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Madeira Tour & Trail Super-Durable Map
David Brawn and Ros Brawn
Book
New 2015 8th Edition of our Madeira Tour & Trail Map is available in Super-Durable & Paper versions....
Amerzone: The Explorer's Legacy (Universal)
Games and Entertainment
App
Before dying, the explorer Emile Valembois tells you about the most amazing expedition of his...
Phillip McSween (751 KP) rated The King of Staten Island (2020) in Movies
Jan 25, 2021
Incredible
An amateur tattoo artist is forced to grow up when his mom (who he is living with) falls in love with a new boo.
Acting: 10
Beginning: 7
The very first few moments sees main character Scott Carlin (Pete Davidson) driving on the highway with his eyes closed, seemingly trying to off himself. It’s a powerful scene followed quickly by Scott and his friends tripping out with the typical hilarious banter you find in a Judd Apatow movie. While both great scenes, you still don’t get a full sense of where the story is going after the first ten minutes hence the score.
Characters: 10
Cinematography/Visuals: 9
Shot in a memorable style that brings out the best and worst of Staten Island at the same time. Director Apatow has a knack for capturing extremely impactful moments, especially the awkward ones. Every scene, no matter how short makes the most of its time and tells its own story. It’s such a hard thing to do yet Apatow finds a way to do it repeatedly.
Conflict: 10
It’s funny, I can’t look at Scott’s character without thinking about my 16-year-old son. He’s kind of drifting about in the same aimless way and, like Scott, doesn’t seem to understand how his now actions will affect his later. The beauty of having a character like this is the ability to be able to drive external conflict through Scott’s internal growth. He is struggling for selfish reasons. He wants his mom to be happy, but not at his expense. The dynamic of conflict is perfect.
Entertainment Value: 9
Memorability: 10
Pace: 8
The story flows along pretty smoothly, although I wasn’t happy with the 147-minute runtime. That’s a bit extensive for a comedy in my opinion. Again, I was impressed about how time was maximized for the most part, but there were a few spots where I felt things could have been trimmed.
Plot: 7
The movie does cheat to meet its end, but I was ultimately ok with it because the rest of the story was pretty incredible. The cheat is a blip on an otherwise quality story that really enhances the growth of the characters. Every scene really does come together well to tell a great story.
Resolution: 10
Overall: 90
From jump, The King of Staten Island hits you in the mouth and keeps you entertained. I enjoyed this movie for multiple reasons, but mostly because it checks all the boxes. Even the things it falls short on is just slightly missing the mark. Highly recommended.
Acting: 10
Beginning: 7
The very first few moments sees main character Scott Carlin (Pete Davidson) driving on the highway with his eyes closed, seemingly trying to off himself. It’s a powerful scene followed quickly by Scott and his friends tripping out with the typical hilarious banter you find in a Judd Apatow movie. While both great scenes, you still don’t get a full sense of where the story is going after the first ten minutes hence the score.
Characters: 10
Cinematography/Visuals: 9
Shot in a memorable style that brings out the best and worst of Staten Island at the same time. Director Apatow has a knack for capturing extremely impactful moments, especially the awkward ones. Every scene, no matter how short makes the most of its time and tells its own story. It’s such a hard thing to do yet Apatow finds a way to do it repeatedly.
Conflict: 10
It’s funny, I can’t look at Scott’s character without thinking about my 16-year-old son. He’s kind of drifting about in the same aimless way and, like Scott, doesn’t seem to understand how his now actions will affect his later. The beauty of having a character like this is the ability to be able to drive external conflict through Scott’s internal growth. He is struggling for selfish reasons. He wants his mom to be happy, but not at his expense. The dynamic of conflict is perfect.
Entertainment Value: 9
Memorability: 10
Pace: 8
The story flows along pretty smoothly, although I wasn’t happy with the 147-minute runtime. That’s a bit extensive for a comedy in my opinion. Again, I was impressed about how time was maximized for the most part, but there were a few spots where I felt things could have been trimmed.
Plot: 7
The movie does cheat to meet its end, but I was ultimately ok with it because the rest of the story was pretty incredible. The cheat is a blip on an otherwise quality story that really enhances the growth of the characters. Every scene really does come together well to tell a great story.
Resolution: 10
Overall: 90
From jump, The King of Staten Island hits you in the mouth and keeps you entertained. I enjoyed this movie for multiple reasons, but mostly because it checks all the boxes. Even the things it falls short on is just slightly missing the mark. Highly recommended.
Darren (1599 KP) rated Scooby Doo: Return to Zombie Island (2019) in Movies
Sep 16, 2019
Characters – Scooby-Doo and Shaggy have both become tired of solving mysteries, they want the team to stop and get their way, they win the holiday for the gang which sees them going to an old location needing to decide whether to let the group solve the mystery on the island. Fred has sold the Mystery Machine, he is having daytime dreams of it returning to him, where he judges most other vehicles for not being on the same level as his beloved. Daphne is here, though we don’t see anything we haven’t seen before from her, while Velma has a blog showing us just how the character has evolved for the time, which does show the frustration here character has when she can’t solve the mysteries anymore. Most of the new characters are left to feel just here with only Alan the hotel manager and Seaver being properly introduced.
Story – The story here follows the mystery inc gang who get invited back to an old location to solve the mystery from their past, only to find themselves needing to fight cat people once again. The story tries to be self-aware of many of the previous films, which has worked before, but for some reason doesn’t quite click this time. The fact we have seen the evolution of Velma and not the rest of the characters disappoints, which also seems to play along the idea of being a film within a film, that just again puts too much wink, wink, nudge, nudge to the audience. If you are a Scooby Doo fan, this story is everything you need, even if it does have a couple of flaws along the way.
Adventure/Comedy – The adventure does see the gang return to one of their most famous locations, which is different to much of what we have seen before, while the comedy does land in a couple of places very well.
Settings – The film does take the gang back to Moonscar island to face a new host of enemies in one of the most famous locations.
Animation – This does have the typical animation you are used to seeing for the Scooby Doo movies, it never lets down and works for the slapstick side of things.
Scene of the Movie – The big jump.
That Moment That Annoyed Me – Daphne is almost just painted background character.
Final Thoughts – This isn’t the best Scooby Doo animated movie, it disappoints in a lot of places with how it handles certain decisions in the story and too many wink wink nudge nudge moments.
Overall: Basic Scooby Doo.
Story – The story here follows the mystery inc gang who get invited back to an old location to solve the mystery from their past, only to find themselves needing to fight cat people once again. The story tries to be self-aware of many of the previous films, which has worked before, but for some reason doesn’t quite click this time. The fact we have seen the evolution of Velma and not the rest of the characters disappoints, which also seems to play along the idea of being a film within a film, that just again puts too much wink, wink, nudge, nudge to the audience. If you are a Scooby Doo fan, this story is everything you need, even if it does have a couple of flaws along the way.
Adventure/Comedy – The adventure does see the gang return to one of their most famous locations, which is different to much of what we have seen before, while the comedy does land in a couple of places very well.
Settings – The film does take the gang back to Moonscar island to face a new host of enemies in one of the most famous locations.
Animation – This does have the typical animation you are used to seeing for the Scooby Doo movies, it never lets down and works for the slapstick side of things.
Scene of the Movie – The big jump.
That Moment That Annoyed Me – Daphne is almost just painted background character.
Final Thoughts – This isn’t the best Scooby Doo animated movie, it disappoints in a lot of places with how it handles certain decisions in the story and too many wink wink nudge nudge moments.
Overall: Basic Scooby Doo.
Arabian Nights Volume One
7.0
Rate It
Book
Please note this drama contains some explicit content. This multicast dramatisation of Arabian...
Bullseye - TV Gameshow and Darts
Games and Entertainment
App
*************************************************** * Bullseye - The Official Gameshow App * ...
Pearl's Peril
Games
6.0
Rate It
App
PLAY THE PERFECT HIDDEN OBJECT GAME TODAY Rediscover love, mystery, romance and grand adventure...
Angry Birds Transformers
Games
App
Angry Birds and Transformers collide in this action-packed, 3D shoot ‘em up adventure! The...
LeftSideCut (3776 KP) rated Midnight Mass in TV
Nov 11, 2021
It's a rare thing indeed that I'm left in stunned silence when the credits start to to roll. Midnight Mass was one of those occasions (actually, due to its episodic format, this happened more than once)
This limited series is pretty much perfect in every way. For starters, every single piece of dialogue feels important. There are plenty of lengthy moments of talking, and most of these scenes are completely engaging, dripping with character development. In fact, every character we see throughout the show is given just the right amount of backstory, and I found myself profusely invested in all of them. The way these characters are crafted lead to a plethora of emotional moments. By the time the final scene rolls around, I was exhausted, but in a good and wholly fulfilling way.
The narrative in wonderfully paced. The horror element is present from the start, but is subtle to begin with, focusing on the island setting and the people that live there. The mysteries of the plot are drip fed and intriguing. When the twist and turns start to hit, it gives way to an unsettling horror-thriller with religion right at the centre. I'm a sucker for religious horror, and Midnight Mass is surely the new reigning champion of this particular sub genre. The way that this small island town finds themselves in the grip of a "full blown religious revival" as one of the characters puts it, manages to feel miraculous, warming, and eventually terrifying, all at once. Spearheading said revival is Father Paul, one of the most charismatic bastards ever commited to screen, and portrayed with aplomb by Hamish Linklater. He chews up every scene he is in and delivers some staggering monologues. His right hand, Bev Keane, is another highlight. Samantha Sloyan gives us hugely contemptible antagonist. The whole cast is nothing short of excellent, but these two in particular steal the whole show.
On top of all of this, every episode is shot beautifully. It's stunning to look at from start to finish. The music score is fantastic as well, especially the hymns. The use of them leads to some overwhelmingly powerful moments (especially in the final episode), and all of these positives combined result in a bonafide masterpiece.
It's clear that this was a passion project for Mike Flanagan in the way that it's so lovingly put together. He just keeps proving himself over and over again, and I can't give enough praise to both him, and Midnight Mass, and he's one of a fair few modern directors that ensure that the future of horror is bright indeed.
This limited series is pretty much perfect in every way. For starters, every single piece of dialogue feels important. There are plenty of lengthy moments of talking, and most of these scenes are completely engaging, dripping with character development. In fact, every character we see throughout the show is given just the right amount of backstory, and I found myself profusely invested in all of them. The way these characters are crafted lead to a plethora of emotional moments. By the time the final scene rolls around, I was exhausted, but in a good and wholly fulfilling way.
The narrative in wonderfully paced. The horror element is present from the start, but is subtle to begin with, focusing on the island setting and the people that live there. The mysteries of the plot are drip fed and intriguing. When the twist and turns start to hit, it gives way to an unsettling horror-thriller with religion right at the centre. I'm a sucker for religious horror, and Midnight Mass is surely the new reigning champion of this particular sub genre. The way that this small island town finds themselves in the grip of a "full blown religious revival" as one of the characters puts it, manages to feel miraculous, warming, and eventually terrifying, all at once. Spearheading said revival is Father Paul, one of the most charismatic bastards ever commited to screen, and portrayed with aplomb by Hamish Linklater. He chews up every scene he is in and delivers some staggering monologues. His right hand, Bev Keane, is another highlight. Samantha Sloyan gives us hugely contemptible antagonist. The whole cast is nothing short of excellent, but these two in particular steal the whole show.
On top of all of this, every episode is shot beautifully. It's stunning to look at from start to finish. The music score is fantastic as well, especially the hymns. The use of them leads to some overwhelmingly powerful moments (especially in the final episode), and all of these positives combined result in a bonafide masterpiece.
It's clear that this was a passion project for Mike Flanagan in the way that it's so lovingly put together. He just keeps proving himself over and over again, and I can't give enough praise to both him, and Midnight Mass, and he's one of a fair few modern directors that ensure that the future of horror is bright indeed.