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ClareR (5841 KP) rated The Searcher in Books
Nov 15, 2020
The Searcher is, much like the Wych Elm, a slow burner. This is always a positive where I’m concerned. It gave me the opportunity to look around the Irish village of Ardnekalty, get to know the inhabitants, what the countryside and the landscape looked like (beautiful, by the way)and above all, to build a full picture of Cal Hooper and Trey.
As in most small villages, word of a new, exotic inhabitant spreads fast, and this is why Trey turns up on Cal’s doorstep. He wants Cal to help him find his older brother, Brendan, who has disappeared. The local police seem to be completely disinterested - mainly due to the family’s reputation. It seems to be no surprise to people that Trey’s 19 year old brother would want to leave the small village. With the family’s reputation being that of ‘wasters’ who live on the poverty line (or probably below it), it strikes people as unremarkable that he would leave to try and make his life better elsewhere. But Trey doesn’t believe this. He believes that he has been kidnapped, and he wants Cal to find him. The problem is that Cal just doesn’t want to get involved. He has left the Chicago police force because of the frustration he feels at not making a difference. And this decency is what ends up drawing him in to helping Trey.
It did surprise me that Cal becomes involved with Trey, and he clearly realises that such a relationship could be seen as problematic. He makes the effort to keep Trey’s presence a secret from his nosy neighbour, Mart. The fact that everyone seemed to know everyone else’s business did create a claustrophobic atmosphere, almost a touch of horror especially as the book progresses.
This also touches on some of the current issues in the USA surrounding policing and BLM protests, so it does make this a very current novel. I have to say though, that the end of the book came as a complete surprise to me, and left me feeling ultimately disappointed in the characters. It didn’t make me like the book any less though!
Many thanks to Penguin UK and NetGalley for my copy of this book to read and review.
As in most small villages, word of a new, exotic inhabitant spreads fast, and this is why Trey turns up on Cal’s doorstep. He wants Cal to help him find his older brother, Brendan, who has disappeared. The local police seem to be completely disinterested - mainly due to the family’s reputation. It seems to be no surprise to people that Trey’s 19 year old brother would want to leave the small village. With the family’s reputation being that of ‘wasters’ who live on the poverty line (or probably below it), it strikes people as unremarkable that he would leave to try and make his life better elsewhere. But Trey doesn’t believe this. He believes that he has been kidnapped, and he wants Cal to find him. The problem is that Cal just doesn’t want to get involved. He has left the Chicago police force because of the frustration he feels at not making a difference. And this decency is what ends up drawing him in to helping Trey.
It did surprise me that Cal becomes involved with Trey, and he clearly realises that such a relationship could be seen as problematic. He makes the effort to keep Trey’s presence a secret from his nosy neighbour, Mart. The fact that everyone seemed to know everyone else’s business did create a claustrophobic atmosphere, almost a touch of horror especially as the book progresses.
This also touches on some of the current issues in the USA surrounding policing and BLM protests, so it does make this a very current novel. I have to say though, that the end of the book came as a complete surprise to me, and left me feeling ultimately disappointed in the characters. It didn’t make me like the book any less though!
Many thanks to Penguin UK and NetGalley for my copy of this book to read and review.
Mark @ Carstairs Considers (2310 KP) rated Christmas Cocoa Murder in Books
Sep 26, 2019
Snuggle Up for this Christmas Novella Collection
Kensington has released another Christmas novella collection, this time featuring three authors that haven’t been featured before. All three stories feature hot cocoa is some capacity. Up first is “Christmas Cocoa Murder” by Carlene O’Connor, which takes place in an Irish village leading up to Christmas. Her series main character, Siobhan O’Sullivan, is just a couple of weeks away from joining the police force, but she gets pulled in early when the village’s Santa’s stunt at the annual panto goes horribly wrong and he’s found floating in a dunk tank filled with hot cocoa. Next, we get “Christmas Cocoa and a Corpse” by Maddie Day. Robbie Jordan, the star of the Country Store Mysteries, is looking forward to a quiet Christmas, but first she must figure out what happened to Jed Greenburg who was found dead while out walking a dog and drinking some of Robbie’s special hot chocolate mix. Finally, comes “Death by Hot Cocoa” by Alex Erickson. Krissy Hancock, his main character, has been talked into doing a Christmas themed escape room, but when she and the rest of the participants finish the first part, they find themselves locked in a second room with the body of their host next to a puddle of hot chocolate.
All three of these stories are fun. The only series I read regularly is Maddie Day’s, but that didn’t keep me from enjoying all of them. The plots are all wonderfully constructed and perfect for the shorter novella format. I did feel a little lost with some of the series regular characters in the first story, but that’s to be expected since I haven’t read the series before. However, it didn’t hamper my overall enjoyment at all. The main characters all come to life in the stories, and the suspects are just as vivid. Each story is filled with Christmas detail that will put you in the holiday spirit no matter what time of year you read them. A couple of the stories even feature some recipes, including two different versions of hot chocolate. So, make yourself a cup of hot chocolate (or maybe not given the theme of this book) and snuggle up and enjoy.
All three of these stories are fun. The only series I read regularly is Maddie Day’s, but that didn’t keep me from enjoying all of them. The plots are all wonderfully constructed and perfect for the shorter novella format. I did feel a little lost with some of the series regular characters in the first story, but that’s to be expected since I haven’t read the series before. However, it didn’t hamper my overall enjoyment at all. The main characters all come to life in the stories, and the suspects are just as vivid. Each story is filled with Christmas detail that will put you in the holiday spirit no matter what time of year you read them. A couple of the stories even feature some recipes, including two different versions of hot chocolate. So, make yourself a cup of hot chocolate (or maybe not given the theme of this book) and snuggle up and enjoy.
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Merissa (12627 KP) rated Down to the Sea (Mystic Beach, #1.5) by Aislinn Archer in Books
Jun 17, 2022 (Updated Jun 19, 2023)
DOWN TO THE SEA is an overlap story in the Mystic Beach series. It tells the story of Aedan and Brighid - how they meet, how they become lovers and friends (and I use that order specifically), and how they both have trials to face.
Events that happened in Once Upon a Dream from Hunter's perspective, we now see from Brighid or Aedan's. This definitely helped fill the gaps and you see the reasons now for things Brighid did or said.
Aedan has his own love who hasn't 'woken up' yet and he and Brighid decide to pass the time with each other. He is a priest for a Manx Sea God - Manannán mac Lir. This means he has his own insights but he certainly doesn't see everything.
Apart from Brighid's visions, there isn't much paranormal here yet, although I'm sure that's coming in future books. I am loving this story and how the characters change and grow throughout the story.
One thing I have to say - and I know I will be in the minority here - but I got bored with the sex scenes between Aedan and Brighid. It says in the blurb the steam factors are high, and they are. It's just... I discovered I wanted more of the connection, the mysticism, between the two of them, rather than the sex. I found myself skipping over the sex scenes (unlike me) to get the visions or OoB experiences at the end. I loved it when the author changed it slightly near the end so we knew what they were doing but didn't need everything laid out.
As I say, this is my opinion, and it certainly didn't stop me from enjoying the rest of the story! I am now waiting (im)patiently for the continuation of Hunter and Brighid's story, content with waiting for Aedan's simply because I know it's coming.
If you love Ireland and the Irish Gods, I definitely recommend this book and series.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 12, 2022
Events that happened in Once Upon a Dream from Hunter's perspective, we now see from Brighid or Aedan's. This definitely helped fill the gaps and you see the reasons now for things Brighid did or said.
Aedan has his own love who hasn't 'woken up' yet and he and Brighid decide to pass the time with each other. He is a priest for a Manx Sea God - Manannán mac Lir. This means he has his own insights but he certainly doesn't see everything.
Apart from Brighid's visions, there isn't much paranormal here yet, although I'm sure that's coming in future books. I am loving this story and how the characters change and grow throughout the story.
One thing I have to say - and I know I will be in the minority here - but I got bored with the sex scenes between Aedan and Brighid. It says in the blurb the steam factors are high, and they are. It's just... I discovered I wanted more of the connection, the mysticism, between the two of them, rather than the sex. I found myself skipping over the sex scenes (unlike me) to get the visions or OoB experiences at the end. I loved it when the author changed it slightly near the end so we knew what they were doing but didn't need everything laid out.
As I say, this is my opinion, and it certainly didn't stop me from enjoying the rest of the story! I am now waiting (im)patiently for the continuation of Hunter and Brighid's story, content with waiting for Aedan's simply because I know it's coming.
If you love Ireland and the Irish Gods, I definitely recommend this book and series.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 12, 2022
Movie Metropolis (309 KP) rated Cold Pursuit (2019) in Movies
Jun 10, 2019
Neeson's best film in years
Yes, we all know the jokes. Liam Neeson’s spiral into revenge thriller territory is one of the most meme-worthy things in film, except maybe John Travolta and Battlefield Earth. Starting with Taken and its, let’s be honest, dreadful sequels, the Irish actor has made a name for himself as the go-to guy to rough someone up after a spate of bad-luck.
He’s had kids killed, kidnapped and spouses murdered in cold blood, he’s even been framed for hijacking a jumbo jet – if anyone deserves a break, it’s Liam Neeson. Unfortunately, his films have ranged from great (Taken, Non-Stop), to middling (Run All Night, The Commuter), to downright dreadful (Taken 2, Taken 3) and that’s how the meme-worthiness was born. Nevertheless, Neeson is back for yet another revenge thriller in Cold Pursuit. But how does it stack up?
Nels Coxman’s (Neeson) quiet life as a snowplough driver comes crashing down when his beloved son (Micheál Richardson) dies under mysterious circumstances. His search for the truth soon becomes a quest for revenge against a psychotic drug lord named Viking (Tom Bateman) and his sleazy henchmen. Transformed from upstanding citizen to cold-blooded vigilante, Coxman unwittingly sets off a chain of events that includes a kidnapping, a series of deadly misunderstandings and a turf war between Viking and a rival boss called White Bull.
Let’s get the elephant in the room out of the way first. This is not a review biased by Neeson’s, shall we say, ill-worded rant on his former life. We all have our own opinions on the matter, but that should not detract from individuals going to see a movie in the cinema. In fact, Cold Pursuit is Neeson’s most accomplished film in years, helped by stylish directing from Swedish director Hans Petter Moland. It’s worth noting that Cold Pursuit is in fact a US remake of Swedish film, In Order of Disappearance and there’s a tasteful nod to the film’s roots in the end-credits.
With a dark, comedic edge, Cold Pursuit is as funny as much as it is gory and it is this hybridity of genres that remains the film’s trump card. The script, penned by Moland himself, is witty and sharp, filled with fantastic line-delivery by the entire cast who look like they’re having a cracking time. There are twists and turns and even a gay-romantic subplot – how very contemporary.
Apart from Neeson, Tom Bateman is an absolute stand-out as the film’s primary antagonist. Allowing him to be a presence in the film from the outset allows the audience to fully feel his character and there’s no doubt that he is a despicable human-being. Neeson performs in typical Liam Neeson fashion. He snarls and growls his way through the film but allows a softer side to creep in than we’re used to, helped in part by that comedic script.
Revenge thrillers rarely have the budget for flashy CGI or top-notch practical effects but Cold Pursuit is one of the better in the genre
It’s not perfect however. Laura Dern is a massively underused presence throughout and disappears completely from the film about 1-hour in with no other references to her character. This is a real shame as her chemistry with Neeson is good and they make a believable couple, especially when they’re dealing with the ramifications of their son’s death.
Dern continues to prove her acting prowess and it would have been nice to see her continue to be a feature throughout the film. The pacing is a little off too. At 118 minutes long, the film plods a little as it gets going and then doesn’t stop until the fun and entirely ridiculous finale.
However, it’s good to see the special effects are up to scratch for the genre. Revenge thrillers rarely have the budget for flashy CGI or top-notch practical effects but Cold Pursuit is one of the better in the genre. With a relatively modest budget of $60million, it appears that was well spent with clever editing and cinematography masking any less-than-stellar visuals.
Overall, Cold Pursuit is a fun, if forgettable revenge thriller that features some delicious dark comedy mixed with an intriguing story. It’s certainly Neeson’s best film since Non-Stopand marks a return to form for the Irish actor. Unfortunately, these type of flicks are ten-a-penny nowadays and I’m unsure whether snappy one-liners and beautiful snow-capped peaks are enough to differentiate it in a crowded marketplace.
https://moviemetropolis.net/2019/03/01/cold-pursuit-review-neesons-best-film-in-years/
He’s had kids killed, kidnapped and spouses murdered in cold blood, he’s even been framed for hijacking a jumbo jet – if anyone deserves a break, it’s Liam Neeson. Unfortunately, his films have ranged from great (Taken, Non-Stop), to middling (Run All Night, The Commuter), to downright dreadful (Taken 2, Taken 3) and that’s how the meme-worthiness was born. Nevertheless, Neeson is back for yet another revenge thriller in Cold Pursuit. But how does it stack up?
Nels Coxman’s (Neeson) quiet life as a snowplough driver comes crashing down when his beloved son (Micheál Richardson) dies under mysterious circumstances. His search for the truth soon becomes a quest for revenge against a psychotic drug lord named Viking (Tom Bateman) and his sleazy henchmen. Transformed from upstanding citizen to cold-blooded vigilante, Coxman unwittingly sets off a chain of events that includes a kidnapping, a series of deadly misunderstandings and a turf war between Viking and a rival boss called White Bull.
Let’s get the elephant in the room out of the way first. This is not a review biased by Neeson’s, shall we say, ill-worded rant on his former life. We all have our own opinions on the matter, but that should not detract from individuals going to see a movie in the cinema. In fact, Cold Pursuit is Neeson’s most accomplished film in years, helped by stylish directing from Swedish director Hans Petter Moland. It’s worth noting that Cold Pursuit is in fact a US remake of Swedish film, In Order of Disappearance and there’s a tasteful nod to the film’s roots in the end-credits.
With a dark, comedic edge, Cold Pursuit is as funny as much as it is gory and it is this hybridity of genres that remains the film’s trump card. The script, penned by Moland himself, is witty and sharp, filled with fantastic line-delivery by the entire cast who look like they’re having a cracking time. There are twists and turns and even a gay-romantic subplot – how very contemporary.
Apart from Neeson, Tom Bateman is an absolute stand-out as the film’s primary antagonist. Allowing him to be a presence in the film from the outset allows the audience to fully feel his character and there’s no doubt that he is a despicable human-being. Neeson performs in typical Liam Neeson fashion. He snarls and growls his way through the film but allows a softer side to creep in than we’re used to, helped in part by that comedic script.
Revenge thrillers rarely have the budget for flashy CGI or top-notch practical effects but Cold Pursuit is one of the better in the genre
It’s not perfect however. Laura Dern is a massively underused presence throughout and disappears completely from the film about 1-hour in with no other references to her character. This is a real shame as her chemistry with Neeson is good and they make a believable couple, especially when they’re dealing with the ramifications of their son’s death.
Dern continues to prove her acting prowess and it would have been nice to see her continue to be a feature throughout the film. The pacing is a little off too. At 118 minutes long, the film plods a little as it gets going and then doesn’t stop until the fun and entirely ridiculous finale.
However, it’s good to see the special effects are up to scratch for the genre. Revenge thrillers rarely have the budget for flashy CGI or top-notch practical effects but Cold Pursuit is one of the better in the genre. With a relatively modest budget of $60million, it appears that was well spent with clever editing and cinematography masking any less-than-stellar visuals.
Overall, Cold Pursuit is a fun, if forgettable revenge thriller that features some delicious dark comedy mixed with an intriguing story. It’s certainly Neeson’s best film since Non-Stopand marks a return to form for the Irish actor. Unfortunately, these type of flicks are ten-a-penny nowadays and I’m unsure whether snappy one-liners and beautiful snow-capped peaks are enough to differentiate it in a crowded marketplace.
https://moviemetropolis.net/2019/03/01/cold-pursuit-review-neesons-best-film-in-years/