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LeftSideCut (3778 KP) rated Orphan:First Kill (2022) in Movies
Oct 12, 2022
The first Orphan is great for many reasons, chief amongst them being the truly infamous and batshit plot twist. Orphan: First Kill then, has some big footsteps to follow, or precede I guess. This prequel is a little worrisome at first. Although it's great to have Esther back on our screens, the first third of First Kill treads some extremely territory. It's entertaining for sure, and the violence may be a bit more savage, but the narrative threatens to be a little rinse-and-repeat. However, I found myself with egg on my face whilst thinking this, when a new, and arguably more batshit plot twist hits in the mid section, and suddenly First Kill commands more respect.
This sharp turn in proceedings ensures that we're being shown something new, an aspect that so many horror sequels seem to glaze over.
Isabelle Fuhrman returns as Esther, and honestly, she is noticeably older even though this is a prequel. However, I can't help but admire the decision to go down this route instead of using CGI. The use of make up and camera tricks do a good job of least ensuring that it doesn't look fake.
Although it doesn't quite hit the heights of the first film, First Kill is still a good time, with one of the most underrated villains of horror, and I for one want more dammit.
This sharp turn in proceedings ensures that we're being shown something new, an aspect that so many horror sequels seem to glaze over.
Isabelle Fuhrman returns as Esther, and honestly, she is noticeably older even though this is a prequel. However, I can't help but admire the decision to go down this route instead of using CGI. The use of make up and camera tricks do a good job of least ensuring that it doesn't look fake.
Although it doesn't quite hit the heights of the first film, First Kill is still a good time, with one of the most underrated villains of horror, and I for one want more dammit.
Gareth von Kallenbach (965 KP) rated Orphan (2009) in Movies
Aug 9, 2019
For the Coleman family the idea of adopting a beautiful little Russian orphan girl is no easy task, having overcome a number of heart breaking obstacles from alcoholism to the loss of a child. But Ester (Isabelle Fuhrman) seems to be a perfect fit for the family; she is independent, clever, and interested in the arts. When a series of dangerous yet untraceable events begin to occur whenever Ester is around, the Coleman’s wonder if their bad luck is over.
When I entered the theater I expected a creepy female version of Damien adorned in a lacey Victorian dress. But “Orphan” was surprising and interesting in ways than I ever could have expected. More like the 2002 film “He Loves Me… He Loves Me Not” than part of the “Omen” series, “Orphan” packs a punch… and a stab and a gunshot or two.
The full-bodied story starts straight from the films shocking beginning. Yes at times the plot does take some significant suspended belief, a recently recovering alcoholic adopting a child, for instance.
But “Orphan” is an emotional roller coaster splicing unexpected comedic moments with stabbing suspense.
The mix of hauntingly familiar music and color filled imagery make this not just another suspense film but a more artistic take on the genre. Film themes range from love, trust, and childhood, to the ongoing questions of good and evil.
Additionally reoccurring use of color, sex, and connection to family are well woven into the film. Not to mention the use of classic horror elements such as the creepy tree house used in conjunction with newer style choices such as some subtitling and scare turned laughter moments.
A thrilling and full-bodied story “Orphan” is a chilling tale with an interesting while not entirely believable plotline. People will talk about this one.
The DVD release offers sharp sound and picture quality and numerous bonus features including an alternate ending to the film.
When I entered the theater I expected a creepy female version of Damien adorned in a lacey Victorian dress. But “Orphan” was surprising and interesting in ways than I ever could have expected. More like the 2002 film “He Loves Me… He Loves Me Not” than part of the “Omen” series, “Orphan” packs a punch… and a stab and a gunshot or two.
The full-bodied story starts straight from the films shocking beginning. Yes at times the plot does take some significant suspended belief, a recently recovering alcoholic adopting a child, for instance.
But “Orphan” is an emotional roller coaster splicing unexpected comedic moments with stabbing suspense.
The mix of hauntingly familiar music and color filled imagery make this not just another suspense film but a more artistic take on the genre. Film themes range from love, trust, and childhood, to the ongoing questions of good and evil.
Additionally reoccurring use of color, sex, and connection to family are well woven into the film. Not to mention the use of classic horror elements such as the creepy tree house used in conjunction with newer style choices such as some subtitling and scare turned laughter moments.
A thrilling and full-bodied story “Orphan” is a chilling tale with an interesting while not entirely believable plotline. People will talk about this one.
The DVD release offers sharp sound and picture quality and numerous bonus features including an alternate ending to the film.