Acanthea Grimscythe (300 KP) rated Nails (2017) in Movies
May 12, 2018
The movie begins with a bam, jumping immediately into what can be read in the above synopsis. There’s not much of a build up and the characters are awfully flat. In fact, we don’t really get much of a chance to learn anything about them other than that Dana Milgrom, the main character, is helpless and dismissed by her healthcare professionals, and Steve Milgrom is a cheating asshole (because hey, what movie does that not happen in?). There’s also a daughter, and while she plays a major role toward the end of the film, she’s fairly minor otherwise.
What bothers me most about Nails isn’t its dry characters, though. The film is riddled with continuity errors. For instance, Dana is struck by a car and hits the pavement, but her face appears to have been severely burnt after the fact. Also Dana’s broken arm somehow heals faster than her face. Similarly, her stitches don’t lighten up or begin to heal. Later, there’s a scene where she’s tossed haphazardly over a wheelchair, then magically has repositioned herself.
As for clichés, here’s a list of them:
-Creepy scenes accompanied with ear shattering music
-Borderline creeper psychiatrist
-Eric Nilsson is an “angel of mercy” that killed five children then, surprise, killed himself in the same room Dana just happens to be stuck in.
-Hospital has a prior nefarious history and record of poor choices
Steve’s affair
-The dismissal of Dana’s concerns as being a mental issue (though this does have some importance when you consider the current mental health battles, it is hugely overplayed in horror movies without actually addressing the issue itself)
This is just a short compilation of issues I found with the movie. It’s one saving grace really is the type of monster being radically different from what you usually see. I felt Nails, the entity itself, was unique enough to save this movie from a one skull rating. Nonetheless, it could have been a lot better.
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Zuky the BookBum (15 KP) rated Siren in Books
Mar 15, 2018
<b><i>Dont play the hero, Roisin. Make sure you have your back covered. But when the moments right, make your move.</i></b>
This is a bit different to the sorts of thrillers Im used to reading. With a lean towards politics, this feels a little more highbrow than the normal the-boyfriend-did-it kind of books Im used to. I dont know anything about about the Northern Ireland Troubles, so it was interesting to get a glimpse into the history of it in this novel.
I liked our characters in this novel. It was nice to have someone like Boyle in this. Homeless, stinky and a bit of a pervert, yet still kind of likable. Though I felt like his story wasnt told all that well. Roisin was a well built out character and Neary was really good at making us empathise with her the whole way through.
The plot, overall, was good. As some other reviewers have stated, the thrill subsides a little bit towards the middle and end, but I was still interested in knowing what was going to happen to really take much notice at the slowing pace. When were flashbacked to Roisins past, I was initially interested, but then things got a little drawn out. I felt like that section of the novel could have easily been shortened so we could have gotten back to the current day situation and learnt a bit more about Boyle and the Dutchman, but, hey.
One of my issues with this novel was the situation between Roisin and The Dutchman. Considering she was so wary of everything and kept completely to herself, it didnt make much sense to me, that she let herself get so close to The Dutchman and so quickly. That part of the story felt very inaccurate to how it would have really played out, had this been a true story.
The writing in this novel is well done, with good descriptive imagery, believable dialogue and well developed characters. There are quite a number of Irish terms used that Im not used to, but theyre easy to get. A thing not so well done in this novel was the layout. Within each chapter, we are presented with several POVs that arent very well separated. The only suggestion that our character perspective has changed is a paragraph break, but then sometimes there are paragraph breaks that will carry on with the same character as before. Im hoping its only this confusing as Ive received an ARC copy from Netgalley, because if not, its a major flaw in the editing.
Im a bit miffed at the ending, to be honest. It seemed abrupt and it was unsatisfying after all we went through with Roisin and her story.
<i>Thanks to Netgalley and Random House UK, Cornerstone for giving me the opportunity to read this in exchange for an honest review.</i>