"Yeah, and The Island of Lost Souls is amazing, from 1932 with Charles Laughton as Dr. Moreau. That movie is amazing. That movie’s dark. For anyone who hasn’t seen it, the extras — I mean, even now you watch like, this is really disturbing. The extras are supposed to be the half-man/half-animal people. You can tell they got really bizarre-looking extras before they did the makeup, and everybody looks like they’re deformed and f—ed up. Again, Lugosi plays the leader of the beast men. He’s not in it a lot, but of course he has the line that everybody remembers about the House of Pain: “He who breaks the law goes back to the House of Pain.” He’s in the movie for five minutes and steals the movie. Charles Laughton is incredible. But it’s demented again. The basic premise is a crazy one. They have the beast men and they’re being operated on and just screaming. It’s like, “This is not fun.” You have little kids running out of the theater in tears, or adults. It’s amazing. Still amazing. The cinematography’s amazing. Everything about it is just incredible."

"This reminds me of my dad. He was into liberation drum circles in the Matabele community in Zimbabwe and he worked with people from that community. This is a record from the Ndebele language. Nothembi is an amazing guitarist and it's a rocking album with amazing synths as well. I've been playing this quite a bit over the past year. I almost got to play with her but she didn't turn up. My dad used to listen to Thomas Mapfumo - who supported The Stone Roses at Spoke Island - and I thought this was really funny [at the time] - I should have asked my dad to come along to that gig! My influences for music were more down to my big brother and sister and my mam was into different music again. It's inevitable that you are influenced by people around you. I'd get Anglo-American punk rock and pop music from my brother and sister but my dad wasn't into that; [for him] reggae was acceptable and maybe Welsh language pop. He didn't engage with music to the point where he had influenced my sound whereas my brother and sister's records influenced me directly."

"I’ll give it a shot. “Favorites” questions are my least liked questions because I’ve never been any good at favorites. But I’ll give it a shot. I’ll probably disappoint every fan out there. The ones that stick out as being my favorites, most of them are from when I was young, because movies just meant something different to me when I was a kid than what they mean to me now. They still mean a lot to me, but also it’s, once you start working in the film business, your appreciation shifts. The Neverending Story, without a doubt. I loved that movie. I thought the girl in that was hot. I thought she was so cute. I was like, “I want to be her when I grow up.” Wear a necklace on my forehead and say, “Call my name, Sebastian. Call my name!” I remember, I was living on an island; we didn’t have a movie theater, we just had a town hall. Every now and then they would drop a big sheet and a projection thing. We’d sit on wooden chairs. So, The Neverending Story."