theatre as a student and whilst working for the Irish civil service he became a theatre critic for the Dublin evening mail where he attracted notice for the quality of his reviews. Stoker gave a favourable review of Henry Irving's adaption of Hamlet in December 1876, this prompted Irving to invite him to dinner where they ended up becoming friends. Stoker wrote The Crystal Cup which was published by the London society in 1872 and The chain of Destiny which was released in four parts in the Shamrock. Stoker also wrote the non-fiction book the duties of clerks of petty sessions in Ireland which was published in 1879.
Bram stoker married Florence Balcombe the daughter of a lieutenent-colonel in 1978 and they moved to London. Where Stoker ended up the Business manager of the Lyceum theatre as well as manager for Henry Irving- a position he held for 27 years. Despite being a very busy man Stoker ended up writing several novels (as well as Dracula) Including The Snakes pass in 1890, the lady of the shroud in 1909 and the lair of the white worm in 1911. when Henry Irving died in 1906 he published his personal reminiscences of Henry Irving. Stoker also managed productions at the Prince of Wales theatre.
Bram stoker died after a series of strokes in London on April 20th 1912, the cause of death is split between the possibility of Tertiary Syphilis or overwork. He was cremated and was placed in a display urn at Golders Green Crematorium in North London, he was later joined by the ashes of his Son Irving Noel Stoker in 1961, his wife Florence was meant to join them but her ashes were scattered at the Gardens of rest.
Stoker was honoured with a Google Doogle (the banner on goggles homepage) on November 8th 2012 commemorating the 165th anniversary of his birth. An annual festival in honour of Bram Stoker happens in Dublin, its supported by the Bram stoker estate and was/is usually funded by Dublin City Council and Failte Ireland.
My opinion of Bran stoker is that of a decent hard working man who loved life. Stoker epitomises the phrases of “a man on a mission” and “a man who hussles”. Having worked extremely hard both creatively as a novelist and business wise as a theatre manager Stoker pretty much showed that if you work hard you could pretty much do anything you set your mind to.
And there you have it a book for all the ages, definitely under the banner of AWESOME!!!.
Dracula was published in London in May 1897 by Archibald Constable & Company and was later copyrighted in the U.S in 1899 and published by Doubleday & McClure of New York. Despite having decent praise form reviewers it wasn't an immediate bestseller. Although the English newspaper the Daily Mail ranked Stoker's writing prowess in Dracula above that of Mary Shelly, Edgar Allen Poe and Emily Bronte's Wuthering heights. Unfortunately it didn't make Stoker that much money and he'd had to petition for a compassionate grant from the royal literary fund. When he died his widow was forced to sell his notes and outlines of the book at an auction in 1913. It was the unauthorised adaption of Nosferatu by F. W. Murnau in 1922 and the resulting legal battle made when Stokers widow took affront that the novels popularity began to grow.
Before writing Dracula Bram Stoker had been researching European folklore and stories of vampires having been most influenced by Emily Gerard's “Transylvania Superstitions” 1885 essay...which included content about the vampire myth. Some historians insist that Vlad iii Dracula (More commonly known as Vlad the impaler) was the model for Stokers count but there's been no supporting evidence to make that true. According to one expert Stoker only borrowed the barest minimum of information of the Wallachian tyrant and he's not even mentioned in Stokers notes. Stoker was a member of the London library during the 1890's where books by Sabine Baring-Gould, Thomas Browne, AF Crosse and Charles Boner are attributed to Stokers research. Stoker would later claim he'd had a nightmare caused by over-eating crab meat about a “Vampire king” rising from his grave. Whitby on the Yorkshire coast contributed its landscape since Bram Stoker often holidayed there during the summer.
Dracula wasn't Stokers first choice as title for the story since he cycled through The Dead Un-Dead then simply the Un-Dead the count wasn't even supposed to be Count Dracula having had the name Count Wampyr for several drafts before Stoker became intrigued by the name Dracula. After reading “An account of the principles of Wallachia and Moldavia with political observations relative to them” written by author William Wilkinson (Published in 1820). the descendants of Vlad ii of Wallachia took the name Dracula or Dracul after being invested in the Order of the Dragon in 1431. In the old Romanian language the word Dracul mean “the Dragon” and Dracula meant “Son of the Dragon”. Nowadays however Dracul means “the Devil”
Whilst Dracula is known as THE Vampire novel its not the first. Johan Wolfgang Von Goethe had his book the Bride of Corinth published in 1797, 1871's Carmilla (a story about a lesbian vampire) was written by Sheridan Le Frau and James Malcolm Rymer's penny dreadful series Venny the Vampire was a product from the mid Victorian period. Even John Polidori created an image of a vampyric aristocrat in his 1819 story The Vampyre when he spent a summer with Merry Shelly (creator of Frankenstein) and her poet husband Percy Bysshe Shelly and Lord Bryon in 1816.
I really love Dracula. It showed the madness, the ethereal quality and the ultimate danger of what a vampire could do. Like many other goth inclined teenagers trying to find their feet in the world Dracula definitely added its two cents to my self worth and love of all things macabre. The fact it was written by a Victorian writer has added a unusual depth to the story as only a Victorian writer could. The culture of the Vampire has become deep rooted and wide spread in its acceptance and Dracula has definitely spearheaded such a phenomenon.
Abraham “Bram” Stoker was Born in Dublin, Ireland on the 8th of November 1847, He was the third of seven children born to Abraham and Charlotte Stoker and was bedridden with an unknown illness until he recovered at seven. He started schooling at a private school run by the Reverend William Woods and grew up without serious illness. Stoker excelled at sports at Trinity College Dublin having graduated in 1870 with a BA (Bachelor of Arts). He was an Auditor of the College Historical Society and the president of the University Philosophical Society where his first paper was on Sensationalism in fiction and society.
Thanks to his friend Dr. Maunsell, Stoker became interested in the theatre as a student and whilst working for the Irish civil service he became a theatre critic for the Dublin evening mail where he attracted notice for the quality of his reviews. Stoker gave a favourable review of Henry Irving's adaption of Hamlet in December 1876, this prompted Irving to invite him to dinner where they ended up becoming friends. Stoker wrote The Crystal Cup which was published by the London society in 1872 and The chain of Destiny which was released in four parts in the Shamrock. Stoker also wrote the non-fiction book the duties of clerks of petty sessions in Ireland which was published in 1879.
Bram stoker married Florence Balcombe the daughter of a lieutenent-colonel in 1978 and they moved to London. Where Stoker ended up the Business manager of the Lyceum theatre as well as manager for Henry Irving- a position he held for 27 years. Despite being a very busy man Stoker ended up writing several novels (as well as Dracula) Including The Snakes pass in 1890, the lady of the shroud in 1909 and the lair of the white worm in 1911. when Henry Irving died in 1906 he published his personal reminiscences of Henry Irving. Stoker also managed productions at the Prince of Wales theatre.
Bram stoker died after a series of strokes in London on April 20th 1912, the cause of death is split between the possibility of Tertiary Syphilis or overwork. He was cremated and was placed in a display urn at Golders Green Crematorium in North London, he was later joined by the ashes of his Son Irving Noel Stoker in 1961, his wife Florence was meant to join them but her ashes were scattered at the Gardens of rest.
Stoker was honoured with a Google Doogle (the banner on goggles homepage) on November 8th 2012 commemorating the 165th anniversary of his birth. An annual festival in honour of Bram Stoker happens in Dublin, its supported by the Bram stoker estate and was/is usually funded by Dublin City Council and Failte Ireland.
My opinion of Bran stoker is that of a decent hard working man who loved life. Stoker epitomises the phrases of “a man on a mission” and “a man who hussles”. Having worked extremely hard both creatively as a novelist and business wise as a theatre manager Stoker pretty much showed that if you work hard you could pretty much do anything you set your mind to.
And there you have it a book for all the ages, definitely under the banner of AWESOME!!!.
Rachel King (13 KP) rated Walking Dead (Walker Papers, #4) in Books
Feb 11, 2019
Normally I don't care for zombies in my fantasy literature - the ick factor is just too high for me. (I don't do horror movies, either.) This book is probably the first exception as Joanne disliked them as much as I do. I love that she now as a better sense of what she is doing with her shamanic abilities, and she has even studied a few things related to this so that she is better prepared for future needs. It seems to me that as Joanne better understands the mechanics of what she is doing, the better I, as the reader, can understand them, too.
At the beginning of the book Joanne is dating the mechanic she has nicknamed Thor. I really like the guy and how genuine and honest he is with her, but I feel sorry for him because I know that it is not him that Joanne really wants. She takes him for granted and does not give the relationship any real chance at surviving.
The mess with the cauldron is an interesting bit of folklore that ironically ties back to Ireland, where Joanne's mother comes from. I like also that it introduces some new characters, such as the medium Sonata, and brings back Suzanne Quinley from the first book. Suzanne has got some serious magic of her own, and the courage to use it wisely. This makes me wonder if the author couldn't give her a series of her own in the YA genre. My favorite part of the book is when Suzanne uses her future-seeing abilities and Joanne tunes in. Joanne gets to see all of her possible past, present, and future selves based on alternate choices she could have made throughout her life. This was absolutely fascinating for me because I am always wondering about the "what ifs" with the main characters of the books I read. How I wish more of the books I read would find a way to employ this tactic, heck I would not mind it in real life!
As for loose ends, there are two that really bug me. The first is the outcome of the annoying insurance adjuster, since he just seemed to fall of the radar at the end. The second is Captain Morrison and his ever-evolving relationship with Joanne. He plays a major part at the climax, but the reader does not get to see any sort of personal reaction on Morrison's behalf or his reaction to Joanne's new relationship status. I will just have to wait to see what happens in the next book, Demon Hunts (Walker Papers, Book 5).
At the beginning of the book Joanne is dating the mechanic she has nicknamed Thor. I really like the guy and how genuine and honest he is with her, but I feel sorry for him because I know that it is not him that Joanne really wants. She takes him for granted and does not give the relationship any real chance at surviving.
The mess with the cauldron is an interesting bit of folklore that ironically ties back to Ireland, where Joanne's mother comes from. I like also that it introduces some new characters, such as the medium Sonata, and brings back Suzanne Quinley from the first book. Suzanne has got some serious magic of her own, and the courage to use it wisely. This makes me wonder if the author couldn't give her a series of her own in the YA genre. My favorite part of the book is when Suzanne uses her future-seeing abilities and Joanne tunes in. Joanne gets to see all of her possible past, present, and future selves based on alternate choices she could have made throughout her life. This was absolutely fascinating for me because I am always wondering about the "what ifs" with the main characters of the books I read. How I wish more of the books I read would find a way to employ this tactic, heck I would not mind it in real life!
As for loose ends, there are two that really bug me. The first is the outcome of the annoying insurance adjuster, since he just seemed to fall of the radar at the end. The second is Captain Morrison and his ever-evolving relationship with Joanne. He plays a major part at the climax, but the reader does not get to see any sort of personal reaction on Morrison's behalf or his reaction to Joanne's new relationship status. I will just have to wait to see what happens in the next book, Demon Hunts (Walker Papers, Book 5).
Kristy H (1252 KP) rated Saints for All Occasions in Books
Mar 6, 2019
Beautiful story of parenthood, immigration, siblings, religion, and so much more
Nora and Theresa Flynn are only twenty-one and seventeen when they leave their native Ireland and immigrate to the U.S. For her entire life, Nora has been the quintessential older sister, raising Theresa and their younger brother after the death of their mother. Now she's headed to Boston to be married to their former Irish neighbor, Charlie, whom Nora doesn't really even love. Theresa, meanwhile, is outgoing, beautiful, and intelligent. She loves the dances and social atmosphere in Boston, but that all changes when she winds up pregnant. Both Nora and Theresa are forced to make some drastic life decisions that will affect them for the rest of their lives. Fifty years later, in 2009, Nora and Charlie have four children: John, Bridget, Brian, and Patrick. But Theresa and Nora are no longer speaking, and Theresa lives as a cloistered nun in an abbey in Vermont. What happened between the two sisters? And how will a sudden tragedy affect their current, separate lives?
This was an amazing book - just beautiful, heartbreaking, and lovely. Sullivan captured the essence of each of her characters so perfectly. I could picture every one, and each was so realistic, with their own background, mannerisms, and details.
The novel switches between the past, starting with Nora and Theresa's journey to Boston, and 2009, with a shocking event that rocks the entire family. We hear from each character--Nora, Theresa, John, Bridget, Brian, and Patrick. As I said, they are each an individual and embellished with Sullivan's wonderful writing and details. For instance, I loved the tidbit that Nora and her daughter-in-law communicated for years mainly through Nora's daughter's dog at family gatherings. It said so much with just one story. (And I've so been there.)
I became attached to each character in their own way thanks to the strong writing and characterization. I don't always enjoy books with shifts between time periods, but all flowed seamlessly here. There's an underlying thread that ties everything together, just adding to the brilliance of the novel. While it's really a story of a family, there's still a bit of suspense, as you try to fit some pieces together. Everything works so well.
Overall, I just loved this beautiful story of parenthood, immigration, siblings, religion, and so much more. It's achingly well-written, and while it ended just right, I was still sad to see the characters go. I'll certainly be recommending it to everyone I know
This was an amazing book - just beautiful, heartbreaking, and lovely. Sullivan captured the essence of each of her characters so perfectly. I could picture every one, and each was so realistic, with their own background, mannerisms, and details.
The novel switches between the past, starting with Nora and Theresa's journey to Boston, and 2009, with a shocking event that rocks the entire family. We hear from each character--Nora, Theresa, John, Bridget, Brian, and Patrick. As I said, they are each an individual and embellished with Sullivan's wonderful writing and details. For instance, I loved the tidbit that Nora and her daughter-in-law communicated for years mainly through Nora's daughter's dog at family gatherings. It said so much with just one story. (And I've so been there.)
I became attached to each character in their own way thanks to the strong writing and characterization. I don't always enjoy books with shifts between time periods, but all flowed seamlessly here. There's an underlying thread that ties everything together, just adding to the brilliance of the novel. While it's really a story of a family, there's still a bit of suspense, as you try to fit some pieces together. Everything works so well.
Overall, I just loved this beautiful story of parenthood, immigration, siblings, religion, and so much more. It's achingly well-written, and while it ended just right, I was still sad to see the characters go. I'll certainly be recommending it to everyone I know
Kristy H (1252 KP) rated Saints for All Occasions in Books
Jan 30, 2018
Well-written (1 more)
Striking characters
Gorgeous family saga
Nora and Theresa Flynn are only twenty-one and seventeen when they leave their native Ireland and immigrate to the U.S. For her entire life, Nora has been the quintessential older sister, raising Theresa and their younger brother after the death of their mother. Now she's headed to Boston to be married to their former Irish neighbor, Charlie, whom Nora doesn't really even love. Theresa, meanwhile, is outgoing, beautiful, and intelligent. She loves the dances and social atmosphere in Boston, but that all changes when she winds up pregnant. Both Nora and Theresa are forced to make some drastic life decisions that will affect them for the rest of their lives. Fifty years later, in 2009, Nora and Charlie have four children: John, Bridget, Brian, and Patrick. But Theresa and Nora are no longer speaking, and Theresa lives as a cloistered nun in an abbey in Vermont. What happened between the two sisters? And how will a sudden tragedy affect their current, separate lives?
This was an amazing book - just beautiful, heartbreaking, and lovely. Sullivan captured the essence of each of her characters so perfectly. I could picture every one, and each was so realistic, with their own background, mannerisms, and details.
The novel switches between the past, starting with Nora and Theresa's journey to Boston, and 2009, with a shocking event that rocks the entire family. We hear from each character--Nora, Theresa, John, Bridget, Brian, and Patrick. As I said, they are each an individual and embellished with Sullivan's wonderful writing and details. For instance, I loved the tidbit that Nora and her daughter-in-law communicated for years mainly through Nora's daughter's dog at family gatherings. It said so much with just one story. (And I've so been there.)
I became attached to each character in their own way thanks to the strong writing and characterization. I don't always enjoy books with shifts between time periods, but all flowed seamlessly here. There's an underlying thread that ties everything together, just adding to the brilliance of the novel. While it's really a story of a family, there's still a bit of suspense, as you try to fit some pieces together. Everything works so well.
Overall, I just loved this beautiful story of parenthood, immigration, siblings, religion, and so much more. It's achingly well-written, and while it ended just right, I was still sad to see the characters go. I'll certainly be recommending it to everyone I know.
This was an amazing book - just beautiful, heartbreaking, and lovely. Sullivan captured the essence of each of her characters so perfectly. I could picture every one, and each was so realistic, with their own background, mannerisms, and details.
The novel switches between the past, starting with Nora and Theresa's journey to Boston, and 2009, with a shocking event that rocks the entire family. We hear from each character--Nora, Theresa, John, Bridget, Brian, and Patrick. As I said, they are each an individual and embellished with Sullivan's wonderful writing and details. For instance, I loved the tidbit that Nora and her daughter-in-law communicated for years mainly through Nora's daughter's dog at family gatherings. It said so much with just one story. (And I've so been there.)
I became attached to each character in their own way thanks to the strong writing and characterization. I don't always enjoy books with shifts between time periods, but all flowed seamlessly here. There's an underlying thread that ties everything together, just adding to the brilliance of the novel. While it's really a story of a family, there's still a bit of suspense, as you try to fit some pieces together. Everything works so well.
Overall, I just loved this beautiful story of parenthood, immigration, siblings, religion, and so much more. It's achingly well-written, and while it ended just right, I was still sad to see the characters go. I'll certainly be recommending it to everyone I know.